Heartbreaking Bravery

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Tag: The Lees of Memory

Sat. Nite Duets – Tafka Salieri (Stream)

satniteduets

Ours + Yours, Field Mouse, The Lees of Memory, Joanne PollockLié, Halycine, MIYNT, Sunjacket, Year of Glad, and Katie Dey were just a handful of the artists responsible for the last haul of great songs. Each track had its own individual charms but the spotlight here belongs to the resurgent Sat. Nite Duets, who are preparing a legitimate Album of the Year contender in Air Guitar — their first effort for site favorites Father/Daughter and leading off the record’s promotional campaign with “Tafka Salieri”.

For several years, the band’s been transforming themselves from an act visibly (and audibly) operating in Pavement’s shadow to one that’s cultivated a unique identity. While “Tafka Salieri” barely hints at the wide array of styles that run through Air Guitar, it does successfully re-introduce the band. While the Pavement influence can certainly still be heard, there’s a newfound confidence to the band’s composition and execution that benefits them well. Yes, “Tafka Salieri” still primarily operates in slacker pop but it updates it from the ’90s-mining that was so prominent in their past work to something that scans as refreshingly current (while still paying homage to some classic influences).

In one song, they set the tone for a record that’s primed to catch a whole host of people off guard and win over a whole new legion of converts. There’s a new depth of intelligence to the band’s songwriting that ably shows through “Tafka Salieri” and seems set to not only be sustained in the future but potentially even perfected. This is a song that’s perfect for solo summer drives, parties, after-parties, or even the come-downs that accompany those parties. It’s a sublime piece of seemingly carefree basement pop that betrays the band’s sense of meticulous perfectionism. Give in to its charms and walk away with a new summer anthem.

Listen to “Takfa Salieri” below and pre-order Air Guitar from Father/Daughter here.

Faye – Chow Chow (Stream)

faye

April’s been a very strong month for new song releases in its early goings, this much has been evidenced by great new cuts from Supermoon, And the Kids, Mutual Benefit, Phooey!, Attic Abasement, Traitrs, Seratones, The Lees of Memory, and Leggy. All of those songs have managed to find a whole host of pleasure points and deserve the array of admiration that should be directed their way. Another song worthy of praise is the one that this post was constructed to feature: Faye’s brooding post-punk dirge “Chow Chow”.

A sludgy bass line and a dissonant guitar part kick things off before the song blooms into a punchy pop-skewing number lamenting the lack of anything noticeably unique in daily, run-of-the-mill livelihood. Towards the end of the chorus section, “Chow Chow” betrays Faye’s desire for adventure and their refusal to accept status quos, a common admirable trait in emerging bands worth their salt. Over the course of a scant two minutes (and some change), Faye make their mark and take a shot at genuine longevity. “Chow Chow” ensure their place as a band to watch.

Listen to “Chow Chow” below and pre-order Faye here.

Dilly Dally – Desire (Stream)

dilly dally

While the slowly circulating news that The Weakerthans have decided to call it a day after a storied career has cast an unavoidable pall on the day, it seemed more appropriate than ever to celebrate the new music that’s been steadily surfacing over the past few days. All Dogs (deservedly) were the only band to get coverage yesterday and there’d only been specialized and series posts in the days leading up to the release of their extraordinary “That Kind of Girl”. In an effort to shed some light on some of the memorable entries to have surfaced in the time since the last standard post, a collection of songs will be posted below the included embed of today’s featured track: Dilly Dally’s “Desire.

Literally every song Dilly Dally has released to the public has earned glowing praise from this site and “Desire” ensures that streak’s not broken. Released in tandem with the announcement of the band’s forthcoming debut full-length, Sore, and the band’s signing to Partisan Records, it’s another piece of stunning noir-punk that comes laced with an emphatic gloom that only elevates the track’s foreboding atmosphere. It’s a dynamic that the band’s managed to perfect in just a small handful of songs (most of them appearing on two jaw-dropping 7″ records from 2014) and capitalizes on once more in “Desire”.

Opening with a cacophony of feedback and relative atonality, the song quickly settles into a serrated attack that waxes poetic on basic human impulse. Katie Monks has one of the most heart-stopping voices in music and the music Dilly Dally continues to conjure up around its central draw manages to simultaneously play into its darker sensibilities and elevate it into something that’s nearly transcendental. After a few lineup changes, the band’s found a powerful rhythm section that anchors the expressive nature of the band’s deceptively sharp guitar work (courtesy of Liz Ball, who’s always been essential to the band’s success).

Monks stated recently that Sore‘s central narrative hinged on the recurring thematic of rebirth and that “Desire” was- explicitly- about sexual release. “Desire” subtly incorporates both to create something that feels abnormally genuine and oddly harrowing. In a statement released to Fader- who premiered “Desire” earlier today- Monks expounded on the two threads and equated them with a struggle to find happiness while extolling the virtues of the fight required to obtain what proves to be an elusive emotion for so many. Grounded in bleak reality and stretching outwards towards a hopefulness, “Desire” quickly becomes one of the band’s strongest efforts in a discography that’s already obscenely strong for being so limited.  If this recent run of releases is indicative of the strength of the remaining releases on 2015’s slate, we’re in for one hell of a back stretch.

Listen to “Desire” below and keep an eye on this site for further updates on Sore in the lead-up to its October 9 release date. Beneath the embed, explore a list of other memorable songs to have surfaced in the past several days.

Happy Diving – My Zone
Yung – Burning Bodies
Swervedriver – Winter Depths
Nolita View – Departed
Advance Base – Pamela
The Lees of Memory – Let’s Turn Our Love Up Loud
Jaye Bartell – Lilly
Natural Snow Buildings – Sun Tower
Salad Boys – Dream Date
Menace Beach – Super Transporterreum
Best Behavior – Star Signs
Diane Coffee – Mayflower
Protomartyr – Why Does It Shake?
Amy Bezunartea – New Villain
Lost Boy ? – Big Business Monkey (Daniel Johnston cover)
Antarctigo Vespucci – Lost My Mind
Funeral Advantage – Gardensong
FIDLAR – West Coast
toe – The World According To
Helta Skelta – 55mm
Babes – I’ve Got A Reason To Keep On Living
Joe Jackson – A Little Smile
Youth Lagoon – The Knower
ON AND ON – Behind The Gun

A Third of the Way: Full Streams, 2015

“2015 has been a monstrous year for new music”, or some deviation of that phrase, has become a refrain that continues to gain strength as the year progresses. We’ve already tackled a long list of the first quarter full lengths that captured our attention but, as is the case with any year, April afforded a chance to get caught up on some titles while the new ones kept emerging. I genuinely wish I had the time to go over all of these titles in details (and I may wind up expanding on a few of them when December rolls around) but, unfortunately, time’s proving to be a cruel factor. Over the first four months of the year, I was committed to a full-time position and then navigated the slow exit from that position in order to pursue a move to Brooklyn. During that time span, I was collecting everything as it appeared and began to pitch out to larger publications. At one point I was working  an average of 75 hours a week. I made sure to never lose sight of new music and began compiling a list of the things I came across that I genuinely loved.

Whether it be something regional like Strange Relations’ -Centrism, something highly publicized like METZ’s II, any number of records from bands that have earned the tag “site favorite” (Speedy Ortiz, Sheer Mag, Purple 7, Courtney Barnett, Mikal Cronin, etc), or something that should have picked up more press than it did (Mittenfield’s Optimists, Bent Denim’s Romances You, etc), there were a lot of records that deserved to be fully featured. Hell, there are even a handful that are going to be running on the ensuing post- but 75 already feels like a scary number for one list. That being the case, it’ll be impossible for someone to listen through to all of these titles in one sitting. It’s best left as a bookmark, something to return to for the purpose of exploring. It’s a list that isn’t restricted to just one genre, it covers close to the entire gamut of the styles of music that regularly get featured on this site, meaning you’re bound to find something you love buried in the wealth of titles.

So, explore at will. Buy the titles that catch your ear and keep celebrating great art.

Enjoy.


Sleeping in the Aviary – Young Love Is Easy (Unreleased Demos)
Pocket Hercules – Pocket Hercules
Personal Best – Arnos Vale
Dusk – Demos
Fred Thomas – All Are Saved
Strange Relations – -CENTRISM
Try The Pie – Total Domestication
Pupppy – Shit in the Apple Pie
Hop Along – Painted Shut
Speedy Ortiz – Foil Deer
Flout – Gims
ThinLips – Divorce Year
Seagoat – Seagoat

Weird Mob – Wizards
Creative Adult – Ring Around the Room
Tomten – Bitter Pill b/w Humdrum Doom Song
METZ – II
The Lees of Memory – Soft Places b/w Within A Dream II
The Splits – The Splits II
Um Are – Child Prodigy
Baby Birds Don’t Drink Milk – Kill The Fuzz
Loose Tooth – Easy Easy East
Pale Angels – Imaginary People
Fleabite – TTYL
Cop – Render
Bill Fay – Who Is The Sender
Sheer Mag – II
Shopping – Consumer Complaints
Red Cosmos – Dreaming In Unison
Throw Vision – Were It Will
Steven King – Shakin In My Boots
Colin Stetson & Sarah Neufeld – Never Were The Way She Was
LA Font – Hangtime Vol. 1
Timeshares – Already Dead
Torres – Sprinter
Jacco Gardner – Hypnophobia
Bent Denim – Romance You
InfestDC – DZ Tapes
Violent Femmes – Happy New Year
Tomboy – Sweetie
Purple 7 – Gulf of the Afterglow
Elvis Depressedly – New Alhambra
Mouth – Mouth
Braids – Deep In the Iris
Yeesh – No Problem
Annalibera – Nevermind I Love You
Andy Gabbard – Fluff
Bay Uno – Catalina
Birches – Birches
Alimony Hustle – Gutter Gutter Strike Strike Gutter Gutter
The Black Ships – Dead Empires
Mac McCaughan – Non-Believers
Simon Joyner – Grass, Branch & Bone
Karate Dancer – Jyu Kumite EP
Toothtaker + Mestizo – Everybody’s Enemy
Sacred Paws – Six Songs
Mittenfields – Optimists
Pretty Pretty – Talkin’ To The Walls
Godspeed You! Black Emperor – Asunder, Sweet and Other Distress
The Sleepwalkers – Mortimer b/w Choose Your Own Ending
Candy Darling – Going Straight b/w Waves
Soda Bomb – Wanna Jam?
Kuroma – Kuromarama
Waxahatchee – Ivy Tripp
Total Love – Total Love
Van Dammes – Better Than Sex
Michael Rault – Living Daylight
Courtney Barnett – Sometimes I Sit And Think, And Sometimes I Just Sit
The Dead Ships – EP 1
Blue Blood – This Is The Life
DVS – DVTV
Tussilago – Holy Train
Earl Sweatshirt – Solace
Warm Soda – Symbolic Dream
Mikal Cronin – MCIII

14 of ’14: The Best Albums of 2014

LVL UP II

One last time for one last 2014 list: “best” is in no way an attempt to be an objective statement. The terminology is shorthand to reflect personal taste and is not to be construed as anything more. Also, for the purposes of a more personal summary in this year-end coverage period, this site’s regular restriction on first person will be lifted. In 2014, I listened to more music that was released throughout the year than any other in my life. Numbering well upwards of a thousand releases, it proved impossible to keep tracks on everything (I’m already certain a few of these lists are missing more than a few titles that I genuinely loved)- but there were a few items that were worth remembering. Below are 14 records that managed to carve their way into my esteem both instantaneously and through the process of time. Below that is what turned into the most extensive list I’ve ever assembled, one that acts as an unnecessary validation that good music is being created at an excessively high volume (all of which is hyperlinked to either a full stream or a representative portion). We’re living in a golden age for access and music continues to reap the benefits allowed by technology.  In that spirit, it’s worth noting that a lot of the names included below won’t always be the most recognizable- this is due to both that volume and the fact this site’s built on a foundation that ensures bands who are marginalized will be given the consideration they deserve. So, with all of that noted, it’s time to move on to the main attraction: 14 of ’14: The Best Albums of 2014.

14. Taulard – Les Abords Du Lycée

2014’s most unexpected gem, Les Abords Du Lycée, is a mesmerizing listening that drives home taut organ/drums/vocals post-punk with a startling amount of verve. Endlessly charismatic and unpredictable, the dozen tracks on display here constantly twist and turn, never once daring to let the listener catch their breath. Mood and tempo changes abound on one of 2014’s most fearlessly unique records. Even for those who aren’t even remotely well-versed in the French language, Les Abords Du Lycée should be a thrilling listen; something like unbridled passion can always translate well enough to near the universal.

13. La Dispute – Rooms of the House

What’s easily one of 2014’s boldest concepts roots La Dispute’s mesmerizing Rooms of the House, a record that shows La Dispute’s rapid maturation with a weary grace. Centered around a meticulously brilliant narrative device, it’s a record that stunned me on my first few listens before growing into an inescapable force of nature that refused to leave my thoughts. As bleak as anything the post-hardcore has ever produced, Rooms of the House finds its strength through focus and restraint, zeroing in on difficult topics with a keen eye and an abundance of determination. Blisteringly personal and nearly voyeuristic, it stands as one of 2014’s fiercest artistic statements.

12. Two Inch Astronaut – Foulbrood

Two Inch Astronaut’s Foulbrood has come up more than a few times on the site over the past handful of months thanks to its casual brilliance. Wielding an enticing palette of influences ranging from Drive Like Jehu to their contemporaries in Exploding in Sound, Two Inch Astronaut managed to conjure up one of the most impressive sophomore efforts of the year. The title track, “Part of Your Scene“, and “Dead White Boy” all earned themselves individual write-ups on the basis of their appealingly off-kilter and ragged identity. Foulbrood‘s a record that knows exactly what it wants to be and goes straight for the throat, sending a trail of viscera flying it its wake.

11. Cloud Nothings – Here and Nowhere Else

One of the things I kept coming back to throughout the course of music in 2014 was Jayson Gerycz’s drumming on this record. Not just because it’s a staggering individual performance but because there’s an undefinable, inherent quality that exists within that drumming which drives this record to obscene heights. Impossibly, stripped of the drumming, the record succeeds wildly in an acoustic setting and demonstrates Dylan Baldi’s increasing proficiency as a songwriter, a vocalist, and a guitarist. After losing a member in guitarist Joe Boyer, Cloud Nothings somehow managed to transform themselves into an act that was simultaneously heavier and poppier than when they were a quartet. Importantly, this is a record that’s built to last and it’s only grown on me as the year’s progressed (and that trend’s not showing any signs of slowing).

10. Ought – More Than Any Other Day

As beguiling as it is bewitching, Ought’s brit-pop influenced post-punk masterpiece was a record that sounded triumphant right out of the gate. Slowly, that triumph turned to transcendence and the songs contained within More Than Any Other Day became unavoidable mission statements. In terms of scope, the majority of More Than Any Other Day feels as epic as LCD Soundsystem operating at their best. Both acts share a penchant for sprawling structures and self-containment, bridging a gap between intimacy and grandeur with a knack for deceptive, intricate songwriting. Anthemic and mundane, More Than Any Other Day was like a shot of adrenaline straight to the heart, waiting for the resuscitated with a sly grin and a memorable, tossed-off joke. Excessively charming and utterly winsome, it’s a record that felt (and still feels) necessary.

9. Jawbreaker Reunion – Lutheran Sisterhood Gun Club

“E.M.O.”, Lutheran Sisterhood Gun Club‘s thrilling centerpiece, recently appeared in this site’s best songs of 2014 list- but the song’s only one part of a much larger picture. At once, one of the year’s most joyous and pissed off releases, Jawbreaker Reunion tore through a variety of serious issues with aplomb on their absolutely stunning debut effort. Other than distilling songs like “Laughing Alone Eating a Salad” with a wicked sense of humor, the whole affair’s imbued with an enviably powerful sense of songcraft. Lo-fi, DIY, punk, and teeming with an understanding of classic pop, Lutheran Sisterhood Gun Club was one of 2014’s boldest introductions- it was also one of its best.

8. PURPLE 7 – Jewel Finger

PURPLE 7 boasts a lineup that’s accompanied by an impressive pedigree. Members of the band have previously played in bands like Defiance, Ohio, Landlord, and Hot New Mexicans (whose self-titled record ranks among my all-time favorites and currently leads my “best of decade” selections). Unsurprisingly, their debut LP effort hits a lot of sweet spots, including a gritty middle point between basement punk and basement pop. Simply put, this is a stunning collection of songs that was overlooked by most to a baffling degree after its release. Grounded, humble, and heartfelt, Jewel Finger is one of the records that reminds me of the reasons I started this site. This is music that deserves to be celebrated.

7. Angel Olsen – Burn Your Fire For No Witness

Arguably 2014’s first truly great release, Angel Olsen’s Burn Your Fire For No Witness saw the songwriter transition from a promising talent into one of the year’s most arresting figures. Embracing a fuller sound and a newfound confidence, Burn Your Fire For No Witness broke Angel Olsen’s career wide open with an onslaught of genuinely haunting tunes. Whether they were relentlessly spare or soaked in noir-ish tendencies, they were uniformly captivating; both the storm and the eerie silence before. Raw, tender, and occasionally antagonistic, Burn Your Fire For No Witness was one thing above all else: unforgettable.

6. Cymbals Eat Guitars – LOSE

From the devastating opening lines all the way through to the climactic finish, LOSE holds its ground as one 2014’s most frighteningly personal albums. Largely influenced by the death of a friend close to the band, it’s a meditation on loss and the surrounding aspects of something so tragic. Easily Cymbals Eat Guitars’ finest work to date both lyrically and musically, it’s a powerful (and powerfully moving) listen. “Warning”, in particular, cuts deep- which is one of the reasons why it wound up on the best songs of 2014 list just a few days ago. Incredibly impassioned and brave in its sincerity, LOSE finds a level of catharsis in its emotional turbulence, lending it a charge that renders it one of the year’s most human (and most important) releases.

5. Perfect Pussy – Say Yes To Love

Perfect Pussy, for better or worse, have become intrinsically linked with this site. From Meredith Graves’ insistence on tangential involvement (which I’ll forever be grateful for) to the fact that the band’s greater ascension matched up with the very start of this site, they’re a band I’ve gone step for step with since bringing Heartbreaking Bravery into existence. None of that would have happened if I hadn’t been so fiercely drawn to the things that they were doing, though, which is why I approached them in the first place. Ever since those beginnings, it’s been a privilege to watch them progress, to travel at lengths to watch them play, and to see them release a record as enormously powerful as Say Yes To Love, a collection which houses my favorite song of 2014 (and possibly of this decade so far). Unapologetic, personal, damaged, resilient, powerful, feral, oddly triumphant, and unbelievably intense, Say Yes To Love operates as a perfect reminder for all of the reasons why I fell in love with this band- and why I’ll continue to pay close attention to their movements.

4. Iceage – Plowing Into The Field of Love

No band in 2014 made a more stunning artistic leap than Iceage, who went from a static blur to matching the swaggering heights of Nick Cave & the Bad Seeds after discovering their voice. Plowing Into The Field Of Love was a startlingly radical change of pace for Iceage, who imbue the record with a curious restraint and a sense of deeply haunted Americana. Southern Gothic touch points are littered throughout the record’s bleak landscape, while making room for plaintive ornamentation in the form of brass, string, and piano figures. Darker and more self-aware than anything in the band’s career, Plowing Into The Field Of Love earned them quite a few words of praise from this very site. Augmented by some legitimately extraordinary music videos, Plowing Into The Field Of Love proved to be an unexpectedly rattling experience. Easily one of the year’s most divisive records (as is the case with any left turns this sharp), it suggested Iceage’s ambitions ran way deeper than anyone expected and, subsequently, that they had the know-how to see those ambitions to fruition. In chasing their whimsy they wound up with something I wouldn’t fault anyone for calling a masterpiece.

3. Mitski – Bury Me At Makeout Creek

My connection with Mitski’s music is something that will always hold a very personal resonance. I’ll leave most of the reasoning behind that statement to a forthcoming piece but it’s worth noting in regards to a record that’s so unabashedly self-exploratory. Bury Me At Makeout Creek was an enthralling re-introduction for Mitski, who saw it rightfully skyrocket her name recognition. Top to bottom, it’s an extraordinary effort that re-defined her artistic capabilities after a string of meticulously composed records that leaned on chamber pop tendencies. Here, that past gets blown to bits almost immediately. One of my favorite experiences in music listening all year came when “Texas Reznikoff” explodes in its final section- another came while listening to one of the best songs I’ve heard this decade (for obvious reasons, considering that statement). Where Bury Me At Makeout Creek manages to approach the transcendental is in the process of allowing listeners to hear an artist coming into their own. Part of Mitski’s identity is laid bare by Bury Me At Makeout Creek: it’s the unwillingness to accept identity as a static object and the desire to question its cumulative elements. That search is what gives Bury Me At Makeout Creek its bruised heart- and it’s why musicians will use it as a source of inspiration for several years to come.

2. Radiator Hospital – Torch Song

After the exhilarating highs of Something Wild, Radiator Hospital had a tall order for their follow-up. Fortunately (and unsurprisingly), they obliterated those towering expectations with Torch Song. Sounding more confident- and more polished- than ever before, Torch Song cemented Sam Cook-Parrott’s status as one of this generation’s keenest emerging voices. Paying attention to the minutiae of everyday experiences and injecting them with a self-deprecating sense of poetry laced with pessimism, the songs contained on this record all aim to cut and find their mark with an incredible amount of ease. Having already established themselves as one of today’s more formidable units musically, Torch Song has the added benefit of having four loaded personalities find each other in total harmony, each acting as a complement to the other. Personal diatribes, small journeys of self-discovery, and a sense of empathy inform Torch Song and help cultivate its unassuming charm. There’s not a weak track among the record’s 15 songs and it maintains an assured sense of pace throughout its relatively breezy runtime. By the time it draws to a close, it stands as one of the most fully-formed and rewarding records of recent memory.

1. LVL UP – Hoodwink’d

I don’t think any record resonated more for me throughout the course of 2014 than LVL UP’s Hoodwink’d, which I revered with literally no reservations. 2014’s strongest sophomore effort, Hoodwink’d saw LVL UP expanding most of the elements that made Space Brothers such an incredible release and retained all the others. Unreasonably refined and exceedingly personable, LVL UP have always found a strength in accentuating their members’ unique personalities and that trend got pushed to the forefront for their second full-length (which was co-released by Double Double Whammy and Exploding in Sound). Utilizing a distinctly unique take on their 90’s influences, the band also reveled in the benefits of a cleaner production that allowed them to sound more massive than they ever have in the past. No release felt more timely than Hoodwink’d, either, with the record practically serving as a stand-in voice for a disenfranchised sect of people. Alternately crushingly heavy, viciously poppy, relentlessly personal, and completely worn-out, Hoodwink’d never loses sight of its own mechanics. There’s a level of mutual understanding on display here that separates it from the rest of the year’s releases. Everyone feeds off each other, everyone supports each other, and everyone contributes to one hell of a set without even coming close to overstaying their welcome. Conversely, Hoodwink’d also ranks as one of the year’s most welcoming releases, radiating an empathetic warmth in its tone (and in its tones). As an entry in LVL UP’s catalog, it’s their career best. As a general 2014 release, it’s the best thing I had the privilege of hearing all year.

[EDITOR’S NOTE: All of the titles below without an accompanying link can be streamed in the order they’re listed via the embedded spotifly player below the list.]

Albums from 2014 that deserve to be heard:  Mean Creek – Local Losers | Happyness – Weird Little Birthday | Dark Blue – Pure Reality | Band Practice – Make Nice | Little Big League – Tropical Jinx | Happy Diving – Big World | Tweens – Tweens | Big Ups – Eighteen Hours of Static | Geronimo! – Cheap Trick | Greys – If Anything | Alvvays – Alvvays | White Lung – Deep Fantasy | Caddywhompus – Feathering A Nest | Left & Right – Five Year Plan | Ty Segall – Manipulator | Brain F/ – Empty Set | We Need Secrets – Melancholy and the Archive | Makthaverskan – II | Playlounge – Pilot | Eternal Summers – The Drop Beneath | MOURN – MOURN | Run the Jewels – Run the Jewels 2 | The History of Apple Pie – Feel Something | Flying Lotus – You’re Dead! | Trace Mountains – Buttery Sprouts | Dead Stars – Slumber | Fear of Men – Loom | PAWS – Youth Culture Forever | Swans – To Be Kind | The Yolks – King of Awesome | Crabapple – Is It You? | The Coasts – Racilia | Purling Hiss – Weirdon | Reigning Sound – Shattered | Creepoid – Creepoid | Saintseneca – Dark Arc | Mannequin Pussy – Gypsy Pervert | Fucked Up – Glass Boys | Music Band – Can I Live | Glish – Glish | Liam Betson – The Cover of Hunter | Frankie CosmosZentropy, Donutes, Affirms Glinting | Girl Tears – Tension | Martha – Courting Strong | Hurry – Everything/Nothing | The Spirit of the Beehive – The Spirit of the Beehive | Protomartyr – Under Official Color of Right | The Gary – Farewell Foolish Objects | Spit – Getting Low | Nothing – Guilty of Everything | Sharpless – The One I Wanted To Be | Legendary Wings – Do You See | Therapy? – Act of Contrition | Chris Weisman – Monet in the 90’s | Mumblr – Full of Snakes | Cayetana – Nervous Like Me | Free Cake for Every Creature – “pretty good” | Ed Schrader’s Music Beat – Party Jail | S – Cool Choices | Allo Darlin’ – We Come From The Same Place | Sneeze – Wilt | Quarterbacks – Quarterboy | The Twilight Sad – No One Wants To Be Here And No One Wants To Leave | Filmstrip – Moments of Matter | Bleeding Rainbow – Interrupt | La Sera – Hour of the Dawn | Big K.R.I.T. – Cadillactica | Gold-Bears – Dalliance | Sharon Van Etten – Are We There | Nude Beach – ’77 | A Winged Victory For The Sullen – Atomos | The Gotobeds – Poor People Are Revolting | Nots – We Are Nots | Alex G – DSU | Lower – Seek Warmer Climes | Young Widows – Easy Pain | CreaturoS – Popsicle | Mr. Gnome – The Heart Of A Dark Star | Parquet Courts – Sunbathing Animal | Ex Hex – Rips | Trust Punks – Discipline | Failures’ Union – Tethering | Odonis Odonis – Hard Boiled Soft Boiled | Beverly – Careers | The Number Ones – The Number Ones | Tigers Jaw – Charmer | Tiger High – Inside The Acid Coven | Straight Arrows – Rising | Dead Soft – Dead Soft | The Lemons – Hello, We’re The Lemons | Baked – Debt | MAZES – Wooden AquariumSleepyhead – Wild Sometimes | Native America – Grown Up Wrong | The Wans – He Said, She Said | Trophy Wife – All the Sides | Doe – First Four | Lushes – What Am I Doing | Ultimate Painting – Ultimate Painting | Haley Bonar – Last War | The Casket Girls – True Love Kills The Fairy Tale | Slothrust – Of Course You Do | Sorority Noise – Forgettable | Team Spirit – Killing Time | Feral Trash – Trashfiction | Blank Pages – Blank Pages | Mr. Dream – Ultimate In Luxury | Carsick Cars – 3 | SUNN O))) & Ulver – Terrestrials | This Will Destroy You – Another Language | Vanna Inget – Ingen Botten | The Real Energy – Beyond Delay | Muuy Bien – DYI | Young Ladies – We Get By | Eureka California – Crunch | Negative Scanner – Negative Scanner | Violent Change – A Celebration Of Taste | Black Wine – Yell BossImpo & The Tents – Peek After A Poke | Tomorrows Tulips – When | Mountain Bike – Mountain Bike | The Lees of Memory – Sisyphus Says | Telepathic Lines – Telepathic Lines | The Shivas – You Know What To Do | Allah-Las – Worship the Sun | Das Rad – Radiation | The Coathangers – Suck My Shirt | Crow Bait – Sliding Through The Halls Of Fate | together PANGEA – Badillac | Deerhoof – La Isla Bonita | PUJOL – Kludge | FF – Lord | Aj Davila Y Terror Amor – Beibi | Emilyn Brodsky – Emilyn Brodsky Eats Her Feelings | Young Statues – Flatlands Are Your Friend | Cancers – Fatten the Leeches | Sam Coffey + The Iron Lungs – Gates of Hell | Courtney Barnett – The Double EP: A Sea of Split Peas | The Ar-Kaics – The Ar-Kaics | Beach Day – Native Echoes | Hiss Golden Messenger – Lateness of Dancers | Dude York – Dehumanize | Gino & The Goons – Shake It! | Kevin Morby – Still Life | Bob Mould – Beauty & Ruin | Wyatt Blair – Banana Cream Dream | Queen Jesus – Darkness Yea, Yea | Joel Jerome – Psychedelic Thrift Store Folk | Espectrostatic – Escape From WitchtropolisCheap Girls – Famous Graves | Davila 666 – Pocos Anos, Muchos Danos | Parts & Labor – Receivers | Nick Thorburn – Music From SERIAL | DTCVHilarious Heaven, The Early Year | Bellows – Blue Breath | Teenager – E P L P | Spider Bags – Frozen Letter | The Paperhead – Africa Avenue | Parkay Quarts – Content Nausea | The Jazz June – After The Earthquake | Michael Sincavage – Empty Apartments (Supporting Actors) | Restorations – LP3 | MONO – The Last Dawn, Rays of Darkness | Matthew Melton – Outside of Paradise | The Vaselines – V For Vaselines | Total Control – Typical System | The Velveteens – Sun’s Up | Step-Panther – Strange But NiceExit Verse – Exit Verse | Slippertails – There’s A Disturbing Trend | Globelamp – Star Dust | Champ – Champ | Le Rug – Swelling (My Own Worst Anime) | VLMA – VLMA | Turn To Crime – Can’t Love | ScotDrakula – ScotDrakula | Warehouse – Tesseract | Muhammadali – Future Songs | Unwelcome Guests – Wavering | Baby Ghosts – Maybe Ghosts | White Mystery – Dubble Dragon | Constant Lovers – Experience Feelings | Future Islands – Singles | Maica Mia – Des Era | Tacocat – NVM | Popstrangers – Fortuna | Curtis Harding – Soul Power | New Swears – Junkfood Forever, Bedtime Whatever | The Miami Dolphins – Becky | Thee Oh Sees – Drop | Fasano – The Factory LP | Dum Dum Girls – Too True | Yellow Ostrich – Cosmos | Metronomy – Love Letters | Great Cynics – Like I Belong | Neighborhood Brats – Recovery | Connections – Into Sixes | Three Man Cannon – Pretty Many People | Grouper – Ruins | YOB – Clearing The Path To Ascend | Thee Silver Mt Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything | Apollo Brown – Thirty Eight | Hookworms – The Hum | Wrekmeister Harmonies – Then It All Came Down | Lee Fields & The Expressions – Emma Jean | What Moon Things – What Moon Things | Guided By VoicesMotivational Jumpsuit, Cool Planet | Gem Club – In Roses | Saturday’s Kids – The Lunatic | King of Cats – Working Out | Shopping – Tvff Noogies | The Love Triangle – Clever Clever | Nightmare Boyzzz – Bad Patterns | Future Virgins – Late Republic | Parasol – Not There | Lenguas Largas – Come On In | Cocktails – Adult Life | Generation Loss – Generation Loss | Feral Future – Haematic | Posse – Soft Opening | Diners – Always Room | Mimicking Birds – EONS | The Freezing Hands – Coma Cave ’13 | Amanda X – Amnesia | Predator – The Complete EarthWatery Love – Decorative Feeding | The Estranged – The Estranged | Steve Adamyk Band – Dial Tone | The Cry! – Dangerous Game | Ruined Fortune – Ruined Fortune | Good Throb – Fuck Off | The Elsinores – Dreams of Youth | The Bugs – The Right Time | Vacation Club – Heaven Is Too High | Freinds of Cesar Romero – Cinco Seis | Leather – Easy | Los Pepes – Los Pepes For Everyone | Juanita Y Los Felos – Nueva Numancia | Dan Webb and the SpidersEine Kleine Akustichmusik, Now It Can Be Told | Bozo Moto – BozoMoto | Low Life – Dogging | Moth – First Second | Rhythm of Cruelty – Dysphoria | Siamese Twins – Still Corner | Departure Kids – On The Go | Blessed State – Head Space | Flagland – Love Hard | Manateees – Sit N Spin | White Ass – White Ass | Ausmuteants – Order Of Operation | The Gutters – Eventually | Hysterese – Hysterese | The Ricky C Quartet – Recent Affairs | Hoax Hunters – Comfort & Safety | Arctic Flowers – Weaver

Thalassocracy – Shimensoka (Stream)

thalassocracy

Today saw the release of three fuzzed out songs. Two were heavily indebted to shoegaze while the other was a wiry post-punk bruiser. In the case of the former, one of those songs marked one of the most interesting anomalies of Mogwai’s considerable career. “Teenage Exorcists” found the band sidling up to a sound that wasn’t too dissimilar from The History of Apple Pie. Bratty vocals, fuzzed-out riffs, swirling guitars, bright vocal melodies, and a killer middle eight all add up to one of the most intriguing sidesteps any major name’s made this year. Joining Mogwai in the ranks of great bands releasing strong shoegaze-leaning basement pop songs today was The Lees of Memory, a band that features at least one ex-Superdrag member. That 90’s influence pays huge dividends on the towering “Little Fallen Star“, a slow-burning six-minute cut from the band’s just released Sisyphus Says. In the territory that wasn’t overtly occupied by a punk-laden ambient sprawl Thalassocracy‘s “Shimensoka” bared teeth sharp enough to ensure that it’d get noticed.

“Shimensoka” is aggressively minimal without also blending in the increasingly trendy chaos a la Parquet Courts and Naomi Punk (not to mention an endless amount of others setting up camp with that formula). It’s Thalassocracy’s contribution to Art Is Hard’s increasingly on-point Pizza Club singles series. Opening with a few light touches of organs, that soft palette is quickly cut to shreds by a jackknife rhythm section and a threatening guitar line, which is fitting considering the song’s title (shimensoka is a Japanese word with a meaning that roughly translates to “facing extreme hostility; defeat is inevitable”). Populated by genuinely strange moments, it becomes an incredibly compelling look at what Thalassocracy is capable of achieving. They’ve already got an impressive pedigree, thanks to a lineup that boasts members of Grubs and Slothboat. Easily the darkest track of today’s trio of tunes- it’s also the most hypnotic, aptly showcasing the band’s penchant for quiet ferocity. “Shimensoka” is a remarkable step forward for a band that seems intent on making a run of things. Expect to be hearing more about them in the future.

Listen to (and download) “Shimensoka” below and sing up to be a member of The Pizza Club here.