Heartbreaking Bravery

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Tag: Three Man Cannon

2018: A Long Look, A Longer Listen (The First Two Months)

A persistent and all-consuming myth among people that refuse to commit a shred of investment to any sort of search is that “good music just doesn’t exist anymore.” It’s the same sort of thinking present in the cavalcade of thoughtless attempts to shift any sort of blame for societal ills to a younger generation based solely on an outlook that was defined by a vastly different era. Fortunately, there are a host of artists to emphatically disprove brand of thinking and act as a counter to what could be construed as a subtle, insidious form of ageism. Below there are literally hundreds of links providing access to various songs, music videos, and records.

All of them are worth a shot and a good many of them are vastly different from their surrounding links. Each of those items came out in 2018 and there’s an entire world more of them waiting to be discovered by the people willing to put in the work. So use these as a starter pack of sorts or just scroll through and see what today’s musicians can offer. It’s a boundless scope and when its allowed to not just exist but thrive, there are a multitude of reasons to celebrate. Enjoy.

SONGS

Okkervil River, Hop Along, OughtFrøkedal, ConnectionsNoble Son, Mount EerieRich Girls, DuskTherese Litner, Soccer MommyHindsEric Benoit, JACK (x2), The Radio Dept., Parker Longbough, Rat Kid CoolWhy Bonnie (x2), Holy Now (x2), High Sunn (x2), Odina, Spielbergs, The Breeders, Shark ToysJouska (x2), Yazan, Johanna Warren, No Thank You, Drive Me Home Please, Your Old Droog, Charly Bliss, Liza Anne, Father John Misty, Rolling Blackouts C.F., Chemtrails, Katie Von SchleicherWavves & Culture Abuse, VALES, Sharaya Summers, Katie Dey, War On Women, The Goldberg Sisters (x2), Busdriver (x2), Queen of Jeans (x2), Shell of A Shell (x2), Soccer Mommy (x2)

Bodies Be Rivers, Cold Fronts, Three Man Cannon, Russian Baths (x2, 3), Rachel Angel, Francobollo, Big Air, Dryspell (x2), Deanna Petcoff, Sam Levin, Good Air, Helena DelandTrès Oui, Josh Rouse, Sarah Mary ChadwickDustedBonny Doon, Jay Som (x2), Golden Drag, In Tall Buildings, Mastersystem, The Love-Birds, School Disco, Caroline Rose, Zomber, Drawing Boards, SALES, Big Bliss, Wax IdolsErika Wennerstrom (x2), Droopies, Jalen N’GondaKid Dakota (x2), Haley Hendrickx, Tim Kuhl, Sunflower Bean, BambaraBenjamin Lazar Davis (x2), Hanz, Courtney Marie Andrews (x2), Verge Collection, Now, Now, Lowpines, Hurry (x2), Pole Siblings, Birds of Passage

Bush Tetras, Maria Kelly, Rafiq Bahtia, Cut Worms, Death By Unga Bunga, Sitcom, Natalie Shay, Wussy, Citris, Sculpture Club, TheodoreElan Noon (x2), Avalon, Terror Pigeon, Greg Mendez, Neil O’NeilDélage (x2, 3), Anna McClellan, Nap Eyes (x2), BILK, Malena Zavala, Camp Cope, Guerilla Toss, Damaged Bug, Gentle Leader XIV, Kraus, Bummerville (x2), WINDHAND, Numb.erErik Phillips, Oberon Rose, Lizzie Loveless, Hot Snakes, Girlpool, American Nightmare, Dr. Octagon (x2), Runaway Brother, A Grave With No Name, Samara Lubelski, vaarwell, The Golden DregsBelle MareChappo, HOLY, Vamping, Noble SonS. Carey, Ed Schrader’s Music Beat (x2), TT

Sofia Härdig, GrouperAir Waves (x2), Tenderfoot (x2), Sunflower Bean, Josh Mover & The Shakers, Jean-Michael BlaisMany RoomsFreedom Baby, La Luzilluminati hottiesThe Black Lips & The Khan FamilyMelvins, Extravision, AnemoneEverett Bird, Parquet Courts, Life In VacuumSuperteen, Cindy Lee, Ricky Lewis, BUDDIESam Moss, Sego, BRNDADungen & Woods, Loma, John Craigie (x2), Lanikai, Pony LeagueDreamend, Sea Moya, Oceanator, Holly Miranda, Renata Zeiguer, Deathlist, Wilder MakerLea Bertucci, Cutouts, Sur Back (x2), I’m Kingfisher, ANMLPLNET, Oneida, wyd, Western Scene, Bad BreedingThe Drums, Bob HolroydWill Stewart, Varvara

Jerry David Decicca, Redolent, Lokki, ROOS, QWAM, Water From Your Eyes, Old S Resort, Jesse Merchant, Dead Sullivan, John Moods, They Might Be Giants, Cool Ghouls, Strawberry Mountain, The Low Anthem, Peacock Affect, The fin., Ezra Feinberg, EMA, Sloan, The Voidz, VOWWS, Nature Shots, Narrow Head, Sleepyhead, Bob Holroyd, Virginia Wing, Orchid MantisYoung Statues, Kate Teague, Leyya, Pinky Pinky, Mind Over MirrorsWalter Martin, Beach House, The Sea and the Cake, Alice Bag, Eels, Hero-Fisher, Andy CookDatarock, Dabrye, Swear TapesTerra Naomi, FeverbonesPariuh, David Byrne, Palm, Youth In A Roman FieldKid Koala, LokkiHelena Deland

Freedom Fry, ARXX, Troels Abrahamsen, Young Fathers, Post Louis, SpandrelsHannah Epperson, Saw Black, Iceage, Dylan CarlsonAmerican Pleasure Club, Swampmeat Family Band, Pearl Charles, Chez Ali, Compltr, Refrigerator, The Nectars, Candy Ambulance, Death, Jack Watts., Simon D JamesToebow, yndi halda, SabiyhaEllie Schmidly, Sitcom, Doby Watson, Laura Veirs, Lost Horizons, Lost Under Heaven, Andy Jenkins, Guts Club, Yo La Tengo, Media Jeweler, The Saxophones, Hum, Margaret Glaspy, Cary Illinois, Susan the Cat, I Hate You Just Kidding, Tee Grizzley, Barren Womb, Madeline Kenney, I Think Like Midnight, Spirit In The Room, Torgeir Waldemar, LuxGaze, and Japanese Breakfast.

MUSIC VIDEOS

Ought, Parquet Courts, Shy Kids (x2), Caroline Rose, Billy Moon, Screaming Females, Car Seat Headrest, Current Joys (x2, 3, 4), Somehow, Night Flowers (x2), Palehound, Heaven, Look Vibrant, Pip Blom, Ultimate Painting, Royal Brat, CorridorFalcon Jane, Olden Yolk (x2), Stella Donnelly, Nap Eyes, Winter, Wendyfix (x2), Dusted, Superorganism, Pale Kids, Z Berg, Son Lux, Palm, The Spook School, Clint Michigan, Girl Ray, Rostam, Japanese Breakfast, OdinaFrankie Cosmos, Von K, Dogeyed

Shopping (x2), Speedy Ortiz, Treehouses, Holiday Ghosts, Sports Team, Sonny Smith, Bully, Tremends, Bethlehem Steel, Soccer Mommy, The ArmedPJ Harvey & Harry Escott, Lucy Dacus, Moaning (x2), Cloud Castle Lake, Albert Hammond Jr., Chris Dave and the Drumhedz, FlasherNative Sun, Emma Tricca, Partner, Drowse, Barren Womb, Martha Ffion (x2), Honduras, S. Carey, Middle Kids, Newspoke (x2, 3), Callow, Charlotte Day Wilson, Suuns, Goat Girl, Shamir, Death Bells, Guppy, Half Waif (x2)

ROOS, Natalie Prass, Cornelius (x2), Peach Kelli Pop, King Tuff (x2), The Winter Passing, Renata Zeiguer, La Luz, Bat Fangs, Jess WilliamsonSkating Polly, Lionlimb (x2), Charlotte Gainsbourg, Michael RaultGianni Paci, Queen of Jeans, Dirty Fences, Sorry, Wiggy Giggy, Lemuria, Tough Age, Yours Are the Only Earsnothing,nowhere., Jack Ladder & The Dreamlanders, Kal MarksScuffleSløtface, Kal Marks, Coping SkillsLauren Ruth Ward (x2, 3), Charmpit, They Might Be Giants, Hurry, First Aid Kit

Sharon Jones & the Dap Kings, Fun Fare, Daddy Issues, The AmazingJeff Rosenstock, boerdJanelle Monáe, Sc Mira, Ed Schrader’s Music Beat, Surrounder, Iceage, The Go! Team, Mavis Staples, Eels, Margo Price, Titus Andronicus, Alice Bag, Oddnesse, Jessica RiskerFRANKIIEDestroyer, Spinning Coin, Damien Jurado, Ed Schrader’s Music BeatLa Bête BloomsThe Lonely Biscuits, Prawn, Hippo Campus, New Spell, Dream Wife, Echo Pressure, Amen Dunes, Leroy Francis, Laurie Anderson & Kronos Quartet

Montero, ShitKid, The Dazies, Marlon Williams, Lazy DayLaura Veirs, Lily Allen, Fruition, No Age, YACHT, Sunny War, Cut Worms, Glen Hansard, Trevor Ransom, Hannah Epperson, Seafoam, VedeTTClever Girls, In Tall Buildings, Fufanu, Lowpines, Tiny Fighter, The Prids, STRFKR, Hinds, SuperchunkTFS, Tallies, American Pleasure Club, Johanna Warren, Sam Himself, Men I TrustJessica Lea MayfieldA Place To Bury Strangers, Bad MovesRazorbumpsMoviestar, Teen CreepsPoppy AckroydCaroline Says, Charles Howl, Loma, Fontaines DC, CrumbAlessi’s Ark, Jenny Wilson, The Regrettes, Bummerville, GluedTenderfoot, Tree House, Susie Q, and si,irene.

FULL STREAMS

Vundabar, Hello Flora, Emily Yacina, Kal Marks, Harmony Tividad, Corey Flood, Johanna Warren, Palm, Plain Dog, Candace, Hovvdy, American Pleasure Club, Bat Fangs, Dark Thoughts, Poppy Ackroyd, Erik Phillips, Grave School, Cameron Boucher/Field Medic, The Number Ones, Margaret Glaspy, The Hold Steady, Guided By Voices, Superchunk, Bleary, Lillet Blanc, Hurry, Bedbug, I Hate You Just Kidding, Sidney Gish, weary, ther, Sunshine Faces, Elan Noon, Bodies Be Rivers, Hex, Hobbyist, Las Rosas

Dryspell, Rik & the Pigs, Amaya Laucirica, No MuseumsZinskē, First Thought Worst Thought, Sur Back, Little Star, Mind Spiders, Lowpines, Shopping, Mimicking Birds, Scrap Brain, The Go! Team, Th Da Freak, Shareef Keyes & The Groove, ShitKid, Unlikely Friends, Kid Dakota, Lightwash, Berry, Matthew Politoski, Holy Motors, Blushing, Shakey Graves, Tim Kuhl, Pando, Leyya, Shamir (x2), bristletongue, Dealer Plates, Hank Wood & the Hammerheads, closer, Bummerville, Tropical Trash, Brutal Birthday

Special Explosion, Hookworms, Lisa/Liza, Russian Baths, VOWWS, A Lily, Caroline Says, BB & The Blips, Listener, Balkan Bump, Martha Ffion, Corniglia, Qwam, HOLY, Spice Boys, Hour, Conviction, Cassandra Jenkins, Refrigerator, Sweeney, mita, and compilations from Z Tapes and Emotional Response (x2).

Watch This: The Best of 2016’s First Quarter, Vol. V

[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]

It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time. 

Watch the fifth collection of those videos below.

1. Mothers – Grateful For It (Paste)
2. Bully – Trying (KUTX)
3. Sports – Saturday (This Has Got To Stop)
4. Parquet Courts (KEXP)
5. Pinegrove – Old Friends (VHS Sessions)
6. Jason Isbell – Flagship (The Current)
7. Three Man Cannon – Mood (Little Elephant)
8. Jake Morley – Falter (BalconyTV)
9. Lady Lamb – Billions of Eyes (Audiotree)
10. Riothorse Royale – Crash and Glow (Do512)
11. Låpsley – Hurt Me (WFUV)
12. Diet Cig (WKNC)
13. Saintseneca – Such Things (KUTX)
14. Human Music – Dark Zone (Exclaim!)
15. Nectar – Change Your Mind (DZ Records)
16. Bantam Lyons (Faits Divers)
17. Cherry Cola – Bring Me to the Ground (Radio K)
18. Mass Gothic (KEXP)
19. Lithuania – 2009 (WXPN)
20. Low – Murderer (Pitchfork)
21. Soul Low – Spooky Times (Little Elephant)
22. Lucy Dacus – Direct Address (Radio K)
23. Otherkin (3voor12)
24. Soft Fangs – The Light (Fitz Ross)
25. Torres – Son, You Are No Island (Audiotree)

Watch This: The Best of 2016’s First Quarter, Vol. IV

[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]

It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time. 

Watch the fourth collection of those videos below.

1. Saintseneca (KJHK)
2. American Wrestlers (Audiotree)
3. Try the Pie – Thomas
4. The So So Glos – A.D.D. Life (Little Elephant)
5. Courtney Barnett – Dead Fox (Austin City Limits)
6. Pop & Obachan – Elora’s (This Has Got To Stop)
7. Mothers – Mother and Wife (Paste)
8. The Nudes – Pretty (Ithaca Underground)
9. Sleater-Kinney – Fangless (Austin City Limits)
10. Three Man Cannon – Patiently (Little Elephant)
11. Lever – Nickels & Dimes (DZ Records)
12. Thao & The Get Down Stay Down – Nobody Dies (The Current)
13. Julien Baker – Sprained Ankle (Paste)
14. Torres – The Harshest Light (Audiotree)
15. Menacerno – Johnny Cas’ (DZ Records)
16. Kamasi Washington – Fair As Equal (Paste)
17. Human Music – Sending Messages (Exclaim!)
18. Hellrazor (BreakThruRadio)
19. Palehound – Holiest (Public Radio /\ Sessions)
20. The Thermals – My Heart Went Cold (Jam in the Van)
21. Soul Low – Frenemies (Little Elephant)
22. PWR BTTM – Dairy Queen (WFUV)
23. Ancient Whales – To Be (Public Radio /\ Sessions)
24. Des Ark – French Fries Are Magical (Do512)
25. Frigs – Trashyard

Patio – Patio Songs (Demo Review, Stream, Live Video)

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As 2015’s progressed, a handful of people I’ve been fortunate enough to know have come out swinging with intriguing musical projects. Two projects that immediately jump to mind are the no-holds-barred Kodakrome and the seductively noir-ish Patio. I was fortunate enough to host some of Loren DiBlasi’s writing in the first A Year’s Worth of Memories and have been consistently struck by the prevalent thoughtfulness of her many other pieces at places like Impose and MTVNews.

A similar thoughtfulness courses through Patio’s music, which finally found an official release via a two-song demo that was released at the end of October, right around the time this site’s regular coverage went on an extended hiatus. There’s a very palpable sense of history on display in both “luxury” and “air j” which echo shades of everything from post-punk pioneers like The Gun Club and The Birthday Party to contemporaries like Big Ups.

Lindsey-Paige McCloy takes on the bulk of the band’s vocal duties, effortlessly conjuring up an air of subtle mystique while the band’s rhythm section (made up of DiBlasi on bass and Alice Suh on drums, both  of whom also tackle an occasional vocal part) keep everything grounded. Everything’s played for maximum effect and is exceedingly impressive in terms of atmosphere, thanks in large part to the band’s understanding that post-punk generally functions best when it scales itself back.

Part of the success of the band’s minimalist approach lies in their gift with understatement; when McCloy and DiBlasi trade vocal leads on “luxury”, it never feels anything less than casually supportive (the polar opposite of the traded vocals dynamic on The Libertines). After Patio Songs immediately announces its voice in the shrugging, half-detached, tragicomical “luxury”, Patio flashes some formidable pop sensibility in “air j”, which evokes the very best of ’90s alternative radio and caps a very worthy introduction to one of 2015’s most promising new acts. Don’t be surprised if they wind up making the slacker punk soundtrack of next summer.

Listen to Patio Songs below, watch a pair of videos of the band playing their first show, and pick the demo up here. Underneath the embeds, explore a list of other great full streams to have appeared in the past few months.

Le Rug – Game Over
Goth Babe – Fuzz Ghost

Dick Stusso – Nashville Dreams/Sings the Blues
Globelamp – The Orange Glow
Palm – Trading Basics
Sheer – Uneasy
Soggy Creep – Drag the Well
Noun – Throw Your Body On The Gears And Stop The Machine With Your Blood
The Dictaphone – Hazmat
Three Man Cannon – Will I Know You Then
Zanders – Buried Men
Swings – Sugarwater
Big Hush – Who’s Smoking Your Spirit?
Slight – Hate the Summer
Eugene Quell – I Will Work The Land
Marriage + Cancer – Killjoy b/w Nothing’s Wrong When Nothing’s Real
Addie Pray – Screentime
Failed Mutation – See You Tomorrow
Kindling – Galaxies
Wrekmeister Harmonies – Night of Your Ascension
Miya Folick – Strange Darling

Laura Stevenson – Claustrophobe (Stream)

Laura Stevenson.
More than four dozen items into today’s review of the past week of music and there’s still more than a dozen things left to cover. That’s absurd. It’s also indicative of just how consistent 2015’s been in terms of great new releases. Whether it was a pair of music videos from Pity Sex and Will Butler or what essentially amount to attention-snagging previews from Heavy Looks and Chris Sutter‘s intriguing solo venture Genie’s Organ Recordings. There were also outstanding new songs from Woozy, Three Man Cannon, Holy Oysters, Haybaby, Broadcaster, British Sea Power, Palmas, and Polyon, as well as a deeply compelling full-length from Brooks Strause. In addition to that wealth of memorable material, there was a breathtaking new song from site favorite Laura Stevenson.

Coming off of a career high– 2013’s Wheel, a wonderful record that keeps improving with age– Stevenson had the unenviable task of following up an unlikely genre classic. As each new song from the songwriter’s forthcoming Cocksure trickles out, the more it seems like the record may surpass its predecessor. “Claustrophobe”, the latest single to be unveiled from the record, makes an immediate impact with its stargazing guitar line and insistent piano-plinking. Unfurling with grace and determination, “Claustrophobe” plays to Stevenson’s most anthemic sensibilities, with its monster chorus doing quite a bit of its own heavy lifting.

Propulsive, dynamic, and bittersweet, “Claustrophobe” is the latest extension of a continuously improving winning streak from one of this generation’s more under-appreciated songwriters. If the rest of Cocksure lives up to its previews, Stevenson’s name may be appearing in a lot of desirable places. For now, the best course of action’s to simply enjoy the music and the building anticipation for the October 30 release date. Just hit repeat until that day arrives.

Listen to “Claustrophobe” below and pre-order Cocksure from Don Giovanni here.

14 of ’14: The Best Albums of 2014

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One last time for one last 2014 list: “best” is in no way an attempt to be an objective statement. The terminology is shorthand to reflect personal taste and is not to be construed as anything more. Also, for the purposes of a more personal summary in this year-end coverage period, this site’s regular restriction on first person will be lifted. In 2014, I listened to more music that was released throughout the year than any other in my life. Numbering well upwards of a thousand releases, it proved impossible to keep tracks on everything (I’m already certain a few of these lists are missing more than a few titles that I genuinely loved)- but there were a few items that were worth remembering. Below are 14 records that managed to carve their way into my esteem both instantaneously and through the process of time. Below that is what turned into the most extensive list I’ve ever assembled, one that acts as an unnecessary validation that good music is being created at an excessively high volume (all of which is hyperlinked to either a full stream or a representative portion). We’re living in a golden age for access and music continues to reap the benefits allowed by technology.  In that spirit, it’s worth noting that a lot of the names included below won’t always be the most recognizable- this is due to both that volume and the fact this site’s built on a foundation that ensures bands who are marginalized will be given the consideration they deserve. So, with all of that noted, it’s time to move on to the main attraction: 14 of ’14: The Best Albums of 2014.

14. Taulard – Les Abords Du Lycée

2014’s most unexpected gem, Les Abords Du Lycée, is a mesmerizing listening that drives home taut organ/drums/vocals post-punk with a startling amount of verve. Endlessly charismatic and unpredictable, the dozen tracks on display here constantly twist and turn, never once daring to let the listener catch their breath. Mood and tempo changes abound on one of 2014’s most fearlessly unique records. Even for those who aren’t even remotely well-versed in the French language, Les Abords Du Lycée should be a thrilling listen; something like unbridled passion can always translate well enough to near the universal.

13. La Dispute – Rooms of the House

What’s easily one of 2014’s boldest concepts roots La Dispute’s mesmerizing Rooms of the House, a record that shows La Dispute’s rapid maturation with a weary grace. Centered around a meticulously brilliant narrative device, it’s a record that stunned me on my first few listens before growing into an inescapable force of nature that refused to leave my thoughts. As bleak as anything the post-hardcore has ever produced, Rooms of the House finds its strength through focus and restraint, zeroing in on difficult topics with a keen eye and an abundance of determination. Blisteringly personal and nearly voyeuristic, it stands as one of 2014’s fiercest artistic statements.

12. Two Inch Astronaut – Foulbrood

Two Inch Astronaut’s Foulbrood has come up more than a few times on the site over the past handful of months thanks to its casual brilliance. Wielding an enticing palette of influences ranging from Drive Like Jehu to their contemporaries in Exploding in Sound, Two Inch Astronaut managed to conjure up one of the most impressive sophomore efforts of the year. The title track, “Part of Your Scene“, and “Dead White Boy” all earned themselves individual write-ups on the basis of their appealingly off-kilter and ragged identity. Foulbrood‘s a record that knows exactly what it wants to be and goes straight for the throat, sending a trail of viscera flying it its wake.

11. Cloud Nothings – Here and Nowhere Else

One of the things I kept coming back to throughout the course of music in 2014 was Jayson Gerycz’s drumming on this record. Not just because it’s a staggering individual performance but because there’s an undefinable, inherent quality that exists within that drumming which drives this record to obscene heights. Impossibly, stripped of the drumming, the record succeeds wildly in an acoustic setting and demonstrates Dylan Baldi’s increasing proficiency as a songwriter, a vocalist, and a guitarist. After losing a member in guitarist Joe Boyer, Cloud Nothings somehow managed to transform themselves into an act that was simultaneously heavier and poppier than when they were a quartet. Importantly, this is a record that’s built to last and it’s only grown on me as the year’s progressed (and that trend’s not showing any signs of slowing).

10. Ought – More Than Any Other Day

As beguiling as it is bewitching, Ought’s brit-pop influenced post-punk masterpiece was a record that sounded triumphant right out of the gate. Slowly, that triumph turned to transcendence and the songs contained within More Than Any Other Day became unavoidable mission statements. In terms of scope, the majority of More Than Any Other Day feels as epic as LCD Soundsystem operating at their best. Both acts share a penchant for sprawling structures and self-containment, bridging a gap between intimacy and grandeur with a knack for deceptive, intricate songwriting. Anthemic and mundane, More Than Any Other Day was like a shot of adrenaline straight to the heart, waiting for the resuscitated with a sly grin and a memorable, tossed-off joke. Excessively charming and utterly winsome, it’s a record that felt (and still feels) necessary.

9. Jawbreaker Reunion – Lutheran Sisterhood Gun Club

“E.M.O.”, Lutheran Sisterhood Gun Club‘s thrilling centerpiece, recently appeared in this site’s best songs of 2014 list- but the song’s only one part of a much larger picture. At once, one of the year’s most joyous and pissed off releases, Jawbreaker Reunion tore through a variety of serious issues with aplomb on their absolutely stunning debut effort. Other than distilling songs like “Laughing Alone Eating a Salad” with a wicked sense of humor, the whole affair’s imbued with an enviably powerful sense of songcraft. Lo-fi, DIY, punk, and teeming with an understanding of classic pop, Lutheran Sisterhood Gun Club was one of 2014’s boldest introductions- it was also one of its best.

8. PURPLE 7 – Jewel Finger

PURPLE 7 boasts a lineup that’s accompanied by an impressive pedigree. Members of the band have previously played in bands like Defiance, Ohio, Landlord, and Hot New Mexicans (whose self-titled record ranks among my all-time favorites and currently leads my “best of decade” selections). Unsurprisingly, their debut LP effort hits a lot of sweet spots, including a gritty middle point between basement punk and basement pop. Simply put, this is a stunning collection of songs that was overlooked by most to a baffling degree after its release. Grounded, humble, and heartfelt, Jewel Finger is one of the records that reminds me of the reasons I started this site. This is music that deserves to be celebrated.

7. Angel Olsen – Burn Your Fire For No Witness

Arguably 2014’s first truly great release, Angel Olsen’s Burn Your Fire For No Witness saw the songwriter transition from a promising talent into one of the year’s most arresting figures. Embracing a fuller sound and a newfound confidence, Burn Your Fire For No Witness broke Angel Olsen’s career wide open with an onslaught of genuinely haunting tunes. Whether they were relentlessly spare or soaked in noir-ish tendencies, they were uniformly captivating; both the storm and the eerie silence before. Raw, tender, and occasionally antagonistic, Burn Your Fire For No Witness was one thing above all else: unforgettable.

6. Cymbals Eat Guitars – LOSE

From the devastating opening lines all the way through to the climactic finish, LOSE holds its ground as one 2014’s most frighteningly personal albums. Largely influenced by the death of a friend close to the band, it’s a meditation on loss and the surrounding aspects of something so tragic. Easily Cymbals Eat Guitars’ finest work to date both lyrically and musically, it’s a powerful (and powerfully moving) listen. “Warning”, in particular, cuts deep- which is one of the reasons why it wound up on the best songs of 2014 list just a few days ago. Incredibly impassioned and brave in its sincerity, LOSE finds a level of catharsis in its emotional turbulence, lending it a charge that renders it one of the year’s most human (and most important) releases.

5. Perfect Pussy – Say Yes To Love

Perfect Pussy, for better or worse, have become intrinsically linked with this site. From Meredith Graves’ insistence on tangential involvement (which I’ll forever be grateful for) to the fact that the band’s greater ascension matched up with the very start of this site, they’re a band I’ve gone step for step with since bringing Heartbreaking Bravery into existence. None of that would have happened if I hadn’t been so fiercely drawn to the things that they were doing, though, which is why I approached them in the first place. Ever since those beginnings, it’s been a privilege to watch them progress, to travel at lengths to watch them play, and to see them release a record as enormously powerful as Say Yes To Love, a collection which houses my favorite song of 2014 (and possibly of this decade so far). Unapologetic, personal, damaged, resilient, powerful, feral, oddly triumphant, and unbelievably intense, Say Yes To Love operates as a perfect reminder for all of the reasons why I fell in love with this band- and why I’ll continue to pay close attention to their movements.

4. Iceage – Plowing Into The Field of Love

No band in 2014 made a more stunning artistic leap than Iceage, who went from a static blur to matching the swaggering heights of Nick Cave & the Bad Seeds after discovering their voice. Plowing Into The Field Of Love was a startlingly radical change of pace for Iceage, who imbue the record with a curious restraint and a sense of deeply haunted Americana. Southern Gothic touch points are littered throughout the record’s bleak landscape, while making room for plaintive ornamentation in the form of brass, string, and piano figures. Darker and more self-aware than anything in the band’s career, Plowing Into The Field Of Love earned them quite a few words of praise from this very site. Augmented by some legitimately extraordinary music videos, Plowing Into The Field Of Love proved to be an unexpectedly rattling experience. Easily one of the year’s most divisive records (as is the case with any left turns this sharp), it suggested Iceage’s ambitions ran way deeper than anyone expected and, subsequently, that they had the know-how to see those ambitions to fruition. In chasing their whimsy they wound up with something I wouldn’t fault anyone for calling a masterpiece.

3. Mitski – Bury Me At Makeout Creek

My connection with Mitski’s music is something that will always hold a very personal resonance. I’ll leave most of the reasoning behind that statement to a forthcoming piece but it’s worth noting in regards to a record that’s so unabashedly self-exploratory. Bury Me At Makeout Creek was an enthralling re-introduction for Mitski, who saw it rightfully skyrocket her name recognition. Top to bottom, it’s an extraordinary effort that re-defined her artistic capabilities after a string of meticulously composed records that leaned on chamber pop tendencies. Here, that past gets blown to bits almost immediately. One of my favorite experiences in music listening all year came when “Texas Reznikoff” explodes in its final section- another came while listening to one of the best songs I’ve heard this decade (for obvious reasons, considering that statement). Where Bury Me At Makeout Creek manages to approach the transcendental is in the process of allowing listeners to hear an artist coming into their own. Part of Mitski’s identity is laid bare by Bury Me At Makeout Creek: it’s the unwillingness to accept identity as a static object and the desire to question its cumulative elements. That search is what gives Bury Me At Makeout Creek its bruised heart- and it’s why musicians will use it as a source of inspiration for several years to come.

2. Radiator Hospital – Torch Song

After the exhilarating highs of Something Wild, Radiator Hospital had a tall order for their follow-up. Fortunately (and unsurprisingly), they obliterated those towering expectations with Torch Song. Sounding more confident- and more polished- than ever before, Torch Song cemented Sam Cook-Parrott’s status as one of this generation’s keenest emerging voices. Paying attention to the minutiae of everyday experiences and injecting them with a self-deprecating sense of poetry laced with pessimism, the songs contained on this record all aim to cut and find their mark with an incredible amount of ease. Having already established themselves as one of today’s more formidable units musically, Torch Song has the added benefit of having four loaded personalities find each other in total harmony, each acting as a complement to the other. Personal diatribes, small journeys of self-discovery, and a sense of empathy inform Torch Song and help cultivate its unassuming charm. There’s not a weak track among the record’s 15 songs and it maintains an assured sense of pace throughout its relatively breezy runtime. By the time it draws to a close, it stands as one of the most fully-formed and rewarding records of recent memory.

1. LVL UP – Hoodwink’d

I don’t think any record resonated more for me throughout the course of 2014 than LVL UP’s Hoodwink’d, which I revered with literally no reservations. 2014’s strongest sophomore effort, Hoodwink’d saw LVL UP expanding most of the elements that made Space Brothers such an incredible release and retained all the others. Unreasonably refined and exceedingly personable, LVL UP have always found a strength in accentuating their members’ unique personalities and that trend got pushed to the forefront for their second full-length (which was co-released by Double Double Whammy and Exploding in Sound). Utilizing a distinctly unique take on their 90’s influences, the band also reveled in the benefits of a cleaner production that allowed them to sound more massive than they ever have in the past. No release felt more timely than Hoodwink’d, either, with the record practically serving as a stand-in voice for a disenfranchised sect of people. Alternately crushingly heavy, viciously poppy, relentlessly personal, and completely worn-out, Hoodwink’d never loses sight of its own mechanics. There’s a level of mutual understanding on display here that separates it from the rest of the year’s releases. Everyone feeds off each other, everyone supports each other, and everyone contributes to one hell of a set without even coming close to overstaying their welcome. Conversely, Hoodwink’d also ranks as one of the year’s most welcoming releases, radiating an empathetic warmth in its tone (and in its tones). As an entry in LVL UP’s catalog, it’s their career best. As a general 2014 release, it’s the best thing I had the privilege of hearing all year.

[EDITOR’S NOTE: All of the titles below without an accompanying link can be streamed in the order they’re listed via the embedded spotifly player below the list.]

Albums from 2014 that deserve to be heard:  Mean Creek – Local Losers | Happyness – Weird Little Birthday | Dark Blue – Pure Reality | Band Practice – Make Nice | Little Big League – Tropical Jinx | Happy Diving – Big World | Tweens – Tweens | Big Ups – Eighteen Hours of Static | Geronimo! – Cheap Trick | Greys – If Anything | Alvvays – Alvvays | White Lung – Deep Fantasy | Caddywhompus – Feathering A Nest | Left & Right – Five Year Plan | Ty Segall – Manipulator | Brain F/ – Empty Set | We Need Secrets – Melancholy and the Archive | Makthaverskan – II | Playlounge – Pilot | Eternal Summers – The Drop Beneath | MOURN – MOURN | Run the Jewels – Run the Jewels 2 | The History of Apple Pie – Feel Something | Flying Lotus – You’re Dead! | Trace Mountains – Buttery Sprouts | Dead Stars – Slumber | Fear of Men – Loom | PAWS – Youth Culture Forever | Swans – To Be Kind | The Yolks – King of Awesome | Crabapple – Is It You? | The Coasts – Racilia | Purling Hiss – Weirdon | Reigning Sound – Shattered | Creepoid – Creepoid | Saintseneca – Dark Arc | Mannequin Pussy – Gypsy Pervert | Fucked Up – Glass Boys | Music Band – Can I Live | Glish – Glish | Liam Betson – The Cover of Hunter | Frankie CosmosZentropy, Donutes, Affirms Glinting | Girl Tears – Tension | Martha – Courting Strong | Hurry – Everything/Nothing | The Spirit of the Beehive – The Spirit of the Beehive | Protomartyr – Under Official Color of Right | The Gary – Farewell Foolish Objects | Spit – Getting Low | Nothing – Guilty of Everything | Sharpless – The One I Wanted To Be | Legendary Wings – Do You See | Therapy? – Act of Contrition | Chris Weisman – Monet in the 90’s | Mumblr – Full of Snakes | Cayetana – Nervous Like Me | Free Cake for Every Creature – “pretty good” | Ed Schrader’s Music Beat – Party Jail | S – Cool Choices | Allo Darlin’ – We Come From The Same Place | Sneeze – Wilt | Quarterbacks – Quarterboy | The Twilight Sad – No One Wants To Be Here And No One Wants To Leave | Filmstrip – Moments of Matter | Bleeding Rainbow – Interrupt | La Sera – Hour of the Dawn | Big K.R.I.T. – Cadillactica | Gold-Bears – Dalliance | Sharon Van Etten – Are We There | Nude Beach – ’77 | A Winged Victory For The Sullen – Atomos | The Gotobeds – Poor People Are Revolting | Nots – We Are Nots | Alex G – DSU | Lower – Seek Warmer Climes | Young Widows – Easy Pain | CreaturoS – Popsicle | Mr. Gnome – The Heart Of A Dark Star | Parquet Courts – Sunbathing Animal | Ex Hex – Rips | Trust Punks – Discipline | Failures’ Union – Tethering | Odonis Odonis – Hard Boiled Soft Boiled | Beverly – Careers | The Number Ones – The Number Ones | Tigers Jaw – Charmer | Tiger High – Inside The Acid Coven | Straight Arrows – Rising | Dead Soft – Dead Soft | The Lemons – Hello, We’re The Lemons | Baked – Debt | MAZES – Wooden AquariumSleepyhead – Wild Sometimes | Native America – Grown Up Wrong | The Wans – He Said, She Said | Trophy Wife – All the Sides | Doe – First Four | Lushes – What Am I Doing | Ultimate Painting – Ultimate Painting | Haley Bonar – Last War | The Casket Girls – True Love Kills The Fairy Tale | Slothrust – Of Course You Do | Sorority Noise – Forgettable | Team Spirit – Killing Time | Feral Trash – Trashfiction | Blank Pages – Blank Pages | Mr. Dream – Ultimate In Luxury | Carsick Cars – 3 | SUNN O))) & Ulver – Terrestrials | This Will Destroy You – Another Language | Vanna Inget – Ingen Botten | The Real Energy – Beyond Delay | Muuy Bien – DYI | Young Ladies – We Get By | Eureka California – Crunch | Negative Scanner – Negative Scanner | Violent Change – A Celebration Of Taste | Black Wine – Yell BossImpo & The Tents – Peek After A Poke | Tomorrows Tulips – When | Mountain Bike – Mountain Bike | The Lees of Memory – Sisyphus Says | Telepathic Lines – Telepathic Lines | The Shivas – You Know What To Do | Allah-Las – Worship the Sun | Das Rad – Radiation | The Coathangers – Suck My Shirt | Crow Bait – Sliding Through The Halls Of Fate | together PANGEA – Badillac | Deerhoof – La Isla Bonita | PUJOL – Kludge | FF – Lord | Aj Davila Y Terror Amor – Beibi | Emilyn Brodsky – Emilyn Brodsky Eats Her Feelings | Young Statues – Flatlands Are Your Friend | Cancers – Fatten the Leeches | Sam Coffey + The Iron Lungs – Gates of Hell | Courtney Barnett – The Double EP: A Sea of Split Peas | The Ar-Kaics – The Ar-Kaics | Beach Day – Native Echoes | Hiss Golden Messenger – Lateness of Dancers | Dude York – Dehumanize | Gino & The Goons – Shake It! | Kevin Morby – Still Life | Bob Mould – Beauty & Ruin | Wyatt Blair – Banana Cream Dream | Queen Jesus – Darkness Yea, Yea | Joel Jerome – Psychedelic Thrift Store Folk | Espectrostatic – Escape From WitchtropolisCheap Girls – Famous Graves | Davila 666 – Pocos Anos, Muchos Danos | Parts & Labor – Receivers | Nick Thorburn – Music From SERIAL | DTCVHilarious Heaven, The Early Year | Bellows – Blue Breath | Teenager – E P L P | Spider Bags – Frozen Letter | The Paperhead – Africa Avenue | Parkay Quarts – Content Nausea | The Jazz June – After The Earthquake | Michael Sincavage – Empty Apartments (Supporting Actors) | Restorations – LP3 | MONO – The Last Dawn, Rays of Darkness | Matthew Melton – Outside of Paradise | The Vaselines – V For Vaselines | Total Control – Typical System | The Velveteens – Sun’s Up | Step-Panther – Strange But NiceExit Verse – Exit Verse | Slippertails – There’s A Disturbing Trend | Globelamp – Star Dust | Champ – Champ | Le Rug – Swelling (My Own Worst Anime) | VLMA – VLMA | Turn To Crime – Can’t Love | ScotDrakula – ScotDrakula | Warehouse – Tesseract | Muhammadali – Future Songs | Unwelcome Guests – Wavering | Baby Ghosts – Maybe Ghosts | White Mystery – Dubble Dragon | Constant Lovers – Experience Feelings | Future Islands – Singles | Maica Mia – Des Era | Tacocat – NVM | Popstrangers – Fortuna | Curtis Harding – Soul Power | New Swears – Junkfood Forever, Bedtime Whatever | The Miami Dolphins – Becky | Thee Oh Sees – Drop | Fasano – The Factory LP | Dum Dum Girls – Too True | Yellow Ostrich – Cosmos | Metronomy – Love Letters | Great Cynics – Like I Belong | Neighborhood Brats – Recovery | Connections – Into Sixes | Three Man Cannon – Pretty Many People | Grouper – Ruins | YOB – Clearing The Path To Ascend | Thee Silver Mt Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything | Apollo Brown – Thirty Eight | Hookworms – The Hum | Wrekmeister Harmonies – Then It All Came Down | Lee Fields & The Expressions – Emma Jean | What Moon Things – What Moon Things | Guided By VoicesMotivational Jumpsuit, Cool Planet | Gem Club – In Roses | Saturday’s Kids – The Lunatic | King of Cats – Working Out | Shopping – Tvff Noogies | The Love Triangle – Clever Clever | Nightmare Boyzzz – Bad Patterns | Future Virgins – Late Republic | Parasol – Not There | Lenguas Largas – Come On In | Cocktails – Adult Life | Generation Loss – Generation Loss | Feral Future – Haematic | Posse – Soft Opening | Diners – Always Room | Mimicking Birds – EONS | The Freezing Hands – Coma Cave ’13 | Amanda X – Amnesia | Predator – The Complete EarthWatery Love – Decorative Feeding | The Estranged – The Estranged | Steve Adamyk Band – Dial Tone | The Cry! – Dangerous Game | Ruined Fortune – Ruined Fortune | Good Throb – Fuck Off | The Elsinores – Dreams of Youth | The Bugs – The Right Time | Vacation Club – Heaven Is Too High | Freinds of Cesar Romero – Cinco Seis | Leather – Easy | Los Pepes – Los Pepes For Everyone | Juanita Y Los Felos – Nueva Numancia | Dan Webb and the SpidersEine Kleine Akustichmusik, Now It Can Be Told | Bozo Moto – BozoMoto | Low Life – Dogging | Moth – First Second | Rhythm of Cruelty – Dysphoria | Siamese Twins – Still Corner | Departure Kids – On The Go | Blessed State – Head Space | Flagland – Love Hard | Manateees – Sit N Spin | White Ass – White Ass | Ausmuteants – Order Of Operation | The Gutters – Eventually | Hysterese – Hysterese | The Ricky C Quartet – Recent Affairs | Hoax Hunters – Comfort & Safety | Arctic Flowers – Weaver

Attendant – Freaking Out (Review, Stream)

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By now, everyone who has iTunes should have heard the full stream they’re offering up of Death From Above 1979’s revitalized post-reunion effort, The Physical World. Hopefully, there were a few among that crowd who also found time to stream Nervous Like Me the fantastic new record from Cayetana. Great full album streams weren’t the only things to come out of the last few days, though, in addition to a memorable Pavement cover from PAWS, there were also great new songs from Purling Hiss, Nude Beach, and WULFS. Visually, there was an endearing The Adventures of Pete and Pete homage from Diarrhea Planet and two arresting black-and-white clips that came courtesy of Girl Band and Philadelphia’s Queen Jesus.  It’s another act from Philadelphia that made the strongest impression and earned the feature spot today, though: the the stunning debut effort of Radiator Hospital bassist Jon Rybicki’s collaborative project, Attendant.

It’s not uncommon to note that there’s an absurd amount of great music out there that’s overlooked for any number of reasons but it’s always nice to know that sometimes everything lines up and music that may have otherwise gone unnoticed gets an extra push thanks to the people involved. This especially stands true for Attendant’s Freaking Out which features contributions from a murderer’s row of Philadelphia/NYC-based musicians. Mikey Cantor, Radiator Hospital, and Swearin’ (among others) all get a good bit of representation here, lending their considerable talents to one hell of a debut, helping raise an emerging musician’s profile in the process. Rybicki grounds all of these songs with no shortage of gravitas and conviction, mining similar influences to the ones that are so clearly evident in his friends’ projects.

While all of that would likely have proven more than enough to get Freaking Out by, what really puts it over the top is its attention to detail. The production, sequencing, and mastering on this is near-flawless, advancing the release’s personality without being distracting. In terms of composition, it’s frequently thrilling, with songs like the hard-charging “Saturday” providing bursts of near-uncontrollable energy. With all of this taken into account, it’s probably not too surprising that one of Freaking Out‘s closest relatives seems to be Dinosaur Jr.’s classic Bug. Acoustic guitars often provide a base template for each of these seven songs, while shoegaze-leaning levels of reverb and distortion get added to create a sound that’s becoming increasingly prominent in DIY punk circles- one that recognizes the value of looking to the past to push ahead.

That retro-influenced modernity goes a long way in informing Freaking Out, which makes no qualms about utilizing everything at it’s disposal. Every song on here contains at least a few moments of genuine brilliance, whether in the form of lyrics (“I just wanted to be the other people on the bus” is one of the most haunting lines to come out of 2014) or in the song’s structures or compositions. As if all that weren’t enough, it’s varied enough to ensure the listener’s attention and compelling enough to warrant their investment. None of these songs ever eclipse the three minute mark, either, rendering it even more accessible.Yet, despite it’s short run-time, Freaking Out feels like a fully-formed work from a veteran songwriter.

More than a few critics have said that to really gauge an album’s strengths, there should be an extra amount of consideration given to their mid-section. It’s easy to make strong opening and closing cases but it can be difficult to maintain that consistency across a wider spread. In this respect, Freaking Out has virtually no issues. “Dishwasher”, “Call Me Back”, and “Solar Shack” are all mixtape-worthy entries, each holding their own strengths in Rybicki’s frequently mid-tempo world weariness. Even with that taken into consideration, it’d be difficult not to note that a few of Freaking Out‘s best moments do come in the final two songs. From the trumpet-assisted downstroke onslaught of “I Won’t Try to Change Your Mind” to the guest-heavy celebration that is the record’s finale.

In that respect, “Wax Pages” does feel like an appropriate end-cap to a release that seemed determined to extol the virtues of healthy collaboration. Jeff Bolt (of Swearin’ and Radiator Hospital) takes over on drums, Sam Cook-Parrott (Radiator Hospital), Cynthia Schemmer (also of Radiator Hospital), and Kyle Gilbride (of Swearin’) all handle backing vocals, while Mikey Cantor takes a solo and all of them seem maniacally driven by Rybicki, who lent his vocals, guitar work, and bass (in spots) to the songs he wrote. To that end, it almost feels celebratory despite it’s heaviness (and make no mistake, this is a relatively heavy record in both terms of sound and subject matter). Packaged all together, the end result is something that feels oddly alive and utterly unique, even with an army of recognizable influences worn proudly on its sleeve. If it doesn’t find a home on one label or another, it’ll come as a shock. Freaking Out is one of 2014’s best surprises.

Stream Freaking Out below and download it on Attendant’s bandcamp.