Heartbreaking Bravery

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Tag: Temporary Residence

Eluvium – Rorschach Pavan (Stream)

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Over the course of the past few days, a host of impressive streams have surfaced from the likes of Death By Unga Bunga, Cory Hanson, Cheap Girls, Goon, Super Unison, Mannequin PussySofia Härdig, Totally Sl0w, Kiran Leonard, The Tallest Man On Earth, Two Houses, Suburban Living, Chasms, Racing Heart, Roses, Kadhja Bonet, Belle Mare, Diamond Hands, Astro Tan, and Kynnet. A bevvy of music videos emerged as well, including impressive new clips from Mozes and the Firstborn, Annabel Allum, Sam Evian, Marching Church, Billie Marten, Odonis Odonis, Eleanor Friedberger, Austin Lucas, The Body, Sunshine & the Blue Moon, Peter Bjorn and John, Cinemechanica, and The Pooches. Outstanding full streams from Band Aparte, Channeling, and Kaz Mirblouk rounded everything out in stylish fashion.

While all three dozen of those entries are worth a hefty amount of investment, it was Eluvium‘s characteristically breathtaking “Rorschach Pavan” to earn this post’s featured spot. Following on the heels of the spine-tingling “Regenerative Being“, Matthew Cooper once again demonstrates what’s made his discography one of the richest — and most celebrated — in ambient music.  “Rorschach Pavan” is one of Cooper’s finest offerings to date.

Once again, there’s an air of tranquility that permeates through “Rorschach Pavan” as well as a genuine sense of peace. Cooper’s stated that False Readings On is meant to be a meditation on cognitive dissonance and that thread reveals itself in patches throughout the course of this track but never overwhelms the proceedings, acting as a brief reprieve from the aggressive punctuation of “Regenerative Being”. Even with feedback and white noise swirling through its veins, “Rorschach Paven” registers as one of Cooper’s more calm, cerebral works.

The structure of the bulk of Eluvium’s music demands the songs to slowly unfurl, revealing themselves in layers while simultaneously adding new, overlapping themes, motifs, and instrumentation. Here, that approach hits an apex just after the 3:40 mark as a bass suddenly lifts the melody skyward in what’s one of the most beautiful sequences of music anyone’s likely to hear all year. That specific moment winds up being the definitive one for “Rorschach Pavan” as the gentle climax slowly cedes and the track begins to calmly disintegrate.

Otherworldly, intimate, and unfathomably gorgeous, “Rorschach Paven” is classic Eluvium, through and through. Beyond that, it’s one of the most awe-inspiring songs of recent memory. If the rest of False Readings On can live up to the standards set by its precedents, it’ll likely stand as one of the most beautiful records of 2016. Until then, “Rorschach Pavan” should be more than enough to tide anyone over. Fall under its spell and drift off on a sea of muted bliss.

Listen “Rorschach Pavan” below and pre-order False Readings On here.

Eluvium – Regenerative Being (Stream)

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Some artists seem to constantly exist on the periphery, never quite breaking through in the way that their work would suggest as a legitimate possibility. Eluvium has been occupying the fringes of that space for some time now, despite being one of the most acclaimed names in ambient music. Throughout seven records and several other releases, the Eluvium project (masterminded by Matthew Cooper) has maintained an air of quiet sophistication that feels both elegiac and deeply personal.

After the recent Life Through Bombardment box set series brought everyone up to speed, Eluvium’s now giving eager fans a glimpse at the forthcoming False Readings On full-length with the transfixing “Regenerative Being”, a characteristically gorgeous composition that illustrates the common thread of False Readings On: cognitive dissonance. For the majority of Eluvium’s discography, Cooper has kept the tone tranquil, unleashing aggression in unexpected ways at unexpected moments. It’s that specific trait that defines “Regenerative Being” and will likely be emphasized throughout False Readings On.

Beginning with a tonal swell, “Regenerative Being” begins to gently unfurl, expanding steadily in both instrumental palette, atmospheric range, and artistic scope. Cooper’s piano (the instrument that anchored An Accidental Memory in the Case of Death, one of the finest works of the past 16 years) glides into “Regenerative Being”, pushing it forward with an intangible kind of support. Not too long after the piano’s introduction, a jarring moment arrives with what sounds like a vocal sample that pierces “Regenerative Being” with a brash urgency.

It’s a process of addition and subtraction from that point forward, the song enveloping the listener as it meticulously unfolds. Though “Regenerative Being” winds up approaching the seven and a half minute mark, its running time is never felt. Like all of the best pieces of Eluvium’s catalog, “Regenerative Being” proves to be a transcendent, transportive experience imbued with a beautiful vulnerability and commitment to raw emotion.

There are few acts more adept at constructing entire worlds via music than Eluvium and “Regenerative Being” should serve as hard evidence. Undeniably beautiful, fiercely intelligent, and masterfully executed, it’s a potent reminder of Eluvium’s immeasurable talent. Beyond all of those things, it’s a piece that’s worth getting lost in, over and over again. With an unfathomable amount of grace, “Regenerative Being” burrows into the listener’s brain and then breathes life, living up to its title in full.

Listen to “Regenerative Being” below and pre-order False Readings On from Temporary Residence here.

First Quarter Clips, Pt. 2 (Video Mixtape)

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We’re not even three months into 2015 and it’s already yielded a sprawling treasure trove of the kind of music-related items that are worth cherishing. It’s been a particularly strong year for music videos, with some titles from last year’s best releases getting their just treatment balanced out by some tantalizing clips sending expectations for the forthcoming releases that they’re attached to rocketing up to stratospheric heights. Animation, lyric videos, puppetry, seductively slow cinematography, static shots, dancing corpses, subtitled documentary footage, blood, more puppets (it’s been a great time for puppets in music videos), and self-shot footage are just some of the traits that define this two-part collection of 50 of the year’s most engaging clips. All of them, from the folk-leaning lilt of the second collection and the largely DIY punch of its predecessor, deserve praise. Don’t allow the fact they haven’t received any accompanying text beyond this introductory paragraph to do them a disservice; a few of theses videos rank as the best thing the attached band’s ever done and several others continue stunning individual stylistic penchants. More than anything, though, this is a collection that’s intended to represent the diversity and strength of 2015’s earliest offerings in the visual medium. Whether the video comes from an established act or a relatively unknown band, as always, is largely besides the point: this is art worth celebrating. Set aside an hour or two and dive into the madness- and keep an eye on this site for a continuation of this series that should be appearing in the coming days.

COLLECTION II

1. Mitski – Townie
2. Hailey Wojcik – XO Skeleton 
3. Doomtree – Final Boss
4. Hundred Waters – Innocent
5. Palma Violets – Danger in the Club
6. Girl Band – Why They Hide Their Bodies Under My Garage?
7. Jawbreaker Reunion – My Own
8. Screaming Females – Hopeless
9. Museum Mouth – Sacred
10. Celestial Shore – Now I Know
11. Chastity Belt – Time To Go Home 
12. Cloakroom – Starchild Skull
13. Modest Mouse – Coyotes
14. Girlpool – Chinatown
15. Sweet John Bloom – Blood Moon
16. Bass Drum of Death – Better Days
17. Colleen Green – TV
18. Turbo Fruits – The Way I Want You
19. Young Widows – King Sol
20. Evans the Death – Enabler
21. Green Dreams – Rich Man/Poor Man
22. Japanese Breakfast – The Woman That Loves You
23. Michael Rault – Still Not Sad
24. A Place to Bury Strangers – We’ve Come So Far
25. Karen O – Day Go By

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COLLECTION III

1. Gothic Tropic – Underwater Games
2. Laura Marling – False Hope
3. Beech Creeps – Son of Sud
4. Ultimate Painting – Riverside
5. Elvis Perkins – Hogus Pogus
6. Trust Fund – Essay to Write 
7. Mount Eerie – This
8. Kevin Morby – Dancer
9. Seagulls – You and Me
10. Bay Uno – Wait For Your Love
11. Jose Gonzalez – Leaf Off / The Cave
12. The Staves – Black & White
13. Big Noble – Ocean Picture
14. Inventions – Springworlds
15. S. Carey – Neverending Fountain
16. Bonnie ‘Prince’ Billy – Boundlessness
17. Ava Luna – Coat of Shellac
18. Novella – Land Gone
19. Young Buffalo – No Idea
20. Avi Buffalo – Think It’s Gonna Happen Again
21. HUMANS – Tell Me
22. Kathryn Calder – Take A Little Time
23. Sondre Lerche – Lucky Guy
24. Doe Paoro – Traveling
25. Asaf Avidan – Over My Head

First Quarter Finish (Mixtape)

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Well, Heartbreaking Bravery’s another 50 posts in, which means that it’s time for another mixtape- and the timing couldn’t be any better. As April springs forth, a new quarter begins and leaves the first part of the year behind, opening it up for examination. First Quarter Finish is a testament to the the startling strength of 2014’s first three months and is largely composed of music that’s been featured on this site. Perfect Pussy‘s “Driver” kicks things off in a typically frenzied fashion, reflecting the purpose of this collection as acutely as possible. Make no mistake, this is a batch of songs that traffic in very high intensity even in their quietest moments.

From tour-only tapes to standout cuts off early Album of the Year contenders like Burn Your Fire for No Witness, Here and Nowhere Else, and Rooms of the House to eerily hypnotic momentsderanged apathetic insanity, and a very long list of promising glimpses at upcoming records, it’s truly been a hell of a start and deserves celebration. Listen to the sounds of that celebration below (if the player is not appearing onscreen, it can also be accessed here).


TRACKLIST

1. Perfect Pussy – Driver
2. La Sera – Losing to the Dark
3. Cheap Girls – Knock Me Down
4. Archie Powell & the Exports – Everything’s Fucked
5. Crow Bait – 83
6. Big Air – Cemetery With A View
7. PAWS – Tongues
8. Brain F≠ – Sicks
9. Antarctigo Vespucci – I’m Giving Up On U2
10. Playlounge – Waves and Waves and Waves
11. Vertical Scratchers – Memory Shards
12. Angel Olsen – Forgiven/Forgotten
13. Silence Dogood – Chairman of the Bored
14. Priests – Right Wing
15. Green Dreams – Eye Contact
16. Fucked Up – Paper the House
17. Creepoid – Baptism
18. La Dispute – Woman (in Mirror)
19. Sleep Party People – In Another World
20. Odonis Odonis – Order in the Court
21. PILE – Special Snowflakes
22. Young Widows – King Sol
23. Protomartyr – Scum, Rise!
24. Technicolor Teeth – Tomb
25. Cloud Nothings – I’m Not Part of Me

Young Widows – King Sol (Stream)

Due to some recurring technical problems (which have hopefully been permanently resolved) Heartbreaking Bravery was forced into a brief hiatus. During that time, a lot of worthwhile material was released. Even though the songs from Mikal Cronin, People’s TempleAmen DunesEx-Cult, Odonis Odonis, Hamilton LeithauserRuined Fortune, OFF!, Sheer Mag,  and the videos from King Khan & the Shrines, The Hold SteadyTokyo Police Club, and especially Fear of Men made strong impressions, none of them stood out as strongly as Young Widows’ breathtakingly massive “King Sol”.

Young Widows have been teasing material for Easy Pain for a while now and each new reveal has been more impressive than the last. This pattern holds especially true for “King Sol”, which just may be the best thing the band has ever done. A slow and suffocating sense of dread permeates throughout the track as it grows more menacing, making it reminiscent of Swans at their absolute best. It’s a monumental step for the band, deftly incorporating all of their strengths into a towering, masterfully produced, whole. “Set fire at the witching hour; and now I’m free” is a small part of the song’s terrifying conclusion before it gives way to an ambient epilogue. When all falls to a final quiet, it’s as if the band’s allowed a release from their stranglehold and are finally granting an intake of air. Once everything’s righted itself and their all-too-convincing world-building has slowly evaporated, one thing becomes abundantly clear: when Easy Pain finally gets released , it’ll be something to reckon with.

Hear “King Sol” below and pre-order Easy Pain from Temporary Residence ahead of its May 13th release date.

Vertical Scratchers – Memory Shards (Stream)

And the hits just keep coming. After yesterday’s parade of content, today’s been just as ceaseless in terms of output. There were outstanding songs by Young Widows, The Wytches, A Million Billion Dying Suns, Papercuts, Anto Dust, Downliners Sekt (which is a near-definitive example of what ambient dubstep should aspire to be), and JPNGRLS. Then there were stunning clips from the likes of Mr. Dream, Hockeysmith, Yellow Ostrich, and Blouse, in addition to the insta-classic videos from Guided by Voices and The Notwist. In the largely dark and wiry post-punk onslaught that is the majority of that list, Vertical Scratchers managed to sneak in another near-perfect track leading up to the release of Daughter of Everything later this month.

With that song, Vertical Scratchers officially go two for two. It wasn’t too long ago that this site covered their excellent first offering, “These Plains”, and now the Merge duo’s back with an equally infectious piece of quick-moving powerpop. Incidentally, the band that “Memory Shards” most prominently recalls is Guided by Voices, who came close to being today’s feature by virtue of their Funny or Die music video for “Planet Score”. From the shared sense of melody to the paradoxical aesthetic (energetically lackadaisical), Vertical Scratchers and Guided by Voices share a lot more in common than expected at first glance. There’s an impossibly smooth falsetto, a perfect amount of crunch, and a whole ton of melody packed into an immensely enjoyable two minute burst- sound familiar? If all of Daughter of Anything is as good as the first two cuts suggest it is, Vertical Scratchers will be making one hell of an entrance. Here’s hoping they wind up with a career as storied as their predecessors. Listen to “Memory Shards” below and get ready to wear this record out over spring and summer.