Heartbreaking Bravery

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Tag: The Goodnight Loving

Staring Down the Sun (Mixtape)

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After a whirlwind catch-up session saw around 80 new posts go up in the past month, this site’s falling back into old habits. Namely, the preservation of implementing some sort of mixtape for every at every 50-post interval. With summer officially kicking off next week, it felt appropriate to create a mix in anticipation of the increasingly warm weather. Somehow,  Heartbreaking Bravery’s now also 900 posts into its existence and some sort of commentary felt fitting as well. To that end, the 25 songs selected below are mostly tracks that have been featured — in some way or another — on this site throughout the course of those 900 posts (including Audacity’s “Hole in the Sky”, which was the the focal point of Heartbreaking Bravery’s first post).

A lot of the songs in Staring Down the Sun are songs that have carried me through previous summers, propelling me forward or comforting me with warmth  and familiarity. It’s those two traits, warmth and familiarity, that are underlined most emphatically on this mix as they’re two of the season’s most consistently definitive draws. As such, Staring Down the Sun is a mix that’s heavily populated by friends, old and new, to sustain the kind of camaraderie that’s so often reinvigorated by sense of contentment and desire for exploration that frequently accompanies the season.

Open the windows, call up some friends, start a band, stoke the embers of the fire in the backyard, enjoy the scenery, travel to a new city, go swimming, or do whatever it takes to enjoy the shifting weather. Whatever the option, there’s now a soundtrack to accompany those moments available for the taking. Grab it and go.

Staring Down the Sun‘s tracklist can be found below the embed. Underneath the tracklist are hyperlinks to the preceding 100 posts. Enjoy.

1. Used Kids – Midwest Midsummer
2. PUP – DVP
3. Audacity – Hole in the Sky
4. Patsy’s Rats – Rock N’ Roll Friend
5. Goodnight Loving – Dead Fish On the Banks
6. PURPLE 7 – Wise Up
7. The Marked Men – Fix My Brain
8. Screaming Females – Wishing Well
9. Good Grief – Cold Compress
10. Jay Som – I Think You’re Alright
11. Icarus Himself – Digging Holes
12. Bent Shapes – New Starts In Old Dominion
13. Jawbreaker Reunion – Friends Theme Song
14. Midnight Reruns – King of Pop
15. Dogs On Acid – Make It Easy
16. Sleeping in the Aviary – Love Song
17. Swearin’ – Hundreds and Thousands
18. Sweet John Bloom – Aging In Place
19. Meat Wave – Cosmic Zoo
20. Mo Troper – Princess
21. Mike Krol – Left Out (Attn: SoCal Garage Rockers)
22. Royal Headache – High
23. Weaves – One More
24. Tenement – Near You
25. Swim Team – Teenage Brain

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HB800: Watch This: The Best of 2016’s First Quarter, Vol. VI
HB801: Watch This: The Best of 2016’s First Quarter, Vol. VII
HB802: Tenement – Bruised Music Vol. 2 (Album Review)
HB803: Watch This: Vol. 120
HB804: Casey Jordan Weissbuch – Dream (Stream)
HB805: Parquet Courts – Human Performance (Stream)
HB806: Minor Victories – Folk Arp (Music Video)
HB807: Lady Bones – Weight (Stream)
HB808: Ratboys – Not Again (Stream)
HB809: Summer Cannibals – Full Of It (Music Video)
HB810: Faye – Chow Chow (Stream)
HB811: Yucky Duster – Gofer (Stream)
HB812: Catbus – Fracas (Music Video)
HB813: Hudson Bell – Box of Bones (Stream)
HB814: Dark Thoughts (Album Review)
HB815: Eskimeaux – Year of the Rabbit (EP Review)
HB816: The Side Eyes – I Don’t Want To Go To School (Stream)
HB817: Mercury Girls – Ariana (Stream)
HB818: Mitski – Your Best American Girl (Music Video)
HB819: Mo Troper – Star Wars (Stream)
HB820: What A Difference A Month Makes (Full Streams)
HB821: What A Difference A Month Makes (Music Videos)
HB822: What A Difference A Month Makes (Streams)
HB823: Patio – Luxury (EP Review)
HB824: Greys – Outer Heaven (Album Review)
HB825: Alexis Taylor – I’m Ready (Stream)
HB826: Lady Bones – Ice Cream (Stream)
HB827: Deerhoof – Plastic Thrills (Stream)
HB828: Ratboys – Not Again (Music Video)
HB829: Told Slant – Tsunami (Music Video)
HB830: Ought – Beautiful Blue Sky (Music Video)
HB831: EERA – Drive With Fear (Music Video)
HB832: Patsy’s Rats – Rock N’ Roll Friend (Music Video)
HB833: WRAY – Pined (Music Video)
HB834: Mutual Benefit – Lost Dreamers (Music Video)
HB835: Faye – Ancient Bones (Stream)
HB836: Big Thief – Humans (Stream)
HB837: Twist – Soaked (Stream)
HB838: Jackal Onasis – The New Ron (Stream)
HB839: Casket Girls – Tears of A Clown (Stream)
HB840: Diarrhea Planet – Bob Dylan’s Grandma (Stream)
HB841: Cadet Kelly – Throttle You (Stream)
HB842: Beverly – The Blue Swell (Album Review)
HB843: Nano Kino – Surfing on the Void (EP Review)
HB844: Devon Welsh – Down the Mountain (Album Review)
HB845: Frankie Teardrop – Hell Yep (Album Review)
HB846: Major Leagues – Dream States (EP Review)
HB847: Dogheart – Real Mood (EP Review)
HB848: Lady Bones – Terse (EP Review)
HB849: Mulligrub – Soft Grudge (Album Review)
HB850: Plush – Please (EP Review)
HB851: Mo Troper – Beloved (Album Review)
HB852: Color TV – Anybody’s Girl (Music Video)
HB853: Faye – Faye (EP Review)
HB854: Lonely Ghost – Funereal (Album Review)
HB855: Happyness – SB’s Truck (Stream)
HB856: Mercury Girls – All That Heaven Allows (Stream)
HB857: Big Thief – Paul (Stream)
HB858: Charly Bliss – Ruby (Music Video, Live Video)
HB859: M. T. Foyer – All I Wanna Do Is Love You + Let’s Make Something Happen (Stream)
HB860: Petite League – Zookeeper (Stream)
HB861: Woahnows – Mess (Music Video)
HB862: NE-HI – Buried on the Moon (Stream)
HB863: Hollowtapes – Tall (EP Premiere)
HB864: Oceanator – Sunrise (Song Premiere)
HB865: Mitski – Happy (Music Video)
HB866: Birth (Defects) – Hanshin
HB867: Mock Orange – Put the Kid on the Sleepy Horse (Album Review)
HB868: Told Slant – High Dirge (Stream)
HB869: Young Jesus – Void As Lob (Single Review, Live Video)
HB870: Watch This: A Long List of Honorable Mentions from A Brief Stretch of Time
HB871: Watch This: A Full Session of Full Sessions
HB872: Naked Hour – Always on the Weekend (Stream)
HB873: Gorgeous Bully – Just Like Before (Stream)
HB874: Jay Som – I Think You’re Alright (Stream)
HB875: Quilt – Padova (Music Video)
HB876: Watch This: Another Full Session
HB877: Splitting at the Break: The Live Videos of 2016’s First Half
HB878: Watch This: Resuscitations, Pt. I
HB879: Watch This: Resuscitations, Pt. II
HB880: Trophy Dad/Barbara Hans (Split Single Review)
HB881: Hater – Radius (Stream)
HB882: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. I
HB883: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. II
HB884: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. III
HB885: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. IV
HB886: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. V
HB887: Tenement – Feral Cat Tribe (Music Video)
HB888: PUP – Live at the 7th St. Entry – 6/3/16 (Pictorial Review, Live Video)
HB889: Watch This: Vol. 126
HB890: Watch This: Vol. 127
HB891: Rod – Cemetery (Stream)
HB892: Trust Fund – Together (Stream)
HB893: Even Hand – Sighted (Album Review)
HB894: Future Biff – I Crashed Your Car (EP Review)
HB895: Jacky Boy – Bad (Song Premiere)
HB896: Lithuania – Kill The Thing You Love (Stream)
HB897: Watch This: Vol. 128
HB898: Weaves – Weaves (Album Review)
HB899: Dentist – Joel (Stream) [Contains hyperlinks to post 700-799]

Phylums – Go Home (Stream)

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Another day’s come and gone and another glut of excellent new releases has been left for exploration. Between Albert Hammond Jr.’s Momentary Masters and Seapony’s A Vision, the full stream category was richly represented. An impressive roster leaning more heavily on big names than usual comprised a strong showing for music videos with acts as varied as Major Lazer (ft. Ellie Goulding & Tarrus Riley), Elbow, Samantha Crain, and Jason Isbell all making intriguing contributions.

The day’s single streams leaned fairly heavily on fiery punk-tinged numbers but did make room for one glitchy ambient outlier; Fine Print’s moody “Can’t Lie“. Womps’ gloriously ragged “Live A Little Less” offered no shortage of pure exhilaration and Ghetto Ghouls’ “Hezbollah” maximized lo-fi grit and manic energy to great effect. While each of the linked items is worthy of a click (and of passing along to your friends), today’s feature spot goes to the WI-based Phylums.

Normally, I do my best not to use any type of identifier for the artists that get covered in here unless it plays a special function in their art because music is a universal craft that can (and should) be defined by so much more than gender and/or location. “Go Home” will be a rare exception to this rule just because it adds a bit of a personal punch for someone that recently moved halfway across the country from the state Phylums call home.

Phylums also boast an impressive pedigree through their members’ respective back catalogs (any band that has any ties to The Goodnight Loving– one of the best bands to ever come out of WI- will always have my attention) and that’s guaranteed them the attention of anyone even tangentially aware of what’s happening in that state’s DIY punk scene. “Go Home” is the first look at their first full-length, affirming just about every suspicion that’s been leveled at the band since forming; this is genuinely great music.

Taking a handful of cues from Nuggets and blending in the slapdash approach of the members’ various other projects and past experience (including- but not limited to- Holy Shit!, WI’s finest hardcore band), the quartet have wound up settling into a jangly psych-tinged basement pop groove and are- probably unsurprising- already far outstripping most bands kicking around that genre.

What’s more, “Go Home” carries with it a genuine sense of place; “Go Home” sounds like a loving homage to the environment where Phylums create. There’s a feeling it evokes that’s indescribably familiar- a visual suggestion of sprawling expanses of some light urban decay, rolling, tree-lined highways, and a lot of dairy farms. I’ve played through “Go Home” more than a dozen times already and on each subsequent listen I’m a little more tempted to take the song up on its title’s command- then I just close my eyes and as the song washes over everything, I’m practically back in the throes of the state that raised me- and that’s about as meaningful as praise gets.

Listen to “Go Home” below and keep an eye on the always-remarkable Dirtnap for pre-orders (and another on this site for more updates).

Watch This: Vol. 20

In one of the more recent pieces to run on here, I bid adieu to a camera that’s served me well over the years. There were vague allusions to various sets that I’ve been lucky enough to catch with that camera scattered throughout the piece- and while this may be dangerously close to tipping into the self-serving spectrum I do my best to avoid on here (and the fact that the audio quality is far from the best), it only seemed appropriate to showcase a few of the more memorable captures over the years. To that end, this installment of Watch This will likely wind up as the one the more unique entries in the series.  One last look at the past before pushing towards what’s ahead.

No matter what it was, whether it be powerpop legends The Figgs playing Tenement’s living room, Thee Oh Sees taking apart one of Wisconsin’s best venues, Desaparecidos returning to the stage for the first time as an official band again, Okkervil River playing to a criminally sparse outdoors crowd in the middle of an absolutely gorgeous day, The Mountain Goats taking a victory lap, The Antlers entrancing a room of strangers on a stormy nightMutts stripping way back for a radio performance, or finding myself in a bar, restaurant, or basement with the likes of Big Eyes, Technicolor Teeth, The Cost of Living, Buffalo Moon, Sycamore Smith & the Gray Beast, The Midwestern Charm, Ramma LammaThe Sleepwalkers, Wett Nurse (shrouded in an impossible amount of fog, at that), Heavycritters – and yes, Perfect Pussy (along with a handful of others)- filming these has always been something that’s been extraordinarily gratifying.

It’s never to fulfill a sense of pride, it’s never for bragging rights, it’s always, in each and every instance, to support an artist that I love or that deserves as much support as they can possibly get. Established or not, this is my way of giving thanks and hopefully extending their music out to other places that may never have heard them otherwise. This holds true for my writing on Heartbreaking Bravery as well. One of the most important things anyone can do is support the art they believe in and this place will always live by that law. So, watch this or don’t, but it’ll always be here as both a reminder of some very personal memories and a showcase for some bands who deserved more attention than they ever received. Sit back, support local music, support local music, support local music, support local music (SERIOUSLY, SUPPORT LOCAL MUSIC), and Watch This.

1. Tenement – Morning Mouth (Live at the Afterdark)

This video will be the only one that actually predates the Canon PowerShot I’d been using to shoot these videos over the past several years (this set was shot on a low-end handheld Sony camcorder), it’s included because it serves as a beginning for a myriad of things: my introduction to Tenement (who would subsequently open up an entire world of music to me through their kindness), the beginnings of when I became serious about film, and the start of when I became serious about booking shows. Their five-song set, to a crowd of people they invited up onto a small stage to make them feel more at home, blew my mind and has stuck with me for approximately six years now. My opinion on this band hasn’t changed as I’ve filmed set after set after set, year in and year out- they’re one of the best, if not the absolute best, band currently going. I’ll forever be grateful to them for a number of reasons and delivering this set will always be one of them.

2. Good Grief – Holy Smokes! (Live in Stevens Point, WI)

There isn’t always a lot of options for live music in the middle of nowhere but at the height of Good Grief’s run, there were a few spells where there seemed to be an incredible show happening every other week. I attended every single one I possibly could, not just because of an undying love for live music and the DIY community but because Good Grief had tapped into something genuinely special during their time as a band. It was evidenced by the mass basement singalongs, by Mutts coming all the way from Chicago to play an unforgettable cover of a song from their final record, by the people who had little to no connection with the band who showed up at nearly every show- right up through their final marathon set at K Bueno (this is a band that will likely always have the distinction of being the only one I ever see tearing things up inside of a Shopko that was giving away free hot dogs, chips, and soda)- with a smile on their face and a beer in their hands, and by the fact that more times than not, the first time I would hear a song played for the first time, I would get chills (“Lab Rats” is still one of the most incredible pieces of music I’ve ever heard and a lock as an entry for my 50 Favorite Songs of All Time list). “Holy Smokes!” was never officially recorded, as far as I know this is the only known recording of it, which is why it takes this spot on the list- a look at some incredible music, and some incredible musicians, that too much of the world missed out on.

3. Midnight Reruns – Too Tall (Live at Frank’s Power Plant)

Like Tenement before them, this was the first time I saw Midnight Reruns (coincidentally, if anyone asks me who I think the best bands in the state are, those are usually the first two names out of my mouth) and even just a few minutes into the first song, it was apparent it’d be far from the last. They tore that place to shreds and threw out a fiery Wreckless Eric cover in the middle of an all-out blitz of a set that showcased Graham Hunt’s beyond-his-years songwriting ability and the band’s undeniable musicianship. They’ve (somehow) only steadily improved since then and have built an impressive expanding fanbase including members of The Replacements, the Milwaukee Journal Sentinel, ThirdCoastDigestBrooklynVegan, and Milwaukee Record, who just ranked their debut s/t (still less than half a year old) as the 16th best record to come out of Milwaukee since 2010. Word on the street is the material they’re currently working on blows even that out of the water. Keep both eyes out and both ears open for this one.

4. Sleeping in the Aviary – So Lonely (Live in Stevens Point, WI)

Apart from Good Grief, Used KidsThe Goodnight Loving, and Hot New Mexicans (especially The Goodnight Loving and Hot New Mexicans), there are few bands that can come even remotely close to Sleeping in the Aviary as far as the “bands I wish would reunite” conversation goes. The only places I ever saw Sleeping in the Aviary play, curiously enough considering their level of name recognition, were basements (with one surprisingly touching exception being the vinyl LP release party for Expensive Vomit In A Cheap Hotel at the High Noon Saloon, thrown five years after the records initial release) . In one way or another, I was a part of each and every one of those shows and they wound up being a few of the most memorable nights of my life thanks to both the people around me and Sleeping in the Aviary themselves. Ever the manic pranksters, they would usually come armed with cardboard cutouts, bubble machines, various props, or adult-themed piñatas. They’d also always play with a reckless abandon and unparalleled fierceness while still clinging onto a carefree nature and clearly having the time of their lives doing it. Kyle Sobczak was a late addition to the group but provided them with a few of their most memorable songs in their final stretch. “So Lonely” is one of them- and, as mentioned before, being in the middle of nowhere means that when a basement show happens with a band of Sleeping in the Aviary’s caliber comes to play, things tend to go off the rails pretty quickly. No one has seen the regular lead personality, Elliott Kozel, since he disappeared into that crowd… (entirely untrue as clearly evidenced in the video- but still, a great myth to try to start).

5. Charley & the Cynics – St. Christopher (Live at the Crunchy Frog)

Writing an In Memoriam piece for Charlotte was one of the most difficult things I’ve ever done. I debated whether or not to include this as the fifth slot or keep it stored away due to its extremely personal nature but I realized that the few videos I did manage to capture of Charley & the Cynics during her time here had a profound effect on why I kept filming and knew it had to occupy this spot. After her untimely passing it was next to impossible to bring myself to watch the videos of her that I’d previously put up out of both respect and unfailing admiration. It’s not like I knew Charlotte all that well; I won’t pretend I did and I won’t glamorize her or try to turn her into some flawless saintly figure. I did know her well enough, though- well enough to consider her a friend and well enough to know that she was a generally positive person who always seemed to treat others with both care and affection, which is something I try to extend to everyone that gets coverage on this site. After enough time had passed, I could watch these videos without needing to spend a night drinking afterwards and I realized that they’re the crux of why I film to begin with: to celebrate the people and music I love while they’re around. Ever since the full extent of that realization hit me, these videos of Charlotte have factored into every time I’ve plugged in a camera charger, every time I’ve replaced an SD card, every time I’ve spent hours making sure an upload doesn’t crash, every time I’ve pointed a lens at a stage, she has been there as a reminder to capture the things that are important while you still can. That lesson is something I’ve carried with me every day and something that’s been a part of the majority of my decisions within music journalism. For that and for all the times I’ve been reminded of that, I’m thankful- and I keep filming.