Heartbreaking Bravery

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Tag: Totally Mild

Watch This: Vol. 129

Hello and welcome to the 129th installment of Watch This. Just like the previous 128 entries in this series, this volume will focus on the finest live performance videos to be released in a set time frame (this time around being the normal version: this singular, immediate week).  As is usually the case, there was quite a bit of material to sift through that included strong showings from the likes of Margaret Glaspy, Antiphons, The Tallest Man On Earth, Ty Segall & Cory Hanson, Day Wave, Whitney Rose, Beach Slang, Naked Naps, Seratones, Amber Arcades, Hannah Georgas, Boogarins, Alessio Bax, Zach Puls, Totally Mild, Chick Corea & Gary Burton, Venus II, Dream On Nilsson, Dolfish, Dr. Dog, and Bowerbirds. A lot of gems can be found by exploring that list just as the five featured clips offer up an arsenal of astonishing talent on both sides of the camera. So, as always, kick back, crank the volume, get prepared, and Watch This.

1. Bully (Bonnaroo)

After purring out one of last year’s finest records, Bully have been hitting both the road and the festival circuit with staggering force. Feels Like, the record that spawned an extremely promising career, conjured up enough momentum that the band’s carried it to what’s essentially a victory lap. Fortunately for everyone, they’re playing their shows as if they still need to be the first to cross some unseen finish line.

2. Fruit + Flowers – Drug Tax (BreakThruRadio)

For well over a year, Fruit + Flowers have been drawing near to the cusp of becoming a breakout band and in that time, they’ve sharpened their live show to a fine point. That dedication shows in this steely-eyed performance of “Drug Tax” the band delivered for BreakThruRadio, tapping into the kind of fiery determination that a bigger scale — a scale that they deserve — necessitates. Expect to be hearing their name more at some point in the near future.

3. The She’s (PressureDrop.tv)

For as much as it gets featured on this site, the fact remains: good, carefree basement pop — the kind that comes equipped with a band’s singular identity — is surprisingly hard to create. Since they formed, The She’s have been working resiliently to perfect both their approach and that very niche genre. This inspired full session for PressureDrop.tv shows that they’re as close to achieving that goal as anyone.

4. SAVAK – Reaction (BreakThruRadio)

Session musicians are frequently overlooked despite being the backbone of the recording industry. SAVAK is a supergroup of relatively unheralded background players whose cumulative credits include roles in Obits, Holy Fuck, Ted Leo & The Pharmacists, The Cops, Nation of Ulysses, and more. Apart from their former projects and united under one flag, they’ve clicked and transformed into a wrecking crew. This run through “Reaction” is proof.

5. The Thermals (KEXP)

Very few bands boast a discography as absurdly strong as The Thermals, one that’s highlighted by The Body, The Blood, The Machine (which itself is one of the finest records of the past 16 years), yet they’ve managed to retain a nearly unparalleled drive that’s constantly reflected in their work. The band’s live show is when that aspect evolves from an endearing trait to an unavoidable reality. KEXP recently hosted the band (with the very welcome addition of Summer Cannibals‘ Jessica Boudreaux) in their studios and filmed them ripping through some highlights of their most recent effort, We Disappear. A loving document of one of the great DIY-leaning punk acts, it more than earned its spot on this list. Enjoy.

Watch This: Vol. 101

[EDITOR’S NOTE: Due to the nature of these upcoming posts, a truncated version of this introductory paragraph will be appearing over the next several installments of this series.] It’s been quite some time since the 100th edition of Watch This went up on this site. There have been a lot of factors going into the extended interim but, as usual, a focal point of that absence was to make sure the preparation work was kept up to date. A lot of extraordinary live videos have come out since then and to make this point abundantly clear, here’s a list of artists responsible for performances that didn’t quite make it into the featured five slots over the course of the past handful of weeks: Ride (x2), Josh Ritter (x2), Radkey, Marrow, Seratones, Hooton Tennis Club, Kurt Vile (x2), Indian Askin, Amason, Eden Mulholland, Bobby Bare Jr. (x2), Hanna Asbrook, Lucy & La Mer, Lee Corey Oswald (x2), Wastrels, The Cairo Gang, Wild Ones, Martin Courtney (x2), Small Black, Timeshares, Shopping (x2), The Jacques, Mac McCaughan & the Non-Believers, Raw Pony, Andrew Bird, Air Waves, Izzy True (x2), The Tallest Man On Earth, Elliot Moss, Hemming, Titus Andronicus, Kagoule, Django Django, Summer Cannibals, Lost Lander, Emilie & Ogden, Denai Moore, EL VY, Purple 7, John Grant, Caleb and Carolyn, Fraser A. GormanThe Besnard Lakes, Charly Bliss, Delta Spirit, Joanna Newsom, Oaks, Kevin Garrett, Brilliant Beast, Blitzen Trapper, The Saturday Tea, Other Lives, Rayland Baxter, Low, Speedy Ortiz, Chilly Gonzalez, Murder Shoes, Ava Luna, bAd bAd, Oberhofer (x2), Aye Nako, Jason Isbell, Superbee, Deerhunter, The Ghost Ease, Oscar, Rachel Goodrich, Small Feet, Lucero, Totally Mild, Ukryte Zalety Systemu, Soda Bomb, Jens Kuross, Caspian, Boytoy, Duncan Sheik, PISTA, Slim Twig, Shamir, Contrails, King Gizzard & The Lizard Wizard, Courtney Barnett, The Chameleons Vox, Vundabar, Vagabon, Craig Finn, and Soda Shop. Based on the strength of those clips, it’s probably unsurprising that some of the year’s best live captures have also surfaced in that time. Full sessions, single song performances, DIY videos, and impressive turn-ins from radio stations abound. So, as always, sit back, adjust the setting, crank the volume, focus up, and Watch This.

1. Eskimeaux (Audiotree)

No record in 2015 has hit me as hard and as consistently as O.K.,  a deeply felt masterpiece from Eskimeaux. A record I’d liked upon first listen and warmed to progressively over time, it wasn’t until I saw those songs played live that everything seemed to click. Audiotree was fortunate enough to have the band in for a recent session and wound up with what may come to be regarded as the definitive live recording of this era of the band. The performances are uniformly strong and the songs remain spectacular. Simply put: this is unmissable.

2. Julien Baker – Sprained Ankle (BreakThruRadio) 

Likely the only 2015 record to rival O.K.‘s emotional impact is Julien Baker‘s arresting breakout effort Sprained Ankle. With a title track that easily ranks among the year’s finest songs, Baker’s latched onto something genuinely captivating. It’s myriad strengths were emphasized with a gorgeous music video and are once again brought to the fore with this painfully gorgeous live performance. It’s a triumph for one of music’s most promising emerging talents.

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3. Slothrust (Jam in the Van)

In a manner not too dissimilar from Eskimeaux, Slothrust was another band that sold me further on material I’d already liked via the strength of their live show, It’s not surprising, then, that their session for Jam in the Van winds up being one of that series’s strongest entries in months. Topping everything off is a typically strong take on “Crockpot”, which continues to stand as one of the strongest songs of recent memory.

4. Torres – Strange Hellos (Hooke Audio)

Has anyone appeared more times on Watch This throughout the course of 2015 than Torres? Mackenzie Scott’s project continues to turn in spellbinding performances at an alarming rate but, even with that being the case, this version of “Strange Hellos” manages to stand out. Shot as part of Hooke Audio’s live sessions series that challenges artist to re-interpret their material, “Strange Hellos” gets transformed into a jaw-dropping ambient number that may wield even more of a punch than the studio version. It’s a startling reminder of Sprinter‘s most powerful moments.

5. Girlpool (Pressure Drop)

If anyone’s appeared on the 2015 run of Watch This as many (or more) times than Torres, it’s site favorites Girlpool. Harmony Lebel-Tividad and Cleo Tucker put together one hell of a run this year, highlighted by their extraordinary full-length debut Before The World Was Big. In a nine-song session, the duo makes their way through the majority of that record and “Soup”, one of the new numbers they’ve been road-testing on their last few tours. As ever, the performances are assured and showcase the near telepathic connection the band’s developed over the past few years. They’re an act that seems poised to get stronger as they go, which is more than a little impressive considering they’re already one of the best bands currently making music- and this Pressure Drop session serves as proof.

Saintseneca – Sleeper Hold (Stream, Live Video)

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Now that we’re nearing the final quarter of the year, the already-stacked release schedules are starting to get even more dense as a lot of bands and labels make power play bids for album of the year consideration. One of the titles slated for that wave of new material is Saintseneca‘s just-announced Such Things, an announcement which came with an accompanying single: “Sleeper Hold”. Before getting around to that song, though, it’s worth taking a step back to cover a handful of other notable releases that are well worth your attention.

For single streams, there was Dogs On Acid‘s shape-shifting “Ideal Decanter“, Atlantic Thrills’ surf-indebted (and retro-leaning) basement pop highlight “Bed Bugs“, Connie Constance’s glitchy, slow-burning “Euphoric“, Orchid Mantis’ tantalizing “It Was Gone“, and Century Thief’s slowly unfurling “Pillar“. Additionally, there were outstanding new songs from the likes of Swings, Funeral Advantage, Promised Land Sound, King Gizzard & The Lizard Wizard, and Sea Lion. Full streams, while not even close to matching the numbers of the single streams, unearthed one of the year’s best albums in Pleasure LeftistsThe Woods of Heaven and another beautiful full-length in Totally Mild’s Down Time. Sleepy’s extraordinary self-titled EP (another potential year-end contender) rounded the category out with style. Two music videos- Ali Barter’s “Hypercolour” and Valley Maker’s “Only Friend“- made sure that the visual format was very well represented.

Back to the feature: Saintseneca’s latest, “Sleeper Hold”, an even punchier take on the band’s Appalachian folk than anything found on their last record, the exemplary Dark Arc. Having just seen the band take apart Baby’s All Right a little over a week ago, the new material that was played live has been resonating for a short while. “Sleeper Hold”, the lead-off single to the band’s forthcoming Such Things, capitalizes on that resonance by virtue of strength and polish. Immediately employing the under-utilized and extremely effective dynamic of a back-and-forth vocal lead between the band’s two primary voices (those of Zac Little and Maryn Jones), “Sleeper Hold” strikes a refreshingly bold look for the band.

All of the hallmarks that made their previous work so compelling are still firmly in tact, from the smart compositions to Little’s twisted, hyper-literary wordplay. Some of the surprising amount of weight to be found on “Sleeper Hold” is due to the conceptual design of Such Things, which largely grapples with the purposefulness of existence. “Sleeper Hold”, in particular, is about the designs of perception and consciousness. For such heavy material, the music itself is impossibly light, buoyant, and deceptively carefree. Every element of “Sleeper Hold” works incredibly well and reaffirms Saintseneca’s status as one of today’s finest acts. Propulsive, smart, and irresistible, “Sleeper Hold” is the perfectly crafted warning shot of what promises to be one of this year’s finest albums.    

Listen to “Sleeper Hold” below and pre-order Such Things from ANTI- ahead of its release date here. Underneath the player, watch a recent video of the band performing the song at Baby’s All Right.