Heartbreaking Bravery

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Tag: The Hecks

Noun – Fame and Famine (Stream)

screamales

Over the past 24 hours, there have been quality streams from the likes of Real Numbers, LA Font, Wild Pink, Two Houses, Super Unison, Planes Mistaken for Stars, Dennis Callaci, Tokyo Tea Room, Balance and Composure, Raccoon Fighter, and Turnip King. On top of that, there were a string of music videos that emerged from the camps of Slow Down Molasses, Odonis Odonis, LUH, La Lenguas, Magik Magik, Yohuna, Moses Sumney, Brendan Canning, and Makeunder. Providing the day with a welcome dash of finality were full streams that were unveiled by Magic Trick, Ski Saigon, and The Hecks.

As always, all of those entries linked above are worth jumping over to and exploring with a certain level of intensity. However, they weren’t all that wound up being released Thursday. Screaming Females‘ Marissa Paternoster’s Noun project made an unexpected return with the jagged, lo-fi “Fame and Famine”. Quietly uploaded to Paternoster’s tumblr, “Fame and Famine” winds up benefiting from a pre-established tone of unpredictability.

While Paternoster may get the most recognition for Screaming Females, Noun has proven to be a project just as worthy. 2010’s Holy Hell, a consistently overlooked triumph, may even be Paternoster’s finest record to date (though the last few Screaming Females records have been hitting some exhilarating highs). Noun’s consistently allowed Paternoster a wider range of possibilities, making a new entry into the project’s discography a tantalizing prospect.

For “Fame and Famine”, Paternoster takes a direct, immediate route that fully commits to its lo-fi aesthetic and elevates itself via a comprehensive understanding of the format. There’s a surprising amount of nuance in the ambient beds that swirl beneath the insistent, repetitive main section that serves as the engine of “Fame and Famine”. Enhancing the aggressive disconnect that manifests in the narrative of “Fame and Famine” is the artwork the song’s projected over, one of Paternoster’s characteristically striking chalk-based originals.

Everything packaged together winds up being as disconcerting as it does galvanizing. There’s a nervous undercurrent of stress that imbues every second of “Fame and Famine”, lending it a feeling of completeness that can be rare in demos. It’s a fascinating glimpse towards one of today’s most fascinating, tireless artists and it’s another in a long line of formidable examples of Paternoster’s creativity and commitment. Tenacious, unnerving, and more than memorable, “Fame and Famine” is one of the best surprise standalone releases of recent memory.

Listen to “Fame and Famine” below and keep an eye on this site for more updates on the project.

Weaves – Tick (Music Video)

weaves

Weaves were a focal part of most of this site’s coverage this week, so running yet another feature on the band may seem predictable but it’s entirely earned. Their latest music video, for the excellent album opener “Tick”, is a perfect representation of the exhilaration that Weaves so effortlessly generates. “Tick” was one of a handful of intriguing music videos to surface over the past 24 hours, a list that also boasts new material from The So So Glos, Melkbelly, Thrushes, Billie Marten, and Parakeet. Natural Child, The Hecks, CC Mose, Johanna Samuels, Adam Olenius, and The Saxophones all offered up strong new songs while DentistLake Ruth, Pink Mexico, Show Me The Body, and The Guests all unveiled explosive full streams. Additionally, there was a two-song preview of the Husband Stitch’s upcoming self-titled EP and an important compilation from SRB Productions entitled Forever Beautiful: A Collection of Love for Orlando with all proceeds going towards the victims of the tragic events that transpired at Pulse earlier this week.

Each of those endeavors are worth undertaking (and, again, that compilation is both deeply important and frustratingly necessary) but in terms of new releases, this week belonged to Weaves. The band’s been on an incendiary tear recently, highlighting their run with the reveal of their extraordinary full-length debut.  Now, they’re taking on the music video game with a clear-eyed ferocity and a surplus of focused determination. Opening with a tongue-in-cheek commentary on middle-aged malaise, “Tick” quickly ricochets into the artful weirdness that permeates throughout nearly every facet of Weaves’ outsize aesthetic.

“Tick” immediately kicks into full gear following the humorously droll introduction, with the song quite literally following the protagonist’s every move. Eye-grabbing visualizations propel the clip to absurd heights as it careens along, providing both absurdist tendencies and subtle, pointed commentary in spades. The whole thing is a massively entertaining thrill ride that recklessly careens along from start to finish, allowing its own substantial momentum to be its definitive trait. Most importantly, every aspect of “Tick” scans as truthful, imbuing the clip with a refreshing dose of unapologetic reality; people are weird, inherently lonely, and entirely capable of creating an environment that suits their most immediate emotional needs.

In the end, “Tick” stands as a testament to perseverance. Heartfelt, painfully honest, and equipped with a formidable bite, “Tick” also stands as a prime example of what can be achieved within the confines of the music video format. A beautiful accompaniment to one of the year’s most astonishing debuts, “Tick” finds the band continuing on an astounding level of near-perfection. Give it a watch (or several) and do something that feels necessary.

Watch “Tick” below and pick up a copy of Weaves here.