Heartbreaking Bravery

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Tag: supergroup

Introducing: Montana and the Marvelles

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The past few days I’ve been adjusting to life in Brooklyn with DBTS (an acronym for David Blaine’s the Steakhouse) being kind enough to take me under their wings and ease me into the transition. Being introduced to a culture that I’d already been familiarized with via the magic of the internet and word-of-mouth was a memorable experience and nothing solidified that more than being on hand to witness the first-ever appearance of Brooklyn supergroup Montana and the Marvelles.

After multiple cleaning sweeps and a day of decorating, DBTS was ready to play host to an unofficial wedding ceremony. The bride and groom-to-be, friends of the DBTS tenants, will be officially wed at a small, private ceremony. With that being the case, they decided to throw a party where their friends could celebrate their marriage ahead of the more intimate event. Guests dressed to the nines, alcohol was free-flowing, root beer floats and tacos were at the ready, everyone was all smiles, spirits were high, and fond toasts were given.  After all the personal stories had been told and all the noisemakers had been given out, a band took the floor: Montana and the Marvelles.

At the outset of Montana and the Marvelles, the band was uncertain whether or not their intended wedding project would be a one-off; the details were kept secret. Now, one gripping performance into what could be a very fulfilling path, the band’s made a commitment to playing more shows (and have graciously allowed me to offer their official introduction to the world at large).

Made up of members of several high-profile Brooklyn bands, including site favorites like LVL UP, Sharpless, and Painted Zeros (among others), the band’s more than likely to generate some interest. Unsurprisingly- especially with the caliber of talent involved- the band’s live show is stunning. Suave and genuinely finessed, they play as sharp as they look. As for the song selection- at least on this particular night- it’s just about flawless. Ranging from Etta James to Angel Olsen, it provides the band’s deeply charismatic vocalist and central character- Montana Elliot (of Sharpless)- a considerably impressive showcase.

Montana and the Marvelles were in fine form from the very beginning of the first song, catering perfectly to the crowd. As their set progressed, they made sure to include accommodations for their guests of honor; a first dance, a surprise performance that roped the groom into the band, and a few more twists were incorporated. Each new song (or surprise moment) continuously elevated the level of collective exuberance cultivated by the small (but enthusiastic) party. By the time all of the scene-stealing solos had been torn (courtesy of LVL UP‘s Nick Corbo), all of the showstopping vocals had been sung, and a particularly fierce rendition of “Dancing in the Dark” had been played to close out an incredibly spirited set, it was abundantly clear that Montana and the Marvelles had locked into something that transcends the typical wedding band.

Fortunately for all of us, they’re ready to keep going. If you’re in need of a band to play your wedding, bar mitzvah, bat mitzvah, commitment ceremony, prom, or nearly any other formal event, don’t hesitate to send a message their way; it’s already hard to imagine you could find anything better.

Enough small talk and exposition; it’s both an honor and a privilege to present Montana and the Marvelles to the world. Photos and videos of the band can be found below.

 

 

Beliefs – Tidal Wave (Music Video)

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Now, despite all the content that’s already gone up tonight, there’s still a lot that went down over the past week and a half while the site was dealing with technical complications. To that end, the approach in coverage is going to be slightly different this time around. Full streams, single streams, and music videos will all be covered- but they’ll be branched off into categories. Each entry will get a line or two and then when everything’s been accounted for, there’ll be a feature spot granted to Beliefs’ ridiculously entertaining clip for “Tidal Wave”. So, without further ado…

SINGLE STREAMS

Pet Cemetery – Giants: The newest near-perfect post-punk entry into Art Is Hard’s perfect Pizza Club series. | Deer Tick – White Havoc: A fuzzed-out Holiday stomper courtesy of one of today’s more intriguing acts. | Sun Hotel – Tropic of Cancer: An incredibly compelling and slightly damaged folk-leaning exploration. | Abi Reimold – Workshop: A folksy DIY pop masterpiece that doubles as a perfect contribution to a great compilation series. | The Soft Moon – Black: Nightmarishly menacing ambient music that tilts into industrial territory. | Sleater-Kinney – Surface Envy: Video game guitar lines. Corin Tucker’s vocals. Total madness. Sleater-Kinney is back. | Victoria+Jean – Holly: Seductive art-pop that flirts with expectations and capitalizes on tension. | Menace Beach – Blue Eye: An ambient noise exercise that only gains intrigue as it quietly builds towards its finish. | Deerhoof – Exit Only (Perfect Pussy Remix): A terrifying reimagining of an already terrifying song, courtesy of Shaun Sutkus. | Moon Duo – Animal: Menacing and minimal psych-punk that isn’t afraid to bare its fangs. | Grand Vapids – Aubade: Indie pop that isn’t afraid to subvert or challenge aesthetic expectations. | Howlin’ Rain – Wild Bush: A pastoral folk throwback jam that wears its influences proudly on its sleeve. | California X – Red Planet: Another triumphant, scorched-earth preview of what looks to be a career-best effort. | The Sidekicks – Jesus Christ Supermalls: Subtle, stunning, and lovely. The Sidekicks‘ finest work to date. | Seagulls – Swimmin’: Unbelievably winsome and completely enchanting folk-centric indie pop. | Elephant Micah – Slow Time Vultures: Gently gorgeous and effortlessly arresting ambient folk reminiscent of Vic Chesnutt. | Future of What – Daydream 99: Boldly stylish indie pop that crafts its own brand of magic. |

FULL STREAMS

The Goodbye Party – Silver Blues:  The latest DIY punk-pop gem to grace the impossibly reliable Salinas roster. | Littler – Get A Life: Relentlessly propulsive weirdo punk. | Bonny Doon – Fred’s House Demo: An impossibly overlooked (and impossibly great) folk-tinted basement pop masterpiece. | School ’94 – Like You: Graceful indie pop with gargantuan scope that still manages to come across as refreshingly breezy. | Forth Wanderers – Tough Love: Defiant and subtly venomous basement pop with an unbelievable amount of inherent charm. | SUSAN – Just Call It: Surf-indebted basement pop with enough punk bite to please a purist. | Githead – Waiting For A SignLeftifeld post-punk and new wave from a quasi-supergroup that features members of Wire, Compact, and Scanner. | Furnsss – Silent Gold: Deranged slacker punk and basement pop for the actively lethargic. | Thelma & The Sleaze – Heart Like A Fist: Incendiary basement punk with a heaping of 80’s hardcore influence. | Cave People – Older: Treble-heavy basement pop that leans towards sentiment and presents a genuinely memorable vision. | Terrorista – Purple Tape: Hard-charging basement punk that thrives on the notion that everything could fall apart at any second.

MUSIC VIDEOS

Young Statues – Run The River Dry: Visually stunning and endlessly intriguing, “Run The River Dry” shines a bright light on Young Statues’ promising future in the visual format. | Christian Lee Hutson – Late November: A simple concept that becomes a wrenching experience as it transforms into something inexplicably moving. | Flashlight O – TV Time: Staunchly DIY and weirdly hypnotic in its collage-heavy presentation. | Highway Cross – Open Eyes: Furiously paced and brilliantly edited, this is a perfect example of how emphasizing details can pay off in unexpectedly huge ways. | Luluc – Tangled Heart: Beautifully arranged and enhanced with simple, creative effects, “Tangled Heart” winds up feeling like something worth treasuring. | Johnny Marr – Dynamo: The iconic guitarist has always had a visual flair but those tendencies reach new, modern heights with this clip. | Run The Jewels – Oh My Darling (Don’t Cry): Like the group, this is a video driven by outsize personality- it’s unabashedly weird and it’s absolutely glorious. | Bass Drum of Death – For Blood: Bikers and gangs collide in deliriously entertaining fashion throughout this brilliantly executed tracking shot clip. | Blonde Redhead – Dripping: A sensual and highly stylized video that wields atmospherics and soft touches to stunning effect. | Communions – Love Stands Still: Classically composed and unwaveringly endearing; a perfect reflection of Communions’ indie pop. | A Place To Bury Strangers – Straight: A hallucinatory collage of striking imagery backed by one of the band’s most insistent songs to date. | Liars – Mask Maker (Extended Version): Characteristically bizarre and replete with a whole mess of yarn. | Tinkerbelles – When Puppies Cry: Extraordinarily damaged basement punk made weirder by one of the most insanely warped clips of 2014.

TIDAL WAVE

Okay, so the bold font probably wasn’t necessary but it’s late- and this is a really great video. Beliefs first gained an uptick in notoriety when they paired with the similarly-minded Greys for one of 2013’s best splits. Since then, they’ve been on a tear, steadily building a name for themselves on the strength of their powerful new material and formidable live show. If “Tidal Wave” is any indication, they may be able to add great music videos to that list as well. While it mostly finds inspiration in the trends of classic clips from the 80’s and 90’s there’s a certain playfulness here that’s missing from a lot of homage-style videos. That playfulness comes to a head nearly halfway through when they manage to seamlessly work in something genuinely unexpected and ridiculously perfect. It’s too good of a moment to spoil completely but it’s also one of the more endearingly appreciative moments of recent memory. By the time all the effects have worn down and “Tidal Wave” reaches its tongue-in-cheek epilogue, it becomes abundantly clear that this band has big things in mind for Leaper (the forthcoming album “Tidal Wave” is taken from) and for themselves. Beliefs aren’t a band intent to keep quiet and if they keep going at the pace they are, we’re all in for one hell of a ride.

Watch “Tidal Wave” below and pick up Leaper from Hand Drawn Dracula as soon as it’s available.