Heartbreaking Bravery

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Tag: Terse

16 of ’16: The Best EP’s of the Year

eskimeaux

Once again, an increasingly busy schedule has led to a brief gap between posts and diminished the possibilities for year-end coverage. For that reason, there’ll only be three more Best Of pieces before the third round of A Year’s Worth of Memories. Sadly, this means some previous categories will be neglected but don’t let that diminish the importance of things like online singles, compilations, and the other odds and ends releases.

This list will focus on the EP’s that were released this year, which had to be at least four songs or exceed 10 minutes in length (which disqualified some genuinely tremendous releases). A lot of great material came out this year and these EP’s managed to emerge as standouts. For any potential bias to be eliminated, EP’s that premiered here were deemed ineligible (but should still be celebrated). Enjoy the list.

Jack – Resting Places 

One of the more harrowing listens of 2016 was centered around the loss of a loved one. It was an event that seems to have transformed something in Brittany Costa, the mastermind behind Jack and Resting Places. This is an explosive EP and it deserved much more circulation than it received.

Krill – Krill 

A posthumous release from one of the most fiercely beloved bands in DIY punk, Krill‘s self-titled swan song may also be their finest work. Bassist/vocalist employed baritone guitar lines to spectacular effect on Krill, something evident from the EP’s brilliant opening track (“Meat”). Precise and teeming with feeling, it’s one hell of a goodbye.

Eskimeaux – Year of the Rabbit

Following this site’s pick for 2015’s Album of the Year proved to be a shockingly easy feat for Eskimeaux, who quickly released a summery EP overflowing with memorable moments. Year of the Rabbit finds Eskimeaux deepening the best aspects of their music and refining some newer tricks. It’s a breezy listen that carries substantial weight.

Kynnet – …Taas ne Kynnet 

A blast of fired-up basement pop from Finland, Kynnet once again proves to be an uncontainable force with …Taas ne Kynnet. This is hard-charging music that transcends the language divide and effortlessly engages listeners with its overwhelming immediacy. Give in or get out of the way because once …Taas ne Kynnet gets gets going, it’s not stopping.

Forth Wanderers – Slop 

Headlined by its breathtaking title trackSlop is a warning shot from the increasingly ambitious Forth Wanderers. While “Slop” is undoubtedly the standout of the EP, the other three songs don’t ever come across as being overshadowed, revealing flashes of the band’s brilliance. Slop is a uniformly strong outing that packs a serious punch.

Happyness – Tunnel Vision On Your Part 

Happyness teased Tunnel Vision On Your Part with “SB’s Truck“, a song based on the fascinating historical footnote that saw the unlikely pairing of Andre The Giant and Samuel Beckett. The band continues to do no wrong, turning in another immensely enjoyable collection of songs that further their growing reputation as master popsmiths.

Faye – Faye 

An extraordinary debut from an extremely promising band, Faye‘s self-titled is a beautifully crafted work that capitalizes on the sort of subtleties that some veteran acts still have a difficult time navigating. Nearly half of this EP rightfully earned individual features before its release and the EP’s remainder lived up to the promise of those tracks.

Snail Mail – Habit 

2016 saw Snail Mail start to break out and earn some overdue attention on a much larger scale. A lot of that can be attributed to the remarkable (and surprisingly affecting) Habit. Vulnerable, defiant, and tenaciously pointed, Habit‘s the kind of record that burrows under the skin and refuses to leave. A gem and a career best.

Hazel English – Never Going Home 

There were few, if any records, released in 2016 lovelier than Hazel English‘s Never Going Home. A spellbinding mixture of dream pop, basement pop, and post-punk, Never Going Home‘s the kind of painfully beautiful work that deserves to be remembered. It’s a series of grace notes that openly offer contentment and warmth.

Fern Mayo – Hex Signs 

Fern Mayo became a staple of this site’s coverage based on the white-knuckle intensity of their live show and in Hex Signs they manage to harness that intimidating forcefulness. Easily the best work of the band’s burgeoning career, Hex Signs is a confrontational demonstration of the type of strength that refuses to be ignored.

don’t – forget it. 

One of the unique thrills of music writing is the discovery of a young, unknown band from a relatively small area that are doing interesting, impressive things. don’t met all of those qualifications to such an excessive degree with forget it. that it became unforgettable. While possibly the least recognizable name on this list, they deserve the placement.

Patio – Luxury

Being able to watch a band evolve from their first show and thrive in the state of progression is a privilege. It’s even more of a privilege when the band in question is one like Patio, who excel at the formula that makes up Luxury: wiry post-punk that serves up as much dry wit as it does sheer attitude. What’s scary is they’re still only just getting started.

Strange Ranger – Sunbeams Through Your Head 

Sunbeams Through Your Head marked an exhilarating new chapter for Strange Ranger who, almost paradoxically, seemed galvanized in their decision to more fully embrace a downtrodden nature. It’s an EP characterized by moments either brave, bold, or beautiful. An extraordinarily compelling listen and the sound of a band hitting its stride.

Tony Molina – Confront the Truth 

As someone who could claim in-your-face micro-punk as a specialty, Tony Molina‘s gorgeous Confront the Truth likely came as a shock to some. Anyone well-versed in Molina’s work could easily see how the songwriter could conjure up a gentle 7″ full of retro-leaning acoustic pop songs that invoked the spirit of the late ’60 and early ’70s. A sublime work.

Talons’ – Work Stories 

One of the rare records where the distinction between album and EP becomes blurry, Work Stories nevertheless saw Talons’ extend a quiet streak of ridiculously impressive records. Hushed and haunted folk-inflected songs comprise Work Stories, each as breathtakingly gripping as the last. Work Stories is another piece of mastery.

EP OF THE YEAR

Mercury Girls/The Spook School/Wildhoney/Tigercats – Continental Drift 

While the intro to this piece stated that the majority of the odds and ends would be ignored, an exception is being made for the excessively great split EP that saw Mercury Girls (who also released the excellent Ariana 7″ in 2016), The Spook School, Wildhoney, and Tigercats each contribute two songs. Continental Drift doesn’t feel or operate like the majority of split releases by virtue of its exhaustively complete unification.

All four bands on Continental Drift can come across as singular acts, on closer inspection they begin to appear as slight mutations of each other, rendering this split an effortless listen. There could very well be a group of people that’d mistake Continental Drift as the work of one inhumanly talented band (though the shift in accents may provide a tipping point). Each of the four acts bring their best work to the table and make characteristically strong impressions.

Over Continental Drift‘s eight tracks, not only is there never a weak song, there’s never a weak moment. Each of these songs is tightly crafted and masterfully executed, providing each act with a highlight reel that could attract unfamiliar listeners to the rest of their respective discographies. There are so many soaring moments scattered throughout Continental Drift that the end result is stratospheric. In theory, this split was enticing but in its execution Continental Drift achieves a staggering amount of perfection.

Nine more worth checking out:

Lady Bones – Terse
Cleo Tucker – Looking Pretty At the Wall
Devon Welsh – Down the Mountain
Plush – Please
Young Jesus – Void As Lob
Naps – The Most Beautiful Place On Earth
gobbinjr – vom night
CHEW – CHEW
Fake Boyfriend – Mercy

Lady Bones – Terse (EP Review)

Lady Bones II

Editor’s Note: There’s been a month-long gap in coverage, thanks to near-incessant travel and other extenuating circumstances. The following run of posts that contain this note will be posts that should have appeared sometime within the past several weeks. Use these posts as an opportunity to catch up to the present release cycle or to simply discover some new music. Either way, enjoy.

A lot of words have been printed on this site that focus on Lady Bones and a large reason for that attention can be attributed to the band’s continuing improvement. Even from the onset, the band was releasing music that stood out (and it stood out for all the right reasons). Throughout the past few years, they’ve grown more assured in their own identity and have sharpened their dynamics considerably.

By committing more fiercely to their menacing aggression and penchant for discordant noise while retaining their more melodic sensibilities, they’ve carved out a space for themselves in a scene that’s overflowing with tremendous acts (a handful of which share many of the trio’s tastes in composition and approach). Terse, Lady Bones’ latest EP, is their strongest effort by a noticeable margin.

The EP’s opening two tracks, “Weight” and “Ice Cream“, have already been granted write-ups on this site and set a very high bar for the EP’s ensuing trio of tracks. “Horror”, “Age”, and “Don’t Call Me Sassy” all live up to that formidable challenge. A few of them even manage to surprise with a few of their choices with “Horror”, especially, demonstrating the band’s growth as a unit. By the time the frenetic attack of “Don’t Call Me Sassy” fades into the ether, Terse stands confidently as not just one of the band’s proudest moments but as one of the most formidable releases of the first half of 2016.    

Listen to Terse below and pick the cassette up from Midnight Werewolf here.

Lady Bones – Ice Cream (Stream)

Lady Bones II

Editor’s Note: There’s been a month-long gap in coverage, thanks to near-incessant travel and other extenuating circumstances. The following run of posts that contain this note will be posts that should have appeared sometime within the past several weeks. Use these posts as an opportunity to catch up to the present release cycle or to simply discover some new music. Either way, enjoy.

Lady Bones have had a fascinating trajectory. Following through a sensible progression that saw them drawing closer to a sound that their Boston-area contemporaries have all but defined, they’ve managed to carve out their own niche imprint on the varying hallmarks that make up that branch of sludge/grunge-leaning post-punk. “Ice Cream” (and all of Terse, really) is exhilarating proof.

In its opening seconds, “Ice Cream” seems like it could bloom into a sunny powerpop  number and there is a strong pop bent to the ensuing proceedings but they’re all mired in the kind of relentless darkness that encourages far more bruising sensibilities. Before long, the trio’s conjuring up an awe-inspiring storm of noises that keep “Ice Cream” hurtling toward its finale. Wisely, the band opts out of a wildly climactic moment and allows the song to vanish into its own smoke, creating an air of intrigue that effectively teases the record that houses “Ice Cream”.

Those final seconds, despite their quiet nature, speak volumes of how much Lady Bones has grown as a band. Never before have they sounded as in control or as confident as they do on “Ice Cream”, which easily registers as one of the finest songs of an impressive discography. It’s a powerful number and it goes a long way in demonstrating Lady Bones’ future is one that never ceases to look increasingly promising.

Listen to “Ice Cream” below and pre-order Terse here.