Heartbreaking Bravery

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Tag: Tanukichan

A Week and a Half’s Worth of Material

Over the past week and a half there was a vast arsenal of material that found release across all three major formats. All of the titles that made a sizable impression will be linked to below and all of them are well worth exploring. Over the next few days there will be a laundry list of individual items to find small features but that in no way should deter from the immense value of the songs listed below. If there was enough time to provide each and every one of these entries features of their own, a regular day would have to be well over 24 hours. As it stands, the best approach is to simply bookmark this page and peruse these selections at a preferred pace. Keep an eye out for more updates from this site very soon and enjoy the incredible offerings that are available below.

Streams

The Raveonettes, Coaster, Puerto Rico Flowers, Beachtape, Sad13 (x2), Small Wonder, Two Houses, Floating Room, Hooton Tennis Club, Communions, Monster Rally, Mark Sultan, CRX, Dama Scout, Lady Lamb, Maria Taylor (ft. Conor Oberst), The Cinematic Orchestra (ft. Moses Sumney), Frank Weysos, Parlour Tricks, JD Werner, Del Water Gap, Invisible Boy, Magic Magic Roses, Hand Habits, The Breaks, Tyvek, clipping., Flower Girl, Mark Eitzel, Soft Lions, Cosmonauts, Desperate Journalist, Sonnyskyes, Tyler Daniel BeanSløtface, Cory Hanson, Sinai Vessel, Will Johnson, MOLLY, The Olympian, Boon, Emily Reo, Joanna Newsom, War Nurse, Ramonda Hammer, Sundayman, Yeasayer, Gummy, Sacred Paws, Enemies, BROS, Dead Leaf Echo, Mo Troper, Jarrod Milton, Dante Decaro, wrtch, Miya Folick, and Frankie Cosmos

Music Videos

Flasher, Honeyblood, Gland, Black Marble, Matt Kivel, Emilyn Brodsky, Peacock Affect, The Soonest, Alpenglow, Peder, Peeling, Worms, Girl Ray, Communist Daughter, Moonheart, The Superweaks, Sara Jackson-Holman, Andy Shauf, Monomyth, Victoria + Jean, The Avalanches, Purling Hiss, Tanukichan, Lou Barlow, Pity Sex, Froth, Allison Crutchfield, Strange Relations, Berwanger, Hazel English, Nada, Mayflower, Jess Williamson, Brunch, The Cavemen, Ray & Remora, Busman’s Holiday, Matt Costa, Muncie Girls, Soaker, and Oh Pep!.

Full Streams

Slothrust, Eric Schermerhorn, Tony Molina, Perfume-V, Silent, gobbinjr, Thick, Sam Kogon, Soft Pyramids, Max, Suntrodden, Loamlands, Nocturnal Habits, Choir Boy, Twiga, Angelic Milk, Realms, Parlour Tricks, Skye Wallace, Saba, Dead To Me, Teen Suicide, No Nets, Kevin Morby, Bloody Death Skull, Tournament, King Dude, Spectral Fangs, Communist DaughterSpeak Into My Good Eye‘s The 3rd Annual 24 Hour Songwriting Challenge, and Brown Acid, a joint-effort compilation from Riding Easy Records and Permanent Records that explores some of the heavier music of the ’60s and ’70s.

Slanted – Fake Party (Stream)

slanted

Last Friday saw great new streams from Car Seat Headrest, Idiot Genes, Never Young, The Minders, Balto, and Middle Kids. Additionally, there were a string of impressive music videos Lydia Loveless, Liam Betson, Carl Broemel, Jail Weddings, and Retail Space. Full streams that came via AJJ, The Afterglows, YJY, Tanukichan, Whipworm, Bangladeafy, and See Gulls padded everything out with an extra dose of substance.

Casey Weissbuch‘s Slanted project also unveiled a surprise release that was headlined by the formidable “Fake Party”, one of Weissbuch’s finest songs to date. Following up last year’s extraordinary Desire For Lust, “Fake Party” once again demonstrates Weissbuch’s knack for composition. While the song’s lyric set is arguably the most polished Weissbuch has offered, it’s the song’s ability to breathe that makes it a genuine standout. Dynamic, open, and effortless is a surprisingly difficult combination to pull off but “Fake Party” excels by that very virtue, providing a level of life that’s absent from the majority of releases that make similar attempts.

Of course, the atmospheric tone of a song can only carry it so far on merit, the genuinely great songs are able to separate themselves by succeeding in other capacities. Make no mistake, “Fake Party” is a great song. From the light auto-tune running through the vocals to the breathtaking bridge and outro sections, not a moment of “Fake Party” is wasted. Everything’s designed for maximum effect, even though it always retains a spur-of-the-moment feel that’s essential to its success.

“Fake Party” also sets the tone for the remainder of the Party EP, which is comprised of two similarly excellent tracks (“Green Balloons//Walk of Life” and “Junk”). By establishing “Fake Party” as the introductory piece, the song’s risks are allowed to be elevated and to define the EP’s palette, which works to both the advantages of the EP and the song itself. The characteristic, Pavement-esque looseness is still there and Weissbuch even name-checks Guided By Voices (another evident influence) in the first verse, providing a revealing glimpse at how openly Weissbuch embraces Slanted’s influences.

Packaged together as a whole, “Fake Party” paints a portrait of an artist who thrives on sincerity, soaring melodies, and a sense of history. The song’s imbued with an easygoing confidence that plays perfectly into Slanted’s identity. Apart from being a legitimately great song, “Fake Party” is also a potent reminder that the DIY punk scene is currently an embarrassment of riches and exist in an environment that’s facilitating these types of releases. Sadly, that easy access is allowing too many people to regard these releases as disposable entries. As casual as they may seem at first blush, their existence remains deeply important. Songs — and artists — this good deserve to be celebrated.

Listen to “Fake Party” (and the rest of Party) below and pick the EP up here.

Clearance – Owner/Operator (Stream)

clearance

Since Friday, there have been notable streams from IAN SWEET, Fake Palms, American Wrestlers, Space Mountain, John K. Samson, Tanukichan, What Moon Things, Peace Be Still, Axis: Sova, Twist, The Veils, Quarterbacks, J&L Defer, Bon Iver, Cheshires, Black Thumb, CHUCK, Suntrodden, Makeout Point, Shapes In Calgary, Adam Torres, Dowsing, and Hiva Oa that have all appeared. On top of that, there were great music videos that came courtesy of Pleasure Leftists, Jake S-M, Breathe Panel, Emma Russack, Winter, Ka, and Pfarmers. Full streams that came via Bueno, Swimsuit Addition, Echo Courts, Big Bliss, The Channels, Cassels, BJ Barham, Dolfish, and Red Heat closed the haul of new material out in a memorable fashion.

All of those entries impressed on multiple levels but it was the latest offering from site favorites Clearance that earned this post’s featured position. “Owner/Operator” is the band’s second individual release — following the excellent “Are You Aware” — since their outstanding Rapid Rewards LP and sees the quartet continuing to find fascinating ways to balance a carefree atmosphere with urgent conviction. The song will be featured as part of their forthcoming Are You Aware 7″, which seems poised to stand as one 2016’s finest releases for that format.

A large part of those expectations can be accredited to the successes of “Owner/Operator”, a breezy and bristling three-and-a-half minute number that both refines and advances Clearance’s songwriting. From the structure to the dynamic nuances, there’s an uncommon liveliness that electrifies the proceedings, pushing a good song into the realms of greatness. Surprisingly memorable, weirdly powerful, and unashamedly casual, “Owner/Operator” is an unlikely slacker pop anthem for the basement punk crowd.

Listen to “Owner/Operator” below and pre-order Are You Aware from Tall Pat here.