Heartbreaking Bravery

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Tag: Tiny Desk Session

Watch This: Vol. 140

As was mentioned in the preceding post, the amount of praise-worthy live clips that were released last week were staggering. RaktaClique, L.A. Witch, Ausmuteants, Adryn, Nina Diaz, Alice Phoebe Lou, and Half Waif were all responsible for impressive entries while the five featured spots below all were claimed by outstanding full sessions. Every single one of these five artists have made a prior appearance on Watch This but the range of their music is surprisingly expansive and contain unknown depths worth meticulously exploring. So, as always, sit back, adjust the settings, relax, block out any distractions, take a deep breath, and Watch This.

1. Oscar (WKNC)

After developing a strong reputation for razor-sharp pop sensibilities, Oscar‘s taken a sharp left and fully embraced the punk tendencies that occasionally peeked through the recorded material. This three songs session for WKNC finds the project in full attack mode, playing with a newfound fervor that’s sharpened into an aggression that seems to have enlivened the live performances with a vengeance.

2. Weaves – One More + Coo Coo (q on cbc)

Just a short while ago, Weaves dropped their debut full-length, which immediately registered as one of 2016’s standout moments for music. Since then, the band’s been on absolute tear, continuing to demonstrate their outsize talent as a live act.  Two of Weaves‘ earliest standouts were “One More” and “Coo Coo”, both of which were recently performed for the cameras and microphones of q on cbc. Even in a space as restrictive for movement as a radio studio booth, the band runs at these songs with just about everything they can muster, leaving a jaw-dropping session in their wake.

3. Margaret Glaspy (NPR)

Margaret Glaspy‘s very quickly becoming a staple of the Watch This series as the songwriter continues to fervently tour behind the incredible Emotions And Math. Glaspy’s distinctive brand of songwriting makes her uniquely suited for the trappings of NPR’s Tiny Desk Concerts series. As ever, Glaspy proves to be a commanding presence, flashing serious levels of skill as a lyricist, guitarist, vocalist, and songwriter. It’s another casually masterful run through genuinely exceptional material from one of 2016’s brightest emerging talents.

4. Clearance (Store Brand Soda)

Ever since the lead-up to the release of Rapid Rewards Clearance have been a band that’s been closely monitored by this site. Their particular incorporation of ’90s influences informs their music in a way that fits a very niche category: punk-inflected basement pop. In a recent session for Store Brand Soda, the band tore through two highlights from their discography and an inspired Soft Boys cover, once again illuminating their numerous strengths in a characteristically carefree fashion.

5. Benjamin Clementine (OpenAir)

Few artists have a presence as immediately striking as Benjamin Clementine‘s, who delivered one of this year’s most unforgettable NPR sessions. Clementine recently stopped by CPR’s OpenAir program to deliver another trio of quietly intense slow-burners that are carried by the weight of not just his vocals but his convictions. These are songs that carry the weight of history on their shoulders, filtered through the perspective of a man who’s climbed a steep uphill battle and fought through an onslaught of hardships. That journey has shaped Clementine into a songwriter that can silence the rowdiest of rooms with ease and leave behind a trail of converts. It’s the type of experience that should not be missed.

Watch This: Ending Another Short Stretch of Static

static

We’ve officially arrived at the 950th post of Heartbreaking Bravery, which means it’s time to offer up another mixtape of some sort or another. Since the Watch This series has maintained radio silence over the past two and a half weeks it only felt appropriate to turn to the over-abundance of incredible material that’s surfaced in that time frame. The 25 clips included below range from old favorites to promising new faces, single songs to full sessions, and generally cover the range of what the series was created to support: the very best of the live video platform. It’s unlikely that anyone will watch through the entirety of this packet (as it runs for nearly four hours, if viewed uninterrupted) but it’s worth taking the time to both explore and return to all of the performances contained in Ending Another Short Stretch of Static. So, as always, kick back, focus up, adjust the settings, settle in, and Watch This.

1. Car Seat Headrest – Fill In the Blank (Pitchfork)
2. The Spook School – Gone Home (BreakThruRadio)
3. Meat Wave – Sham King (SideOneDummy)
4. Weaves (3voor12)
5. Ron Gallo (Audiotree)
6. Dusk – Shift Towards Tenderness (This Means War)
7. Izzy True – Which Wish (Bedhead Sessions)
8. Royal Headache – Carolina (Pitchfork)
9. Royal Brat – Avoider + Broken Step (Radio K)
10. Girl Band – Paul (Pitchfork)
11. The Coathangers – Burn Me (Radio K)
12. Japanese Breakfast – Everybody Wants To Love You
13. Free Cake For Every Creature (WKNC)
14. Fear of Men (Audiotree)
15. Majical Cloudz – Silver Car Crash (q on cbc)
16. Jade Imagine – Stay Awake (3RRRFM)
17. Tele Novella – Heavy Balloon (Do512 Austin)
18. Margaret Glaspy (KEXP)
19. Kevin Morby (NPR)
20. PWR BTTM – New Hampshire (WFUV)
21. Wand (KEXP)
22. Declan McKenna – Brazil (The Late Show With Stephen Colbert)
23. Lucy Dacus (NPR)
24. Ólafur Arnalds (ft. Brasstríó Mosfellsdals) – Dalur 
25. Julien Baker (Primavera)

Watch This: Vol. 128

Lady Lamb, Eleanor Friedberger, La Luz, Bob Mould, Tangerine, Weaves, Lacrymosa, Bye Beneco, The Big Pink, Weaves, Sex Tide, David Bazan, Plants and Animals, LUH, The Wooden Sky, Mumblr, Bleached, Adult Mom, Hattie Marsh, Stephen Steinbrink, Destroyer, Mount Moriah, Muuy Biien, Young Magic, The Kills, Adeline HotelDeclan McKenna, Palehound, Friendship, Titus Andronicus, Petal, and Foals all had very strong live videos surface over the past seven days. Unsurprisingly, that cast of titles underscores the strength of the five performance that are highlighted in this, the 128th installment of the Watch This series. I’ve been fortunate enough to catch each of the five acts featured below and can confirm that these captures come close to doing them justice, chronicling their charisma, emotional pull, and talent spectacularly. So, as always, sit up, adjust the settings, elevate the volume, block out all distractions, and Watch This.

1. Seratones (Audiotree)

Ever since Seratones‘ run at last year’s CMJ, the band’s been slowly escalating nearly every facet of their already-formidable presentation. Boasting one of the most awe-inspiring vocalists currently on the circuit, the band delivers a commanding performance here for Audiotree. Grabbing onto something won’t save you from being flattened.

2. Car Seat Headrest – Fill In The Blank + Vincent (WXPN)

Teens of Denial still confidently stands as one of 2016’s finest records, a fact that will inevitably be reflected by several sources come December, and thanks to the band’s live show it’s still gaining traction. The band tore through “Fill In The Blank” and “Vincent”, the record’s opening two tracks, for WXPN. It’s a masterful run that shows Car Seat Headrest have plenty of tricks up their sleeves.

3. Courtney Barnett (Strombo Sessions)

Courtney Barnett may very well hold the record for the most Watch This series appearances at this point. An endlessly gifted — and obscenely likable — performer, Barnett’s hyper-intelligent songwriting is allowed to thrive in the live setting. All of those qualities can become even more pronounced in her endearing solo performances, which is squarely the case with this beautiful set that comes courtesy of Strombo Sessions.

4. Midnight Reruns – Richie the Hammer (Set List)

Last year, Midnight Reruns‘ brilliant Force of Nurture made a very strong showing in this site’s year-end rankings and a large reason for that placement was guitarist/vocalist (and principal songwriter) Graham Hunt’s growth as a lyricist. The record’s most surprising moment may very well have been the emotional devastation contained in “Richie the Hammer”, which the band recently performed for WPR’s excellent Set List series.

5. Weaves (NPR)

After several years of stellar performances and continuous evolution, Weaves have managed to create quite a few converts. “Shithole“, a fiery moment of reinvention, kicked off a run of songs that currently comprise the most formidable stretch of the band’s still-blossoming career. The band takes on a trio of those selections for one of the most galvanizing Tiny Desk sessions in recent memory. It’s downright electric.

Watch This: A Full Session of Full Sessions

As was mentioned in the last post to run on this site, Watch This — the (usually) weekly series celebrating the very best in newly-released live video presentation — experienced an extended hiatus in the wake of incessant traveling and the frantic catch-up mode that traveling necessitated. Over the course of the next week, there’ll be a small handful of collections to get the series back on track.

The collection below contains 25 of the best full sessions released over the past month and a half. KEXP, Audiotree, and NPR (understandably) dominate the selections as they’re all operating at a gold standard level for full session presentation. The final result is a compilation that features an arsenal of site favorites and nears the 11 hour mark in running time. To that end, it’s likely best viewed in small bursts so a page bookmark is recommended. Everything, in true Watch This fashion, is worth seeing (and hearing). So, as always, sit up straight, adjust the settings to your preference, and Watch This.

1. Lucy Dacus (Audiotree)
2. Palehound (NPR)
3. Eleanor Friedberger (KEXP)
4. Seratones (NPR)
5. And the Kids (Audiotree)
6. Florist (NPR)
7. Sunflower Bean (KEXP)
8. Mall Walk (KEXP)
9. PWR BTTM (TCGS)
10. Hockey Dad (3voor12)
11. Diarrhea Planet (KEXP)
12. Blue Crime (3voor12)
13. Bob Mould (KEXP)
14. Yuck (KEXP)
15. Car Seat Headrest (KEXP)
16. Quilt (KEXP)
17. Deep Sea Diver (KEXP)
18. Acid Dad (Audiotree)
19. The Ergs! (TCGS)
20. Pinegrove (Audiotree)
21. Operators (KEXP)
22. Strand of Oaks (KEXP)
23. Julien Baker (Amoeba)
24. Benjamin Clementine (NPR)
25. Jason Isbell (Front Row)

Watch This: The Best of 2016’s First Quarter, Vol. VII

[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]

It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time. 

Watch the seventh and final collection of those videos below.

1. Two Inch Astronaut – At Risk Student (bandwidth.fm)
2. Bob Mould – You Say You (WFUV)
3. The Intelligence (KEXP)
4. Lever – The Task (DZ Records)
5. The Thermals – Always Never Be (Jam in the Van)
6. Saintseneca – Bad Ideas (KUTX)
7. Young Jesus – Oranges (Slanted Manor)
8. Eleventh Dream Day – Go Tell It (Sound Opinions)
9. Julia Holter – Betsy on the Roof (Strombo Sessions)
10. Mothers – It Hurts Until It Doesn’t (Do512)
11. Lucy Dacus – Strange Torpedo (Radio K)
12. Blah Blah Blah – Crying (DZ Records)
13. The Frights – Kids (Allston Pudding)
14. Caveman – Never Going Back (Jam in the Van)
15. Dan San (3voor12)
16. Test Apes (KEXP)
17. All Dogs – Farm (Slanted Manor)
18. Kitten Forever – Brainstorm (Radio K)
19. Bully – Milkman (KUTX)
20. Tancred (Audiotree)
21. PWR BTTM (NPR)
22. Pinegrove – Waveform (BrooklynVegan)
23. Mansfield.Tya – Le dictionnaire Larousse (Faits Divers)
24. Cross Record – Steady Waves (KUTX)
25. Charles Bradley (NPR)

Watch This: Vol. 89

Welcome to an extremely late night (early morning?) edition of Watch This– the weekly series that celebrates some of the week’s best performance captures. With 2015 already feeling overstuffed, I’ll forego the usual honorary mentions round-up and simply present the five best captures to have surfaced this week. From site favorites to series favorites to new faces, there’s a fair amount of material to cover. Pro-shot presentations get balanced out by some lovingly lensed DIY clips and- as always- all of the performances contained within those videos are outstanding. So, pour a drink or fix some breakfast, ease in, adjust the volume, focus up, and Watch This.

1. Sleater-Kinney – Bury Our Friends + Entertain (Pitchfork)

The unexpected resurgence of Sleater-Kinney was one of 2015’s first great musical moments and the reverberations from its impact are still being felt. Recently, the band- by all accounts- absolutely owned Pitchfork this year with a monstrous day 2 headlining set that overshadowed Wilco’s Star Wars marathon the previous night and Chance the Rapper’s hometown celebration as the fest’s final headliner. Even just from the two-clip sample contained below, “Bury Our Friends” and “Entertain”, its abundantly clear that Sleater-Kinney are one of the best live bands on the planet right now. A note to other bands splitting bills with the revitalized legends: don’t feel down, feel fortunate you get to be a part of something that can’t help but feel just a little unprecedented.

2. Worriers – They/Them/Theirs (Don Giovanni)

Imaginary Life came out a few days ago, immediately registering as one of the year’s best punk efforts. Even with a collection that strong, “They/Them/Theirs” stands out. Personal, timely, and deeply impassioned, it’s a clarion call for a marginalized sect. The band played their release show at The Knitting Factory last Friday and brought the same verve, force, and resilience to their performance of their song of the year candidate. Scrappy and thrilling, it’s one hell of a showcase for the band’s collective talent.

3. The Trims – With You + Bright Lights City (Jam in the Van)

Every now and then, Jam in the Van will resurface with a session that hits a sweet spot for this site and their recent capture of The Trims found that mark. Bridging post-punk and indie pop hallmarks, the quarter’s landed on a sound that’s unusually compelling when considering their pop-oriented proclivities. Subverting anthemic by-the-numbers move at just about every turn, their music manages to come off as cinematic while still feeling like an outlier. Moody, vibrant, and occasionally bruising, the group seems primed for a breakout and ready to greet whatever may come their way.

4. Young Jesus – Baked Goods (A Fistful of Vinyl)

Young Jesus are no strangers to this site. Ever since releasing their best-of-decade contender Home (a record I simply can’t recommend strongly enough), they’ve been on my radar. The past few years have been a transitional process for the band following their relocation from Chicago to Los Angeles. Earlier this year, the band released the excellent Grow/Decompose and they seem to be settling into their new era quite nicely. Earlier this week, the band unveiled even more new music via a taping of a raw, fiery performance, courtesy of A Fistful of Vinyl. Bold, bloodied, and not even a little glossy, “Baked Goods” is presented in a manner that feels intrinsically connected to the band’s DIY ethos. It’s a startling watch and a strong reminder of how much beauty can be found in imperfection.

5. SOAK (NPR)

It only seemed like a matter of time before Bridie Monds-Watson wound up making an appearance at NPR’s Tiny Desk and now that the moment’s finally arrived, the fit somehow feels even more natural than expected. Here, Monds-Watson’s SOAK project turns in a trio of songs and an impressive array of warm, humorous asides. The closing two numbers, “B a Nobody” and “Wait”, sound as fine as they ever have and “Sea Creatures” proves to be the perfect introductory piece for the set. Grounded and contained, it skews towards the kind of intimacy that the tiny desk was built to elicit from its performers but continues to prove elusive to a fair number of their acts (Monds-Watson namechecks Angel Olsen’s session, who hit extraordinary heights in regards to the series’ intended intimacy and caused the first major Watch This dilemma by pitting that session against an  unforgettable La Blogotheque capture, which wound up securing the spot in that particular installment). All things considered, it makes sense for Monds-Watson to feel trepidation about performing in such a vaunted space but now that everything’s said and done, it’s clear that the SOAK session resides comfortably in the series’ upper echelons.

Watch This: Vol. 36

While today’s Watch This marathon still won’t be over with this installment, it is drawing to a close. Several of the very best performance clips were reserved for both the 36th and 37th installments of the series. A lot of site favorites are included, giving performances that completely validate their status as such. Everything from Marissa Paternoster’s outstanding solo project to Lydia Loveless’ first spot to PUP delivering a blistering take on the song that drives the best music video of the year-so-far, it’s a lot to celebrate. So sit back, refocus, and Watch This.

1. Noun – I Don’t Love Anybody (Don Giovanni)

Marissa Paternoster’s experienced no shortage of success with her main project, Screaming Females, but her finest album to date may very well be the debut full-length for her solo project, Noun. While that record, Holy Hell, isn’t as revered as Screaming Females’ most popular works, it stands up right alongside them as a full-bodied work. Here Paternoster strips back and takes an all-acoustic attic run through “Make Me”, solidifying her status as one of the most magnetic performers out there today.

2. Beverly (BreakThruRadioTV)

Ex-Vivian Girls/Dum Dum Girls member Frankie Rose and Drew Citron teamed up earlier this year under the name Beverly and surprised just about everyone with one of the more definitive summer records, Careers. In this performance for BreakThruRadio, the pair have a full band backing them and prove to be much more than just a great studio act. Careers highlights “You Can’t Get It Right” and “Honey Do” (which also has a lovely music video) are featured here and sound as perfect as ever. 

3. Radical Dads – Know-It-All (TCGS)

Riff-happy trio Radical Dads were one of the last bands to earn a spot on The Chris Gethard Show and it’s easy to see how they wound up there; this is boldly aggressive and intriguing work along the lines of Sonic Youth while doing away with their particular strain of detached NYC cool. Bananas dance, rimshots ring out, guitars get thrashed on, and everyone gets into it- it’s just about impossible not to.

4. Lydia Loveless (NPR)

Lydia Loveless has been making quite a name for herself these past few years and has continuously lived up to the attention she’s been given. Possessed with a gift of a voice and genre sensibilities that rival and recall both Neko Case and Gillian Welch, the young songwriter’s well on her way to leaving behind a legendary discography of her own. Loveless and her band recently took over NPR’s Tiny Desk Session and, more than likely, converted a whole lot of people while doing so. 

5. PUP – Guilt Trip (KEXP)

“Guilt Trip” already stands out for having one of the most stunning music videos to come out of this decade but, as great as that video was, the song really comes to life in a live setting. While the rest of the band’s KEXP session was admittedly outstanding, “Guilt Trip” was just a few levels above the rest of the batch. This is one of the best performances the station’s seen since Cloud Nothings’ towering Attack On Memory session (which still stands as KEXP’s high-water mark) and, just like the video, deserves to be seen by as many people as possible.   

Saintseneca – Happy Alone (Music Video)

Between the streaming of Terrestrials the behemoth of a collaborative album between Sunn O))) and Ulver, the announcement of a Bad Banana reunion show, John Dwyer releasing his first material post-Oh Sees hiatus, Big Air publicly unveiling their excellent debut tape, Buds, Fear of Men releasing a very promising sneak peek of their upcoming debut full-length Loom, a surprisingly punchy new track entitled “Any Wonder” from Yellow Ostrich, Mary Timony’s newest project, Ex Hex, offering up a hard-charging sample of their upcoming Merge debut, the cleverly constructed first music video to come out of the pairing of Nada Surf’s Matthew Caws and Julianna Hatfield for their Minor Alps project, an NPR Tiny Desk Session from The Pixies, the energetic black-and-white music video premiere of The Orwells’ “The Righteous One“, a live performance video of an all-acoustic run through of upcoming Drive-By Truckers track “Made Up English Oceans“, and Angel Olsen‘s absolutely stunning smoky, seductively noir-ish music video for upcoming Burn Your Fire for No Witness track “Hi-Five“, it’s been one hell of a Monday. Then, to top it all off, there’s the video that managed to edge out all of this to become today’s focus piece; Saintseneca‘s extraordinary clip for upcoming Dark Arc track “Happy Alone”.

Dark Arc, at this point easily one of the year’s most anticipated albums, should officially herald the arrival of Saintseneca, a band that was previously best known for being a conglomeration of two excellent Ohio basement punk bands; All Dogs and The Sidekicks. They’ve been maintaining an entrancing (and incredibly effective) rollout campaign for Dark Arc, their Anti- records debut, and seem poised to continue rewarding the investment of anyone who’s paying attention. “Happy Alone” has officially elevated their art form even further. The Christopher Good clip is clearly indebted to a vast array of arthouse influences and features stunning handheld cinematography, a gorgeous (magic hour-infused) color palette, inspired editing, yet another great song from the band, and band member Zac Little’s head in a giant bubble as he makes his way through everyday tasks.

It’s borderline dadaism and dips in and out of some Warhol-level pop art as it goes along to the most weirdly entrancing effect. It works as a surface level piece and as a light commentary on the nature of loneliness. There’s really absolutely no reason for any of it to add up to the inexplicably powerful whole that it is but it manages to do that and a little more. On its own, “Happy Alone” is definitive enough to act as a perfect introductory piece to the uninitiated while being singular enough to plausibly rank as one of the bands most important moments in their continuing evolution during this much-deserved groundswell of success. Above all else, though, it’s just a beautiful piece of art. That’s something that will always be worth rewarding. Watch it below.