Heartbreaking Bravery

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Tag: Summer Twins

Watch This: Vol. 161

Every week this year’s offered up an enticing host of live clips and the week that transpired the week before last proved no exception, keeping the flame not only alive but roaring. The Tablets, Fits, Robyn Hitchcock, Miss Molly Simms, Summer Twins, Perfume Genius, Strand of OaksBenoît Pioulard, Sean Rowe, Rahim AlHaj, Tenement, Flesh World, Bad History Month, Dinosaur Jr, Hi-Tec Emotions, The Paranoyds, Laura Marling, The New Pornographers, Slow Dancer, Lucy & La Mer, Imaginary Tricks, Double Grave, Queen Hilma, Violents & Monica Martin, Juliana Hatfield, Fast Romantics, Atlas Road Crew, Micah P. Henson, The Drive-By Truckers, Tamino, Lucille Furs, Leif Vollebek, Two Houses, Umm, S.H.I.T., and Electric Eye all found themselves at the center of excellent live captures. A group that strong goes a long way in indicating the formidable nature of the featured clips, which include several long-time site favorites. So, as always, sit up, straighten out, adjust the settings, draw the screen a little closer, and Watch This.

1. Waxahatchee – No Curse (Weathervane)

Katie Crutchfield’s no stranger to this site, seemingly all of the songwriter’s projects having been covered in some capacity. Waxahatchee has become Crutchfield’s calling card in recent years and remains the most singularly focused of the musician’s artistic output. Here, Crutchfield and company rip through an enticing new song entitled “No Curse” for Weathervane’s outstanding Shaking Through series. It’s a potent reminder of the inherent power of one of this generation’s finest artists.

2. Hurray for the Riff Raff – Living in the City (The Current)

A handful of releases into an increasingly notable career, Hurray for the Riff Raff continue an impressively upward trajectory. Each consecutive record and performance seems to constitute a new career high for the project, which has never been anything less than commendable. “Living in the City” is just the latest upward rung on a never-ending ladder that seems poised to reach stratospheric heights. Looking down from where the act is now, it’s more than enough to induce a serious amount of vertigo.

3. Vundabar (Audiotree)

One of the more intriguingly frenetic punk bands of recent times, Vundabar have carved out a reputation for themselves by meticulously crafting unpredictable music. Recently, the band swung through Audiotree’s studio to record a session perfectly showcasing the tension and urgency the band’s so adept at creating. Every song in this session is eye-opening and executed to perfection without anyone in the band sacrificing even an ounce of conviction.

4. Nothing (Amoeba)

Watch This veterans, Nothing keep finding new ways to impress. In this Green Room session for Amoeba, the band sacrifices their signature onslaught of volume for something far more intimate and contained. In passing up one of their most noted trademarks, the band also ably demonstrates how good the songs lurking underneath have been since the beginning. Utterly transfixing and devastatingly sincere, this acoustic session stands as an entirely unlikely but wholly welcome new high for the band.

5. Allison Crutchfield (KEXP)

While Katie Crutchfield may have taken the opening slot on the features list in this volume of Watch This, Crutchfield’s twin sister is the one to close it out. As another musician whose projects have been well-documented on this site throughout a lengthy career, Allison Crutchfield seems poised to spearhead a sterling solo career. A lot of supporting evidence can be found to back that claim up, including this abbreviated set for KEXP, which finds the band (which includes Radiator Hospital‘s Sam Cook-Parrott) running through an impressive array of new songs with a sense of unified purpose.

The Best Music Videos of 2017’s First Quarter

Being the type of place that’s always been as concerned with film (even if it hasn’t always been so visible in print) as new music releases, music videos occupy a special distinction. To that effect, it’s probably not too surprising that 50 clips are featured in this piece. Some being celebrated for the technicality present in the filmmaking, some for being a perfectly complementary marriage of sight and sound, and some for being commendable takes on the source material. Lyric videos, music videos, and interactive videos are all represented below in the featured videos, split up into two playlists. This is a very varied package celebrating a large handful of some of the best independent-minded artists and filmmakers currently gifting their efforts to the world at large. Dive in and enjoy.

PART I

1. Charly Bliss – Percolator
2. Doe – Monopoly
3. Hiccup – Teasin’
4. Meat Wave – Run You Out
5. Pissed Jeans – The Bar Is Low
6. Cloud Nothings – Internal World
7. Yeesh – End Results
8. Parquet Courts – Outside
9. Cayetana – Mesa
10. PWR BTTM – Answer My Text
11. Yucky Duster – Elementary School Dropout
12. Beachheads – Moment of Truth
13. Kane Strang – Oh So You’re Off I See
14. Billy Moon – I W K
15. Idles – Mother
16. Cass McCombs – I’m A Shoe
17. Angel Olsen – Pops
18. Ruth Carp and the Fish Heads – I’m So Scared
19. Dominic – Emotional Businessman
20. R Ring – Cutter
21. Zuzu – What You Want
22. Snail Mail – Thinning
23. CARE – Solitude
24. WHY? – This Ole King
25. Mount Eerie – Ravens

++

PART II

1. Jeff Rosenstock – Pash Rash
2. Alexander F – Call Me Pretty
3. Idles – Stendahl Syndrome
4. Split Single – Untry Love
5. Tim Darcy – Still Waking Up
6. Diet Cig – Tummy Ache
7. R Ring – 100 Dollar Heat
8. Poppies – Mistakes
9. PWR BTTM – Big Beautiful Day
10. LVL UP – Blur
11. Sløtface – Empire Records
12. Vundabar – Shuffle
13. WHY? – Proactive Evolution
14. Vallens – Sin So Vain
15. Baked – Danelectroladyland
16. Tashaki Miyaki – City
17. Girlpool – 123
18. Chemtrails – Aeons
19. Summer Twins – Stop & Go
20. John Andrews & The Yawns – Drivers
21. The Chinchees – Gorp
22. Mo Troper – Cooler
23. Conor Oberst – Till St. Dymphna Kicks Us Out
24. Strand of Oaks – Cry
25. Craig Finn – God In Chicago
*

Watch This: Vol. 137

While the past week wasn’t as exhaustive for live videos as it has been recently, there were still some impressive entries featuring a variety of great acts like Jenny Lewis, Same, The Fever, The Academic, Band of Horses, Typesetter, Astronomique, Future Generations, Martin Courtney, The Staves, Bleached, Adia Victoria, Ages and Ages, Caveman, Summer Twins, Mr. Airplane Man, Julia Holter, Warren Franklin & TFF, Israel Nash, Metric, Justin Peter Kinkel-Schuster, and Tamaryn. Even with all of those in the mix, there were still five genuine standouts, from site favorites to the perennially overlooked. So, as always, sit back, adjust the settings, block out any circumstantial distractions, focus up, and Watch This.

1. Big Eyes – Stake My Claim (BreakThruRadio)

Fresh off releasing one of the year’s best basement pop records, Big Eyes come through in a major way yet again via this performance of that record’s title track, “Stake My Claim”. While the band certainly has made a sizable impression thanks to their recorded work, they’ve been an even more dangerous force as a live act. After going through several mutations, the band’s finally landed on a unit that allows their sound to be as expansive — and as aggressive — as possible.

2. Boss Hog (KEXP)

One of many projects to include DIY punk icon Jon Spencer, Boss Hog first gained some notoriety in the late ’80s thanks to their sudden existence (they were created out of a need to fill a vacancy on a bill at CBGB’s), vocalist Christina Martinez playing that first show nude, and their relentlessly aggressive hybrid of punk sub-genres. The band’s been experiencing a resurgence lately, which led them to the KEXP studios for this gorgeously-lensed session presented in crisp black-and-white. From just about every angle, everything happening here is exhilarating.

3. Mumblr – Mudmouth + Domingo (Out of Town Films)

After the beginning of their career brought about a handful of upbeat, party-leaning (but surprisingly introspective) anthems the quartet went through some sort of awakening. A lot of their more recent material has approached being confrontational thanks to a newfound darkness and a staggering amount of patience. The band’s been stretching their influences in surprising ways and nearly all of them are present in this beautifully-shot two song turn-in for Out of Town Films, which doubles as a definitive showcase for this era of one of the more fascinating bands making music right now.

4. Tigercats – Rent Control (Fortuna POP!)

Every once in a while, a spectacularly made live video surfaces and causes people to question its validity as a live presentation. In many cases, most assume it’s just a particularly convincing music video. This is the fate that awaits Tigercats’ scintillating new “Rent Control”, which is one of the more memorable entries in that niche format in recent memory. Set in a house overflowing with people (presumably friends of the band), there’s a liveliness that informs “Rent Control” and elevates it past similar efforts. The song itself is an exuberant burst of indie pop and every aspect of the clip ties together beautifully, ensuring it a spot on this list.

5. Japanese Breakfast (Audiotree)

Michelle Zauner anchored one of my personal favorite entries in this entire series’ run in Little Big League‘s extraordinary “Year of the Sunhouse” clip from Little Elephant and has remained a powerhouse performer in the time that’s passed since that clip. Zauner’s other project, Japanese Breakfast, has been turning quite a few heads since the release of their excellent Psychopomp. The band recently wrapped a tour with Mitski and Jay Som, taking control of every opportunity to better their already-formidable live show. Their recent session for Audiotree demonstrated the band’s continuously evolving live show and curiously quiet strengths. The entire session is masterful both in performance and presentation, leaving behind an artifact that should be visited and revisited for quite some time.

Watch This: Vol. 136

The past week saw a lot of great live videos swimming to the shore from the depths of nowhere. There were outstanding featured performances in those clips from Adir L.C., The Curls, Lydia Loveless, Courtney Barnett, Ultimate Painting, Dogbreth, Los Blenders, Kinda Rad Kinda Sad, Summer Twins, Rich Girls, Slingshot Dakota, The Staves, Caveman, Eric Bachmann, Brendan Canning, Lisa Prank, Vetiver, Paridisia, Porches, Mimes of Wine, SALES, Typesetter, and Julien Baker. For the 136th installment of this series, the attention turns to a handful of folk-influenced artists who are either making their mark or reaping what they’ve sown throughout their careers. So, as always, sit back, adjust the settings, take a breath, and Watch This.

1. Margaret Glaspy (OpenAir)

Margaret Glaspy‘s had a deeply impressive 2016. The young songwriter released a breakthrough record, continuously boasts one of the better live shows on the market, and has handled the transition into the public eye with the poised confidence of a seasoned veteran. Here, Glaspy gives Colorado Public Radio’s OpenAir a powerful look at that live show, landing a few knockout punches throughout a rousing four-song performance.

2. Dusk – (Do the) Bored Recluse + Leaf (Set List)

No band has been written about or praised more by this site than Tenement, who have been the consummate example of what this site was built around supporting. Through that band’s decade-long existence, bandleader Amos Pitsch has been involved in a number of other projects but something about Dusk feels just a little bit different. The band’s comprised of several of the most impressive musical figures in Wisconsin’s relatively isolated Fox Valley area, whose singular visions act in complementary tandem. Beautiful harmonies, a sense of history, and a tenacious commitment help define the band’s identity. All of those traits are on full display for this gorgeous two-song turn-in for Wisconsin Public Radio’s excellent Set List series.

3. Green Dreams – Don’t Pray For Me (Katie Krulock)

Ever since the release of 2014’s excellent Rich Man, Poor Man, Green Dreams have been relatively quiet. All of that’s about to change as the band preps a new release, which the band provided a tantalizing glimpse at through the form of this live acoustic video. The typically ferocious project reveals their pensive side on the lilting “Don’t Pray For Me”, while still retaining the overwhelming narrative darkness that’s been so prominent in their past releases. Beautifully lensed and delicately performed, the video’s a powerful reminder of Green Dreams’ numerous gifts.

4. Bernie & the Wolf (DZ Records)

For more than three years, Bernie & the Wolf have quietly been perfecting a mix of influences and forming a sound that’s not too distant from the best of Saddle Creek’s offerings. Open, sprawling, and teeming with distinctly American influences (and history), their songs are immediately warmly familiar and entirely winsome. DZ Records recently capture the band delivering an impassioned set, keying in on “Ethyl”, “Catch Some”, and “Pretty On Me”, three genuine standouts from what promises to be one of the best releases of its given year.

5. Bon Iver (SPIN)

Typically, these spots are reserved for unheralded artists, independent-leaning moments, and videos where the performers aren’t hundreds of feet away. It takes a lot to overturn any of those qualifications and overturning all of them is essentially unprecedented. Even though Bon Iver’s Eaux Claires live unveiling of the forthcoming record — something I was fortunate enough to attend — was a genuinely Big Moment that will be exhaustively covered by nearly every serious music publication, the way it was introduced felt intrinsically connected to the foundations of this site.

As a person who’s lived the vast majority of life in a small Wisconsin town, watching someone like Justin Vernon selflessly elevate an enitre artistic community has been heartening. Watching him debut an entire album live, in front of a hushed audience of thousands, at a genre-balanced festival he founded in his own small Wisconsin hometown was actively inspiring. While Vernon’s rollout campaign for Bon Iver’s forthcoming 22, A Million was designed to benefit the projects’s chosen slot, it was also an effort to highlight the other artists (like Tenement and Tickle Torture) who were a part of the Eaux Claires festival.

In that methodology, Vernon’s added another heartfelt notch in his continuing efforts to expand Wisconsin’s woefully underrated music community by any means at his disposal. On top of all of that, though, the actual performance of 22, A Million was an unforgettable event that was enhanced by the location (Bon Iver’s music has always been perfectly suited to Wisconsin’s wilderness) and the weather.

Just before the set began, what had been a steady downpour of rain lasting hours had suddenly stopped and night had fully descended. Throughout the set, there was an eerie calm that was punctuated by the noise of crickets that had taken residence in and outside of the festival grounds, creating an ambient wellspring of noise that further enhanced the glitchy electronics that permeate throughout 22, A Million (they became especially evident during the quietest moments, rounding out those songs in an unforgettable fashion).

While all of the main set can be heard and seen below in a video that SPIN livestreamed from the crowd, the encore set (which isn’t part of the video) provided what may have been the most defining moment of the festival.

Playing a selection of songs that wildly varied from their original versions, the band pulled out a fairly faithful rendition of “Creature Fear” that culminated in an apocalyptic wall of noise outro section. In the lead-up to those breathtaking final moments, a blisteringly intense lightning storm had erupted behind a heavy cloud, providing an unexpected assist that felt entirely in tune with the weekend’s joyous collaborative efforts. In that moment, the audience, the band, the city of Eau Claire, and Wisconsin itself became part of a unified moment that transcended easy category, leaving an indelible mark on Eau Claires, on Eaux Claires, and on everyone who took a moment to take in their surroundings.

Watch This: Vol. 135

In just a little over two weeks an insane amount of quality live videos have emerged, featuring the following artists: Ezra Furman, Woods, Day Wave, Joy Again, You Won’t, Kevin Morby, Acapulco Lips, Sonya Kitchell, Houndmouth, Queen of Jeans (x2), Christian Lee Hutson, Terry, John Congleton and the Nighty Nite, Mothers, Robb Young and the Elms, Marc Ribot’s Ceramic Dog, Kalispell (x2), Fear of MenOsekre & The Lucky Bastards, FitsEmily Blue, Henrietta, Adia Victoria, Ubetcha, The Staves (x2), Arc Flash, Michael Nau, Bewilder, The Jayhawks, Slingshot Dakota (x2), Whitney, Vagabon, Quilt, LAYNE, Rye Pines, Minor Victories, Allah-Las, Esme Patterson (x2, 3), Midijoyful, Secret Space, The Mono Jacks, A Dead Forest Index, Explosions in the Sky, Death Valley Girls, Half Waif, The Albert Square, Your Friend, Marlon Williams, Rogue Valley, Metronomy, Gregory Porter, Summer Twins (x2), Surgeons In Heat, Amy Klein, The Belvederes, Frameworks, Oddisee, CHILDREN, Doubles, Gwenno (x2), and Titus Andronicus.

Looking through all of those, it’s impossible to say that this is a bad time for live music (and for the documentation of live music). The overwhelming strength of that above list should indicate that this installment of Watch This will have some extraordinarily strong features. There’s some astonishing talent on display throughout the three full sessions and two individual clips listed below, which include one of the bands that was essential to the site’s foundation and a few fresh faces that have been turning all sorts of heads with their recent work. So, as always, push all the distractions aside, relax, lean in, and Watch This.

1. Tenement – Feral Cat Tribe + Lost Love Star Lust (Set List)

Anyone that’s frequented this site over the time of its existence has seen an unprecedented amount of praise granted to Tenement, a band that was instrumental in providing the building blocks for this site. Over nearly 10 years, I’ve had the surreal privilege of watching the trio develop to the point they’re at today (Rolling Stone recently named them one of the 10 great modern punk bands and the New York Times dedicated an entire podcast installment to the band last year). Here, the band gets to flash their live chops in a session for Wisconsin Public Radio’s Set List series, offering up an impressively powerful pair of tracks that only hint at the band’s astonishing scope.

2. Car Seat Headrest – Fill In The Blank (The Current)

After 2015’s Teens of Style generated quite a bit of momentum for Car Seat Headrest, the solo-project-turned-full-band capitalized on that surge of recognition emphatically with this year’s Teens of Denial. Landing several high-profile festival appearances as a result, the band’s grown gradually tighter over their past few tours. This performance of “Fill In The Blank” for The Current demonstrates that growth and nicely captures the band’s irrepressible drive.

3. PWR BTTM – West Texas + Serving Goffman (WFUV)

Like Tenement, PWR BTTM have become a towering presence in terms of this site’s coverage tendencies, something that came as a direct result of the band’s fiery live show. Here, the band turn in characteristically bold performances of both “West Texas” and “Serving Goffman” for WFUV, perfectly summarized by the half-shocked, half-elated smile that Benjamin Hopkins throws the camera after some errant headphones threaten to momentarily overtake the song. There’s a genuine joy that exists in that moment which the duo have consistently brought to their shows, making them one of the finest live acts on the circuit.

4. Weaves – Human (Low Four)

Weaves have made a habit out of appearing on the Watch This series this year, thanks in large part to the release of their monumental self-titled debut. The quartet recently stopped by the Old Granada Studios to unleash a sharp burst of their hyper-spastic strain of punk-tinged basement pop by way of this inspired run through “Human”, offering a revealing glimpse at their members formidable chops. As fascinating as it is exhilarating, it’s a perfect example of what can be accomplished by thinking a little outside of the typical boundaries.

5. And The Kids – Kick Rocks + Picture (WFUV)

One of the bands that really started to make a push over the past year has been And The Kids, who have seized every opportunity they’ve been given with a startling amount of poise. WFUV recently had the band into their studio and the trio delivered in full, tearing through “Kick Rocks” and “Picture” in a way that likely left several of the studio members jaws agape. Complex and nuanced, the band flawlessly executes a series of hairpin turns, layered harmonies, and language shifts while throwing in a few sly smiles for good measure. It’s an unbelievably impressive performance and more than deserves to close out this edition of Watch This.

Dusk – Too Sweet (Music Video)

dusk

Capping off tonight’s run of the best music videos of the past few months is Dusk— one of the year’s best new bands– with 2015 highlight “Too Sweet“. Over the course of the past 10 years of my life, I’ve been fortunate enough to meet most of Dusk’s members and share bills with their bands. The most notable of these directly affiliated bands is Tenement, a band I’ve written about on this site in great detail thanks to their key role in my artistic and personal development. As a kid who was just figuring out how to play guitar, I remember stepping foot into The BFG (a DIY punk house venue that the band used to run) and being overwhelmed by the sheer amount of records that the house had amassed, each showing the residents’ eclectic tastes.

I’d later come to find that a bulk of these belonged to Tenement guitarist/vocalist (and Dusk bassist) Amos Pitsch, who had a penchant for old soul and country records from the likes of artists like Sam Cooke and The Louvin Brothers. Those influences would gradually present themselves in subtle ways on Tenement songs (which have been erring closer to the band’s jazz influences) but they’d never featured as prominently as they do with Dusk, who also seem to share a very serious kinship with acts like The Band. After coming out of the gate with “(Do the) Bored Recluse“, the band followed up with “Too Sweet” arriving perfectly at a marriage between classic country and classic soul without ever sounding remotely inauthentic.

That sense of authenticity, the complete rejection of cheap revivalism, is evidenced again in the song’s Finn Bjornerud-directed music video, which simply features the band playing the song in an average living room (like their affiliates, Dusk has a tendency to find the beauty in the everyday rather than try to capture grandeur or bombast). A few striking compositions are spliced in here and there– including an absolutely gorgeous silhouette shot of a soft-lit Ryley Crowe playing pedal steel and a beautiful final group shot cleverly framed by an archway– but more often than not, the clip opts to celebrate the communal act of playing music surrounded by people you love.

Led by Julia Blair’s attention-ensuring crooning, a cavalcade of impressive backing vocal harmonies, and committed performances from all the featured players, “Too Sweet” feels like more than just a music video, it skews closer to a mission statement; celebrate the things you have and strive to elevate the people around you. Defiantly honorable to the end, “Too Sweet” is the most perfect encapsulation of Dusk to date and suggests that the band, thankfully, is only just getting started.

Watch “Too Sweet” below, pick up a copy of the 7″ here, and explore a list of some of the best music videos of the past few months underneath the embed.

Bing & Ruth – Broad Channel
Summer Twins – Ouija
Total Makeover – Self-Destructive
Francis – Follow Me Home
EL VY – No Time to Crank the Sun
Half Japanese – That Is That
James Clark Hangover – Maria
Oscar – Breaking My Phone
Wray – Hypatia
NZCA Lines – Persephone Dreams
Overlake – Travelogue
Rah Rah – Be Your Man
Paul Bergmann – You May Never Know
Pink Lung  – Chinese Watermelons
Laura Stevenson – Jellyfish
Ben Millburn – Don’t You Wait
Big Harp – DIEV
Busdriver – Much
Erica Glyn – The Killing Moon
Neonderthal – The Ride
Jackson Boone – Runaway
Freddie Gibbs – Fuckin’ Up the Count
Lowly – S.W.I.M.
Joey Kneiser – The Wilderness
Tuff Sunshine – Fire in the Hero Building
The Rashita Joneses – White Wave
The Goon Sax – Sometimes Accidentally
Kenrick Lamar – These Walls (ft. Bilal, Anna Wise, and Thundercat)

Hung Toys – Lurid (Album Review, Stream)

hung toys

There have been several dozen records unveiled in the past few weeks that merit attention. One of the latest in that string of releases has been flying completely under the radar despite the pedigree of the musician responsible. While Geronimo! weren’t the most well-known band but they meant a lot to a small but devoted following. I was happy to count myself among the converted and having the band headline this site’s first showcase on their farewell tour was something I won’t be forgetting anytime soon. However, the more you pour yourself into something, the more it stings when the container shatters.

While Geronimo! is officially over, a few of the bands members are working on new projects- the latest being guitarist/vocalist Kelly Johnson’s solo venture Hung Toys. Earlier this week, Johnson’s project released Lurid a full-length collection that finds the songwriter immediately diving back into the propulsive effects of his old project. Opener “Gotta Drink Some Water” is a monster of a basement punk song that’s as bruising as it is intriguing. It’d be easy for the rest of Lurid to fall short in the song’s tremendous wake but Johnson manages to subvert and expand central ideas across the rest of the record, exploring a range of styles that recall everyone from Terry Malts to, of course, Geronimo!.

All of Lurid comes off as an incendiary gut-punch and only the title track, the record’s sprawling closer, exceeds the 2 minute and 10 second mark. At times the record plays like a gambit and runs the risk of appearing as a genre exercise. By the time the record’s halfway mark gets highlighted by the searing instrumental attack that is “Blendered”, it becomes clear that Johnson’s songwriting is too capable (and substantial) to be reduced to something that hackneyed. Lurid is a record that rewards investment and begs for repeat listens, wielding its unerring immediacy as a formidable weapon. Powerful, brute, and spectacular, Lurid stands as one of 2015’s most welcome- and unexpected- entries.

Listen to Lurid below and explore a list of some of the best records to surface over the past two weeks.

The Yolks – Don’t Cry Anymore
Grubs – It Must Be Grubs
Alimony Hustle – BNOC b/w Zero Chill
Bob Keelaghan – Country Fresh: A Ghost Guitar Soundtrack
Hot Flash Heat Wave – Neapolitan
James Elkington & Nathan Salsburg – Ambsace
Salad Boys – Metalmania
Astronauts, etc – Mind Out Wandering
Nuclear Age – The Distinct Sounds of…
Pontiak – NOPE/JEPPE
Roger Lion – Roger Lion
Media Jeweler – $99 R/T Hawaii
Broomfiller – Third Stage Propellor Index
Guerilla Toss – Flood Dosed
Baston – Gesture
Yonatan Gat & Gal Lazer – Physical Copy
Carroll – Carroll
Blonde Summer – Paradise
Alone at 3AM – Show the Blood
Tedo Stone – To the Marshes
Jóhann Jóhannsson – Sicario
Diät – Positive Energy
BIG|BRAVE – Au De La
Rat Columns – Do You Remember Real Pain
Wand – 1000 Days
Tommy Stinson – L.M.A..O.
Lucern Raze – Happy & Astray
Summer Twins – Limbo
Blessed Feathers – There Will Be No Sad Tomorrow
Daniel Klag – Reality and Self
Dead Heavens – Adderall Highway
Loma Prieta – Self Portrait
Spencer Radcliffe – Looking In
Holy ’57 – Au Naturel

Shannon & the Clams – It’s Too Late (Stream)

ShannonAndTheClams

After a strong start to the week, this Tuesday saw the flood of releases pumping the brakes a little but still delivering a handful of great songs and music videos. The former category saw the release of Summer Twins’ “Demons“, Lou Barlow’s “Wave“, Julien Baker’s “Something“, Woozy’s “Venom“, and Destruction Unit’s “The Upper Hand“, while the latter category lodged fascinating new entries from Kagoule, Brick + Mortar, and Gangrene (ft. Sean Price and Havoc). While all of those managed to pack a formidable amount of strength, today’s focus fell to an old site favorite: Shannon & the Clams.

Already several releases deep into a legendary career that’s amassed the band a feverish cult following, Shannon & the Clams are showing no signs of slowing down. On “It’s Too Late”, the characteristically charismatic second single off the band’s forthcoming Gone by the Dawn, the band demonstrates a casual mastery of their craft. Utilizing the many strengths of Shannon Shaw (the band’s bassist/vocalist) to perfection, “It’s Too Late”- over the course of it’s two-minutes-and-change run-time- sees Shannon & the Clams taking what feels like a well-earned victory lap. There are no stakes on “It’s Too Late”, just an almost sheepish carefree vibe that suits the band’s retro-leaning mold to a tee. Irresistibly light, fun, and perfect for the last days of summer, “It’s Too Late” is the band’s latest nod, wink, and smile. Don’t let this one disappear.

Listen to “It’s Too Late” here and pre-order Gone by the Dawn from Hardly Art ahead of its September 11 release date here.

NXNE 2014: A Listener’s Guide (Mixtape)

It’s been 200 days since the idea of Heartbreaking Bravery was actually put into motion. In that time, multiple recurring features have been launched and it began to become something a little more than just a hobby. The more effort that was put into the content that went up, the greater the response was. Now, the site’s been viewed in nearly 80 countries, been granted media accreditation outside of the country, and helped form some meaningful relationships. Most importantly, though, it served- and will continue to serve- as a place of unwavering support for artists rooted in the DIY scene doing things on their own terms.

Now, anyone who has been paying attention to recent content will know that this site’s been running a lot of coverage in anticipation of this year’s NXNE. Anyone who’s been following the content for a long time will know that every 50 posts brings a new mixtape. This being the case, it only made sense to draw up a mixtape that served as an abbreviated listener’s guide for anyone who needed a crash course before heading to Toronto next month. That mix can be found below and features both long-held favorites and a few artists outside of this site’s normal comfort zone. All of the songs are worth a listen and the tracklist for the mix can be found below. Below all of that are hyperlinks to posts 100-199 (post 100 includes hyperlinks to the first 99). Enjoy.

Heartbreaking Bravery Presents: NXNE 2014: A Listener’s Guide

1. Swearin’ – What A Dump
2. Spoon – Don’t Make Me A Target
3. METZ – Wet Blanket
4. PS I Love You – Facelove
5. Greys – Use Your Delusion
6. Perfect Pussy – Interference Fits
7. Swans – My Birth
8. St. Vincent – Cheerleader
9. Courtney Barnett – Avant Gardener
10. Odonis Odonis – I’d Prefer Walking
11. Eagulls – Nerve Ending
12. White Mystery – People Power
13. Beliefs – Long Wings
14. Run the Jewels – A Christmas Fucking Miracle
15. Pusha T – Nosetalgia
16. Mac DeMarco – Brother
17. Future Islands – Seasons (Waiting On You)
18. Christian Hansen – Ma-Me-O
19. Mutual Benefit – Golden Wake
20. My Darling Fury – Blots in the Margin
21. Low – Murderer
22. Robert Ellis – Only Lies
23. Typhoon – Common Sentiments
24. Speedy Ortiz – No Below
25. Tim Hecker – Live Room

Here’s the last set of 100 articles, hyperlinked for convenience. Enjoy the exploration.


HB100: Heartbreaking Bravery: A Retrospective

HB101: Great Cynics – Whatever You Want (Music Video)
HB102: Watch This: Vol. 12
HB103: Bleeding Rainbow – Tell Me (Stream)
HB104: Beverly – Honey Do (Stream)
HB105: Brain F/ – Sicks (Stream)
HB106: Vertical Scratchers – Memory Shards (Stream)
HB107: Carsick Cars – Wild Grass (Stream)
HB108: Summer Twins – Carefree (Music Video)
HB109: Archie Powell & the Exports – Everything’s Fucked (Stream)
HB110: Perfect Pussy – I (Music Video)
HB111: Watch This: Vol. 13
HB 112: Mozes and the Firstborn – Bloodsucker (Music Video)
HB113: Cheap Girls – Knock Me Down (Stream)
HB114: Watch This: Vol. 14
HB115: Perfect Pussy – Interference Fits (Stream)
HB116: PAWS – Tongues (Stream)
HB117: Screaming Females – Lights Out (Live) (Stream)
HB118: Technicolor Teeth – Can You Keep Me Out of Hell (Stream)
HB119: Silence Dogood – Chairman of the Bored (Stream)
HB120: Watch This: Vol. 15
HB121: Nervosas at Center Street Free Space and Quarters Rock N Roll Palace – 3/1/14 (Live Review)
HB122: White Lung – Drown With the Monster (Music Video)
HB123: Tweens – Be Mean (Music Video)
HB124: La Sera – Losing to the Dark (Stream)
HB125: Creepoid – Baptism (Music Video)
HB126: Dum Dum Girls – Are You Okay (Short Film)
HB127: Watch This: Vol. 16
HB128: Green Dreams – Bug Sex (Music Video)
HB129: Playlounge – Waves and Waves and Waves (Stream)
HB130: Molybden – Woman Who Left Behind (7″ Review)
HB131: La Dispute – Rooms of the House (Album Review)
HB132: Perfect Pussy – Say Yes to Love (Album Review)
HB133: Watch This: Vol. 17
HB134: Mr. Dream – Cheap Heat (Stream)
HB135: Fucked Up – Paper the House (Music Video)
HB136: Bleeding Rainbow – Images (Music Video)
HB137: Sleep Party People – In Another World (Stream)
HB138: Help Save Fort Foreclosure (Indiegogo Campaign)
HB139: Tashaki Miyaki – Cool Runnings (Music Video)
HB140: Thee Oh Sees – The Lens (Music Video)
HB141: Diarrhea Planet – Babyhead (Music Video)
HB142: Green Dreams – Eye Contact (Stream)
HB143: Watch This: Vol. 18
HB144: Tumul – Nature Master (Music Video)
HB145: Young Widows – King Sol (Stream)
HB146: Priests – Right Wing (Stream)
HB147: Antarctigo Vespucci – I’m Giving Up On U2 (Stream)
HB148: Ernest Undead (Short Film)
HB149: Watch This: Vol. 19
HB150: First Quarter Finish (Mixtape)
HB151: Perfect Pussy at 7th St. Entry – 3/30/14 (Live Review)
HB152: Perfect Pussy at Township – 4/1/14 (Live Video)
HB153: The Sleepwalkers – Come Around (Music Video)
HB154: Watch This: Vol. 20
HB155: Tweens – Forever (Music Video)
HB156: Reigning Sound – Falling Rain (Stream)
HB157: New Swears – Midnight Lover (Music Video)
HB158: Shannon & the Clams – Mama (Stream)
HB159: Gold-Bears – For You (Stream)
HB160: PUP – Lionheart (Music Video)
HB161: The So So Glos – Speakeasy (Music Video)
HB162: Archie Powell & the Exports – Holes (Music Video)
HB163: Mean Creek – My Madeline (Music Video)
HB164: Watch This: Vol. 21
HB165: Greys – Guy Picciotto (Music Video)
HB166: PAWS – Owls Talons Clenching My Heart (Stream)
HB167: Perfect Pussy – Candy’s Room (Stream)
HB168: Watch This: Vol. 22
HB169: 5 to see at NXNE 2014: Vol. 1
HB170: Girl Band – The Cha Cha Cha (Stream)
HB171: Cloud Nothings at High Noon Saloon – 5/2/14 (Pictorial Review)
HB172: Watch This: Vol. 23
HB173: 5 to see at NXNE 2014: Vol. 2
HB174: Savages – Fuckers (Music Video)
HB175: Midnight Reruns at Polack Inn – 5/7/14 (Pictorial Review, Video)
HB176: Watch This: Vol. 24
HB177: Watch This: Vol. 25
HB178: PAWS – Owls Talons Clenching My Heart (Music Video)
HB179: Priests – Doctor (Stream)
HB180: Lady Bones + Horsehands (Split Review)
HB181: Fucked Up – Sun Glass (Music Video)
HB182: 5 to See at NXNE 2014: Vol. 3
HB183: Cymbals Eat Guitars – Jackson (Stream)
HB184: Dead Stars – Someone Else (Music Video)
HB185: 5 to see at NXNE 2014: Vol. 4
HB186: Lower – Bastard Tactics (Music Video)
HB187: Bad History Month – Staring At My Hands (Stream)
HB188: White Lung – Face Down (Music Video)
HB189: Greys – Use Your Delusion (Stream)
HB190: 5 to See at NXNE 2014: Vol. 5
HB191: The Rich Hands – Teenager (Stream)
HB192: Clap Your Hands Say Yeah – As Always (Music Video)
HB193: The Pharmacy – Masten Lake Lagoon (Stream)
HB194: 5 to See at NXNE 2014: Vol. 6
HB195: Naomi Punk – Television Man (Stream)
HB196: Watch This: Vol. 26
HB197: Geronimo! – Euphoria (Stream)
HB198: Watch This: Vol. 27
HB199: PUP – Guilt Trip (Music Video)

Summer Twins – Carefree (Music Video)

Valentine’s Day is unavoidable. This is one of life’s many facts. It’s not without its options, though. Someone meeting it with joy and openness is just as likely to happen as a person reacting to it with unreserved bitterness and cynicism. No matter what the situation is, there tends to be something to celebrate- it just needs to be looked for. Today, at least on the music front, it was relatively slow-going apart from Perfect Pussy saying yes to love and the purchasing public saying yes to pre-orders of that record and a few more folks saying yes to clear vinyl copies that were swirled with Meredith Graves‘ menstrual blood.  Then, Heartbreaking Bravery was gifted with an assortment of things this site loves unconditionally, one of them being the gift-givers responsible; Burger act Summer Twins.

Having already secured their spot in the 25 Best… year-end list that ran at the start of last month, the band’s now offered up a sun-splashed music video for Forget Me highlight “Carefree”. In a recent video from Great Cynics, a lot of words were spent here emphasizing the symbolism of something as trivial as a swimming pool. In that write-up, swimming pools were posited as a stand-in for the impermanence (and subsequent celebration) of youth. In “Carefree”, Chelsea and Justine Brown seem content to maximize the incredibly difficult area of youth retention with stunning poignancy and grace. Everything here is bathed in warmth, whether it be any of the video or audio aspects presented, and it makes for a beautiful experience- and Valentine’s day or not, a beautiful experience is something always worth having. Watch “Carefree” below and start counting down the days to summer.