Heartbreaking Bravery

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Tag: The Gotobeds

Watch This: The Honorable Mentions of 2017’s First Quarter

Over the course of 2017’s opening three months, a lot of great material was released. Naturally, the most abundantly rich category wasn’t simply songs, music videos, or full releases, it was live videos. It’s been quite some time since the last Watch This ran on this site, an oversight being amended tonight, and in that time scores of great clips have surfaced. Below is an extensive list of some of the finest to have emerged over that time and all of which are more than worth the their runtimes. Of course, it’d be impossible to watch all of these in one sitting, so feel free to bookmark the page and sift through the selections whenever the feeling takes

Mitski, Jay Som, The Walkmen, Kississippi, SUÐNE-HI, Kamasi WashingtonMonica LaPlante, Tokyo Police Club, Money, Tank and the Bangas, Mary LynnCanshaker Pi, Allah-LasYeeshCommunionsHurray for the Riff Raff, Andy Shauf, Blue Rodeo, MOON, Temples, Born Ruffians,  Justin Vernon & Sean Carey, L.A. Salami (x2, 3), Bruno BavotaHórmónar, Mustard Gas and Roses, Pinegrove, Jean-Michael Blais & CFCF, Dude York (x2), Bash & Pop, Nail Polish, Ron Gallo, Lume, Slaughter Beach, Dog

Craig Finn (x2, 3), Honeyblood, Middle Kids (x2), No Parents, The Molochs, The Black Watch, Sløtface (x2), Looming, Lemuria, Campdogzz, Black Marble Selection, Clara Clara, ELLA, American Wrestlers (x2), The Coathangers, Outer SpacesSam Kogon (x2), Lilah Larson, Michal Pydo, Old 97s (x2, 3), Lizzo (x2), The Madcaps, Snail Mail, The Mysterons, Subcutanea, Holy Tunics, Hamilton Leithauser (x2, 3), Alex Lahey, GreyfaceAxel Flóvent, Diarrhea Planet, Peter Silberman, Luxury Death, Suburban Living

Microwave, The Cigarette Bums, RoyaCarinea, The Orions, Secret Crush, Tyrone Cotton, Fast Romantics, Izzy True (x2), Hand Habits, Priests (x2), Reality Something, Frances Cone, Moss, White Mystery, Tennis, Louie Louie, Adna, Let’s Eat Grandma, Kite Base, Twin Limb, Ty Segall, Morus Alba, Odd Robot, Coals, The New Pornographers (x2), VANT, Shame, Sierra Hull, MOON, Rose Cousins (x2, 3), Food Court, Grace Joyner, Mrs., Michael Nau, Nikki Lane (x2, 3), FIDLAR (x2, 3), The Melvins, Skyway Man, Big Eyes

Cherry Glazerr (x2), BAB, Savoy Motel (x2, 3), Laura Marling (x2), Mikey Erg, Thumpers, Fishbach, Emma Ruth Rundle, Horse Thief (x2), Black Marble, The Album Leaf (x2), Wet Lips, Bev Rage and the Drinks, Her Again, Esme Patterson, Death and Memphis, Nancy Pants, Mirel Wagner, John Doe, The Two Tens, Avi Buffalo, Lisa Hannigan, Andy Shauf, Mark Eitzel (x2), Marching Church, Chris Farren, Ahem, Cloud Nothings, BABY, Sweet Crude, Chicano Batman, Rubblebucket, Looks Like Mountains, Ladywolf

Black Joe Lewis and the Honeybears, Dead Man Winter (x2), Good DoomTÖLVA, Monobody, The Shacks, Fleurie, Molotoy, Parlor Walls, YDIMITU, The Gotobeds, Peacock Affect, Austra (x2), Dave Brannigan, Papier Tigre, Elephant Stone, You Blew It, Grand Parc, PAVVLA, Alice Jemima, Dusk (x2), Jens Lekman, PWR BTTM, Melkbelly, Nail Polish, Leif Vollebek, Shull, Jennifer Niceley, House of Wolves, Chuck Prophet, Fair City Fire, The Reptilian, Lil Sluggers, Mint Green, Local Natives, Henry Jamison

The Sonics, Nocturnal Habits, Julia Lucille, Loamlands, Halldór Eldjárn, The Hill Country Devil, DakaBrakha, The Chinchees, Oddissee, Way Worse, BADBADNOTGOOD, Tenfold, The Staves, The Vaughns, Sunflower Bean, Flasher, Weyes Blood, Charlotte Cardin, Mammút, Benjaminto, Naked Giants (x2), Hippo Campus, Delicate Steve (x2), White Reaper, Gurr, Muncie Girls, Julien Doré, Birdtalker, Mario Batkovic, Seu Jorge, Ace Henderson, Nudity, High Waisted, John Craigie, Sammus (x2, 3), Beach Slang

45ACIDBABIES (x2), Fiona Silver, Calico, Viagra Boys, Fox and the Acres, The Veils, Anna McLukie, Iguana Death Cult, Sad13 (x2), DIA, Hospital Job, Katie Ellen, Albin de la Simone, Nick Hakim, Holy Pinto, Nessi Gomes, Radio Eliza, Michigan Rattlers, Wallacy Willians e os Besouros, Dæphne, The Mysterons, Cincin, Listener, Rykarda Parasol, Magic Bronson, (T-T)b, Tourists, Foxing, Eyukalpitus, Twin Lords, Dijon, Red Baraat, Dan Layus, Camp Claude, Solilians, Andy Svarthol, Octave Noire, Benoît Lizen

Bishop Nehru, No Win, Hits Like A Girl, Sauna Accident, Bullet Points, Golden Grands, Strand of Oaks (x2, 3), The Singing Butcher, Fishbone, See Gulls, Santoros, Burn Fetish, Wildwood Kin, Noam Pikelny, Alejandro y Maria Laura, Gang of Four, RLLBLL, Star Anna, Industrial Revelation, Lohai, And Also the Trees, Bror Gunnar Jansson, Jealous of the Birds, Star Parks, Shawn Fogel, Joel and Bill Plaskett, Ess See, Edna Vazquez, Plastic Picnic, Rodney Crowell, Mother Mother, Molly Burch (x2, 3), Blind Pilot

The Kraken Quartet, Fraea, Other SunsNina Diaz & Luz Elena Mendoza, Alexandra Savior, The Big Pink, From Indian Lakes, Mike Wexler, Nimrod, Tyte Jeff, Mega Bog, Big Star’s Third, Robyn Hitchcock, Strange Americans, Clap Your Hands Say Yeah, Community Daughter, Severin Bells, Talmud Beach, Timber Timbre, Tall Heights, Tim Kasher, Sundara Karma, Guantanamo Baywatch, STEVENSTEVEN, ZenSoFly, asdfhg., Olivensteins, Becca Stevens, Grandaddy, Bad Licks, Maren Morris, The Memories, Sloucher

Klangstof, Moses Hightower, Les Aventures de President Bongo, Kite Base, Barbagallo, Mike Doughty, The Pukes, Mothers, Tom Tukker, Modern English, American Football, Kristin Hersh, Christopher Paul Stelling, Yasmine Hamdan, Candy Ambulance, Amelia Curran, Dane Terry, Midijoyful, Drumbeat Red, Jesca Hoop, South City Revival, The Awful Truth, Ages and Ages, and The Spring Standards.

Lithuania – Kill The Thing You Love (Stream)

eric slick

[Editor’s Note: In light of the tragic circumstances in Orlando, there was some debate over featuring a song with a title that could be construed negatively in the face of that event. However, now more than ever, it seems deeply necessary to endorse and promote acts of kindness, understanding, and empathy. It’s because of this song’s message and the good that can come from its purchase that it’s in today’s headlining spot.]

Since the last post on this site went up just a few short days ago, new tracks emerged from Pari∀h, Deerhoof, Pink Mexico, Guts Club, Blesst Chest, Ali Beletic, Kool A.D., and two new tunes from JOYA‘s Robert Sotelo. Artists with commendable music videos was a list that included The Gotobeds, Wimps, Oddissee, The Figgs, Palehound, Gang of Youths, Terrible Feelings, WALL, and Museyroom. The past several days also saw the release(s) of several legitimate album of the year candidates, including efforts from Told Slant, DEN, The Gotobeds, Margaret GlaspyThe Craters, and a demo of the upcoming full-length debut from Mr. Martin & The Sensitive Guys.

All of the above items amounted to an extraordinary run — especially for the full streams — for such an abbreviated time frame. One of the most heartening things to emerge during that stretch came courtesy of site favorites Lithuania, a band fronted by Dr. Dog drummer and A Year’s Worth of Memories contributor Eric Slick. “Kill The Thing You Love” was originally intended for the band’s latest record, 2015’s astounding Hardcore Friends, but was ultimately nixed for being too out of sync on a thematic level. Fortunately, the song wasn’t just relegated to an unheard archives litter and was recently released as a standalone single to benefit Women Against Abuse, a Philadelphia organization that aids women who are escaping or have survived domestic abuse.

“Kill The Thing You Love” itself is one of the band’s more gnarled, rough-hewn offerings. Relentlessly aggressive in its dynamic approach, the song actually gains a wealth of power from its decidedly direct aesthetics, elevating an oddly moving narrative. Slick delivers the most impassioned vocal delivery of his career and the song uses its lo-fi nature to amplify its own propulsion. In a little over three and a half minutes, the band embraces a chaotic sludge that underlines the confusion that frequently manifests and overpowers the decision-making in relationships that make room for — and frequently try to excuse instances of — domestic abuse. It’s a bold song that calls attention to a dark reality that goes ignored far too often.

Here’s the statement that Slick issued to Post-Trash for the great premiere piece that accompanied the song:

The song “Kill The Thing You Love” was written in 2014. Its intended purpose was for the Hardcore Friends album, but we decided to leave it off because it didn’t fit the narrative. It’s also a complicated listen. However, the song is of great importance to me. It was written from the perspective of a young woman who runs away from her abysmal home life and starts fresh in a safe environment. It’s based on a story that a close friend told me about her incredibly difficult and abusive childhood. “Kill The Thing You Love” is indeed a jarring title, but its intent is more of a mantra of empowerment. Sometimes we have to let go of things (kill in the figurative sense) we love, especially when they’re hurting us. Abuse is still everywhere. A direct example is the inexcusable behavior of Seagreen Records. Seagreen was initially supposed to release this song until they came under fire for very serious sexual abuse charges. I was horrified. Luckily, Lame-O Records agreed to release this song. I’m relieved that we can benefit a great cause in the process.

Listen to “Kill The Thing You Love” below and get the track (and donate to a good cause) here.

Petite League – Zookeeper (Stream)

petite league

While the efforts to keep this site up to date on the very latest releases allows for an influx of under-the-radar material, occasionally a few things fall to the wayside. The best of those are ultimately picked up somewhere along the line and — if they’re close to their release date — plugged into coverage. The latest from Petite League, “Zookeeper”, premiered yesterday and was strong enough to secure a feature spot. A string of other recently-released tracks made strong impressions along the way, including songs from: Okkervil River (whose lyricist, Will Sheff, ranks among the greatest to have ever lived), The Gotobeds (who almost snagged a feature spot of their own), Steady Holiday, Jambinai, The Hairs, Nomad Sounds, and Brenda’s Frend.

“Zookeeper”, a riff-happy basement pop stomper, just proved too irresistible to relegate to a link. It shows Petite League operating at the peak of their powers, turning in a hook-heavy number that never stifles its considerable momentum, even when it unexpectedly allows everything to drop out. By utilizing the stop/start dynamic and exploiting it’s power for all its worth, the band comes across as being successively more galvanized following each kick back into action.

It’s a fiery number that has a formidable punk bite tethered to its undeniable pop sensibilities. The lo-fi aesthetics provide “Zookeeper” with an additional layer of charm amidst its grit, lending a very real sense of determination to the proceedings. The world-weary lyrics are just as strong as the guitar work, with both playing off of each other to ascend towards something legitimately memorable. By the end of “Zookeeper” the band have made their mark, scorching the earth around them with no regard for anything other than their own substantial energy. It’s an exhilarating thrill ride that all but begs to be kept on repeat.

Listen to “Zookeeper” below and keep an eye on Manimal for the single’s Friday release.

What A Difference A Month Makes (Streams)

As was discussed in the preceding two posts, there’s been a serious lull of inaction on this site as of late as far as posting is concerned. A large reason for that was the fact that the majority of that coverage gap was spent traveling thousands of miles to document sets from bands like Oops, Dilly Dally, Yowler, Eskimeaux, Frankie Cosmos, Beach Slang, Potty Mouth, Dyke Drama, PWR BTTM, and more.

The resulting documentation will be posted at some point in the near future but the hefty amount of visual content (not to mention the act of traveling itself) necessitated a publishing break. However, as usual, every new piece of incoming information was accounted for in the interim. Full streams and music videos have already been covered so it’s time that the attention was turned towards individual songs.

A list of some of the finest new tunes to have emerged over the past month can be found below. Since there are so many, it may be best to bookmark this page and explore its contents at a more leisurely pace to avoid being overwhelmed. Jump on in and go swimming.

Basketball Shorts, Mikey Erg, Bird of Youth, Las Rosas, Mitski, The Big Moon, Nicholas Allbrook, The Gotobeds, Nothing, Fawnn, Leapling, Speedy Ortiz, Yours Are the Only Ears, Don Vail, Frail, Stephen Steinbrink, Yeesh, Pkew Pkew Pkew, Haley Bonar, And The Kids, Gauntly, Summer Cannibals, case/lang/veirs (x2), Psychic Teens (x2), Glenn Davis, Dogheart, Cat’s Eyes, benjamin783 (x2), Ian William Craig, Terry, Emily Jane White, Walleater, VATS, Alice Bag (x2), Mutual Benefit, Blowout, Mike Adams At His Honest Weight, and Outer Spaces.

The Monkees, Tens, Yung, Star Parks, Marissa Nadler, Brenda’s Friend, elvis depressedly (x2), Rick Redbeard, Sega Genocide (x2), Honey (x2), GØGGS, The Dan Ryan (x2), Male Gaze, Heaters, Leif Erikson, Blessed, Boys, Mumblr, Anthony Sanders, Swanning, Kvelertak, Hollowtapes (x2), Bonnie ‘Prince’ Billy, OVER, Erin Tobey, Quiet Hollers, The Clientele, Young Magic, LUKA, Yikes, Teen BodyFew Bits, Fear of Men (x2), Joy Void, Message to Bears (ft. Will Samson), Baby In Vain, Local Natives, Scroll Downers, and Psychic Heat.

OHIOANDaniel Wilson, The Invisible, Ultraviolence, Oddissee, Bad Channels, Dentists, Deerhoof, Hayden Calnin, The Mercury Programs, Yoni & Geti, Marisa AndersonColleen Green, Lisa Prank, Ultimate PaintingJuniore, Spice Boys, Stone Cold Fox, Avalanche, Beliefs, Museum Mouth, Psychic Ills, Flat Worms, Robin Pecknold, Mock Orange, Magic Potion, Retail Space, VHSBag-Dad, Casper Skulls, Peach Kelli Pop, Aloha, JPNSGRLS, Adeline Hotel, WoodsColder, The Mystery Lights, Islands, Sego, Casey Jordan Weissbuch, Honey Radar, and an unexpected Car Seat Headrest cover of a Radiohead classic as well as an unexpected Yuck cover of an Elliott Smith staple.

The 50 Best Songs of 2016’s First Quarter

Eskimeaux

Now that nearly everything’s back up to speed on the three major fronts (streams, full streams, and music videos), it’s time to re-direct the attention to the very best material that emerged in the first three months of 2016. After listening to literally thousands of new songs throughout the course of this year, 50 songs will be embedded below (the original list was just over 50 and the last three cuts were from Public Access T.V., SOAR, and Retired), with the first several artists listed having multiple songs vying for the feature.

Due to the time constraints, each of the songs — while worthy of several paragraphs — will  receive a line or two of text. All of the songs that competed for the feature spot will be hyperlinked. All of these songs, in one way or another, genuinely stood out from the rest of the pack- and beyond that, several of them have proven their worth via their staying power.

From moments of devastating vulnerability (“Low Hymnal”) to electrifying bursts of visceral energy (“DVP”), there’s a lot to digest. Whether carrying the status of new, emerging, proven, or elder statesman, the artists that comprise this list have viable year-end potential. All 50 of these tracks deserve investment. Dive in below and explore a large handful of 2016’s finest gems.

Bent Shapes – New Starts In Old Dominion

After making their mark with a string of consistent releases, Bent Shapes delivered their strongest effort yet with Wolves of Want, which was highlighted by the surging powerpop number “New Starts In Old Dominion”. | Also worth hearing: What We Do Is Public, Realization Hits

Culture Abuse – Turn It Off

A seething mess of chaos and cacophony, Culture Abuse‘s “Turn It Off” was one of young 2016’s most immediate post-punk tunes. Sharp and unrelenting, “Turn It Off” more than makes its mark. | Also worth hearing: Dream On, Peace On Earth

Audacity – Lock On the Door

Self-described by the band as a “Third Eye Blind rip-off song”, “Lock On the Door” is the band’s most successful grime-coated excursion and retains every bit of its predecessors’ considerable charms.  | Also worth hearing: Umbrellas, Dirty Boy.

Mulligrub – Homo Milk & Man in the Moon

Mulligrub managed to impress when they were just starting out and they’ve grown noticeably in a surprisingly short period of time. If this two-song package is any indication, there are some extraordinary things in Mulligrub’s future. | Also worth hearing: Europe

Mo Troper – First Monkey In Space

Mo Troper’s Beloved is my early front-runner for Album of the Year and with songs as perfectly crafted (and presented) as “First Monkey In Space”, that shouldn’t come as a surprise. Big Star-meets-Tony Molina is a very, very good look. | Also worth hearing: After the Movies

Jawbreaker Reunion – Cosmos

Another early year-end candidate came in the form of Jawbreaker Reunion‘s breathtaking “Cosmos”, which saw them tapping back into the lovesick despair that made “E.M.O.” so unforgettable. When the back half kicks in on his one, it’s a moment of powerful transcendence. | Also worth hearing: Small Investments

Kal Marks – Coffee

A sprawling, bruiser of a track, “Coffee” sees Kal Marks continuing to dominate the realms of aggressively down-trodden post-punk, fully equipped with a messy handful of grunge influences. It’s another masterclass from a band who are very nearly peerless. | Also worth hearing: Mankind

Tenement – The Block Is Safe Again

One of three songs on this list to be experiencing a cleaned up re-release, “The Block Is Safe Again” is vintage Tenement. All you really need to see to know that this is incredible is the last word of that first sentence. | Also worth hearing: Freak Cast In Iron

Nicole Dollanganger – Chapel 

Another song that experienced a re-release, “Chapel”, saw Nicole Dollanganger embracing her softest sensibilities and conjuring up something spellbinding. Let it wash over you and give into its dreamlike state, pay attention, though, and you’ll be plunged straight into a delicate nightmare. | Also worth hearing: Beautiful and Bad

Big Ups – National Parks

Shortly after hitting their five year anniversary, Big Ups unloaded a behemoth of a record in Before A Million Universes. The high-wire tension act of “National Parks” was one of its many peaks, providing an able showcase for the band’s commanding sense of self. | Also worth hearing: Hope for Someone

Tancred – Sell My Head

One of 2016’s most pleasant surprises has come in the full-blown emergence of Tancred. Spiky, formidable, and exceptional, everything Jess Abbott’s project has unleashed this year has hit its target. Store this one away right next to the fiercest songs from Palehound and Speedy Ortiz. | Also worth hearing: Control Me

Eskimeaux – WTF

After claiming this site’s Album of the Year distinction, the Epoch quartet known as Eskimeaux has returned with a shimmering new EP. “WTF” continues the band’s winsome penchant for expertly crafted, bittersweet pop songs with a gentle ease. Good luck shaking that chorus section. | Also worth hearing: Power

Solids – Blank Stare

Following a string of strong releases, Solids have a career high on their hands with the Else EP, which boasts four enthralling tracks that combine a host of influences into something melodic and menacing. “Blank Stare” is the EP’s highlight. | Also worth hearing: Wait It Out

Eureka California – Cobwebs on the Wind

Eureka California have proven themselves to be a remarkably consistent band and they’ve rarely ever been granted the spotlight they deserve. Versus, their latest effort, is their most engaging thanks to the jittery energy that propels tracks like “Cobwebs on the Wind” and “Caffeine”. | Also worth hearing: Caffeine

Banned Books – Fuselage

Very few records this year have caught me as off guard or sent me reeling as quickly as Banned Books, the exhilarating self-titled effort from the Philadelphia noise-punk figureheads. “Fuselage” contains some of the band’s most exceptional — and propulsive — work to date. | Also worth hearing: Everything I’ll Ever Need

Hudson Bell – Box of Bones

One of the most difficult decisions to make in compiling this list was which of these two listed songs to feature. “Box of Bones” got the edge for the extraordinary hooks and some jaw-dropping sections of sheer perfection. Hudson Bell is putting together something unreal and more people should be taking note. | Also worth hearing: Hey Doll

Plush – Sheer Power

A sweeping, magisterial work of lush decadence, “Sheer Power” announced Plush’s 2016 run with a heaven-sent explosion. Dynamic, powerful, gorgeous, and towering, “Sheer Power” is the band at their most gripping and one of early 2016’s most spine-tingling offerings. | Also worth hearing: Please Don’t Let Me Go

PUP – DVP

As expected, when PUP resurfaced after making one of the most beloved punk records of this current decade, they were even more feral and wild-eyed than when they left off. “DVP” isn’t just the band’s fiercest song to date, it’s also one of their strongest. Get out of the way or get run over (repeatedly).

Greys – No Star

Another one of Toronto’s finest punk acts, Greys, have been putting together a deeply impressive run over the past few years. They’ve yet to make a bad song and thrive off the tension they inject into the kinetic “No Star”, which expertly balances the band’s most melancholic sensibilities with their most explosive.

The Sun Days – Don’t Need To Be Them

2016 has already had its fair share of excellence in powerop but right now, no one’s doing that genre better than Sweden, who’ve gifted us another extraordinary act in The Sun Days. Album, the band’s debut record, offers up a whole bevvy of what are likely to go down as some of 2016’s loveliest tunes, like the gorgeous “Don’t Need To Be Them”.

Frankie Cosmos – On the Lips

The last of the songs on this list to have a prior release, “On the Lips” finally gets the full band treatment for Frankie Cosmos‘ sprightly Next Thing. Already considered a standout of a very crowded discography, “On the Lips” is pure Frankie Cosmos: light, charming, and memorable.

Oceanator – Nowhere Nothing

Very few songs over the past several years have had a section that laid me as flat as the outro to Oceanator’s “Nowhere Nothing”. The project of Vagabon drummer Elise Okusami, Oceanator’s already showing an astounding level of promise. As a standalone song, it’s breathtaking. As an artist’s introductory number, it’s flat-out unbelievable.

Yoni & Geti – Madeline

Serengeti’s carved out a respectable place for himself throughout the course of a very consistent career. WHY?‘s Yoni Wolf is rightfully regarded as one of this generation’s most remarkable lyricists (by certain circles, at least). Their collaborative project is only just getting started but the lilting powerpop of “Madeline” bodes well for the duo’s future.

EERA – Drive With Fear

“Drive With Fear” was the first song that really pulled me into EERA‘s fascinating world. Combining elements of dream-pop, ambient, and noise into an extremely tantalizing package, the project from Anna Lena Bruland’s landed on something intangible that seems ready to pay dividends as it goes forward. This song alone’s a piece of magic.  

Tacocat – I Hate the Weekend

Tacocat returned with “I Hate the Weekend”, advancing the band’s commendable aversion to disappointing by amplifying what they do best: carefree basement pop that deals with life’s more mundane moments. Sugary, sharp, and well-informed, “I Hate the Weekend” will stand as one of 2016’s greatest anti-parties.

Dilly Dally – Know Yourself

Watching Dilly Dally unexpectedly pull out this Drake cover last year at CMJ prompted what I can only describe as a near-out-of-body experience. I wrote about it extensively a few times and was hoping an official recording of the cover would make its way out into the world. When it arrived, it didn’t disappoint; “Know Yourself” is an absolute monster.

Lucy Dacus – Strange Torpedo

I Don’t Wanna Be Funny Anymore” was one of the best songs of last year and I haven’t been able to shake it since its release. Fortunately, Lucy Dacus had a new batch of equally exceptional songs to round out the incredible No Burden, including “Strange Torpedo”, a very strong showcase of Dacus’ knack for hyper-intelligent songwriting.

Weaves – One More

Weaves have undergone one of the more impressive transformations in music, transitioning from an intriguing world-leaning act to a full-fledged basement pop group. “Shithole” was one of the first indications of their radical switch and they’ve followed it up with the vicious, teeth-baring noise-punk of “One More”.

Free Cake For Every Creature – First Summer In A City

Katie Bennett’s Free Cake For Every Creature project has excelled in making airy bedroom pop that’s grounded by a relatable honesty. “First Summer In A City” is an instant standout, instantly capitalizing on the act’s most breezy and road-weary sensibilities. The slide guitar work here is a thing of quiet perfection. 

Woods – Morning Light

Another band that knows a thing or two about breezy, road-weary sensibilities is Woods, who have sculpted an entire career out of combining the two. One of the most remarkably consistent bands going today, they’ve managed to produce a career highlight with the easygoing, piano-speckled Americana of “Morning Light”.

Music Band – Fortune Guns

Basement pop meets basement punk is where this site pulls most of the bands it features most prominently. Music Band exists squarely in that intersection and have nearly perfected that marriage. “Fortune Guns” is the latest piece of thrilling evidence. 

A Death Forest Index – Myth Retraced

“Myth Retraced” is the kind of song that slowly washes over the listener, pulling them deeper in with each successive wave as the current gets increasingly stronger. A collaboration between A Death Forest Index and Savages’ guitarist, Gemma Thompson, it’s a dark, fractured miracle of a track. 

Carey – You Were Right

Old Flame Records has long specialized in retro-leaning basement pop, building up a roster of acts that have — appropriately — been granted a lot of attention from this site. Carey‘s the latest band to get in on the action and they kicked 2016 off with the blazing “You Were Right”, which more than lives up to the label’s high standard.

Wood Lake – Hollow

Easily the heaviest song on this list, “Hollow” is a swift masterstroke from emerging act Wood Lake. Combining the very best elements of post-hardcore and shoegaze, the band’s latched onto something that feels as exhilarating as it does singular. Gorgeous and punishing isn’t an easy combination to pull off but Wood Lake’s got it down pat.

Dead Stars – Unpopular

Dead Stars have shown up on this site a few times thanks to their ’90s-infused take on basement pop and “Unpopular” is another very worthy addition to a strong discography. Clean when its called for and distorted when it matters, “Unpopular” finds the band in fine form.

Such Hounds – I’ve Been Lost

Riding a syncopation lifted from The Damned’s classic “Neat Neat Neat” in the introduction, Such Hounds’ “I’ve Been Lost” quickly transforms into a beast of its own, lacing its emphatic powerpop with a punk sneer. Insanely catchy and playfully welcoming, it’s a breath of fresh air in an all-too-often overly serious musical landscape.

Told Slant – Low Hymnal

The first time I heard a note of Told Slant‘s “Low Hymnal” was when it was being recorded in DBTS. I’d wake up and listen in on Felix Walworth meticulously recording the song, wondering how the finished version would play. When I heard the rough take, I surrendered myself to chills, on the verge of tears. Now that it’s done, that feeling’s returned.

Mitski – Your Best American Girl

The year Bury Me At Makeout Creek came out it came very close to capturing this site’s Album of the Year distinction. Mitski‘s made a lot of moves in the time that’s followed, watching her audience grow exponentially in the process. “Your Best American Girl” is more than strong enough to allow that trend to continue; it’s a dynamic behemoth.

Yung – Pills

Yung were one of the first bands to really impress me at last year’s CMJ. I’d enjoyed what I’d heard from them previously but their was something intangible happening with their live show that converted me into a full-fledged believer. “Pills”, an expertly crafted basement pop number, serves as a welcome reminder that they’ve elevated their game.

Patio – Arbitrary Numbers

Fortunately, for everyone, Patio‘s only grown more confident since their demo (and their first show). Their upcoming EP, Luxury, is chock-full of memorable post-punk, including “Arbitrary Numbers”, the release’s minimalist pull track. Intelligent, catchy, and well-informed, it shows the band’s well on their way to being a recognizable name.



Jean-Michel Blais (ft. Bufflo) – Nostos

One of the more beautiful piano compositions to have emerged in some time, this collaborative effort between Jean-Michel Blais and Bufflo is a haunting, masterful run that’s weighted by what scans as genuine emotion. All of the ambient elements that spring up manage to enhance the vivid nature of the piece’s most emotive moments.



Fog Lake – Rattlesnake

From its melancholic opening moments to its uneasy close, Fog Lake‘s “Rattlesnake” is a gripping journey through unsparing self-examination. Haunting, haunted, and oddly unnerving, the relatively tranquil “Rattlesnake” is a miniature masterpiece that should go quite a ways in elevating Fog Lake towards a desirable status. 

Tangerine – Sunset

Tangerine have all the energy you’d expect from an exciting emerging act but are able to differentiate themselves thanks to how effectively they wield that energy. “Sunset” is a perfect example, a frantic, sun-soaked, punk-tinged powerpop number that plays like the band was having difficulty containing their sheer joy over the prospect of simply making music. 

Bob Mould – The End of Things

At this point, if you’re reading this site, it’s highly unlikely that Bob Mould‘s an unfamiliar name. The Hüsker Dü co-leader has been on an absolute tear with his solo releases of late, his finest work on those rivaling the best of the band that made him a legend. The fire-breathing “The End of Things” shows that he has absolutely no intentions of slowing down.

Catbus – Fracas

Patio‘s Lindsey-Paige McCloy and Alice Suh make another appearance on this list as part of this new, Phyllis Ophelia-led project that announced itself by way of the uniformly excellent “Catbus”. Post-punk, ’90s pop, and minimalism are woven together here to instantaneously memorable effect. The chorus alone stands as one of 2016’s strongest musical moments.



Museum of Recycling – Stillove

Last year, I was fortunate enough to host the demo premiere of “Stillove”, the standout track from new Big Ups side-project, Museum of Recycling. Heavy, atmospheric, and unrelentingly bruising, “Stillove” sees Joe Galaragga embracing his most melodic sensibilities to spellbinding effect. Get crushed under its formidable weight.

Leapling – Alabaster Snow

While Leapling have had a sizable handful of great tracks leading up to 2016, “Alabaster Snow” showed the band operating on a different level entirely. Easily the band’s best song to date, it’s a chaotic mixture of powerpop and vicious noise-punk that keeps things clean and winds up being even more engaging for its unconventional choices.

Dusk – My Own Design

Tenement‘s Amos Pitsch and Holy Sheboygan!‘s Julia Blair have both had their turn at the helm of Dusk and now, on “My Own Design”, the band moves darn it.‘s Ryley Crowe to the forefront. “My Own Design” is just as timeless and perfect as “(Do the) Bored Recluse” and “Too Sweet“, definitively proving Dusk as a whole belongs at the head of the WI music scene.

The Gotobeds – Real Maths/Too Much

It took me a while to come around on The Gotobeds after the lead-off single from their last record left me fairly cold. This time around, I’d happily go all in on “Real Maths/Too Much”, a pointed burst of post-punk that lingers long after its left. Fiery, insistent, and played with an intense amount of feeling, it’s the band at their absolute best.

Big Thief – Real Love

Another likely contender for multiple year-end lists arrived in the form of Big Thief‘s “Real Love”, a breathtaking tune that’s breathing new life into Saddle Creek’s increasingly impressive roster. A towering masterclass of pure songwriting, “Real Love” is jaw-dropping at nearly every turn, from the sky-bound guitar work to the plaintive honesty that grounds the whole affair. If the rest of the band’s upcoming Masterpiece comes close to matching this song, it’s tongue-in-cheek title won’t carry a shred of irony. “Real Love” is four minutes and 17 seconds of sublime perfection.


14 of ’14: The Best Albums of 2014

LVL UP II

One last time for one last 2014 list: “best” is in no way an attempt to be an objective statement. The terminology is shorthand to reflect personal taste and is not to be construed as anything more. Also, for the purposes of a more personal summary in this year-end coverage period, this site’s regular restriction on first person will be lifted. In 2014, I listened to more music that was released throughout the year than any other in my life. Numbering well upwards of a thousand releases, it proved impossible to keep tracks on everything (I’m already certain a few of these lists are missing more than a few titles that I genuinely loved)- but there were a few items that were worth remembering. Below are 14 records that managed to carve their way into my esteem both instantaneously and through the process of time. Below that is what turned into the most extensive list I’ve ever assembled, one that acts as an unnecessary validation that good music is being created at an excessively high volume (all of which is hyperlinked to either a full stream or a representative portion). We’re living in a golden age for access and music continues to reap the benefits allowed by technology.  In that spirit, it’s worth noting that a lot of the names included below won’t always be the most recognizable- this is due to both that volume and the fact this site’s built on a foundation that ensures bands who are marginalized will be given the consideration they deserve. So, with all of that noted, it’s time to move on to the main attraction: 14 of ’14: The Best Albums of 2014.

14. Taulard – Les Abords Du Lycée

2014’s most unexpected gem, Les Abords Du Lycée, is a mesmerizing listening that drives home taut organ/drums/vocals post-punk with a startling amount of verve. Endlessly charismatic and unpredictable, the dozen tracks on display here constantly twist and turn, never once daring to let the listener catch their breath. Mood and tempo changes abound on one of 2014’s most fearlessly unique records. Even for those who aren’t even remotely well-versed in the French language, Les Abords Du Lycée should be a thrilling listen; something like unbridled passion can always translate well enough to near the universal.

13. La Dispute – Rooms of the House

What’s easily one of 2014’s boldest concepts roots La Dispute’s mesmerizing Rooms of the House, a record that shows La Dispute’s rapid maturation with a weary grace. Centered around a meticulously brilliant narrative device, it’s a record that stunned me on my first few listens before growing into an inescapable force of nature that refused to leave my thoughts. As bleak as anything the post-hardcore has ever produced, Rooms of the House finds its strength through focus and restraint, zeroing in on difficult topics with a keen eye and an abundance of determination. Blisteringly personal and nearly voyeuristic, it stands as one of 2014’s fiercest artistic statements.

12. Two Inch Astronaut – Foulbrood

Two Inch Astronaut’s Foulbrood has come up more than a few times on the site over the past handful of months thanks to its casual brilliance. Wielding an enticing palette of influences ranging from Drive Like Jehu to their contemporaries in Exploding in Sound, Two Inch Astronaut managed to conjure up one of the most impressive sophomore efforts of the year. The title track, “Part of Your Scene“, and “Dead White Boy” all earned themselves individual write-ups on the basis of their appealingly off-kilter and ragged identity. Foulbrood‘s a record that knows exactly what it wants to be and goes straight for the throat, sending a trail of viscera flying it its wake.

11. Cloud Nothings – Here and Nowhere Else

One of the things I kept coming back to throughout the course of music in 2014 was Jayson Gerycz’s drumming on this record. Not just because it’s a staggering individual performance but because there’s an undefinable, inherent quality that exists within that drumming which drives this record to obscene heights. Impossibly, stripped of the drumming, the record succeeds wildly in an acoustic setting and demonstrates Dylan Baldi’s increasing proficiency as a songwriter, a vocalist, and a guitarist. After losing a member in guitarist Joe Boyer, Cloud Nothings somehow managed to transform themselves into an act that was simultaneously heavier and poppier than when they were a quartet. Importantly, this is a record that’s built to last and it’s only grown on me as the year’s progressed (and that trend’s not showing any signs of slowing).

10. Ought – More Than Any Other Day

As beguiling as it is bewitching, Ought’s brit-pop influenced post-punk masterpiece was a record that sounded triumphant right out of the gate. Slowly, that triumph turned to transcendence and the songs contained within More Than Any Other Day became unavoidable mission statements. In terms of scope, the majority of More Than Any Other Day feels as epic as LCD Soundsystem operating at their best. Both acts share a penchant for sprawling structures and self-containment, bridging a gap between intimacy and grandeur with a knack for deceptive, intricate songwriting. Anthemic and mundane, More Than Any Other Day was like a shot of adrenaline straight to the heart, waiting for the resuscitated with a sly grin and a memorable, tossed-off joke. Excessively charming and utterly winsome, it’s a record that felt (and still feels) necessary.

9. Jawbreaker Reunion – Lutheran Sisterhood Gun Club

“E.M.O.”, Lutheran Sisterhood Gun Club‘s thrilling centerpiece, recently appeared in this site’s best songs of 2014 list- but the song’s only one part of a much larger picture. At once, one of the year’s most joyous and pissed off releases, Jawbreaker Reunion tore through a variety of serious issues with aplomb on their absolutely stunning debut effort. Other than distilling songs like “Laughing Alone Eating a Salad” with a wicked sense of humor, the whole affair’s imbued with an enviably powerful sense of songcraft. Lo-fi, DIY, punk, and teeming with an understanding of classic pop, Lutheran Sisterhood Gun Club was one of 2014’s boldest introductions- it was also one of its best.

8. PURPLE 7 – Jewel Finger

PURPLE 7 boasts a lineup that’s accompanied by an impressive pedigree. Members of the band have previously played in bands like Defiance, Ohio, Landlord, and Hot New Mexicans (whose self-titled record ranks among my all-time favorites and currently leads my “best of decade” selections). Unsurprisingly, their debut LP effort hits a lot of sweet spots, including a gritty middle point between basement punk and basement pop. Simply put, this is a stunning collection of songs that was overlooked by most to a baffling degree after its release. Grounded, humble, and heartfelt, Jewel Finger is one of the records that reminds me of the reasons I started this site. This is music that deserves to be celebrated.

7. Angel Olsen – Burn Your Fire For No Witness

Arguably 2014’s first truly great release, Angel Olsen’s Burn Your Fire For No Witness saw the songwriter transition from a promising talent into one of the year’s most arresting figures. Embracing a fuller sound and a newfound confidence, Burn Your Fire For No Witness broke Angel Olsen’s career wide open with an onslaught of genuinely haunting tunes. Whether they were relentlessly spare or soaked in noir-ish tendencies, they were uniformly captivating; both the storm and the eerie silence before. Raw, tender, and occasionally antagonistic, Burn Your Fire For No Witness was one thing above all else: unforgettable.

6. Cymbals Eat Guitars – LOSE

From the devastating opening lines all the way through to the climactic finish, LOSE holds its ground as one 2014’s most frighteningly personal albums. Largely influenced by the death of a friend close to the band, it’s a meditation on loss and the surrounding aspects of something so tragic. Easily Cymbals Eat Guitars’ finest work to date both lyrically and musically, it’s a powerful (and powerfully moving) listen. “Warning”, in particular, cuts deep- which is one of the reasons why it wound up on the best songs of 2014 list just a few days ago. Incredibly impassioned and brave in its sincerity, LOSE finds a level of catharsis in its emotional turbulence, lending it a charge that renders it one of the year’s most human (and most important) releases.

5. Perfect Pussy – Say Yes To Love

Perfect Pussy, for better or worse, have become intrinsically linked with this site. From Meredith Graves’ insistence on tangential involvement (which I’ll forever be grateful for) to the fact that the band’s greater ascension matched up with the very start of this site, they’re a band I’ve gone step for step with since bringing Heartbreaking Bravery into existence. None of that would have happened if I hadn’t been so fiercely drawn to the things that they were doing, though, which is why I approached them in the first place. Ever since those beginnings, it’s been a privilege to watch them progress, to travel at lengths to watch them play, and to see them release a record as enormously powerful as Say Yes To Love, a collection which houses my favorite song of 2014 (and possibly of this decade so far). Unapologetic, personal, damaged, resilient, powerful, feral, oddly triumphant, and unbelievably intense, Say Yes To Love operates as a perfect reminder for all of the reasons why I fell in love with this band- and why I’ll continue to pay close attention to their movements.

4. Iceage – Plowing Into The Field of Love

No band in 2014 made a more stunning artistic leap than Iceage, who went from a static blur to matching the swaggering heights of Nick Cave & the Bad Seeds after discovering their voice. Plowing Into The Field Of Love was a startlingly radical change of pace for Iceage, who imbue the record with a curious restraint and a sense of deeply haunted Americana. Southern Gothic touch points are littered throughout the record’s bleak landscape, while making room for plaintive ornamentation in the form of brass, string, and piano figures. Darker and more self-aware than anything in the band’s career, Plowing Into The Field Of Love earned them quite a few words of praise from this very site. Augmented by some legitimately extraordinary music videos, Plowing Into The Field Of Love proved to be an unexpectedly rattling experience. Easily one of the year’s most divisive records (as is the case with any left turns this sharp), it suggested Iceage’s ambitions ran way deeper than anyone expected and, subsequently, that they had the know-how to see those ambitions to fruition. In chasing their whimsy they wound up with something I wouldn’t fault anyone for calling a masterpiece.

3. Mitski – Bury Me At Makeout Creek

My connection with Mitski’s music is something that will always hold a very personal resonance. I’ll leave most of the reasoning behind that statement to a forthcoming piece but it’s worth noting in regards to a record that’s so unabashedly self-exploratory. Bury Me At Makeout Creek was an enthralling re-introduction for Mitski, who saw it rightfully skyrocket her name recognition. Top to bottom, it’s an extraordinary effort that re-defined her artistic capabilities after a string of meticulously composed records that leaned on chamber pop tendencies. Here, that past gets blown to bits almost immediately. One of my favorite experiences in music listening all year came when “Texas Reznikoff” explodes in its final section- another came while listening to one of the best songs I’ve heard this decade (for obvious reasons, considering that statement). Where Bury Me At Makeout Creek manages to approach the transcendental is in the process of allowing listeners to hear an artist coming into their own. Part of Mitski’s identity is laid bare by Bury Me At Makeout Creek: it’s the unwillingness to accept identity as a static object and the desire to question its cumulative elements. That search is what gives Bury Me At Makeout Creek its bruised heart- and it’s why musicians will use it as a source of inspiration for several years to come.

2. Radiator Hospital – Torch Song

After the exhilarating highs of Something Wild, Radiator Hospital had a tall order for their follow-up. Fortunately (and unsurprisingly), they obliterated those towering expectations with Torch Song. Sounding more confident- and more polished- than ever before, Torch Song cemented Sam Cook-Parrott’s status as one of this generation’s keenest emerging voices. Paying attention to the minutiae of everyday experiences and injecting them with a self-deprecating sense of poetry laced with pessimism, the songs contained on this record all aim to cut and find their mark with an incredible amount of ease. Having already established themselves as one of today’s more formidable units musically, Torch Song has the added benefit of having four loaded personalities find each other in total harmony, each acting as a complement to the other. Personal diatribes, small journeys of self-discovery, and a sense of empathy inform Torch Song and help cultivate its unassuming charm. There’s not a weak track among the record’s 15 songs and it maintains an assured sense of pace throughout its relatively breezy runtime. By the time it draws to a close, it stands as one of the most fully-formed and rewarding records of recent memory.

1. LVL UP – Hoodwink’d

I don’t think any record resonated more for me throughout the course of 2014 than LVL UP’s Hoodwink’d, which I revered with literally no reservations. 2014’s strongest sophomore effort, Hoodwink’d saw LVL UP expanding most of the elements that made Space Brothers such an incredible release and retained all the others. Unreasonably refined and exceedingly personable, LVL UP have always found a strength in accentuating their members’ unique personalities and that trend got pushed to the forefront for their second full-length (which was co-released by Double Double Whammy and Exploding in Sound). Utilizing a distinctly unique take on their 90’s influences, the band also reveled in the benefits of a cleaner production that allowed them to sound more massive than they ever have in the past. No release felt more timely than Hoodwink’d, either, with the record practically serving as a stand-in voice for a disenfranchised sect of people. Alternately crushingly heavy, viciously poppy, relentlessly personal, and completely worn-out, Hoodwink’d never loses sight of its own mechanics. There’s a level of mutual understanding on display here that separates it from the rest of the year’s releases. Everyone feeds off each other, everyone supports each other, and everyone contributes to one hell of a set without even coming close to overstaying their welcome. Conversely, Hoodwink’d also ranks as one of the year’s most welcoming releases, radiating an empathetic warmth in its tone (and in its tones). As an entry in LVL UP’s catalog, it’s their career best. As a general 2014 release, it’s the best thing I had the privilege of hearing all year.

[EDITOR’S NOTE: All of the titles below without an accompanying link can be streamed in the order they’re listed via the embedded spotifly player below the list.]

Albums from 2014 that deserve to be heard:  Mean Creek – Local Losers | Happyness – Weird Little Birthday | Dark Blue – Pure Reality | Band Practice – Make Nice | Little Big League – Tropical Jinx | Happy Diving – Big World | Tweens – Tweens | Big Ups – Eighteen Hours of Static | Geronimo! – Cheap Trick | Greys – If Anything | Alvvays – Alvvays | White Lung – Deep Fantasy | Caddywhompus – Feathering A Nest | Left & Right – Five Year Plan | Ty Segall – Manipulator | Brain F/ – Empty Set | We Need Secrets – Melancholy and the Archive | Makthaverskan – II | Playlounge – Pilot | Eternal Summers – The Drop Beneath | MOURN – MOURN | Run the Jewels – Run the Jewels 2 | The History of Apple Pie – Feel Something | Flying Lotus – You’re Dead! | Trace Mountains – Buttery Sprouts | Dead Stars – Slumber | Fear of Men – Loom | PAWS – Youth Culture Forever | Swans – To Be Kind | The Yolks – King of Awesome | Crabapple – Is It You? | The Coasts – Racilia | Purling Hiss – Weirdon | Reigning Sound – Shattered | Creepoid – Creepoid | Saintseneca – Dark Arc | Mannequin Pussy – Gypsy Pervert | Fucked Up – Glass Boys | Music Band – Can I Live | Glish – Glish | Liam Betson – The Cover of Hunter | Frankie CosmosZentropy, Donutes, Affirms Glinting | Girl Tears – Tension | Martha – Courting Strong | Hurry – Everything/Nothing | The Spirit of the Beehive – The Spirit of the Beehive | Protomartyr – Under Official Color of Right | The Gary – Farewell Foolish Objects | Spit – Getting Low | Nothing – Guilty of Everything | Sharpless – The One I Wanted To Be | Legendary Wings – Do You See | Therapy? – Act of Contrition | Chris Weisman – Monet in the 90’s | Mumblr – Full of Snakes | Cayetana – Nervous Like Me | Free Cake for Every Creature – “pretty good” | Ed Schrader’s Music Beat – Party Jail | S – Cool Choices | Allo Darlin’ – We Come From The Same Place | Sneeze – Wilt | Quarterbacks – Quarterboy | The Twilight Sad – No One Wants To Be Here And No One Wants To Leave | Filmstrip – Moments of Matter | Bleeding Rainbow – Interrupt | La Sera – Hour of the Dawn | Big K.R.I.T. – Cadillactica | Gold-Bears – Dalliance | Sharon Van Etten – Are We There | Nude Beach – ’77 | A Winged Victory For The Sullen – Atomos | The Gotobeds – Poor People Are Revolting | Nots – We Are Nots | Alex G – DSU | Lower – Seek Warmer Climes | Young Widows – Easy Pain | CreaturoS – Popsicle | Mr. Gnome – The Heart Of A Dark Star | Parquet Courts – Sunbathing Animal | Ex Hex – Rips | Trust Punks – Discipline | Failures’ Union – Tethering | Odonis Odonis – Hard Boiled Soft Boiled | Beverly – Careers | The Number Ones – The Number Ones | Tigers Jaw – Charmer | Tiger High – Inside The Acid Coven | Straight Arrows – Rising | Dead Soft – Dead Soft | The Lemons – Hello, We’re The Lemons | Baked – Debt | MAZES – Wooden AquariumSleepyhead – Wild Sometimes | Native America – Grown Up Wrong | The Wans – He Said, She Said | Trophy Wife – All the Sides | Doe – First Four | Lushes – What Am I Doing | Ultimate Painting – Ultimate Painting | Haley Bonar – Last War | The Casket Girls – True Love Kills The Fairy Tale | Slothrust – Of Course You Do | Sorority Noise – Forgettable | Team Spirit – Killing Time | Feral Trash – Trashfiction | Blank Pages – Blank Pages | Mr. Dream – Ultimate In Luxury | Carsick Cars – 3 | SUNN O))) & Ulver – Terrestrials | This Will Destroy You – Another Language | Vanna Inget – Ingen Botten | The Real Energy – Beyond Delay | Muuy Bien – DYI | Young Ladies – We Get By | Eureka California – Crunch | Negative Scanner – Negative Scanner | Violent Change – A Celebration Of Taste | Black Wine – Yell BossImpo & The Tents – Peek After A Poke | Tomorrows Tulips – When | Mountain Bike – Mountain Bike | The Lees of Memory – Sisyphus Says | Telepathic Lines – Telepathic Lines | The Shivas – You Know What To Do | Allah-Las – Worship the Sun | Das Rad – Radiation | The Coathangers – Suck My Shirt | Crow Bait – Sliding Through The Halls Of Fate | together PANGEA – Badillac | Deerhoof – La Isla Bonita | PUJOL – Kludge | FF – Lord | Aj Davila Y Terror Amor – Beibi | Emilyn Brodsky – Emilyn Brodsky Eats Her Feelings | Young Statues – Flatlands Are Your Friend | Cancers – Fatten the Leeches | Sam Coffey + The Iron Lungs – Gates of Hell | Courtney Barnett – The Double EP: A Sea of Split Peas | The Ar-Kaics – The Ar-Kaics | Beach Day – Native Echoes | Hiss Golden Messenger – Lateness of Dancers | Dude York – Dehumanize | Gino & The Goons – Shake It! | Kevin Morby – Still Life | Bob Mould – Beauty & Ruin | Wyatt Blair – Banana Cream Dream | Queen Jesus – Darkness Yea, Yea | Joel Jerome – Psychedelic Thrift Store Folk | Espectrostatic – Escape From WitchtropolisCheap Girls – Famous Graves | Davila 666 – Pocos Anos, Muchos Danos | Parts & Labor – Receivers | Nick Thorburn – Music From SERIAL | DTCVHilarious Heaven, The Early Year | Bellows – Blue Breath | Teenager – E P L P | Spider Bags – Frozen Letter | The Paperhead – Africa Avenue | Parkay Quarts – Content Nausea | The Jazz June – After The Earthquake | Michael Sincavage – Empty Apartments (Supporting Actors) | Restorations – LP3 | MONO – The Last Dawn, Rays of Darkness | Matthew Melton – Outside of Paradise | The Vaselines – V For Vaselines | Total Control – Typical System | The Velveteens – Sun’s Up | Step-Panther – Strange But NiceExit Verse – Exit Verse | Slippertails – There’s A Disturbing Trend | Globelamp – Star Dust | Champ – Champ | Le Rug – Swelling (My Own Worst Anime) | VLMA – VLMA | Turn To Crime – Can’t Love | ScotDrakula – ScotDrakula | Warehouse – Tesseract | Muhammadali – Future Songs | Unwelcome Guests – Wavering | Baby Ghosts – Maybe Ghosts | White Mystery – Dubble Dragon | Constant Lovers – Experience Feelings | Future Islands – Singles | Maica Mia – Des Era | Tacocat – NVM | Popstrangers – Fortuna | Curtis Harding – Soul Power | New Swears – Junkfood Forever, Bedtime Whatever | The Miami Dolphins – Becky | Thee Oh Sees – Drop | Fasano – The Factory LP | Dum Dum Girls – Too True | Yellow Ostrich – Cosmos | Metronomy – Love Letters | Great Cynics – Like I Belong | Neighborhood Brats – Recovery | Connections – Into Sixes | Three Man Cannon – Pretty Many People | Grouper – Ruins | YOB – Clearing The Path To Ascend | Thee Silver Mt Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything | Apollo Brown – Thirty Eight | Hookworms – The Hum | Wrekmeister Harmonies – Then It All Came Down | Lee Fields & The Expressions – Emma Jean | What Moon Things – What Moon Things | Guided By VoicesMotivational Jumpsuit, Cool Planet | Gem Club – In Roses | Saturday’s Kids – The Lunatic | King of Cats – Working Out | Shopping – Tvff Noogies | The Love Triangle – Clever Clever | Nightmare Boyzzz – Bad Patterns | Future Virgins – Late Republic | Parasol – Not There | Lenguas Largas – Come On In | Cocktails – Adult Life | Generation Loss – Generation Loss | Feral Future – Haematic | Posse – Soft Opening | Diners – Always Room | Mimicking Birds – EONS | The Freezing Hands – Coma Cave ’13 | Amanda X – Amnesia | Predator – The Complete EarthWatery Love – Decorative Feeding | The Estranged – The Estranged | Steve Adamyk Band – Dial Tone | The Cry! – Dangerous Game | Ruined Fortune – Ruined Fortune | Good Throb – Fuck Off | The Elsinores – Dreams of Youth | The Bugs – The Right Time | Vacation Club – Heaven Is Too High | Freinds of Cesar Romero – Cinco Seis | Leather – Easy | Los Pepes – Los Pepes For Everyone | Juanita Y Los Felos – Nueva Numancia | Dan Webb and the SpidersEine Kleine Akustichmusik, Now It Can Be Told | Bozo Moto – BozoMoto | Low Life – Dogging | Moth – First Second | Rhythm of Cruelty – Dysphoria | Siamese Twins – Still Corner | Departure Kids – On The Go | Blessed State – Head Space | Flagland – Love Hard | Manateees – Sit N Spin | White Ass – White Ass | Ausmuteants – Order Of Operation | The Gutters – Eventually | Hysterese – Hysterese | The Ricky C Quartet – Recent Affairs | Hoax Hunters – Comfort & Safety | Arctic Flowers – Weaver

Watch This: Best of 2014 (Video Mixtape)

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Live music videos never seem to get the emphasis they deserve. It’s part of why Watch This was created; to celebrate stunning documents of equally stunning performances. A good band can make a great record but a truly great band usually excels in the live setting. With 2014 winding to a close (and with another 100 posts in the past), it seemed appropriate to start reflecting on some of the year’s best offerings. Lists of LP’s, EP’s, 7″ releases, and more will be forthcoming but today the focus will fall on live clips. And, yes, 2014’s not quite over yet and there will be a few weeks worth of live clips to consider (in addition to the past few weeks, which will be focused on in the posts immediately following this one) and “best” is still subjective- but the videos contained in this mix were simply too good to just feature once. If there’s enough material, an appendix will be added around the start of next year.

To be eligible for this video mixtape, the videos involved had to have been previously featured in Watch This and not contain an interview sequence. Full sets were ruled out as well (with a lone exception being made for one of 2014’s best videos in any capacity to provide a sense of closure to the proceedings). These videos were pulled in from as many places as possible with only Chart Attack, La Blogotheque, and Little Elephant making repeat entries (with two each). From the painfully gorgeous (Mutual Benefit, Angel Olsen) to sublime perfection (Radiator Hospital, Little Big League) to the absurdly impressive (Kishi Bashi) to the most electric late night performance of 2014 (Ty Segall), there’s a little something for everyone. 25 clips are included and listed below, with a hyperlink provided to their respective installments in Watch This‘ always expanding catalog. Since this brings the site to another 100 post mark, hyperlinks will be provided to posts 300-399 for anyone interested in checking out past material. With all of this exposition out of the way, there’s really only one thing left to do: sit back, focus up, and Watch This.

1. Audacity – Counting the Days (Jam in the Van) — vol. 24
2. Greys – Guy Picciotto (Chart Attack) — vol. 24
3. Radiator Hospital – Fireworks (BNTYK) — vol. 51
4. Ovlov – Where’s My Dini? (Little Elephant) — vol. 23
5. Frankie Cosmos – Embody (Radio K) — vol. 55
6. Mean Creek – My Madeline (Wondering Sound) — vol. 19
7. Joanna Gruesome – Anti-Parent Cowboy Killers (BTR) — vol. 51
8. Sweet John Bloom – Aging In Place (Allston Pudding) — vol. 48
9. Emilyn Brodsky – Someone Belongs Here (TCGS) — vol. 28
10. Mitski – First Love // Late Spring (bandwidth) — vol. 43
11. Nick Cave & The Bad Seeds – Jubilee Street (ACL) — vol. 54
12. Sharon Van Etten – Serpents (Pitchfork) — vol. 40
13. Mutual Benefit – C.L. Rosarian (Bruxelles Ma Belle) — vol. 19
14. Angel Olsen – Enemy (La Blogotheque) — Vol. 11
15. Kishi Bashi – Philosophize In It! Chemicalize In It! (WNYC) — vol. 29
16. Little Big League – Year of the Sunhouse (Little Elephant) — vol. 45
17. Screaming Females – It All Means Nothing (Audiotree) — vol. 27
18. Ty Segall – Feel (Conan) — vol. 40
19. Dilly Dally – Candy Mountain (Chart Attack) — vol. 51
20. Cloud Nothings – Now Hear In (Amoeba) — vol. 57
21. MOURN – Otits (Captured Tracks) — vol. 53
22. Courtney Barnett – History Eraser (KEXP) — vol. 34
23. Lee Fields – Don’t Leave Me This Way (La Blogotheque) — vol. 54
24. Jenny Lewis – Slippery Slopes (KCRW) — vol. 52
25. Saintseneca (NPR) — vol. 38

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HB300: Songs of Summer: 2014 (Mixtape)
HB301: together PANGEA – Badillac (Music Video)
HB302: Night School – Birthday (Stream)
HB303: The Midwest Beat – Vortex Hole (Stream)
HB304: Watch This: Vol. 42
HB305: All Dogs at Bremen Cafe – 8/19/14 (Pictorial Review, Videos)
HB306: Attendant – Freaking Out (Review, Stream)
HB307: Grape St. – Free Stuff (Stream)
HB308: Iceage – Forever (Music Video)
HB309: Ed Schrader’s Music Beat – Televan (Music Video)
HB310: Young Jesus – G (Stream)
HB311: Watch This: Vol. 43
HB312: LVL UP – Ski Vacation (Stream)
HB313: Radiator Hospital at Cocoon Room – 9/8/14 (Pictorial Review, Video)
HB314: Nano Kino – Eyes Before Words (Music Video)
HB315: Tenement at Mickey’s Tavern – 9/9/14 (Pictorial Review, Videos)
HB316: Bass Drum of Death – For Blood (Stream)
HB317: Pretty Pretty – Feels Like Rain (Stream)
HB318: Watch This: Vol. 44
HB319: Medicine – Move Along – Down the Road (Stream)
HB320: Mitski – Townie (Stream)
HB321: Allah-Las – Follow You Down (Music Video)
HB322: Sonic Avenues – Teenage Brain (Music Video)
HB323: Iceage – How Many (Stream)
HB324: The Honeydips – No Shirt, No Shoes (Music Video)
HB325: Watch This: Vol. 45
HB326: Watch This: Vol. 46
HB327: Iceage – Glassy Eyed, Dormant and Veiled (Stream)
HB328: Zulu Pearls – Lightweight (Music Video)
HB329: Two Inch Astronaut – Foulbrood (Stream)
HB330: Little Big League – Property Line (Stream)
HB331: Mikal Cronin – I Don’t Mind / Blue-Eyed Girl (Stream)
HB332: Mutts – Everyone Is Everyone (Lyric Video)
HB333: LVL UP – Hoodwink’d (Album Review, Stream)
HB334: Watch This: Vol. 47
HB335: The History of Apple Pie – Jamais Vu (Music Video)
HB336: Iceage – Against the Moon (Stream)
HB337: Speedy Ortiz – Doomsday (Stream)
HB338: Hurry – Oh Whitney (Stream)
HB339: Thalassocracy – Shimensoka (Stream)
HB340: Mitski – iPhone Voice Memo (Stream)
HB341: Watch This: Vol. 48
HB342: Watch This: Vol. 49
HB343: Screaming Females – Wishing Well (Stream)
HB344: Meat Wave – Brother (Music Video)
HB345: Joanna Gruesome – Jerome (Liar) / Trust Fund – Reading the Wrappers (Music Video)
HB346: Ovlov – Ohmu Shell (Stream)
HB347: Ty Segall – The Singer (Music Video)
HB348: Pet Sun – Gimme Your Soul (Music Video)
HB349: Washer – Rot (Stream)
HB350: Three Quarters Down (Mixtape)
HB351: LVL UP – Big Snow (Stream)
HB352: Weaves – Shithole (Stream)
HB353: Pile at The Burlington Bar – 10/10/14 (Pictorial Review, Video)
HB354: Audacity – Counting the Days (Stream)
HB355: LVL UP at Beat Kitchen – 10/12/14 (Pictorial Review, Video)
HB356: Two Inch Astronaut – Part Of Your Scene (Stream)
HB357: Watch This: Vol. 50
HB358: Girlpool – Plants and Worms (Stream)
HB359: Watch This: Vol. 51
HB360: Cherry Glazerr – Nurse Ratched (Stream)
HB361: The Gotobeds – Wasted On Youth (Music Video)
HB362: Happy Diving – Big World (Album Stream)
HB363: Filmstrip – Don’t You Know (Stream)
HB364: Nobunny – Nightmare Night (Short Film)
HB365: Heartbreaking Bravery Presents, Vol. 1: Meat Wave, Mumblr, Geronimo! (Videos)
HB366: Watch This: Vol. 52
HB367: Watch This: Vol. 53
HB368: Cymbals Eat Guitars – Warning (Music Video)
HB369: Mitski – Bury Me At Makeout Creek (Album Review, Stream, Photos, Videos)
HB370: Chandos – ..Pretty Sure it’s ‘Tang Top’ (Stream)
HB371: Toby Coke – Face Taker (Stream)
HB372: Two Inch Astronaut – Dead White Boy (Stream)
HB373: Left & Right – Low Expectations (Music Video)
HB374: Watch This: Vol. 54
HB375: Deerhoof – Exit Only (Music Video)
HB376: Meat Wave – Sham King (Stream)
HB377: Kal Marks – It Was A Very Hard Year (Stream)
HB378: Band Practice – Bartending At Silent Barn (Stream)
HB379: Big Lonely – Dirty Clocks (Music Video)
HB380: Slight – Run (EP Review, Stream)
HB381: Screaming Females – Ripe (Stream)
HB382: Girlpool – Blah Blah Blah (Music Video)
HB383: Mutts – Black Ties & Diamonds (Song Premiere)
HB384: MOURN – Otitis (Stream)
HB385: Iceage – Against The Moon (Music Video)
HB386: Watch This: Vol. 55
HB387: Watch This: Vol. 56
HB388: Watch This: Vol. 57
HB389: Kal Marks – Don’t Pussy Foot With A Pussy Footer (Stream)
HB390: Trust Fund – Cut Me Out (Stream)
HB391: Alex G – Soaker (Stream)
HB392: Band Practice – Theme Song (Stream)
HB393: Chandos – Cobra Points (Stream)
HB394: Screaming Females – Empty Head (Stream)
HB395: Title Fight – Chlorine (Music Video)
HB396: Space Mountain – California Blue (Stream)
HB397: Liam Hayes – Fokus (Stream)
HB398: Toby Reif – 2014 (EP Stream)
HB399: Beliefs – Tidal Wave (Music Video)

The Gotobeds – Wasted On Youth (Music Video)

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There were a small handful of great music videos to be released in the past few days. These videos covered a very wide spectrum, from Frankie Cosmos’ Justin Bieber-centric “Art School” clip to Hamilton Leithauser’s gorgeous “5 AM”, all awash in soft saturation and noir-ish cinematography. Buzzcocks’ “It’s Not You” made a strong case for the band’s ongoing relevancy and undeniable importance, Sharon Van Etten proved her music videos can be just as quietly arresting as her music with the Carla Juri-starring, Sean Durkin-directed “Your Love Is Killing Me“, and Grouper’s “Made of Air” achieved the unenviable task of living up to Grouper’s inherently cinematic nature by combining sped-up edits and superimposed images of nature to create a feeling of total unease.

It’d be a waste, of course, not to mention the DIY clip for The Gotobeds’ “Wasted On Youth”. The Gotobeds’ brilliantly titled Poor People Are Revolting may very well wind up being one of the year’s most overlooked records and warrants much more attention than it’s been getting (even with the NPR First Listen distinction). Poor People Are Revolting is a collection of bruising, visceral post-punk that refuses to pull punches. “Wasted On Youth” takes a similarly unapologetic approach in both premise and execution; it’s mostly just the band mock-running and allowing themselves to goof off for a few minutes in front of a green screen. No more, no less- and it winds up being an immensely entertaining 87 seconds. All in all, it’s yet another testament to a commendable DIY ethos and an important reminder that it’s alright to loosen up every once in a while.

Watch “Wasted On Youth” below and order Poor People Are Revolting from 12XU here.

Eugene Quell – A Great Uselessness (EP Review, Stream)

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During the mad scramble of post-festival coverage, there was more than a month’s worth of material to go over. So, naturally, some releases slipped through the cracks. What that was attributed to is impossible to definitively state. Now, with today being a relatively slow day for new material (apart from the NPR First Listen streams of the new Blonde Redhead and The Gotobeds, that is), there’s a perfect opportunity to feature what’s proven to be one of the best releases of August: Eugene Quell’s A Great Uselessness.

Continuing on where the delightfully raucous Eugene Otto Quell left off back in January, Quell’s second EP of the year expands on everything that made his debut effort such an unlikely powerhouse. There’s still a weary confidence that roots these songs in something that feels both entirely real and connected to something completely intangible. All of the songs still feel like they’d fit snugly into the Double Double Whammy and Exploding in Sound wheelhouses, full of peculiar melodicism and searing blasts of fuzz. Off-kilter pop gets consumed by a ragged punk influence, resulting in something inexplicably compelling and expertly delivered.

What sets Quell apart from a growing number of like-minded peers is his grasp on songcraft. Every single one of the four songs on A Great Uselessness twists and turns, taking left turns where they could have just gone straight. It’s something that’s evidenced straightaway with the harsh 1-2 punch of “Hell Presidente” and “That One Song”, which both feature a completely unhinged manic energy and a tendency to lean towards the subversive. In the case of the former, it’s an absolutely gorgeous slow-burning bridge that winds up being a calm spot of sea in the middle of an otherwise ferocious onslaught- while “That One Song”, on the other hand,  grows even fiercer and more deranged before falling apart into remarkably compelling ambient chaos.

Both of those first two songs also reveal Quell’s grunge, emo (think Sunny Day Real Estate), post-punk, and indie influences, something that A Great Uselessness‘ penultimate track, “Alta Loma” also underscores. Where the EP cements itself as a collection necessity, though, is the elegiac acoustic closer “And There Goes the Drugs”. For that song, Quell presents himself at his most vulnerable, leaning closer to Elliott Smith than Archers of Loaf.  It’s a genuinely stunning moment that caps off another extraordinary effort from the Brighton-based musician, closing A Great Uselessness out on a note of intrigue that manages to further his promise. This isn’t just one of the best EP’s of August- it’s one of the best of the year.  

Listen to A Great Uselessness below (and read along, as Quell’s graciously provided lyrical copy for each song) and order it from his bandcamp here (for US residents ordering a physical copy, expect to pay shipping).