Heartbreaking Bravery

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Tag: Sweet John Bloom

Staring Down the Sun (Mixtape)

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After a whirlwind catch-up session saw around 80 new posts go up in the past month, this site’s falling back into old habits. Namely, the preservation of implementing some sort of mixtape for every at every 50-post interval. With summer officially kicking off next week, it felt appropriate to create a mix in anticipation of the increasingly warm weather. Somehow,  Heartbreaking Bravery’s now also 900 posts into its existence and some sort of commentary felt fitting as well. To that end, the 25 songs selected below are mostly tracks that have been featured — in some way or another — on this site throughout the course of those 900 posts (including Audacity’s “Hole in the Sky”, which was the the focal point of Heartbreaking Bravery’s first post).

A lot of the songs in Staring Down the Sun are songs that have carried me through previous summers, propelling me forward or comforting me with warmth  and familiarity. It’s those two traits, warmth and familiarity, that are underlined most emphatically on this mix as they’re two of the season’s most consistently definitive draws. As such, Staring Down the Sun is a mix that’s heavily populated by friends, old and new, to sustain the kind of camaraderie that’s so often reinvigorated by sense of contentment and desire for exploration that frequently accompanies the season.

Open the windows, call up some friends, start a band, stoke the embers of the fire in the backyard, enjoy the scenery, travel to a new city, go swimming, or do whatever it takes to enjoy the shifting weather. Whatever the option, there’s now a soundtrack to accompany those moments available for the taking. Grab it and go.

Staring Down the Sun‘s tracklist can be found below the embed. Underneath the tracklist are hyperlinks to the preceding 100 posts. Enjoy.

1. Used Kids – Midwest Midsummer
2. PUP – DVP
3. Audacity – Hole in the Sky
4. Patsy’s Rats – Rock N’ Roll Friend
5. Goodnight Loving – Dead Fish On the Banks
6. PURPLE 7 – Wise Up
7. The Marked Men – Fix My Brain
8. Screaming Females – Wishing Well
9. Good Grief – Cold Compress
10. Jay Som – I Think You’re Alright
11. Icarus Himself – Digging Holes
12. Bent Shapes – New Starts In Old Dominion
13. Jawbreaker Reunion – Friends Theme Song
14. Midnight Reruns – King of Pop
15. Dogs On Acid – Make It Easy
16. Sleeping in the Aviary – Love Song
17. Swearin’ – Hundreds and Thousands
18. Sweet John Bloom – Aging In Place
19. Meat Wave – Cosmic Zoo
20. Mo Troper – Princess
21. Mike Krol – Left Out (Attn: SoCal Garage Rockers)
22. Royal Headache – High
23. Weaves – One More
24. Tenement – Near You
25. Swim Team – Teenage Brain

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HB800: Watch This: The Best of 2016’s First Quarter, Vol. VI
HB801: Watch This: The Best of 2016’s First Quarter, Vol. VII
HB802: Tenement – Bruised Music Vol. 2 (Album Review)
HB803: Watch This: Vol. 120
HB804: Casey Jordan Weissbuch – Dream (Stream)
HB805: Parquet Courts – Human Performance (Stream)
HB806: Minor Victories – Folk Arp (Music Video)
HB807: Lady Bones – Weight (Stream)
HB808: Ratboys – Not Again (Stream)
HB809: Summer Cannibals – Full Of It (Music Video)
HB810: Faye – Chow Chow (Stream)
HB811: Yucky Duster – Gofer (Stream)
HB812: Catbus – Fracas (Music Video)
HB813: Hudson Bell – Box of Bones (Stream)
HB814: Dark Thoughts (Album Review)
HB815: Eskimeaux – Year of the Rabbit (EP Review)
HB816: The Side Eyes – I Don’t Want To Go To School (Stream)
HB817: Mercury Girls – Ariana (Stream)
HB818: Mitski – Your Best American Girl (Music Video)
HB819: Mo Troper – Star Wars (Stream)
HB820: What A Difference A Month Makes (Full Streams)
HB821: What A Difference A Month Makes (Music Videos)
HB822: What A Difference A Month Makes (Streams)
HB823: Patio – Luxury (EP Review)
HB824: Greys – Outer Heaven (Album Review)
HB825: Alexis Taylor – I’m Ready (Stream)
HB826: Lady Bones – Ice Cream (Stream)
HB827: Deerhoof – Plastic Thrills (Stream)
HB828: Ratboys – Not Again (Music Video)
HB829: Told Slant – Tsunami (Music Video)
HB830: Ought – Beautiful Blue Sky (Music Video)
HB831: EERA – Drive With Fear (Music Video)
HB832: Patsy’s Rats – Rock N’ Roll Friend (Music Video)
HB833: WRAY – Pined (Music Video)
HB834: Mutual Benefit – Lost Dreamers (Music Video)
HB835: Faye – Ancient Bones (Stream)
HB836: Big Thief – Humans (Stream)
HB837: Twist – Soaked (Stream)
HB838: Jackal Onasis – The New Ron (Stream)
HB839: Casket Girls – Tears of A Clown (Stream)
HB840: Diarrhea Planet – Bob Dylan’s Grandma (Stream)
HB841: Cadet Kelly – Throttle You (Stream)
HB842: Beverly – The Blue Swell (Album Review)
HB843: Nano Kino – Surfing on the Void (EP Review)
HB844: Devon Welsh – Down the Mountain (Album Review)
HB845: Frankie Teardrop – Hell Yep (Album Review)
HB846: Major Leagues – Dream States (EP Review)
HB847: Dogheart – Real Mood (EP Review)
HB848: Lady Bones – Terse (EP Review)
HB849: Mulligrub – Soft Grudge (Album Review)
HB850: Plush – Please (EP Review)
HB851: Mo Troper – Beloved (Album Review)
HB852: Color TV – Anybody’s Girl (Music Video)
HB853: Faye – Faye (EP Review)
HB854: Lonely Ghost – Funereal (Album Review)
HB855: Happyness – SB’s Truck (Stream)
HB856: Mercury Girls – All That Heaven Allows (Stream)
HB857: Big Thief – Paul (Stream)
HB858: Charly Bliss – Ruby (Music Video, Live Video)
HB859: M. T. Foyer – All I Wanna Do Is Love You + Let’s Make Something Happen (Stream)
HB860: Petite League – Zookeeper (Stream)
HB861: Woahnows – Mess (Music Video)
HB862: NE-HI – Buried on the Moon (Stream)
HB863: Hollowtapes – Tall (EP Premiere)
HB864: Oceanator – Sunrise (Song Premiere)
HB865: Mitski – Happy (Music Video)
HB866: Birth (Defects) – Hanshin
HB867: Mock Orange – Put the Kid on the Sleepy Horse (Album Review)
HB868: Told Slant – High Dirge (Stream)
HB869: Young Jesus – Void As Lob (Single Review, Live Video)
HB870: Watch This: A Long List of Honorable Mentions from A Brief Stretch of Time
HB871: Watch This: A Full Session of Full Sessions
HB872: Naked Hour – Always on the Weekend (Stream)
HB873: Gorgeous Bully – Just Like Before (Stream)
HB874: Jay Som – I Think You’re Alright (Stream)
HB875: Quilt – Padova (Music Video)
HB876: Watch This: Another Full Session
HB877: Splitting at the Break: The Live Videos of 2016’s First Half
HB878: Watch This: Resuscitations, Pt. I
HB879: Watch This: Resuscitations, Pt. II
HB880: Trophy Dad/Barbara Hans (Split Single Review)
HB881: Hater – Radius (Stream)
HB882: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. I
HB883: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. II
HB884: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. III
HB885: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. IV
HB886: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. V
HB887: Tenement – Feral Cat Tribe (Music Video)
HB888: PUP – Live at the 7th St. Entry – 6/3/16 (Pictorial Review, Live Video)
HB889: Watch This: Vol. 126
HB890: Watch This: Vol. 127
HB891: Rod – Cemetery (Stream)
HB892: Trust Fund – Together (Stream)
HB893: Even Hand – Sighted (Album Review)
HB894: Future Biff – I Crashed Your Car (EP Review)
HB895: Jacky Boy – Bad (Song Premiere)
HB896: Lithuania – Kill The Thing You Love (Stream)
HB897: Watch This: Vol. 128
HB898: Weaves – Weaves (Album Review)
HB899: Dentist – Joel (Stream) [Contains hyperlinks to post 700-799]

The Honorable Mentions of the 2015 Music Categories

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Before diving into the particulars of the forthcoming lists, it’s worth addressing the distinction made in the headline. Each of the categories that received a list in 2015 (music videos, songs, EP’s, albums, odds and ends) will be expanded upon in this post. However, there are still two forthcoming film lists but each of those will include the honorable mentions along with the featured rankings. An obscene amount of great material came out over the 12 months that comprised the past year so any attempts to cover everything would be futile. If anyone’s exhausted the below lists, a more comprehensive version can be found by exploring the following tags: stream, full stream, EP stream, and music video. Explore some of the top tier picks that didn’t make it onto the year-end lists via the tags below.

Music Videos

Screaming Females – Hopeless | Cayetana – Scott, Get the Van I’m Moving | Ephrata – Say A Prayer | ANAMIA – LuciaJoanna Newsom – Sapokinakan | Battles – The Yabba | FIDLAR – 40 Oz. On Repeat | PINS – Young Girls | Doomtree – Final Boss | Hundred Waters – Innocent | Celestial Shore – Now I Know | Donnie Trumpet & The Social Experiment – Sunday Candy | Modest Mouse – Coyotes | Girlpool – Before The World Was Big | Laura Marling – Gurdijeff’s Daughter | Bay Uno – Wait For Your Love | The Staves – Black & White | Young Buffalo – No  Idea | Avid Dancer – All Your Words Are Gone | Avi Buffalo – Think It’s Gonna Happen Again | Adir L.C. – Buyer’s Instinct | Midnight Reruns – Canadian Summer | Daughter – Doing The Right Thing | John Grant – Disappointing | Waxahatchee – Under A Rock | Wimps – Dump | Potty Mouth – Cherry Picking | Froth – Nothing Baby | The Libertines – Heart of the Matter | Car Seat Headrest – Something Soon | Mike Krol – Neighborhood Watch | Savages – The Answer | Kurt Vile – Pretty Pimpin | Bully – Trying | Sheer – Uneasy  | Will Butler – Anna

EPs

Snail Mail – Sticki | Kindling – Galaxies | Eugene Quell – I Will Work The Land | Gumbus – Crimbus Rock | Rye Pines – Rye Pines | Feral Jenny – Greatest Hits | Slutever – Almost Famous | Gracie – Gracie | Nice Guys – Chips in the Moonlight | Anomie – Anomie | Kitner – Stay Sad | Animal Flag – EP 2 | Never Young – Never Young | Birches – Birches | Alimony Hustle – Gutter Gutter Strike Strike Gutter Gutter | The Lumes – Lust | Pretty Pretty – Talkin’ to the WallsVomitface – Another Bad Year | PALMAS – To the Valley | Greys – Repulsion | Wild Pink – Good Life | The Glow – Lose | Spirit of the Beehive – You Are Arrived (But You’ve Been Cheated) | Shady Hawkins – The Last Dance | Holy Esque – Submission | Ashland – Ashland | Isabel Rex – American Colliquialisms/Two Hexes | Pet Cemetery – Dietary Requirements | Milk Crimes – Milk Crimes | Rubber Band Gun – Making A Fool of Myself | Creative Adult – Ring Around the Room | Amber Edgar – Good Will Rise | La Casa al Mare – This Astro | Trophy Dad – Shirtless Algebra Fridays | Glueboy – Videorama | Birds in Row – Personal War | YVETTE – Time Management | Communions – Cobblestones | O-Face – Mint | Day Wave – Headcase | Granny – EGG | Van Dammes – Better Than Sex | Vallis Alps – Vallis Alps | Little Children – Traveling Through Darkness | Philadelphia Collins – Derp Swervin’ | The Tarantula Waltz – Lynx | Nicolas Jaar – Nymphs II | The Japanese House – Pools To Bathe In | Guerilla Toss – Flood Dosed | Los Planetas – Dobles Fatigas | See Through Dresses – End of Days | Earl Sweatshirt – Solace | Kississippi – We Have No Future, We’re All Doomed | Yumi Zouma – EP II | G.L.O.S.S. – Girls Living Outside of Society’s Shit | Fresh Snow – WON | Girl Band – The Early Years | XXIX – Wafia | together PANGEA – The Phage | Ty Segall – Mr. Face | Young Guv – Ripe 4 Luv

Songs

Yowler – The Offer | Meat Wave – Cosmic Zoo | Pleasure Leftists – Protection | Saintseneca – Sleeper Hold | Slight – Hate the Summer | Sports – The Washing Machine | Diet Cig – Sleep Talk | LVL UP – The Closing Door | Royal Headache – High | Tica Douglas – All Meanness Be Gone | Speedy Ortiz – Raising the Skate | Phooey! – Molly’s at the Laundromat | Adir L.C. – Buyer’s Instinct | Sweet John Bloom – Tell Me | Pile – Mr. Fish | Screaming Females – Hopeless | Ernie – Sweatpants | Bad Wig – Stargazer | Dusk – Too Sweet | Painted Zeros – Only You | Krill – Torturer | Young Jesus – Milo | Tenement – Ants + Flies | Midnight Reruns – Richie the Hammer | Melkbelly – Mt. Kool Kid | The Weasel, Marten Fisher – Empty Bucket List | Soul Low – Always Watchin’ Out | Eluvium – Neighboring In Telescopes | Algiers – Blood | Institute – Cheerlessness | Bruising – Think About Death | Vacation – Like Snow | Cende – Widow | Alex G – Brite Boy | Bully – Trying | Nicole Dollanganger – You’re So Cool | Sheer – Uneasy | Laura Stevenson – Claustrophobe | Kathryn Calder – New Millenium | The Foetals – Nothing | Lady Bones – Botch | Dogs On Acid – Let the Bombs Fall Off | Fraser A. Gorman – Shiny Gun | Bandit – The Drive Home | Mercury Girls – Golden | ThinLips – Nothing Weird | Wimps – Dump | S.M. Wolf – Help Me Out | Glueboy – Back to You | Mean Creek – Forgotten Streets | Ratboys – Tixis | PINS – Young Girls | Shilpa Ray – Johnny Thunders Fantasy Space Camp | White Reaper – Make Me Wanna Die | Lady Lamb – Spat Out Spit | Washer – Joe | Pupppy – Puking (Merry Christmas) | Midwives – Back in the Saddle Again | Torres – Strange Hellos | METZ – Spit You Out | Jeff Rosenstock – You In Weird Cities | Little Wings – Hollowed Log | Bent Denim – Good Night’s Sleep | Waxahatchee – Under A Rock

Albums

Girlpool – Before The World Was Big | Screaming Females – Rose MountainYowler – The Offer | Saintseneca – Such Things | Bully – Feels Like | Tica Douglas – Joey | Evans the Death – Expect Delays | Torres – Sprinter | Waxahatchee – Ivy Tripp | Fred Thomas – All Are Saved | Krill – A Distant Fist Unclenching | Ratboys – AOID | Joanna Gruesome – Peanut Butter | METZ – II | Little Wings – ExplainsSlanted – Forever | Bent Denim – Romances You | Someone Still Loves You Boris Yeltsin – The High Country | White Reaper – White Reaper Does It Again | The Armed – Untitled | Shilpa Ray – Last Year’s Savage | The Foetals – Meet the Foetals | Car Seat Headrest – Teens of Style | Wimps – Suitcase | Westkust – Last Forever | Girl Band – Holding Hands With Jamie | Cloakroom – Further Out | Stove – Is Stupider | Johanna Warren – numun | Speedy Ortiz – Foil Deer | Mikal Cronin – MCIII | Adir L.C. – Oceanside Cities | Negative Scanner – Negative Scanner | Pleasure Leftists – The Woods of Heaven | Haybaby – Sleepy Kids | Heather Woods Broderick – Glider | Lady Lamb – After | Pile – You’re Better Than This | Algiers – Algiers | Fraser A. Gorman – Slow Gum | POPE – Fiction | Petal Head – Raspberry Cough | Shannen Moser – You Shouldn’t Be Doing That

Odds and Ends

DBTS: BS2 | Spook the Herd – Freaks b/w Fermented | Kinjac – Possession b/w Possessed | Carbonleak – Waveland b/w Bearing | Vexx – Give and Take | Nervous Trend – Shattered | CCTV – 7″ | Puppy Problems – Practice Kissing | Flagland + Washer | MONO + The Ocean | Uh Huh + Jake McElvie & The Countertops | Alanna McArdle – Bedroom/Balloons | Chris Broom – Meade House Demos | Composite – Demos 2015 | The Library – 100% | Dark Thoughts – Two More Songs From… | Wendy Alembic – Collected Early Works | Toby Reif – 2015 Demos

15 of ’15: The Best Albums of 2015

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2015, close to unanimously, was concerned to be one of the highest points for new music in recent memory. To that end, putting together this list was even more of a nightmarish task than narrowing the 2015 songs down to their 15 slots. There was even a brief moment where expanding this list to 50 slots seemed like a viable action. Ultimately, after literally hundreds of substitutions in the various positions (and countless exclusions and extractions), the formula remained intact. While it was painful to leave an extremely large handful of extraordinary records lingering just outside the perimeter, the 15 records below have earned their spots. Every single one of these has remained in near-constant rotation since the time of their release and will likely resonant well into 2016 and beyond. Dive on in below and reflect on the overwhelming strength of the past 12 months.

15. Meat Wave – Delusion Moon

One of a select few bands to play an instrumental part in the formative stages of this site’s focus (and one of the acts to play the first Heartbreaking Bravery showcase), Meat Wave came through in a big way in 2015. The trio released one of the year’s best oddities, signed to SideOneDummy, and unleashed a behemoth of an album in Delusion Moon. Billed as their first proper full-length (their vicious self-titled, limited-run cassette straddled the line between EP and full-length), Delusion Moon saw the band exploring their darker tendencies to great success. More fully exploring influences like Mission of Burma and Drive Like Jehu, the band acted as a nice counterpoint to the usual brand of ’90s revival and got some kicks in along the way.

14. PWR BTTM – Ugly Cherries

No band’s live show was documented more exhaustively here over 2015 than PWR BTTM, who perfected a simplistic approach with enormous- and enormously successful- ideas. The duo (who is occasionally a trio) set their sights on exploring gender and personal identity and followed through with a startlingly brazen tenacity. Close to every song on Ugly Cherries, their extraordinary full-length debut, play out like the kind of anthems that 2015 desperately needed. For a record that’s quick to be gleefully tongue-in-cheek, Ugly Cherries also offers up some devastating personal moments, lending the band an emotional depth that makes their outsize spirit even more powerful.

13. Midnight Reruns – Force of Nurture

Force of Nurture, Midnight Reruns‘ astonishing sophomore effort, has one of the best A-sides I’ve ever heard. Not to discredit an extremely strong B-side, either, but the run the band puts together from “There’s An Animal Upstairs” to “Sky Blue Water” is just about flawless. All six of those songs were considered for this year’s list of the best songs of 2015 along with the record’s sprawling closer, “Great Southern Rail”, which boasts one of the year’s more jaw-dropping choruses. Bolstered by the involvement of one of the band’s earliest and most vocal supporters- The Replacements’ Tommy Stinson, who produced the record- Midnight Reruns turned in their finest collection of songs to date.

12. Hop Along – Painted Shut

A statement that bears repeating: one of the most heartening aspects of 2015 was watching the deserved ascension of Hop Along, who have been cranking out exquisite material on an exceptionally high platform for several years. Driven by the distinctive, arresting voice of guitarist/vocalist Frances Quinlan and their own unique sensibilities, Hop Along crafted the strongest record of their discography. With new partner Saddle Creek firmly in their corner, the band came to vibrant life and stayed on form, delivering a set of knockout tracks that included “Waitress”, one of this year’s finest. A welcome breath of fresh air, Painted Shut marked the beginning of an exciting new era for one of today’s best bands.

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11. Royal Headache – High

Even as all the news of High being Royal Headache’s finest record (thankfully) receded, the power of their finest offering to date didn’t diminish. Following a brilliant debut, the band may have actually surpassed that record’s promise with their sophomore effort. Highlighted by songs like the towering, defiant title track and the surging “Another World“, High is a genre masterclass of the highest order. Buoyed by an infectious energy that’s constantly verging on manic, there’s never a moment during the record that doesn’t feel like it’s nearing a state of euphoria. When High is firing on all cylinders, as is the case for the vast majority of the record, the band’s as close to being virtually untouchable as is possibly imaginable.

10. Young Jesus – Grow/Decompose

Home, Young Jesus‘ breakout record and a candidate for album of the decade, set extraordinarily high expectations for whatever the band chose as its following release. Crafting a worthy follow-up seemed even more unlikely after the band moved out of Chicago and over to Los Angeles, reassembling their lineup in the process. By that token, Grow/Decompose isn’t just a deeply impressive record, it’s a miraculous one. Guitarist/vocalist John Rossiter sharpens his singular songwriting voice and leads his new outfit with a fiery determination. An immensely satisfying collection of songs, Grow/Decompose feels like a genuine album; structured and paced to near perfection, Grow/Decompose is a reinvigorating- and reinvigorated- frenzy.

9. Dogs On Acid – Dogs On Acid

Dogs On Acid, a band formed out of the ashes of much beloved acts Snowing and Algernon Cadwallader, expanded on one of the best 7″ releases of 2014 with one of the strongest full-length debuts in recent memory. Laced with knockout hooks at just about every turn, Dogs On Acid is a staggering show of power from a band that finds surprising ways to exceed its predecessors. Maximizing their pop sensibilities to astonishing effect, Dogs On Acid inject their first major effort with an insistent, propulsive energy that catapults each of its 10 tracks to unthinkable heights, keeping their punk roots in place along the way. Every song on Dogs On Acid is a genuine highlight, yet the whole affair still manages to come across as so much more than a collection of singles. Bold and brash, this is the kind of record that may never fall out of regular rotation.

8. Tenement – Predatory Headlights

For close to 10 years, I’ve provided near-incessant documentation of Tenement, chronicling their forward motion with increasing intensity as the years progressed. When Heartbreaking Bravery was initially designed, it was constructed with the intention of highlighting bands that weren’t being granted the press that they deserved. In 2015, the world at large finally started catching on to a band that’s meant more to the development of my personal interests in music than any other (I didn’t include their Bruised Music compilation in the oddities list because I contributed a lengthy piece to the record’s insert that expands on that fact). Predatory Headlights, the trio’s latest opus, was a definitive collection of the band’s current era, unafraid of demolishing genre barriers and bold experimentation. Over its intimidating 28 tracks, the album steadily emerges as a genuine- and singular- masterpiece.

7. Julien Baker – Sprained Ankle

For Julien Baker‘s breathtaking breakout record, the young songwriter (previously best known as one of the driving forces behind Forrister) dived fearlessly into a despairing examination of her own psyche. A preoccupation with mortality that was heavily informed by the laws of religion dominates nearly every song on this surprisingly brave collection. From the description of the car wreck in the opener’s first verse all the way through to the passage in “Go On”- Sprained Ankle‘s mesmerizing closing track and one of 2015’s finest songs– about consuming bleach, there’s barely a moment of reprieve. Built almost exclusively around Baker’s voice and acoustic guitar, Sprained Ankle feels progressively more personal as it goes along, each song functioning as a plea, a warning, and a sustained moment of clarity. Tragic and beautiful, Baker’s conjured up a collection of deeply personal songs that feel genuinely sacred.

6. All Dogs – Kicking Every Day

Ever since their earliest releases, All Dogs have been steadily crafting great material and building momentum. Kicking Every Day, the band’s startlingly defiant full-length debut, continues that pattern with an astounding amount of grace. Even with their lineup at full strength following the addition of guitarist Nick Harris (which is paying massive dividends), guitarist/vocalist Maryn Jones’ songs feel more naked than ever, imbuing Kicking Every Day with a voyeuristic look at its principal songwriter’s inner turmoil and unflinching resolve. After the anticipation levels for this record came close to hitting a fever pitch with the release of “That Kind of Girl” (which ranked highly on the songs of the year list), the prospect of a record as extravagantly strong as Kicking Every Day didn’t seem so distant. The record ultimately surpassed those expectations thanks to both the instant acclaim it so richly deserved and its ability to strike all the right chords.

5. Sweet John Bloom – Weird Prayer

Losing Four Eyes, a band that put out one of the best 7″ records of this decade, was a tough pill to swallow. Fortunately, that band found a natural successor in Sweet John Bloom. Continuing to revel in the same brand of endearingly scrappy basement pop and pulling members from a few other outstanding bands, Sweet John Bloom managed to make a mark. Weird Prayer, their first fully fledged full-length, reveals impressive new depths to the band. Employing a rotating cast of songwriters, the record gives ample space to flesh out each one’s distinct personality. From lovely slow-burning tracks like “Bury Ruby” to incendiary highlights like “Tell Me”, Weird Prayer is an enviable showcase that, bizarrely, seems like a victory lap for its various members. There’s a memorable moment or three on each of these 15 tracks, most of which find intriguing dichotomies to exploit over the course of their brief running times. Littered with surprising moments at close to every corner, it’s one of 2015’s most exhilarating releases.

4. Dilly Dally – Sore

Back in 2014, Dilly Dally unleashed a pair of 7″ records that nearly walked away with the top spot in this site’s rankings. In 2015 they followed up their flawless early run with a brilliant standalone single and a bruising full-length teeming with vicious grunge-informed, punk-leaning basement pop numbers. Grimly determined and scuzzy as hell, Sore lands with the force of an atomic bomb. There was a reason that no band earned as many feature pieces on this site over the course of 2014 than Dilly Dally and, even stripped of the brilliant singles that earned those spots, Sore would have registered as a knockout. While the record’s many searing highlights (“Desire“, “Purple Rage“, “The Touch“, etc.) gave the record its fangs, its elegiac closer provided it with both an unexpected emotional depth and a staggering moment of finality (both of which went a long way in securing its ranking as one of 2015’s finest tracks). While Dilly Dally just about stole CMJ and released a small army of outstanding music videos, Sore was their definitive 2015 moment. It’s the kind of record that inspires kids to go out and start bands of their own, making it one of the most powerful releases in recent memory.

3. Mike Krol – Turkey

The sudden resurgence of the (unfortunately) still-deceased Sleeping in the Aviary was an extremely unexpected and welcome development. While they did release an extraordinary demos and rarities collection, the band’s best moment came when the majority of its lineup wound up backing Mike Krol for his latest venture. No record in 2015 felt even close to as unhinged as Turkey, Krol’s first effort for Merge and most deranged outing to date. With a runtime that doesn’t even scratch 19 minutes, Krol and the band he’s assembled run through nine songs at a pace so frantic it’s practically delirious. Every single moment of Turkey is informed by a surging level of energy that it seems like the record might derail itself at any given moment, toppling over because of its own excessive velocity. Miraculously, it manages to sustain that momentum through nine songs of rabid basement pop that draws inspiration from a variety of genres from the past handful of decades, zeroing in on things like ’50s pop and classic soul. Everything on Turkey also benefits from being shot through with Krol’s deadpan comedic sensibility, tongue planted firmly in cheek. By the time the record’s penultimate track hits- the absolutely massive “Less Than Together“- the record’s momentum is white hot. “Piano Shit” winds things down at the very end and allows the listener to review the demolished left in Turkey‘s wake as it coasts to the finish.

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2. Nicole Dollanganger – Natural Born Losers

One of the happier coincidences this site got to experience in 2015 was the realization that the glowing review of Nicole Dollanganger‘s breathtaking Natural Born Losers was its 666th post. An appropriate fact, given the record’s deep obsession with angels, devils, and the spiritual realm. In its opening lines (“I shot an angel with my father’s rifle”), Natural Born Losers flaunts its aim with a threatening gracefulness, ready to turn on a dime at any moment. Dollanganger’s narratives throughout the course of the record are startling exercises in hyper-violence and dueling desires. Whether it’s a BDSM-informed romp as lensed through an experience with an abusive police officer or an extremely disarming sample taken from the animated 1993 cult classic The Halloween Tree, Dollanganger’s either making fresh incisions or pulling gaping wounds even further apart. However, for being so deeply unsettling in its prose, the music that accompanies all of Dollanganger’s nightmarish imagery is as elegant and haunting as her vocals. A lot of Natural Born Losers hinges on exploring some of the weightiest dichotomies in existence and the degree of success to which it achieves in striking fascinating middle grounds in those battles is revelatory. Even more impressive is the fashion in which Dollanganger binds this collection of songs together, especially considering how effectively the record’s haunting line defines (or redefines) everything that’s happened since its steely-eyed opening moment. Put simply: Natural Born Losers is a modern masterpiece.

1. Eskimeaux – O.K.

Eskimeaux‘s O.K. managed to impress on first listen but it wasn’t until seeing the band live that all of its pieces fell more fully into place. That show inspired a return visit to this collection which, in turn, brought about a subsequent revisit (and then that pattern fell into a routine that still hasn’t ceased). On each successive listen, more of O.K. sprang to life. Gabrielle Smith’s project has been making material that’s been more than worthwhile for a large handful of years now but O.K., the project’s most fully-realized outing, saw Smith step across a threshold and into something sublime. A meticulously crafted record, every last one of its countless gears clicks in ways that surprise and delight in equal measure, rewarding heavy investment with a casual ease and providing O.K. with one of its cleverest tricks. In maintaining their casual sensibilities, the record becomes an enjoyable cursory listen but that casualness is surprisingly deceptive.

O.K.‘s a very complex record when it’s dissected into its formative pieces, whether they’re the gorgeous vocal layers that comprise one of the record’s most gorgeous moments on “A Hug Too Long” or Felix Walworth’s explosively idiosyncratic snare work on “Folly“, each finding a way to stand out as an impressive moment in both the small schemes of the songs and the grand sweep of the album. From a lyrical standpoint, Smith packs this record full with bittersweet realizations, internal frustrations, and slivers of a defiant sense of hope that’s steadfast in its refusal to bow to a harsher reality. Even the record’s darkest moment- the brooding “Pocket Full of Posies”, which nearly unseated “A Hug Too Long” in the songs list- subtly acknowledges the inherent innocence of things that are frequently viewed as evil. Even then, O.K.‘s worldview is far from simply being optimistic, it’s far too weary to assume that the best mode of operation is to look for the best in everything; its earned its sophisticated wariness.

What makes O.K. truly stand out, though, is its overwhelming amount of empathy for everything that’s fortunate enough to have worked its way into the record. Easily one of the most readily apparent humanist statements that music yielded this year (which is especially easy to see when the record’s put under a microscope), O.K. draws its strength from its sense of value. It’s a view that resonates throughout the record’s 11 brilliantly crafted songs, providing them with a deeper sense of purpose than most bands can manage. Additionally, all of the inspired decisions that comprise O.K. are augmented by some of the most extraordinary production work of the past several years, stealthily enhancing the cumulative effect of the songs. An awe-inspiring breakthrough for one of today’s most promising acts, O.K. is the kind of record that’s worth preserving for future generations. Find someone deserving to share this with and give in to its inescapable beauty.

Sweet John Bloom – Weird Prayer (Album Review, Stream)

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As has been mentioned multiple times over, this site saw a recent shift from standard coverage to specialty coverage thanks to a move. In the few weeks that have passed in that time, a slew of exciting new releases made their way out into the world. One of the finest- and, frankly, most overlooked- was Sweet John Bloom’s fiery Weird Prayer. That record will be the focus of this piece, while a list of 50 excellent full streams to have recently appeared will be included beneath the embedded bandcamp player. Before immediately going there, though, let’s focus on the matter at hand: Sweet John Bloom’s full-length debut.

Formed out of the ashes of several other bands (including Four Eyes, who released one of the best 7″ records in recent memory with Towards the End of Cosmic Loneliness), Sweet John Bloom already had a fairly impressive pedigree out of the gate. It’s not surprising that the band managed to click as tightly as they have, especially considering their respective former bands had all established a familiarity by virtue of shared spaces (bills, scenes, etc.). Even with all of that taken into account, Weird Prayer‘s pure strength still manages to surpass expectations.

A collection of 15 dirtied up, punk-leaning basement pop songs, the record not only succeeds in effortlessly conveying the band’s identity but in coming off as a genuine record; something that’s meant to be heard in full. Naturally sequenced and expertly paced, it’s a considerable achievement for a first at-bat operating with this medium as a collective unit. Each section of Weird Prayer comes off as considered as it does impassioned, rendering the whole thing an invigorating shot of adrenaline. Vocal leads are traded with ease, there’s a killer melody buried in just about every passage, and the flawless production makes sure to include enough bursts of weirdness- like the absolutely stunning outro to “Night Thing”- to keep the whole thing zipping along at a startling clip.

For as willfully rough as Weird Prayer sounds, it’s also a record that’s partially defined by finesse. Deceptively elegant guitar figures play with the limits of restraint even as they’re pushed to the red. The rhythm section work always serves a purpose beyond just simply being a base and the lyricism, while occasionally buried with the vocals in the mix, is frequently poignant. Sweet John Bloom also manage to find as much success experimenting with their more gentle sensibilities as they do when they give in to their desire to be abrasive.

“Blood Moon” sees the band finding the perfect balance between the gentle/abrasive dichotomy and, in the context of the record, the song feels even livelier and massive than it did as a standalone single. It’s one of several songs on the record that go beyond anthemic to the realms of catharsis without ever succumbing to over-simplification. It’s part of why the record never loses an unfailing sense of urgency that goes well beyond most of the songs’ inherent immediacy, which sets up a tall order for Weird Prayer‘s final stretch.

In most cases where an album’s almost exclusively built on raucous barn-burners, the weight eventually builds and the load becomes unsustainable; there’s a reason why rollercoasters don’t extend for hours and why successful action films need exposition. Weird Prayer deals nicely with this by offering a gradual come-down by easing off the gas pedal and utilizing a tempo that creeps in a little under the established average for most of its closing numbers. Even then, Sweet John Bloom don’t cede their penchant for a confrontational aesthetic; the 1-2 punch of “Death; and Everything’s Paid For” and “Trust  Me” feels particularly vital and bristles with a world-conquering energy. Fittingly, “Aging In Place”- the first song to be shared from Weird Prayer– brings everything home in a finale that’s both familiar and intensely rousing; an exhilarating end-cap to one of the year’s finest records.

Pick up Weird Prayer from Tiny Engines here and listen to it by clicking play below. Underneath the bandcamp player, browse 50 other great recent full streams.

Radioactivity – Silent Kill
J Fernandez – Many Levels of Laughter
Fight Amp – Constantly Off
Yukon Blonde – On Blonde
Sissy – Gave Birth To A Mum
Expert Alterations – Expert Alterations
Spray Paint – Punters On A Barge
Ballroom – Ballroom
Bad Boys – Demo
Year of Glad – Year of Glad
Little Children – Travelling Through Darkness
The Fur Coats – Short-Brain
Magic Potion – Melt
Oscar – Beautiful Words
Sea Cycles – Ground & Air
Prinzhorn Dance School – Home Economics
Senpai – Hell In My Head b/w Mind Honey
Arm Candy – Arm Candy
Institue – Catharsis
Chris Weisman – Chaos Isn’t Single
Max Gowan – Big People
Falling Stacks – No Wives
Hints – No Regrets In Old English
No Joy – More Faithful
Pleistocene – Space Trap
Long Neck – Heights
No Friends – I’m Not Real
Marvelous Mark – Bite Me
HDSPNS – HDSPNS
KEN Mode – Success
Walleater – I/II
Sweatshop Boys – Always Polite, Never Happy
Wavves x Cloud Nothings – Wavves x Cloud Nothings
Tough Age – I Get The Feeling Central
Sea of Bees – Build A Boat To The Sun
C H R I S T – T O W E R
Alden Penner – Canada In Space
Teen Daze – Morning World
Fell To Low – Low In The Dust
Palm – Ostrich Vacation
Bully – Feels Like
Bruise – demos.
The Armed – Untitled
Cold Cave – Full Cold Moon
Self Defense Family – Heaven Is Earth
Wild Pink – Good Life
Nicolas Jaar – Nymphs III
Creepoid – Cemetery Highrise Slum
Gnarwhal – Shinerboy
Lady Bones – Dying

So Stressed – Apple Hill (Stream)

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Over the course of the year, one format or another has been stuck functioning in catch-up mode. Today, with this post, everything that falls under the regular umbrella coverage will be brought up to the present release cycle. In a way, then, it makes sense that something as blistering and urgent as “Apple Hill” grabs this post’s focus. Even more fitting is the fact that it comes from the first band to be signed to Honor Press, the newly created label of Perfect Pussy‘s Meredith Graves (whose fundamental importance to this site and its continued existence simply can’t be overstated). While all of that will be addressed shortly in greater detail, it wasn’t the only excellent musical offering ushered out into the world over the past week. To that end, just as in the preceding post, a list of full streams and songs that deserve hearing.

Full streams: Miserable Friend’s Thawed, Flawed and Suffering, Pinact’s Stand Still and Rot, Telepathic’s Powers of Ten, Thee Oh Sees’ Mutilator Defeated At Last, Ceremony’s The L-Shaped Man, Holly Miranda’s self-titled, Hot Chip’s Why Make Sense?, God Damn’s Vultures, Weedeater’s Goliathan, Super Unison’s self-titled, and a split from Martha and Benny The Jet Rodriguez. Songs: Ancient Sky’s “Two Lights“, Wild Pink’s “Is This Hotel Haunted“, Cancers’ “Missed“, The Absolute’s “Smile“, Kevin Devine’s “Gießen“, Jaill’s “Got An F“, Methyl Ethel’s “Twilight Driving“, Ecstatic Vision’s “Don’t Kill the Vibe“, Hollow Sunshine’s “Morning Green“, and Sweet John Bloom’s “Next Thing” (which very nearly earned this post’s feature spot). Rounding everything out was Run The Jewels’ strikingly animated clip for Run The Jewels 2 highlight “Early“. Then, of course, there was So Stressed’s hellishly snarling “Apple Hill”, which shows the band greatly expanding on the potential hinted at by their lead-off single “Merv King & the Phantoms“.

“Apple Hill” scales back the feverish tenacity of “Merv King” for something that manages to come off as both more brutal and more refined. Marrying post-punk, noise punk, and one of the more sinister breeds of hardcore definitely isn’t an easy look to pull off convincingly but “Apple Hill” wields that formula like a weapon. Brimming with an astonishing confidence and unerring conviction, it immediately transforms itself into something undeniable. Starkly unforgiving and shockingly immediate, it lays some deeply compelling groundwork for the band’s upcoming record, the exquisitely titled The Unlawful Trade of Greco-Roman Art. It’s a deceptively intuitive piece of songwriting that revels in its own pent-up frustration and, finally, the shards of cathartic release embedded throughout “Apple Hill”. The bass gets buried in fuzz, the drums zero in on the instruments intrinsic ability to become propulsive, the guitar line throws convention to the wind, and the vocals take the whole thing to a fascinating, wild-eyed realm. By the song’s end, So Stressed have created an immersive world that’s as punishing as it is intriguing; an unexpectedly strong effort that sets up The Unlawful Trade of Greco-Roman Art. Give into its whirlwind ferocity or get the hell out of the way.

Listen to “Apple Hill” below and pre-order The Unlawful Trade of Greco-Roman Art from Honor Press here.

Bent Denim – Good Night’s Sleep (Music Video)

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After a ridiculously packed month of material and a few small campaigns, this site’s nearly caught up on songs and music videos. There are 18 songs to get to and ten videos that aren’t contained in this post’s headline. What is going to be the primary focus of this post is also one of the best clips of the year (and possibly the decade) but we’ll get to that in due time. Before then, we’ll start with the lion’s share of the pre-feature coverage: single streams. Since there are so many, I won’t go into too much detail in listing the attributes that make them great, just know that they are genuinely great. In no particular order those songs are: Young Jesus’ “Dirt“, Fort Lean’s “New Hobbies“, Sweet John Bloom’s “Tell Me“, Chelsea Wolfe’s “Iron Moon“, Battle Ave.’s “Solar Queen“, Diamond Youth’s “No Control“, Colornoise’s “Amalie“, Spraynard’s “Bench“, and The Trendees’ “Motorcycles (Make Loud Noises)“. Joining that already formidable pile were Crosss’ “Golden Hearth“, Jack + Eliza’s “Oh No“, Elliot Moss’ “VCR Machine“, Lull’s “Bubble Tea“, Porcelain Raft’s “All In My Head“, Stranger Wilds’ “Pronoia“, Ezra Furman’s “Lousy Connection“, Mike Viola’s “Stairway to Paradise“, and Inheaven’s “Slow“.

Much like the songs listed above, the music videos over the past week or so have covered a similarly expansive musical spread. Among these videos were Something Anorak’s absurdly lush “I Am A Doctor“, Heaters’ retro dancehall exhibition “Mean Green“, ANAMAI’s extremely unsettling “Half“, Iron & Wine’s surprisingly beautiful indie wrestling fever dream “Everyone’s Summer of ’95“, and Palma Violets’ gleefully raucous “English Tongue“. Also included in this run were Ceremony’s stark career highlight “Your Life In France“, Jamie xx’s slow-burning, jaw-dropping “Gosh“, Death From Above 1979’s wild-eyed Amish party clip “Virgins“, The Rentals’ eerie, foreboding “It’s Time To Come Home“, and “Keep Your Stupid Dreams Alive“-  a comically psychedelic animated adventure from The Prefab Messiahs. And then there was Bent Denim’s devastating, unforgettable “Good Night’s Sleep“.

Abortion has always been- and likely always will be- a difficult subject to address. Treatment either empathetic or unerringly sympathetic has rendered some recent works (like last year’s outstanding Obvious Child or The Antlers’ wrenching “Bear“) into pieces of art equipped with a lasting resonance. It’s the same reason that Ben Folds Five’s “Brick” has retained its value as an emotionally difficult piece of pop culture and it’s why the deeply-felt clip for “Good Night’s Sleep” is nearly impossible to watch without feeling emptied. After one viewing, it’s difficult to return to the video’s thesis shot: a vacant child’s swing, rocking gently in silence. It’s an arresting image that sets the tone for the ensuing emotional onslaught. Intertwining two visions (a la Derek Cianfrance’s masterpiece, Blue Valentine)- one decidedly more hopeful than the other- Bent Denim present a vision that cuts in a manner that’s brutally immediate.

Accentuating the video’s sense of pain and longing is the home video visual aesthetic, which suits the gentle tones of the song to a sublime perfection. All in all, “Good Night’s Sleep” is an intensely compassionate, moving portrait of both sides’ turmoil following what comes off as a difficult decision (one via audio and one through the clip, which features a gripping performance from its lead). In either case, the emotions are so palpable that the whole thing feels uncomfortably voyeuristic and intensely harrowing. It’s a situation that’s more familiar than most parties would let on but it’s rarely presented as delicately or as realistically as it is in “Good Night’s Sleep”. At the clip’s conclusion, to drive everything home in a way that’s definitively final, the viewer’s returned to the thesis image: a lone child’s swing, once projected to be full, once again swaying in silence.

Watch “Good Night’s Sleep” below and order Romances You from the band’s bandcamp.

White Reaper – Make Me Wanna Die (Stream)

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2015 already seems like its building towards a tidal wave of great releases that will consume everything in its path and today’s another one offering some formidable contributions. Since there weren’t too many full streams worth noting, it seems like that’d be an ideal starting point. While the medium may not have had the most impressive numerical outing, Big Moth more than filled the void with the self-titled EP. Hints of basement pop, basement punk, and the golden age of emo/post-hardcore resonate throughout the release (in a manner not too dissimilar from Attendant’s Freaking Out), securing it a spot as one of 2015’s finest debuts to date. For music videos, there was an inspired trio of clips: the infectiously joyous “East Coast Cities” (a giddy highlight off of Crabapple’s excellent Is It You), clipping.’s brilliant, striking “Intro“, and TV On the Radio’s soulful, delicate “Trouble“.

Unsurprisingly, single streams- once again- came out swinging. Which is as good a place as any to point out that the decisions for which item to headline have been nightmarish mental bloodbaths (in the best way possible). Roughly half of what’s linked to in this post that isn’t directly embedded below put up a fight to earn this piece’s central focus. From Pupppy‘s droll mid-tempo masterpiece “Or Maybe We’re Not” to The Midwestern Charm‘s re-release of fiery Growing Pains highlight “General Drag” (a live video of which exists in our archives), there were almost too many great songs to consider. Joining their ranks were Birds of Night’s compellingly moody “Asleep in the Pine”, The Dead Ships’ dark, frenetic “Floorboards“, and the retro-psych of Fauna Shade’s ridiculously enjoyable “Marzipan“. Completing the batch were Mac DeMarco’s touring band’s band (Walter TV) and their “Surf Metal“, Day Wave’s typically introspective “Drag“, and the unnervingly hypnotic ambient folk of Wilsen’s “Garden“.

As difficult as it was, a decision had to be made and White Reaper wound up outsprinting everyone else with the frantic, frenzied assault of their debut full-length’s lead-off single “Make Me Wanna Die”. After last year’s outstanding self-titled EP and a handful of mentions on this site, expectations for their first LP were raised. Add in the fact that the band signed to Polyvinyl (joining a slew of site favorites in the process), and the anticipation heightens. “Make Me Wanna Die” both justifies those high levels of anticipation and delivers a devastating gut-punch to any doubts surrounding the record’s early expectations. Fuzzed-out, punchy, and more manic than ever, the band also somehow found a way to refine their pop sensibilities, creating something that easily ranks among the year’s best. From the jaunty synth hook to the blistering pace, White Reaper appear to not only be in complete control of their craft but at the current height of their powers. Catchy as hell and packed with meaning, “Make Me Wanna Die” is a monstrous first look at what could be one of the surprise albums of 2015. After the drums kick in cloaked in a wall of noise and the count-off hits, it’s nothing but a whirlwind of surging lo-fi heat that strikes the perfect balance between scuzz-punk and powerpop. If the rest of the amusingly-titled White Reaper Does It Again lives up to what the band achieves here, it’ll be one hell of a thrill ride.

Listen to “Make Me Wanna Die” below and pre-order White Reaper Does It Again from Polyvinyl ahead of its July 17 release date here.

First Quarter Clips, Pt. 2 (Video Mixtape)

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We’re not even three months into 2015 and it’s already yielded a sprawling treasure trove of the kind of music-related items that are worth cherishing. It’s been a particularly strong year for music videos, with some titles from last year’s best releases getting their just treatment balanced out by some tantalizing clips sending expectations for the forthcoming releases that they’re attached to rocketing up to stratospheric heights. Animation, lyric videos, puppetry, seductively slow cinematography, static shots, dancing corpses, subtitled documentary footage, blood, more puppets (it’s been a great time for puppets in music videos), and self-shot footage are just some of the traits that define this two-part collection of 50 of the year’s most engaging clips. All of them, from the folk-leaning lilt of the second collection and the largely DIY punch of its predecessor, deserve praise. Don’t allow the fact they haven’t received any accompanying text beyond this introductory paragraph to do them a disservice; a few of theses videos rank as the best thing the attached band’s ever done and several others continue stunning individual stylistic penchants. More than anything, though, this is a collection that’s intended to represent the diversity and strength of 2015’s earliest offerings in the visual medium. Whether the video comes from an established act or a relatively unknown band, as always, is largely besides the point: this is art worth celebrating. Set aside an hour or two and dive into the madness- and keep an eye on this site for a continuation of this series that should be appearing in the coming days.

COLLECTION II

1. Mitski – Townie
2. Hailey Wojcik – XO Skeleton 
3. Doomtree – Final Boss
4. Hundred Waters – Innocent
5. Palma Violets – Danger in the Club
6. Girl Band – Why They Hide Their Bodies Under My Garage?
7. Jawbreaker Reunion – My Own
8. Screaming Females – Hopeless
9. Museum Mouth – Sacred
10. Celestial Shore – Now I Know
11. Chastity Belt – Time To Go Home 
12. Cloakroom – Starchild Skull
13. Modest Mouse – Coyotes
14. Girlpool – Chinatown
15. Sweet John Bloom – Blood Moon
16. Bass Drum of Death – Better Days
17. Colleen Green – TV
18. Turbo Fruits – The Way I Want You
19. Young Widows – King Sol
20. Evans the Death – Enabler
21. Green Dreams – Rich Man/Poor Man
22. Japanese Breakfast – The Woman That Loves You
23. Michael Rault – Still Not Sad
24. A Place to Bury Strangers – We’ve Come So Far
25. Karen O – Day Go By

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COLLECTION III

1. Gothic Tropic – Underwater Games
2. Laura Marling – False Hope
3. Beech Creeps – Son of Sud
4. Ultimate Painting – Riverside
5. Elvis Perkins – Hogus Pogus
6. Trust Fund – Essay to Write 
7. Mount Eerie – This
8. Kevin Morby – Dancer
9. Seagulls – You and Me
10. Bay Uno – Wait For Your Love
11. Jose Gonzalez – Leaf Off / The Cave
12. The Staves – Black & White
13. Big Noble – Ocean Picture
14. Inventions – Springworlds
15. S. Carey – Neverending Fountain
16. Bonnie ‘Prince’ Billy – Boundlessness
17. Ava Luna – Coat of Shellac
18. Novella – Land Gone
19. Young Buffalo – No Idea
20. Avi Buffalo – Think It’s Gonna Happen Again
21. HUMANS – Tell Me
22. Kathryn Calder – Take A Little Time
23. Sondre Lerche – Lucky Guy
24. Doe Paoro – Traveling
25. Asaf Avidan – Over My Head

Watch This: Best of 2014 (Video Mixtape)

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Live music videos never seem to get the emphasis they deserve. It’s part of why Watch This was created; to celebrate stunning documents of equally stunning performances. A good band can make a great record but a truly great band usually excels in the live setting. With 2014 winding to a close (and with another 100 posts in the past), it seemed appropriate to start reflecting on some of the year’s best offerings. Lists of LP’s, EP’s, 7″ releases, and more will be forthcoming but today the focus will fall on live clips. And, yes, 2014’s not quite over yet and there will be a few weeks worth of live clips to consider (in addition to the past few weeks, which will be focused on in the posts immediately following this one) and “best” is still subjective- but the videos contained in this mix were simply too good to just feature once. If there’s enough material, an appendix will be added around the start of next year.

To be eligible for this video mixtape, the videos involved had to have been previously featured in Watch This and not contain an interview sequence. Full sets were ruled out as well (with a lone exception being made for one of 2014’s best videos in any capacity to provide a sense of closure to the proceedings). These videos were pulled in from as many places as possible with only Chart Attack, La Blogotheque, and Little Elephant making repeat entries (with two each). From the painfully gorgeous (Mutual Benefit, Angel Olsen) to sublime perfection (Radiator Hospital, Little Big League) to the absurdly impressive (Kishi Bashi) to the most electric late night performance of 2014 (Ty Segall), there’s a little something for everyone. 25 clips are included and listed below, with a hyperlink provided to their respective installments in Watch This‘ always expanding catalog. Since this brings the site to another 100 post mark, hyperlinks will be provided to posts 300-399 for anyone interested in checking out past material. With all of this exposition out of the way, there’s really only one thing left to do: sit back, focus up, and Watch This.

1. Audacity – Counting the Days (Jam in the Van) — vol. 24
2. Greys – Guy Picciotto (Chart Attack) — vol. 24
3. Radiator Hospital – Fireworks (BNTYK) — vol. 51
4. Ovlov – Where’s My Dini? (Little Elephant) — vol. 23
5. Frankie Cosmos – Embody (Radio K) — vol. 55
6. Mean Creek – My Madeline (Wondering Sound) — vol. 19
7. Joanna Gruesome – Anti-Parent Cowboy Killers (BTR) — vol. 51
8. Sweet John Bloom – Aging In Place (Allston Pudding) — vol. 48
9. Emilyn Brodsky – Someone Belongs Here (TCGS) — vol. 28
10. Mitski – First Love // Late Spring (bandwidth) — vol. 43
11. Nick Cave & The Bad Seeds – Jubilee Street (ACL) — vol. 54
12. Sharon Van Etten – Serpents (Pitchfork) — vol. 40
13. Mutual Benefit – C.L. Rosarian (Bruxelles Ma Belle) — vol. 19
14. Angel Olsen – Enemy (La Blogotheque) — Vol. 11
15. Kishi Bashi – Philosophize In It! Chemicalize In It! (WNYC) — vol. 29
16. Little Big League – Year of the Sunhouse (Little Elephant) — vol. 45
17. Screaming Females – It All Means Nothing (Audiotree) — vol. 27
18. Ty Segall – Feel (Conan) — vol. 40
19. Dilly Dally – Candy Mountain (Chart Attack) — vol. 51
20. Cloud Nothings – Now Hear In (Amoeba) — vol. 57
21. MOURN – Otits (Captured Tracks) — vol. 53
22. Courtney Barnett – History Eraser (KEXP) — vol. 34
23. Lee Fields – Don’t Leave Me This Way (La Blogotheque) — vol. 54
24. Jenny Lewis – Slippery Slopes (KCRW) — vol. 52
25. Saintseneca (NPR) — vol. 38

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HB300: Songs of Summer: 2014 (Mixtape)
HB301: together PANGEA – Badillac (Music Video)
HB302: Night School – Birthday (Stream)
HB303: The Midwest Beat – Vortex Hole (Stream)
HB304: Watch This: Vol. 42
HB305: All Dogs at Bremen Cafe – 8/19/14 (Pictorial Review, Videos)
HB306: Attendant – Freaking Out (Review, Stream)
HB307: Grape St. – Free Stuff (Stream)
HB308: Iceage – Forever (Music Video)
HB309: Ed Schrader’s Music Beat – Televan (Music Video)
HB310: Young Jesus – G (Stream)
HB311: Watch This: Vol. 43
HB312: LVL UP – Ski Vacation (Stream)
HB313: Radiator Hospital at Cocoon Room – 9/8/14 (Pictorial Review, Video)
HB314: Nano Kino – Eyes Before Words (Music Video)
HB315: Tenement at Mickey’s Tavern – 9/9/14 (Pictorial Review, Videos)
HB316: Bass Drum of Death – For Blood (Stream)
HB317: Pretty Pretty – Feels Like Rain (Stream)
HB318: Watch This: Vol. 44
HB319: Medicine – Move Along – Down the Road (Stream)
HB320: Mitski – Townie (Stream)
HB321: Allah-Las – Follow You Down (Music Video)
HB322: Sonic Avenues – Teenage Brain (Music Video)
HB323: Iceage – How Many (Stream)
HB324: The Honeydips – No Shirt, No Shoes (Music Video)
HB325: Watch This: Vol. 45
HB326: Watch This: Vol. 46
HB327: Iceage – Glassy Eyed, Dormant and Veiled (Stream)
HB328: Zulu Pearls – Lightweight (Music Video)
HB329: Two Inch Astronaut – Foulbrood (Stream)
HB330: Little Big League – Property Line (Stream)
HB331: Mikal Cronin – I Don’t Mind / Blue-Eyed Girl (Stream)
HB332: Mutts – Everyone Is Everyone (Lyric Video)
HB333: LVL UP – Hoodwink’d (Album Review, Stream)
HB334: Watch This: Vol. 47
HB335: The History of Apple Pie – Jamais Vu (Music Video)
HB336: Iceage – Against the Moon (Stream)
HB337: Speedy Ortiz – Doomsday (Stream)
HB338: Hurry – Oh Whitney (Stream)
HB339: Thalassocracy – Shimensoka (Stream)
HB340: Mitski – iPhone Voice Memo (Stream)
HB341: Watch This: Vol. 48
HB342: Watch This: Vol. 49
HB343: Screaming Females – Wishing Well (Stream)
HB344: Meat Wave – Brother (Music Video)
HB345: Joanna Gruesome – Jerome (Liar) / Trust Fund – Reading the Wrappers (Music Video)
HB346: Ovlov – Ohmu Shell (Stream)
HB347: Ty Segall – The Singer (Music Video)
HB348: Pet Sun – Gimme Your Soul (Music Video)
HB349: Washer – Rot (Stream)
HB350: Three Quarters Down (Mixtape)
HB351: LVL UP – Big Snow (Stream)
HB352: Weaves – Shithole (Stream)
HB353: Pile at The Burlington Bar – 10/10/14 (Pictorial Review, Video)
HB354: Audacity – Counting the Days (Stream)
HB355: LVL UP at Beat Kitchen – 10/12/14 (Pictorial Review, Video)
HB356: Two Inch Astronaut – Part Of Your Scene (Stream)
HB357: Watch This: Vol. 50
HB358: Girlpool – Plants and Worms (Stream)
HB359: Watch This: Vol. 51
HB360: Cherry Glazerr – Nurse Ratched (Stream)
HB361: The Gotobeds – Wasted On Youth (Music Video)
HB362: Happy Diving – Big World (Album Stream)
HB363: Filmstrip – Don’t You Know (Stream)
HB364: Nobunny – Nightmare Night (Short Film)
HB365: Heartbreaking Bravery Presents, Vol. 1: Meat Wave, Mumblr, Geronimo! (Videos)
HB366: Watch This: Vol. 52
HB367: Watch This: Vol. 53
HB368: Cymbals Eat Guitars – Warning (Music Video)
HB369: Mitski – Bury Me At Makeout Creek (Album Review, Stream, Photos, Videos)
HB370: Chandos – ..Pretty Sure it’s ‘Tang Top’ (Stream)
HB371: Toby Coke – Face Taker (Stream)
HB372: Two Inch Astronaut – Dead White Boy (Stream)
HB373: Left & Right – Low Expectations (Music Video)
HB374: Watch This: Vol. 54
HB375: Deerhoof – Exit Only (Music Video)
HB376: Meat Wave – Sham King (Stream)
HB377: Kal Marks – It Was A Very Hard Year (Stream)
HB378: Band Practice – Bartending At Silent Barn (Stream)
HB379: Big Lonely – Dirty Clocks (Music Video)
HB380: Slight – Run (EP Review, Stream)
HB381: Screaming Females – Ripe (Stream)
HB382: Girlpool – Blah Blah Blah (Music Video)
HB383: Mutts – Black Ties & Diamonds (Song Premiere)
HB384: MOURN – Otitis (Stream)
HB385: Iceage – Against The Moon (Music Video)
HB386: Watch This: Vol. 55
HB387: Watch This: Vol. 56
HB388: Watch This: Vol. 57
HB389: Kal Marks – Don’t Pussy Foot With A Pussy Footer (Stream)
HB390: Trust Fund – Cut Me Out (Stream)
HB391: Alex G – Soaker (Stream)
HB392: Band Practice – Theme Song (Stream)
HB393: Chandos – Cobra Points (Stream)
HB394: Screaming Females – Empty Head (Stream)
HB395: Title Fight – Chlorine (Music Video)
HB396: Space Mountain – California Blue (Stream)
HB397: Liam Hayes – Fokus (Stream)
HB398: Toby Reif – 2014 (EP Stream)
HB399: Beliefs – Tidal Wave (Music Video)