Heartbreaking Bravery

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Tag: The Minders

Watch This: Six Weeks of Honorable Mentions

Six weeks is a long time to go without running a Watch This and the 50 selections that ran in the 150th installment (the preceding post) barely scratched the surface. To get deeper into the extraordinary wealth of material worth exploring, a sequel of sorts seemed necessary. There’s absolutely no way that a single person is going to watch everything listed below but each link is genuinely exceptional and deserved to be featured. Whether they were part of a series, a great capture, a great performance, or notable for another reason, they’re all linked for a reason. So, bookmark the page and explore at will. Stop waiting and Watch This.

Middle Kids, Big Thief (x2), Nada Surf, Weaves, Dude York (x2), Kodakrome, Okkervil River (x2, 3), Ariana Brophy, Tokyo Police Club, Kishi Bashi, The Peekaboos, Gauntly, Title Tracks, SuperGlu, Journalism, School Damage, Julia Jacklin (x2), Dinosaur Jr. (x2), Hype, Loney Dear, Free Cake For Every Creature, Lever,  Midnight Faces, Jackie Islands, Mr. Ma’am, The Shelters, Tara Terra (x2), The Lemon Twigs, Boxed In, James Vincent McMorrow, Diet Cig, Alright Panther, Slothrust (x2), Weyes Blood, Slow Down Molasses.

SuunsJFDR, Kuroma, Young In The City, Justin Peter Kinkel-Schuster, Post Child, Suburban Living, MOM, Big Jesus, The Thermals, Minor Victories, Tectonics, Adia Victoria (x2), Disorder Kid, Shadowhouse, Tobacco, Holly Lovell, Out the Car Window, Vaginaboys, Parquet Courts (x2), Fossette, Mount Kimbie, Keaton Henson & Lisa Hannigan, Loch Lomond, BADBADNOTGOOD, PLANEADOR, Dinowalrus, Spruce Trap, Golden Suits, Giorgieness, Golden Suits, Joe Bordenaro, Ages And Ages, Lucy Dacus.

Lina TullgrenPatsy’s Rats, Belle Mare, Julien Baker, Pipeline, Gymshorts, David Bazan, The Woolen Men, Moderat, Allah-Las, Mean Jeans, Smoking Popes, Baba Dochia, Bobby Rush, Honey Bucket, Blanket Party, Nassau, Moondle, Conor Oberst (x2, 3), Dulce Y Agraz, Annabel, Talune, RY X, Ira Wolf, Day Wave, Oxymorons, Ess See, Bigjoy, Racing Heart, Richard Maule, Joe Bel, Dirty Laundry, Purling Hiss, Cory Kilgannon, Menacerno, The Roalde Dahls, Huey P, Haathi, Bad Cop/Bad Cop (x2), Cold Mountain ChildSóley.

MidijoyfulBlack EyesAttacca Quartet, Sims (x2), Gates, Evan Opitz, Sea Inside, Josh Pyke, Lyerr, Nature & Madness, Alma Forrer, Warpaint, Corbu, Dr. Martino, Male Gaze, Jack Garratt, Eros and the Eschaton, Marin Patenaude, Andreas Mattsson, Whitney, Hiss Golden Messenger (v), Matthew McNeal, Margo Price, The Minders, Zebra, Absolutely Not, Henry Bateman, Zen Mother, Royal Canoe, Love, The Twains, Shannen Moser, Billie Marten, Scott Matthews, Andy Place and The CoolheadsSignal To Noise.

Leisure Club, B00tyJoe Chunk, Pearl Earl, Drift Mouth, The Britanys, Miossec, Lisa Prank (x2), The Secret Sisters, Lost Walks, Smokey Brights, TTNG, Yori Swart, Hartford/FochtJesca Hoop, Moon Hooch, Aaron Lee Tasjan (x2), Ryley WalkerEstá Vivo, Alejandro Escovedo (x2), Lisa Hannigan, Lobo Marino, The Lavender Flu, MRCH, Divers, Pale Tongue, Floating Points, Deathsticks, Prettiest Eyes, Bat For Lashes, The Stops, Campo-Formio, Jessica Martins, Berriloom, Them Dead Poets, Looms.

Down GownAndrew Leahey & The Homestead, Vice Device, The Growlers, Digable Planets, Jack Grelle, Abhi Tambe, Spazzare, SUSTO, Lilah Larson, Shlomo Franklin, Ivy Meissner (ft. Uncivilized), Sex Crime, Chris JamesThe War On Peace (x2), Mohit Mukhi, Sanguine and Shiny, Dirty Fences, Band of Horses, Merynn Jean, Tom Stephens, Red Dons, The Domestics, The Saturday Giant, Public Eye, Pantomime, The Minus 5, Violetta Zironi, EYE, Laura Sjin, Black Bear Rodeo, Nacho Picasso, Old Fashioned Lover Boy.

Lithics, Hunt Hunt Hunt Camp, Robert Ellis, Wizard Rifle, Holy SonsAkın Sevgör, Ofelia Ofelia, Animal Spirit, Daniela Andrade, Rae Spoon, Dead Snow Monster, Magnetic Ghost, Zimmerman, Murder By Death, Steve Gunn, First Pet, The Malady of Sevendials, Liset Alea, VLNY, Oracle Room, Sky Village, Riley Pinkerton, Ricky Roosevelt, Sahil Bahl, Tall Juan, Alexandra Savior, Lisa Crawley, Youthpool, Gia Margaret, Battleme, Oathbreaker, SOBI, Eric Burton, Arkells, SALESSarah De Warren and Drive-By Truckers.

Watch This: Vol. 144

To ease Watch This back into its regularly scheduled rotation, the following will focus on the two weeks that occurred after the last installment was published. In that time, Acapulco Lips (x2), Wasted On You, Chain of Flowers, Pinegrove, Peter Bjorn and John, Sunbathe, Good Personalities, Bad Cop / Bad Cop, Claire Cottrill, The Brokedowns, Kississippi, Haley Bonar, Billie Marten, Bayonne (x2), Entrance, Lush (x2), The Blank Tapes, JFDR, The Frights, Teleman, The Districts, Doe, Marissa Nadler, Joshua Bell & Jeremy Denk, No Honeymoon, Aaron & Bryce Dessner with Ben Lanz and Boys Noize, BlackGlass, The Minders, Super Furry Animals, Kristin Kontrol, Tenement, Queen of Jeans, Michael Kiwanuka, Breanna Barbara, Corbu, All People, Boss Fight, Margo Price, Titus Andronicus, Brass Bed, Somos, Oliver John-Rodgers, Foxing, The Wombats, and PWR BTTM all found themselves at the center of outstanding performance clips. Competition that strong says more about the strength of the five featured clips that could be conveyed with mere words. All five bands have been featured on the site in the past and the performances range from genuinely exhilarating to utterly devastating. So, as always, sit up, lean in, adjust the volume, block out any excess noise, focus, take a deep breath, and Watch This.

1. Never Young – Soap (Prisma Guitars)

Immediately kicking things back into the highest gear possible is this Prisma Guitars session from site favorites Never Young. Easily one of the most explosive single-song performance clips to ever be featured throughout the 140+ installments of this series, the quartet careens through an adrenaline-inducing take on “Soap” that sees them giving the session their everything. Beautifully shot and presented with an enormous amount of conviction, this is exactly the type of clip that Watch This was built to celebrate.

2. Greys (KEXP)

Greys have made several appearances throughout this series’ run and touring on their recently-released Outer Heaven‘s allowing them even more opportunities to be featured. The band recently stopped by the KEXP studios for a full session that features songs from their past three releases, including their most recent work, Warm Shadow. As always, the band plays with a barely-contained energy, an incredible amount of tenacity, and a deep-seated passion that makes this another vital document of one of today’s most exciting acts.

3. Heliotropes – Primates (BreakThruRadio)

For a few years now, Heliotropes have been quietly carving out an impressive name for themselves, earning the respect of both critics and their peers. Creatively restless and endlessly intriguing, the band continues to impress with this BreakThruRadio performance of “Primates”. It’s a glimpse towards the future the band’s angling towards and it’s impossibly tantalizing. One of their finest songs to date, “Primates” keys in on the band’s wiriest post-punk tendencies and sporadically cuts them to shreds. If this is indicative of the rest of the band’s forthcoming material, start bracing for something genuinely explosive.

4. The Coathangers (KEXP)

The second KEXP session of this installment features The Coathangers, who have been touring hard behind their excellent Nosebleed Weekend. Celebrating both that record and the 20th anniversary of the label that released the record, Suicide Squeeze, finds the band in exceptionally high spirits. All of that culminated in an unshakable, infectious joy that drives this session, making it both immediately accessible and surprisingly memorable. The trio remains in fine form throughout the session, playing with ramshackle glee while maintaining an impressively tight grasp on the songs, creating what could be considered a definitive portrait.

5. Nick Cave & The Bad Seeds – Girl In Amber

After enduring unspeakable loss, Nick Cave allowed filmmaker Andrew Dominik into his creative process to create One More Time With Feeling, a documentary that follows both the creation of Skeleton Tree and Cave’s battle with grief in the wake of his youngest son’s tragic death. It’s excruciatingly heartrending from an outsider’s perspective and Dominik elegantly underscores how unthinkably difficult it’d be to be in that situation. In the third studio video to be released from the project, Cave continues to look completely lost and withdrawn, as if perpetually trying to wrestle his thoughts down.

“Girl In Amber” also expertly incorporates Dominik’s inspired direction and the technical wizardry that went into the 3D, black-and-white filming of One More Time With Feeling. The overall effect’s equal parts haunting and haunted, creating an unforgettable impression. This is a staggering work of bravery and artistry, each colliding with the other to produce something as singular as it is captivating. As the camera circles Cave, surveying his every movement and placing him at the center of swirling uncertainty, Cave repeats “don’t touch me” as the video cuts to black, providing one last breathtaking moment of a miniature masterpiece.

Watch This: Vol. 143

Typically Watch This installments run on Sunday but the 143rd installment was given a later slot for a specific reason. While the videos covered  in this post will have been released, exclusively, in the time frame of last Monday to this past Sunday, this particular entry serves as somewhat of a gap-fill. The next post to run after this one will be the 1,000th that Heartbreaking Bravery has published and there will be a brief period of inactivity, only punctuated by the 143rd volume of Watch This.

The placement shouldn’t detract from the overwhelming strength of the formidable quality of the featured clips, which staved off particularly intense competition from the likes of Kevin Morby, Good Personalities, Saul Williams, Post Child, Hurry, Wolf Parade, Quilt, Suuns, Yung, Waterstrider, Gringo Star, The Pack A.D., Fauna Shade, Fascinating, The Minders, The Posies, Teeth & Tongue, Xenia Rubinos, Communist Daughter, Chris Cohen, Paper Bird, and Bully to secure the five highlighted slots. So, as always, sit up, lean in, adjust the settings, take a deep breath, and Watch This.

1. Margaret Glaspy – Emotions and Math + Pins and Needles (World Cafe)

In the past few months Margaret Glaspy has managed to become a staple of this series thanks to both songwriting and the subdued but outsized personality that the songwriter exudes in every performance. Glaspy’s two-song set for World Cafe is particularly crisp, offering up two spellbinding runs through two of Emotions and Math‘s brightest moments: the quietly exhilarating title track and “Pins and Needles”. Don’t miss out on this one.

2. Long Neck – Rosy + 10,000 Year Old Woman (Boxfish Sessions)

For the past few years, Lily Mastridomos has been releasing mesmerizing music under the moniker Long Neck. Known primarily for Jawbreaker Reunion, Mastridomos’ solo project allows the emphasis to fall to uninhibited tales of heartache. In Mastridomos’ shattering entry to this site’s A Year’s Worth of Memories, there was a courageously open emphasis on personal depression, something that informs both “Rosy” and “10,000 Year Old Woman” to heartbreaking effect in one of the finest Boxfish Sessions to date.

3. PUP – Doubts (q on cbc)

A lot has been written on this site about PUP, from their galvanizing live show to their self-titled debut (which has the distinction of being the first album review to run on Heartbreaking Bravery) to this year’s extraordinary The Dream Is Over, a record that earned them a Polaris Prize nomination. Here, the band stops by the q on cbc studio and unleashing holy hell with a fiercely committed take on “Doubts” that underscores the band’s terrifying level of conviction as well as their sheer force of will. It’s a characteristically exceptional performance and an outstanding document of a band that’s intent on pushing themselves to the absolute limit.

4. Tuxis Giant – Almost Enough (Boxfish Sessions)

The second Boxfish Session to be featured finds the spotlight falling to Tuxis Grant, an emerging songwriter who has a penchant for bleary-eyed folk that comes with a twinge of a punk-informed sensibility. “Almost Enough”, the song performed here, is a breathtaking example of Tuxis Giant’s considerable songwriting gifts, never becoming anything less than incredibly memorable. “Even when it isn’t hungry, it eats” is a refrain that sticks, perfectly complementing a compellingly singular introspective lens. If “Almost Enough” is any indication, Tuxis Giant will be a name worth learning.

5. Japanese Breakfast (PressureDrop.tv)

2016 has been a breakout year for Japanese Breakfast, the project of Michelle ZaunerLittle Big League, Zauner’s other band, had a handful of entries throughout the existence of this series. Japanese Breakfast seems set on continuing that tradition with a remarkable amount of poise. While all of the songs the band runs through for this PressureDrop.tv session are consistently impressive, “Everybody Wants to Love You” stands out as a particularly inspired highlight. It’s the start of an exclamation mark on the band’s coming out party, creating room for both celebration of what’s come before and wild anticipation for what comes next.

Tony Molina – See Me Fall (Stream)

tony-molina

Over the past few days Fraternal Twin, Slothrust, Russian Tsarlag, Pamphleteers, Bottle Rocket, Francie Moon, Tobias Jesso Jr., Leo, Drive-By Truckers, The Lampshades, Votaries, Earwig, Erica Freas, and Resina have all been responsible for outstanding new tracks. Music videos from Gurr, Hazel English, Culture Abuse, Kal Marks, The Regrettes, The Britanys, Damaged Bug, Whitney, and Beekeepers all held up to the excessively high standard set up by the new numbers. Topping everything off were exceptional full streams that came courtesy of Johanna Warren, Cymbals Eat GuitarsFond Han, Tapehead, and Tom Brosseau.

As is typically the case, every single one of those entries above is worth exploring in greater detail and the fact that they’re not featured at length in this space shouldn’t diminish their impact. For this post’s featured title, the attention turns back to an old favorite: Tony Molina. Ever since turning in some spectacular work with Ovens, the project that earned Molina an early dose of notoriety and acclaim, the songwriter’s been on a hot streak.

2014’s Dissed & Dismissed, the last record to be released under Molina’s name, was an exhilarating collection of micro-punk numbers that were infused with expansive ideas and an earnestness that isn’t always present in the genre. Now, Molina’s returning with a new, eight-song 7″ release entitled Confront the Truth and is teasing the record with “See Me Fall”.

Stripping way back, “See Me Fall” occupies the space of Molina’s most plaintive offerings, a straightforward acoustic number anchored by a familiar sense of trepidation and longing. There’s still a classically-influenced solo to close the proceedings out — a Molina staple — but it’s more subdued than scintillating, demonstrating Molina’s increasingly acute sense of atmospherics.

While it may not be the celebrated songwriter’s most explosive track, “See Me Fall” still manages to become an immediate standout in an impressive discography. In just over a minute, Molina manages to evoke a quiet despair that elevates “See Me Fall” from being somewhat of a curiosity to being genuinely memorable. Vocals, acoustic guitar, and an abbreviated running time is an economic setup but, like so many times before, Molina turns a small scale into something grandiose. It’s a potent reminder of Molina’s considerable talent and a song that should be remembered fondly several years down the line.

Listen to “See Me Fall” below and pre-order Confront the Truth from Slumberland here.

Slanted – Fake Party (Stream)

slanted

Last Friday saw great new streams from Car Seat Headrest, Idiot Genes, Never Young, The Minders, Balto, and Middle Kids. Additionally, there were a string of impressive music videos Lydia Loveless, Liam Betson, Carl Broemel, Jail Weddings, and Retail Space. Full streams that came via AJJ, The Afterglows, YJY, Tanukichan, Whipworm, Bangladeafy, and See Gulls padded everything out with an extra dose of substance.

Casey Weissbuch‘s Slanted project also unveiled a surprise release that was headlined by the formidable “Fake Party”, one of Weissbuch’s finest songs to date. Following up last year’s extraordinary Desire For Lust, “Fake Party” once again demonstrates Weissbuch’s knack for composition. While the song’s lyric set is arguably the most polished Weissbuch has offered, it’s the song’s ability to breathe that makes it a genuine standout. Dynamic, open, and effortless is a surprisingly difficult combination to pull off but “Fake Party” excels by that very virtue, providing a level of life that’s absent from the majority of releases that make similar attempts.

Of course, the atmospheric tone of a song can only carry it so far on merit, the genuinely great songs are able to separate themselves by succeeding in other capacities. Make no mistake, “Fake Party” is a great song. From the light auto-tune running through the vocals to the breathtaking bridge and outro sections, not a moment of “Fake Party” is wasted. Everything’s designed for maximum effect, even though it always retains a spur-of-the-moment feel that’s essential to its success.

“Fake Party” also sets the tone for the remainder of the Party EP, which is comprised of two similarly excellent tracks (“Green Balloons//Walk of Life” and “Junk”). By establishing “Fake Party” as the introductory piece, the song’s risks are allowed to be elevated and to define the EP’s palette, which works to both the advantages of the EP and the song itself. The characteristic, Pavement-esque looseness is still there and Weissbuch even name-checks Guided By Voices (another evident influence) in the first verse, providing a revealing glimpse at how openly Weissbuch embraces Slanted’s influences.

Packaged together as a whole, “Fake Party” paints a portrait of an artist who thrives on sincerity, soaring melodies, and a sense of history. The song’s imbued with an easygoing confidence that plays perfectly into Slanted’s identity. Apart from being a legitimately great song, “Fake Party” is also a potent reminder that the DIY punk scene is currently an embarrassment of riches and exist in an environment that’s facilitating these types of releases. Sadly, that easy access is allowing too many people to regard these releases as disposable entries. As casual as they may seem at first blush, their existence remains deeply important. Songs — and artists — this good deserve to be celebrated.

Listen to “Fake Party” (and the rest of Party) below and pick the EP up here.

Ghost Gum – More (Stream)

ghost gum

Occasionally, there are days that underwhelm in terms of new releases. Then there are days like today, which churn out more than a dozen legitimate contenders for the headline slot and serve as reminders that we’re currently living in the best (and most accessible) time for new releases. There were incredible songs from Jack (who came a hair’s breadth away from getting a standalone post), Eric Slick, Lost Boy ?, Eyes of Love, Johanna Warren, Soft Candy, No One Mind, Peaer, Diners, Chris Farren, M. Lockwood Porter, Seeing Hands, Nots, Oldermost, Sex Stains, SubRosa, Lambchop, The Minders, Elijah Ford, Sports, and an outstanding one-off cover from site favorite Mo Troper.

Several music videos made an impressive impression as well, including new entries from the camps of Sunflower Bean, Dust From 1000 Yrs, Death Valley Girls, Uni Ika Ai, Silent Pictures, Le Boom, EL VY, WatskyAmber Arcades, and Chris Staples. Tying everything together were the full streams that were unveiled by Pleistocene, Earth Girls, Kindling, Katie Dey, Ant’lrd, and Lié.  In terms of quality, it matched an above-average week’s worth of material. Topping it all off is “More”, a near-perfect new track from Ghost Gum.

After turning some heads last year with “Again“, their contribution to a loaded 4-way split (Loose Tooth, Clique, and Mumblr rounded out the release), the quartet’s returned with a vengeance. “More” comes loaded with hooks, exhilarating moments, and genuine feeling. At every turn, the song provides something fascinating, from the tremolo picking that sets the tone of “More” to the rapid-fire hi-hat pattern to the earworm-ready bass line and guitar riff that kick the track into the fifth gear.

In less than three minutes, Ghost Gum offer a masterclass in dynamic structure, getting the most mileage possible out of a soaring chorus, a searing solo, and a compellingly muted verse that keeps everything grounded and breathes in some fractured humanity. Some aching backing vocals enhance the song’s half-haunted atmosphere to great effect and everything clicks in ways that both satisfy and induce genuine excitement.

When everything’s through, “More” stands as a song that not only lives up to the promise of its title but redefines that very same title as a winking understanding of how listeners should be feeling upon hearing the song’s final notes. Explosive without being bombastic and contemplative without dipping into tedium, “More” is a sharply crafted piece of work from a band that’s been continuously bettering themselves with each successive release. If the rest of their forthcoming release, The Past, The Future, Dwelling There Like Space, is anywhere near this good, it’ll be among the strongest releases of the year.

Listen to “More” below and download it here.