Heartbreaking Bravery

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Tag: Tropic of Cancer

Watch This: Vol. 88

87 entries in and still going strong, Watch This- the weekly series dedicated to celebrating some of the week’s finest performance clips- has become one of this site’s definitive markers. Great performances are given every day, all over the world, and a few of them have the good fortune of being caught on film- a handful of those are presented in startlingly beautiful ways. Every week, five of those artists’ performance get featured here, while a handful of impressive efforts get highlights as well. This week, those highlights included performances from Jeff Rosenstock, Calexico, Paul Weller, Tedo Stone, Dead Stars, toyGuitar, and Laser Background. Nearly every artist in this 88th installment has been featured on Watch This before, which continues a nearly unprecedented run of inclusions for both Courtney Barnett and Girlpool. Diet Cig officially cements their spot as a staple of the series and KEXP houses another impressive full session. It’s a lot to take in, so, as always, sit up, adjust the volume, lean in, and Watch This.

1.Built to Spill (KEXP)

Doug Martsch and his band of ragtag misfits crafted one of this year’s more unexpectedly stunning records in Untethered Moon, Built To Spill’s strongest collection of songs in over a decade. KEXP recently brought the band in for a session that emphasized the singular energy that helped make Untethered Moon so compelling. Long regarded as one of the best live acts on the circuit, the band proves they’ve earner their status over an impressive four song set. It’s a strong reminder of the talent of a band that seems content to keep pushing themselves for as long as they possibly can.

2. Diet Cig – Pool Boyz + Scene Sick (Out of Town Films)

Ever since Over Easy came out towards the start of the year, Diet Cig has been making regular appearances on Watch This thanks in part to not only that collection’s strength but to the uninhibited joy the duo exude when they perform.  As great as those clips have been, Out of Town Films adds a visual panache that elevates this particular session to one Diet Cig’s brightest moments. There’s a manic energy, guitarist/vocalist’s Alex Luciano’s mischievous smile, jumping bean antics, and Noah Bowman’s committed energy. The fact that the whole thing is capped off with a high-five feels beyond perfect. Carefree, irreverent, and ridiculously entertaining, this is a definitive presentation of a site favorite.

3. Courtney Barnett – Pedestrian at Best + Elevator Operator (Pitchfork)

At this point, it’s entirely possible that no one has made as many Watch This lists as Courtney Barnett. Still riding high on the wave of acclaim that Sometimes I Sit And Think, And Sometimes I Just Sit has built, combined with relentless touring, has landed Barnett in a coveted position that’s secured the songwriter a murderer’s row of outlets that create great live clips. Of course, it helps that Barnett’s a preternaturally gifted performer. Barnett recently delivered a characteristically blistering performance at Pitchfork and the site’s uploaded two performances, “Pedestrian At Best” and “Elevator Operator”, in kind.

4. Parquet Courts – Uncast Shadow of A Southern Myth + Content Nausea (Pitchfork)

Back when some of Parquet Courts were in Teenage Cool Kids, they’d frequently show up for shows in Milwaukee basements and deliver the kind of shambolic performances that’d eventually earn Parquet Courts no shortage of celebratory praise. Since those days, it’s an approach that’s been honed, refined over time, and brought dangerously close to perfection. In yet another strong pairing of fiery performances from Pitchfork, the band ambles through “Uncast Shadow of a Southern Myth” (which was originally a Teenage Cool Kids song) and “Content Nausea” with a wiry, deadpan verve.

5. Girlpool – Crowded Stranger (Sofar Sounds)

If Courtney Barnett’s leading the number of Watch This inclusions, Girlpool likely isn’t too far behind. Having just seen the duo deliver arresting performances at both Baby’s All Right and as a secret headliner at DBTS (a gallery of which will be going up soon), the way the duo commands attention on film is maximized in person- but the best clips come close to capturing that prevailing sense of awe that so often accompanies the live experience. Here, the duo performs “Crowded Stanger”- one of 2015’s more chill-inducing songs- in front of Sofar Sounds’ lenses to a hushed crowd in a London room. It’s a breathtaking rendition that reaffirms the songwriters’ inherent charisma and innate ability, providing another layer of definitive proof that Girlpool are one of today’s most formidable acts.

Beliefs – Tidal Wave (Music Video)

beliefs

Now, despite all the content that’s already gone up tonight, there’s still a lot that went down over the past week and a half while the site was dealing with technical complications. To that end, the approach in coverage is going to be slightly different this time around. Full streams, single streams, and music videos will all be covered- but they’ll be branched off into categories. Each entry will get a line or two and then when everything’s been accounted for, there’ll be a feature spot granted to Beliefs’ ridiculously entertaining clip for “Tidal Wave”. So, without further ado…

SINGLE STREAMS

Pet Cemetery – Giants: The newest near-perfect post-punk entry into Art Is Hard’s perfect Pizza Club series. | Deer Tick – White Havoc: A fuzzed-out Holiday stomper courtesy of one of today’s more intriguing acts. | Sun Hotel – Tropic of Cancer: An incredibly compelling and slightly damaged folk-leaning exploration. | Abi Reimold – Workshop: A folksy DIY pop masterpiece that doubles as a perfect contribution to a great compilation series. | The Soft Moon – Black: Nightmarishly menacing ambient music that tilts into industrial territory. | Sleater-Kinney – Surface Envy: Video game guitar lines. Corin Tucker’s vocals. Total madness. Sleater-Kinney is back. | Victoria+Jean – Holly: Seductive art-pop that flirts with expectations and capitalizes on tension. | Menace Beach – Blue Eye: An ambient noise exercise that only gains intrigue as it quietly builds towards its finish. | Deerhoof – Exit Only (Perfect Pussy Remix): A terrifying reimagining of an already terrifying song, courtesy of Shaun Sutkus. | Moon Duo – Animal: Menacing and minimal psych-punk that isn’t afraid to bare its fangs. | Grand Vapids – Aubade: Indie pop that isn’t afraid to subvert or challenge aesthetic expectations. | Howlin’ Rain – Wild Bush: A pastoral folk throwback jam that wears its influences proudly on its sleeve. | California X – Red Planet: Another triumphant, scorched-earth preview of what looks to be a career-best effort. | The Sidekicks – Jesus Christ Supermalls: Subtle, stunning, and lovely. The Sidekicks‘ finest work to date. | Seagulls – Swimmin’: Unbelievably winsome and completely enchanting folk-centric indie pop. | Elephant Micah – Slow Time Vultures: Gently gorgeous and effortlessly arresting ambient folk reminiscent of Vic Chesnutt. | Future of What – Daydream 99: Boldly stylish indie pop that crafts its own brand of magic. |

FULL STREAMS

The Goodbye Party – Silver Blues:  The latest DIY punk-pop gem to grace the impossibly reliable Salinas roster. | Littler – Get A Life: Relentlessly propulsive weirdo punk. | Bonny Doon – Fred’s House Demo: An impossibly overlooked (and impossibly great) folk-tinted basement pop masterpiece. | School ’94 – Like You: Graceful indie pop with gargantuan scope that still manages to come across as refreshingly breezy. | Forth Wanderers – Tough Love: Defiant and subtly venomous basement pop with an unbelievable amount of inherent charm. | SUSAN – Just Call It: Surf-indebted basement pop with enough punk bite to please a purist. | Githead – Waiting For A SignLeftifeld post-punk and new wave from a quasi-supergroup that features members of Wire, Compact, and Scanner. | Furnsss – Silent Gold: Deranged slacker punk and basement pop for the actively lethargic. | Thelma & The Sleaze – Heart Like A Fist: Incendiary basement punk with a heaping of 80’s hardcore influence. | Cave People – Older: Treble-heavy basement pop that leans towards sentiment and presents a genuinely memorable vision. | Terrorista – Purple Tape: Hard-charging basement punk that thrives on the notion that everything could fall apart at any second.

MUSIC VIDEOS

Young Statues – Run The River Dry: Visually stunning and endlessly intriguing, “Run The River Dry” shines a bright light on Young Statues’ promising future in the visual format. | Christian Lee Hutson – Late November: A simple concept that becomes a wrenching experience as it transforms into something inexplicably moving. | Flashlight O – TV Time: Staunchly DIY and weirdly hypnotic in its collage-heavy presentation. | Highway Cross – Open Eyes: Furiously paced and brilliantly edited, this is a perfect example of how emphasizing details can pay off in unexpectedly huge ways. | Luluc – Tangled Heart: Beautifully arranged and enhanced with simple, creative effects, “Tangled Heart” winds up feeling like something worth treasuring. | Johnny Marr – Dynamo: The iconic guitarist has always had a visual flair but those tendencies reach new, modern heights with this clip. | Run The Jewels – Oh My Darling (Don’t Cry): Like the group, this is a video driven by outsize personality- it’s unabashedly weird and it’s absolutely glorious. | Bass Drum of Death – For Blood: Bikers and gangs collide in deliriously entertaining fashion throughout this brilliantly executed tracking shot clip. | Blonde Redhead – Dripping: A sensual and highly stylized video that wields atmospherics and soft touches to stunning effect. | Communions – Love Stands Still: Classically composed and unwaveringly endearing; a perfect reflection of Communions’ indie pop. | A Place To Bury Strangers – Straight: A hallucinatory collage of striking imagery backed by one of the band’s most insistent songs to date. | Liars – Mask Maker (Extended Version): Characteristically bizarre and replete with a whole mess of yarn. | Tinkerbelles – When Puppies Cry: Extraordinarily damaged basement punk made weirder by one of the most insanely warped clips of 2014.

TIDAL WAVE

Okay, so the bold font probably wasn’t necessary but it’s late- and this is a really great video. Beliefs first gained an uptick in notoriety when they paired with the similarly-minded Greys for one of 2013’s best splits. Since then, they’ve been on a tear, steadily building a name for themselves on the strength of their powerful new material and formidable live show. If “Tidal Wave” is any indication, they may be able to add great music videos to that list as well. While it mostly finds inspiration in the trends of classic clips from the 80’s and 90’s there’s a certain playfulness here that’s missing from a lot of homage-style videos. That playfulness comes to a head nearly halfway through when they manage to seamlessly work in something genuinely unexpected and ridiculously perfect. It’s too good of a moment to spoil completely but it’s also one of the more endearingly appreciative moments of recent memory. By the time all the effects have worn down and “Tidal Wave” reaches its tongue-in-cheek epilogue, it becomes abundantly clear that this band has big things in mind for Leaper (the forthcoming album “Tidal Wave” is taken from) and for themselves. Beliefs aren’t a band intent to keep quiet and if they keep going at the pace they are, we’re all in for one hell of a ride.

Watch “Tidal Wave” below and pick up Leaper from Hand Drawn Dracula as soon as it’s available.