Heartbreaking Bravery

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Tag: Tuff Sunshine

Dusk – Too Sweet (Music Video)

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Capping off tonight’s run of the best music videos of the past few months is Dusk— one of the year’s best new bands– with 2015 highlight “Too Sweet“. Over the course of the past 10 years of my life, I’ve been fortunate enough to meet most of Dusk’s members and share bills with their bands. The most notable of these directly affiliated bands is Tenement, a band I’ve written about on this site in great detail thanks to their key role in my artistic and personal development. As a kid who was just figuring out how to play guitar, I remember stepping foot into The BFG (a DIY punk house venue that the band used to run) and being overwhelmed by the sheer amount of records that the house had amassed, each showing the residents’ eclectic tastes.

I’d later come to find that a bulk of these belonged to Tenement guitarist/vocalist (and Dusk bassist) Amos Pitsch, who had a penchant for old soul and country records from the likes of artists like Sam Cooke and The Louvin Brothers. Those influences would gradually present themselves in subtle ways on Tenement songs (which have been erring closer to the band’s jazz influences) but they’d never featured as prominently as they do with Dusk, who also seem to share a very serious kinship with acts like The Band. After coming out of the gate with “(Do the) Bored Recluse“, the band followed up with “Too Sweet” arriving perfectly at a marriage between classic country and classic soul without ever sounding remotely inauthentic.

That sense of authenticity, the complete rejection of cheap revivalism, is evidenced again in the song’s Finn Bjornerud-directed music video, which simply features the band playing the song in an average living room (like their affiliates, Dusk has a tendency to find the beauty in the everyday rather than try to capture grandeur or bombast). A few striking compositions are spliced in here and there– including an absolutely gorgeous silhouette shot of a soft-lit Ryley Crowe playing pedal steel and a beautiful final group shot cleverly framed by an archway– but more often than not, the clip opts to celebrate the communal act of playing music surrounded by people you love.

Led by Julia Blair’s attention-ensuring crooning, a cavalcade of impressive backing vocal harmonies, and committed performances from all the featured players, “Too Sweet” feels like more than just a music video, it skews closer to a mission statement; celebrate the things you have and strive to elevate the people around you. Defiantly honorable to the end, “Too Sweet” is the most perfect encapsulation of Dusk to date and suggests that the band, thankfully, is only just getting started.

Watch “Too Sweet” below, pick up a copy of the 7″ here, and explore a list of some of the best music videos of the past few months underneath the embed.

Bing & Ruth – Broad Channel
Summer Twins – Ouija
Total Makeover – Self-Destructive
Francis – Follow Me Home
EL VY – No Time to Crank the Sun
Half Japanese – That Is That
James Clark Hangover – Maria
Oscar – Breaking My Phone
Wray – Hypatia
NZCA Lines – Persephone Dreams
Overlake – Travelogue
Rah Rah – Be Your Man
Paul Bergmann – You May Never Know
Pink Lung  – Chinese Watermelons
Laura Stevenson – Jellyfish
Ben Millburn – Don’t You Wait
Big Harp – DIEV
Busdriver – Much
Erica Glyn – The Killing Moon
Neonderthal – The Ride
Jackson Boone – Runaway
Freddie Gibbs – Fuckin’ Up the Count
Lowly – S.W.I.M.
Joey Kneiser – The Wilderness
Tuff Sunshine – Fire in the Hero Building
The Rashita Joneses – White Wave
The Goon Sax – Sometimes Accidentally
Kenrick Lamar – These Walls (ft. Bilal, Anna Wise, and Thundercat)

Eskimeaux – Broken Necks (Music Video)

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I don’t know how this site has gone 650 posts without ever giving a headline slot to Eskimeaux, whose phenomenal 2015 effort– the coyly titled O.K. has been in near-constant rotation over the course of the past few months.  Gabrielle Smith’s Epoch project has appeared on this site a handful of times and even led off the recently published fall mix. Sooner or later something was bound to crack the feature-less streak and today it arrived in the form of a casually brilliant music video. While the medium did have a fairly strong week, it was the clip for “Broken Necks” that wound up here for reasons that skewed both objective and subjective.

Objectively, it’s a work of technical brilliance from House of Nod, who continue to impress while operating on an exceptionally high tier. Crisp editing (the stop motion is particularly enjoyable), gorgeous visuals, measured pacing, & committed performances all heighten an intentionally loose narrative that capitalizes on the song’s curious exuberance while still carving out space for its inherent bleakness (something that’s punctuated by Smith’s surprisingly capable deadpan moments). Accentuating that whimsicality are the several mini-sequences that play out like gifs, a move that could have proven too twee had it not been effectively balanced out by some astoundingly graceful long shots.

On the subjective side of things, this is a video that illustrates several of the things I love about the place I’ve come to call home for a little over a season. As run-down as it can seem, New York City (and especially Brooklyn) readily facilitates art. It’s evident in everything from the structural layout of the buildings to the graffiti that adorns their walls. For the lack of a better term, there is a strange sort of magic that the area carries, something that’s been heightened by its residents. A lot of the locations that were used in this video have come to have very significant meaning to me and I consider myself fortunate to know a handful of the people involved in the project on both sides of the lens. In that sense, not only does it succeed on its basic functions but it also operates as a living document of a specific place in time.

With all of the reasons listed above infused into one 207-second presentation, “Broken Necks” can’t help but feel (almost excessively) vibrant. It’s the perfect companion piece for O.K.‘s dueling emotional modes and a strong showcase for both Eskimeaux and House of Nod. By virtue of being so thrillingly alive and refreshingly original, “Broken Necks” surpasses merely being notable and draws closer to being unforgettable. A charming and remarkably endearing showcase of wit, composition, and genuine talent, it deserves as many views as possible.

Watch “Broken Necks” below and pick up a copy of O.K. from site favorites Double Double Whammy here. Beneath the music video watch a live performance of the song. Underneath both clips, explore a list of other great music videos to find release this week.

Puppy Problems – Daisy
Hethers – Guiding Light
J Fernandez – Between the Channels
Tuff Sunshine – Dreamin
Magnet School – British Monuments
Dogs In Ecstasy – Do Me Ronnie
Beliefs – 1992
Bully – Too Tough
No Joy – Judith
Ricked Wicky – Poor Substitute
Moby & The Void Pacific Choir – The Light Is Clear In My Eyes
Sarah Bethe Nelson – Fast Moving Clouds
Other Lives – Easy Way Out
Algiers – And When You Fall
Samson the Truest – Afterall
Mal Blum – Robert Frost
Math the Band the Band – Didn’t Have Time to Think
Destruction Unit – Salvation
Idles – The Idles Chant

Saintseneca – River (Music Video)

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Yesterday’s post covered a lot of music video content from the past few weeks and this one expands where that one left off, touching on the remainder of that content. As was the case in that post, a list of titles will be included underneath this post’s featured video: Saintseneca‘s “River”. With the release of Such Things rapidly approaching, the band’s in mid-swing as far as their rollout campaign is concerned- and while the momentum they’re building is drawing to its inevitable conclusion as a knockout blow, it’s worth taking a moment to appreciate the finesse in the execution of the arc. “River”, as a clip, is a particularly graceful moment that allows the band to slip in a meta-narrative about the band’s personal growth.

Going back to a DIY visual aesthetic reminiscent of old VHS movies and evoking a strong sense of nostalgia, “River” also features a lot of subjects in perpetual motion. Largely comprised of BMX and skateboard footage, the clip subtly hints at the larger looming thematic elements of the record that Zac Little exhaustively detailed in an interview with Stereogum. It’s a simple clip that acts more as meditation than as story and it’s oddly elegant, underscoring the band’s newfound rough-hewn spikiness. Gnarled and beautiful, it’s an effective piece of work that stands out as one of the year’s more deceptively thoughtful clips. Now bust out a bike or a skateboard and take advantage of the weather while it’s still nice.

Watch “River” below and pre-order Such Things from ANTI- ahead of its release here. Below the video explore a few of the format’s more memorable entries from the past two weeks.

Ought – Sun’s Coming Down
Sleepy Hahas – Deep River
Bad Bad Hats – Shame
Tuff Sunshine – Rattlin’ Man
PWR BTTM – 1994
Diet Cig – Sleep Talk
Surrender the Spirit – Control
Deerhunter – Breaker
Wavves – Way Too Much
Woolen Men – Temporary Monument
Cuntz – Nah Man
Society – Protocol
Speedy Ortiz – Swell Content
Toro Y Moi – Half Dome
The Miami Dolphins – Drooling
Salad Boys – First Eight
Allison Weiss – Who Are We
PUJOL – Sleepy Doni
Baroness – Chlorine & Wine
Inheaven – Bitter Town
The Stavves – Steady
Yassou – To Sink
Shelf Life – Sinking Just Right
Fort Lean – Might’ve Misheard
Dam Gila – History
Kafka Tamura – Lullabies
Hammock – Blankets of Night