Heartbreaking Bravery

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The Best Songs of October 2018

It’s been over two months since a post appeared on this site and with the always slightly-too-early onslaught of year-end season in full bloom, it feels necessary to highlight some of the best material over that stretch. Heartbreaking Bravery’s own best of lists will be coming, as always, as will the revival of A Year’s Worth of Memories. There may be a few more surprises sprinkled in to make things interesting but starting with a window that spanned most of October seems like a perfect place to get caught back up. Dive in below

1. Mike Krol – Little Drama

Mike Krol came surging back to life with “An Ambulance” and continues to churn out frantic, wild-eyes basement pop that has enough energetic bite to put most hardcore bands to shame. “Little Drama” finds Krol settling comfortably into longer formats, expanding both the frequency and velocity of the songwriter’s penchant for smart hooks. Try to keep up and you’re bound to be left choking on dust.

2. Lauren Hibbard – What Do Girls Want?

One of the more irresistible punk-leaning slacker pop tracks of recent memory, Lauren Hibbard’s “What Do Girls Want” is buoyed by a pop sheen that makes the song’s effect more immediate. Existing somewhere between Lady Lamb and Hinds, “What Do Girls Want?” ably showcases Hibbard’s innate melodic talent and lyrical chops. High impact, ridiculously fun, and easy to revisit, “What Do Girls Want?” should be a summer mix tape staple for years to come.

3. Meat Wave – That’s Alright

Any time Meat Wave puts anything new into the world, it’s a cause for celebration. Without fail, the trio has delivered seething post-hardcore-informed post-punk at the highest level and hits those familiar heights again with “That’s Alright”. Energetic, propulsive, menacing, unforgiving, and overflowing with atmospheric tension, “That’s Alright” continues the band’s mesmeric evolution, solidifying their status as a singular force.

4. Weakened Friends – Good Friend

With each new track they’ve released, Weakened Friends have worked themselves into a site favorite. “Good Friend” stands proudly as one of the best songs to their name, a rousing grunge pop number that examines personal fracturing with a surprising amount of nuance and clarity. Hard to ignore and easy to fall in love with, “Good Friend” presents the band’s strongest traits with an unerring sense of conviction. While the narrative may suggest otherwise, this is all but a victory lap for an exhilarating emergent talent.

5. Miya Folick – Thingamajig

Trouble Adjusting” was the first Miya Folick track to make it plainly evident that the songwriter was on an upward path to something incredible. It was a sharp blast of punk laden with signifying aspects of lo-fi songwriters, a curious trait that makes “Thingamajig” all the more astonishing. Veering far closer to Half Waif than The Pixies, “Thingamajig” is a devastating meditation on personal impulses and longing, aided by a minimalist ambient pop bed. One of the most unexpectedly breathtaking openers of 2018.

6. pting – Bus Driver

pting make a powerful introduction-at-large with “Bus Driver”, a track that recalls everything from the works of the Crutchfield twins to the skyward atmospheric tendencies of Alvvays. Smartly composed and gifted a clever narrative, “Bus Driver” is a refreshing jump into a cold pool on a hot day. A towering testament to pting’s vision and understanding, the song capably delivers a multitude of reasons to commit the band’s name to memory.

7. Yakima – Point of This

“Point of This” is a song strong enough to act as a calling card, something that only a handful of bands are capable of achieving. It’s a gorgeous work of layered slacker punk married to dream pop sensibilities, the two complementing each other in a way that ensures “Point of This” sounds like it’s floating. A perfect reprieve from every day chaos, “Point of This” feels carefree for as thoughtful as the lyric narrative and composition wind up being, making it a perfect candidate to kick off any unwinding session.

8. Washer – Super Pop

One of the best duo acts currently making music, Washer have been raising a high bar incrementally for the past few years. “Super Pop” is a perfect indicator of the band’s unique talent and singular charm, a deeply effective burst of flannel-laden micro-punk. Barely exceeding 100 seconds, “Super Pop” is wiry and tenacious, finding Washer going through familiar motions: dig in the heels, clench the teeth, and commit with no reservations.

9. Deep State – Under the Gun

Deep State‘s been one of the more pleasant surprises of the past few years, delivering some extraordinary songs, records, and music videos along the way. “Under the Gun” finds the band forging ahead with their sense of high-energy playfulness while still sharpening the edges enough to sound fairly intimidating. It’s a small triumph and should go some way in raising the anticipation level for their forthcoming The Path to Fast Oblivion.

10. The Little Miss – Take Me, Too

One of the better ways to discover new music that might not otherwise cross your path is to let soundcloud auto-play. It’s an exercise worth indulging but rarely has it yielded something as strong as it did earlier this year: The Little Miss’ “Take Me, Too” is an overwhelmingly gorgeous modern hymnal that’s strong enough to stop just about anyone in their tracks. Little more than vocals and an organ (harmonium?), “Take Me, Too” is a fearless look at death, one that offers up a knowing welcome. One of the year’s best songs

Two Weeks, 12 Songs

The last time these two week roundups rolled around, the pace of great songs had seemingly tripled the haul of great songs and records. These past two weeks have been even more fruitful, leading to a quadrupling rather than a tripling. The dozen songs selected below come from all over, though every single artist included has earned a mention on this site in the past. From legitimately legendary acts to incredibly promising projects, everything listed is, as always, worth serious consideration. Hit play and enjoy.

Vacation – Deflector Head

Every time Vacation releases something new, they top themselves. It’s an ascendant trajectory that hasn’t shown any signs of wear and has held true even while the lineup’s experienced some seismic shifts throughout the years. “Deflector Head” might be the band’s most tightly controlled and expertly crafted song to date, which is saying quite a bit considering their varied, impressive discography. A surging burst of basement punk that leans into the kind of pop sensibility that will undoubtedly have listeners reaching to hit repeat before the song even ends.

Lonely Parade – Not Nice

Following “Night Cruise”, one of 2018’s best songs, and continuing to build anticipation for their forthcoming record, Lonely Parade unveiled “Not Nice”. An intoxicating mixture of basement pop and post-punk, the trio continues to find unexpected ways to offer up exhilaration. There’s a conviction to the venomous refrain of “Not Nice” that lends it some emotive heft even while the music verges on a downtrodden kind of joy, effectively mirroring reality. It’s an incredibly impressive work from a band that’s ready and willing to blaze a path of their own.

Katie Ellen – Lighthouse

Following a memorable run fronting Chumped, Katie Ellen shifted focus to a solo project that’s been paying some massive dividends for the songwriter. “Lighthouse” continues to see Ellen excel in narratives that present vulnerability and empathy as strengths, fueling that conviction with subversive pop-punk. Thoughtful, calming, and galvanized, “Lighthouse” has a handful of nervous energy at its center but executes its ideals with exacting precision. A triumphant work.

Billy Moon – White Shoes/Dingus

A project that’s been consistently good finds a path to greatness through an incendiary dual release in Billy Moon’s “White Shoes/Dingus”, a double single that feeds off frustration and abandonment. The former is an all-out blitz that barely passes the 60-second mark while the latter’s preceded by a voicemail message that provides some very direct context. Both tracks stand as the best work of Billy Moon’s career thus far, suggesting that while a musical obsession might cause grievances for some, it could serve as a benefit to many, many others.

Whitney Ballen – Rainier

The second of two tracks to be released ahead of You’re A Shooting Star, I’m A Sinking Ship and Whitney Ballen‘s already carved out a spot as one of 2018’s most promising new artists. “Rainier” is one of the centerpieces of a genuinely mesmerizing records and displays the kind of tenacity and heart that supplies the record its considerable emotive heft. Emotionally volatile and unapologetic in its forays into darkness and yearning, “Rainier” is as challenging as it is moving, weaving together the kind of spell that’s hard to shake.

Black Belt Eagle Scout – Soft Stud

“Surprises in your mind, won’t you have your way?” is the opening question of Black Belt Eagle Scout‘s “Soft Stud”, which goes on to probe even more invasive questions and impulses. Driven by a steady, mid-tempo back beat and an even more steadfast insistence in both the narrative and the playing, “Soft Stud” conjurs up a magnetic pull reminiscent of early Cat Power. Unafraid to wrap itself in a light coat of grime, “Soft Stud” leans into the muck, offering up a peaceful acceptance with toxic longing. In embracing a harsh reality, Black Belt Eagle Scout also wind up with the finest work of their burgeoning career.

Devon Welsh – By the Daylight

Majical Cloudz were an unforgettable project that provided an avalanche of breathtaking moments. Devon Welsh, the band’s leader, played a large role in cultivating the band’s identity. The sparse intensity of Welsh’s old group has been tied over to the songwriter’s solo work. “By the Daylight”, Welsh’s most recent offering as a solo artist, is immediately gripping and works its way to the kind of emotional peaks that Majical Cloudz hit with regularity. Appropriately, “By the Daylight” feels more personal than Welsh’s erstwhile duo and suggests the kind of long, rich career most artists dream of attaining.

Goon – Enter Bethel Admissions

Over the past few years, Goon have established themselves as one of the most remarkably consistent artists currently making music. They’ve nearly perfected the art of the mid-tempo basement pop number and “Enter Bethel Admission” fits comfortably into that mold. Tender vocals, guitar tones that have just a touch of dirt, and moments of musical interplay that verge on euphoric terrain collide once more to provide an instantly winsome track that strengthens the band’s growing legacy.

Guided By Voices – You Own the Night

The amount of music Robert Pollard has managed to release in the window of time he’s been making music continues to legitimately verge on the impossible. Fortunately, Pollard’s long been the kind of songwriter who’s gifted enough to make throwaway tracks worthwhile. Even better, Pollard’s peaks as a songwriter are stratospheric and “You Own the Night” comes far closer to that category than to the stockpile of trivialities. A three and a half minute outpouring of thoughtful joy in Guided By Voices‘ characteristically shaggy presentation, “You Own the Night” is an unpredictable distillation of Pollard’s always-outsize ambitions.

Sharkmuffin – Your Stupid Life

In 80 seconds Sharkmuffin rattle off the most impressive track of their discography. Measured, filled to the brim with poise and feeling, and suffused with weaponized dynamics, Sharkmuffin make every single one of those 80 seconds not just count but land with maximum impact. “Your Stupid Life” is as sharp as anything the band’s released and the attitude that the track comes equipped with could be enough to make any potential detractors wither on sight. Compact and surprisingly powerful, “Your Stupid Life” is Sharkmuffin at their best.

Tomberlin – I’m Not Scared

A devastating meditation on identity and autonomy, Tomberlin‘s “I’m Not Scared” is both painful and heartening in equal measure. There are scars on display in a narrative that’s stripped to an unavoidable nakedness that forces the listener to grapple with the kind of context that demands these declarations. There’s a level of emotional battery ingrained into “I’m Not Scared” — which only features piano, vocals, and strings — that immediately aligns Tomberlin with acts like Elliott Smith and Julien Baker. As difficult as it is necessary, “I’m Not Scared” is one of the most captivating and painfully gorgeous songs that 2018’s produced to date.

Basement Revolver – Dancing

There are few bands that so transparently reach for the heights as Basement Revolver seems to strive for with each song and even fewer who can actually match or claim to have achieved anything near their level of success in that pursuit. “Dancing”, the band’s latest, is characteristically huge, a behemoth of a track that leans into its dramatic sensibilities with an unabashed vigor. There’s a cacophony of feedback that swells beneath the surface of “Dancing”, propelling it even further upwards. Arresting and elegant, “Dancing” is the kind of track that makes listeners take notice.

The Five Best Songs of the Past Two Weeks

The past two weeks have supplied the world with more than a fair share of outstanding new songs. Even in that generous pack, there were some genuine standouts. The five songs below are five of that elevated crowd. From emergent upstarts to storied veterans, there’s a lot to dissect in these offerings. Each song’s memorable in its own way and deserves a closer look/listen. So let’s begin.

1. Weller – Burroughs

A band that pulls a handful of its cues from the ’90s alt scene without ever crossing the line into revivalism, Weller notch another impressive piece into their belt with “Burroughs”. Effortlessly charming and endlessly replayable “Burroughs” is a strong showcase for their talent with composition and cultivating atmosphere. Dynamic but never overpowering, engaging, and memorable, “Burroughs” is an essential addition to any carefree summer mixtape.

2. Flasher – Who’s Got Time?

Flasher have been building themselves one hell of a portfolio over the past few months. Everything they’ve released has been teeming with the excess energy of a band on the brink. What sets them apart is their conviction, “Who’s Got Time?” especially comes across as the band making a statement. This is basement punk of the highest order, leaning just enough into pop to ensure its status as the kind of earworm you hope never eats its way out.

3. Mutual Benefit – Storm Cellar Heart + New History

It’s been some time since anyone’s heard new material from Mutual Benefit but that all changed recently with the unexpected joint release of “Storm Cellar Heart” and “New History” that accompanied news of the project’s forthcoming album, Thunder Follows the Light. As tender and gorgeous as Mutual Benefit’s best works (this seems as good a place as any for the reminder that “Not For Nothing” remains one of the decades best songs), both tracks provide a gentle reassurance that Mutual Benefit’s set to retain its status as an act making some of today’s loveliest music.

4. Tony Molina – Nothing I Can Say

Another act making an extremely welcome return, Tony Molina‘s latest reintroduction comes by way of “Nothing I Can Say”, which finds the micro-song mastermind underscoring some classic powerpop influences, from a Byrds-ian jangle to harmonies that echo Big Star’s most compassionate vocal turns. In just over 70 seconds Molina turns in another song that doesn’t just feel complete, but exquisite. If “Nothing I Can Say” is a harbinger for things to come, the clamoring for the new record should have already started.

5. Fog Lake – California

In a very short amount of time, Fog Lake has established itself as a project that’s making some of the most vivid, haunting songs in the ambient-leaning music worlds. “Rattlesnake“, a standout song that helped establish Fog Lake’s name, was featured on here in multiple ways. “California”, the project’s latest, capitalizes on that song’s promise with abandon. It’s a song that’s so arresting, any random listener wouldn’t be at fault for forgetting to breathe during its run. It’s powerful, subdued, and lands like an anvil. Brace for the impact, exhale, and hit repeat.

One Week, 10 Songs

April got off to an extraordinary start with a few dozen songs making a viable bid for inclusion on this list, which represents the material that emerged in the month’s first week. Ultimately it was the 10 below that prevailed in a surprisingly overcrowded field for what proved to be a curiously stacked week. The last “Best Of” compilation for this category had a handful of artists making consecutive appearances in this column but only one of them returns a third time. The rest of this field is a mixture of favorites, old and new, with each offering up a song worth celebrating. All of them can be heard below. Enjoy.

1. gobbinjr – afraid of me

An artist that’s slowly but surely built a steadfast reputation as an emerging star in the bedroom pop genre, gobbinjr makes a bold statement with a full-on switch to full band indie pop in the vein of Frankie Cosmos and it works beautifully. “afraid of me” is as rich and memorable as anything gobbinjr’s released so far and proves that the project’s scope might be a lot more expansive than initially suggested. It’s a breezy tune that’s ready-made for spring and summer mix tapes.

2. En Attendant Ana – Night

A new name to this site, En Attendant Ana manage to make a huge splash here with “Night”, a driving burst of basement pop that doesn’t hesitate to look upward and immediately start trying to grab the stars. A beautifully produced track, “Night” also demonstrates the band’s penchant for composition, turning on a dime from one section to another, sustaining a magnetic, romantic atmosphere. It’s the rare kind of song that can convince you an artist’s name is worth remembering.

3. Forth Wanderers – Ages Ago

The previous two Forth Wanderers songs that have been released in the lead-up to their forthcoming self-titled were featured on this site and “Ages Ago” makes a very convincing case that the band may very well have one of the year’s finest records on their hands. “Ages Ago,” the band’s latest track, isn’t just their most polished outing to date, it’s their best. Tapping fully into their mixture of irrepressible energy and open melancholy, “Ages Ago” offers the kind of duality that builds incredible material. It’s spellbinding.

4. Grouper – Driving

Few artists are managing what Grouper‘s been doing for the past few years. Every new song plays like an elegant masterwork, deftly demonstrating every last bit of songwriting talent in the most breathtaking fashion imaginable. “Driving”, the latest from the ambient act, is among the past few years’ most quieting and soulful works. It’s nearly impossible to not want to hang onto every second as the song gently washes over you and it’s equally difficult to not want to immediately hit play again when it ends in a whisper.

5. Boys – That Weekend

In an impressively brief time, PNKSLM‘s established itself as one of the leading labels for introspective basement pop. One of the best acts on their consistently incredible roster is Boys, who usher in a career best here with “That Weekend”. Bits of dream-pop, powerpop, and post-punk all congeal into an incredibly wistful track, full of a sense of genuine longing. It’s a perfect way to spend two and a half minutes and stands as a testament to both the band’s promise and considerable talent.

6. Been Stellar – Everyone Smokes in the City

Been Stellar’s another new name to Heartbreaking Bravery that makes an incredible first impression with “Everyone Smokes in the City”, a track that echoes the best work of The Strokes. The band separates themselves from the over-abundance of bands that proudly bear that influence by exercising restraint in a way that simultaneously informs the song’s tension and provides it an additional level of energy. It’s fun, it’s promising, and it’s an easy standout.

7. Yumi Zouma – France (Grands Boulevards)

The second ambient-leaning act on this list that seems to perpetually top themselves, Yumi Zouma return with the most gorgeous work of their career in “France (Grands Boulevards). Gentle tones, a tender vocal delivery, and some intuitive production heightens the work as it glides along, wrapped up in its own journey. Unassuming and beautiful, “France (Grands Boulevards)” marks an enticing new chapter in the band’s history.

8. Petal – Better Than You

Kiley Lotz, the songwriter spearheading Petal, is a commanding solo performer. Charismatic, entertaining, and fully in control, Lotz can reduce an audience to whispers and extinguish those a few minutes later. That being the case, Lotz also knows how to turn up the volume and let it rip, as is the case with the enormous “Better Than You”, which has shades of Waxahatchee‘s rowdier work. Fed up and determined, “Better Than You” is an unmissable statement from a singular talent and bodes well for Petal’s future.

9. Yours Are The Only Ears – Fire In My Eyes

A pair of great tracks from Knock Hard — the forthcoming release from Yours Are The Only Ears — have already been released but “Fire In My Eyes” exceeds those heights. One of the best tracks of Susannah Cutler’s illustrious works that have found release under this moniker, “Fire In My Eyes” finds Yours Are The Only Ears experimenting with precision (and continuing a fruitful collaborative history with LVL UP and Trace Mountain‘s Dave Benson). As always, the narrative aspect carries exceptional emotional weight but the arrangements have rarely been as effective or powerful.

10. Say Sue Me – Coming to the End

Completing something of a hat trick, this is Say Sue Me‘s third consecutive appearance in the “Best Of” columns for songs, each track teasing the exceptional Where We Were Together. “Coming to the End”, appropriately, is the record’s final track and its most breathtaking moment. A sprawling 7 and a half minute slow-burn, “Coming to the End” has the time to display just about every reason Say Sue Me’s been turning heads over the past year. Melancholic and explosive in turns, it’s a masterwork of dynamics and controlled atmosphere, never ceasing to be anything less than gripping over the course of its runtime.

It’s a towering track, epic in scale and wildly confident in its ambition, bringing to mind the recent work of Young Jesus while remaining true to the enchanting identity the band’s managed to carve out for themselves over their brief but promising discography. The guitar solo that makes up the bulk of the song’s back half goes sideways as often as it reaches skyward but, as is the case with the band, you don’t just hope it’ll arrive at its intended decision but know it will with an abundance of grace, no matter erratic it may seem. When it fades, it’s hard not to think “Coming to the End” isn’t close to perfect.

 

A small list of other outstanding songs to be released this past week:

Culture Abuse, Kevin Krauter, Beach SkullsFrøkedal, Cagework, Demo, Elke, Cold Fronts, Exitmusic, Beach Bunny, Mr. Husband, Dusted, Wedding, Ellevator, Wooter, Juliana Daugherty, Varsity, Drinks, Freedom Baby, Joan of Arc, The Gloomies, Shakey Graves, Agnes Obel, Nova One, Dreamend, Light Vibes, Wallows, Ace of Wands, Team Picture, Andy Cook, SASAMI, Marmalakes, The Goldberg Sisters, Freak Heat Waves, Jack Ladder, Valley Queen, Ganser, Esbie Fonte, Ryley Walker, Jon Hassell, Jamie Cruickshank, Ivan Moult, Matthew Sweet, I’m Kingfisher, Palberta, Holy Boy, Daniel Tanghal, Francis, Espanola, Kat Cunning, Dumb, and OPIN.

The Best Songs of March 2018

The last three weeks of March brought a lot of excellent tracks into the world but the 10 below managed to separate themselves as genuine standouts. A trio of acts that appeared in the last “Best Of” featured segment strike again while the rest of the acts here are either old favorites or making first-time appearances. From scintillating noise-punk to gentle washes of ambient folk, there’s a lot here to explore. Find a new favorite song below.

1. Spring Onion – I Did My Taxes For Free Online

Sometimes all an artist needs is one song to snag an audience and that may very well be the case with Spring Onion’s “I Did My Taxes For Free Online”, which boasts some of the hallmarks that have made acts like Told Slant, Radiator Hospital, and LVL UP so beloved. Immensely relatable, beautifully constructed, and coming from an unsparing, honest place, “I Did My Taxes For Free Online” is a strong early testament to an emergent talent worth remembering.

2-3. illuminati hotties – Paying Off The Happiness + Cuff

illuminati hotties are building up an insane amount of momentum on their way to the release of their debut album, Kiss Yr Frenemies. The band’s already been featured in the monthly best-of columns once this year and they’re doubling up here with the 1-2 combo of the irresistible hooks of “Paying Off The Happiness” and the introspective reckoning of “Cuff”. Both songs continue to demonstrate the band’s strengths and, taken with “(You’re Better) Than Ever” suggests they might not have any weaknesses.

4. bed. – Replay

A characteristically melancholic piece of muted, driving basement pop, bed.‘s “Replay” is imbued with the kind of considered energy that’s gained the band a small but fiercely loyal following. Measured and slightly unpredictable, “Replay” toys with extremes its narrative and its composition, allowing the two to play off each other to great effect. It’s a standout piece in what’s already a stellar discography and suggests the band’s peak is either arriving or already here. No complaints either way.

5. Maria Kelly – Small Talk

“Small Talk”, the latest from Maria Kelly is a masterclass in creating gentle tension and magnetic atmosphere. Smart production, tender composition, and an effectively wistful delivery combine into something intangible, creating something that pulls and mesmerizes in equal measure. It’s a gorgeous piece of ambient folk, weaving a spell that all but submerges the listener into a separate, empathetic world.

6. Closet Goth – Touch Myself

Easily the fiercest song in this 10 track list, Closet Goth’s “Touch Myself” makes no bones about being aggressive, exploding out of the gate and building speed as it goes, not content unless everything in its path is completely demolished. References to Silver Jews are nearly buried in the noise-centric production, intentionally drowning out — and simultaneously enhancing — some intense caterwauling. Vicious, ragged, and uncompromising, “Touch Myself” leaves wreckage in its wake as it winds to a fun, unexpected close.

7. Fenne Lily – Car Park

The second artist on this list to make a consecutive appearance in the monthly “best of” columns, Fenne Lily‘s “Car Park” is another strong example of the breadth of the songwriter’s scope. In slowing down the tempo and widening the lens, Fenne Lily taps into something that skews closer to world-building than atmosphere construction. It’s a beautiful piece of modern Americana that seems to indicate Lily’s bag of tricks might be more expansive than most know.

8. Annabel Allum – Rascal

“Rascal”, the latest track from Annabel Allum is a perfect example of how a minimal setup can lead to enormous moments. Borrowing cues from slacker punk, folk, Americana, post-rock, and ambient, Annabel Allum wind up with an enticing piece of genre-bending excellence. Impassioned performances at every slot and a meticulously constructed arrangement congeal into one of the more breathtaking moments of 2018’s first quarter.

9. Say Sue Me – After Falling Asleep

The third and final artist to appear in consecutive monthly Best Of’s Say Sue Me follow their initial outing with yet another strong track from their excellent forthcoming Where We Were Together. “After Falling Asleep”, the band’s newest offering, opens with an almost intensely quiet moment before blooming into a seductive burst of indie pop. Soft edges and a wide-eyed approach has been a pattern that’s served Say Sue Me well in the past and it continues to do so on the lovely “After Falling Asleep”, one of their most irresistible tracks to date.

10. Bent Denim – Chasing Catherine

Last year, this site had the privilege of premiering Diamond Jubilee, an extraordinary EP from site favorites Bent Denim. Now, the act’s returned with “Chasing Catherine”, another show-stopping bit of softly hued ambient pop that more than justifies its place in their increasingly impressive discography. Bent Denim can conjure up a very specific type of mood better than just about any of their contemporaries and it shows in “Chasing Catherine”, a short slow-burner that immediately invokes the feeling of a calm summer night and keeps that fire flickering until its hushed, tender close.

March’s Honorable Mentions

Only a few days into April (and a few posts away from resuming regular daily updates), it seems as good a time as any to look back at some of the outstanding tracks, clips, and records March had to offer. Since the first week of March was largely covered by the last big recap, the focus here is on the material to find release in the month’s subsequent three weeks. An incredible round of songs, some sterling music videos, and a few standout records managed to make their mark. Below is a compilation of items worth hearing and seeing, so don’t miss a beat and save this tab to explore to your heart’s content.

STREAMS

Mastersystem, Bad Breeding, Pllush, The Sidekicks, Tancred, Drens, Deeper, Hop Along, Iceage, Haley, Spielbergs, Wheelbarrel, Air Waves, Holy Now, Lawn, Yazan (x2), Sharaya Summers, Daniel Tanghal, Dose, Eureka California, Simeon Walker, John Parish, Sibille Attar, Moon Racer, Pre Nup, The Love-Birds, Oceanator, Archie and the Bunkers, Escondido, Death By Unga Bunga, Leisure Tank, The Magic Lantern, Coping Skills, Weller, Character Actor, Ruler, Emily Isherwood, Nice Try, Connections, Vlad Holida.

Lazy Legs, Cold Fronts, Craig Finn, Stimmerman (x2), Dear Nora, Kevin Devine, Brooke Annibale, Nick Cave & Warren Ellis (x2), Frederick The Younger, Co Sonn, Swear Tapes, Fiddlehead, boerd, King Tuff, Bernice, Miya Folick, Forest Ray, Aisha Burns, Wye Oak, Tangents, INVSN, DreamendSofia Härdig, No Thank You (x2), L.A. Girlfriend, John Prine, Paul De Jong, Mary Lattimore, Spritzer, Saba, Swell Spells, Erin Rae, Chakra Efendi, Greyhounds, Redolent, Ivan Moult, Neighbor Lady, Hiss Golden Messenger.

77:78, Deerest, Goat Girl, The Dead Tongues, currin (x2), Scratch, Ganser, Kathryn Joseph, Confuse-Ray, Slow Mass (x2), Pole Siblings, DMA’s, Adam Ackerman, Turtlenecked, Gold Connections, Sen Morimoto, War On Women, Kississippi, Belly, Dana Murray, Yolanda, The Cavemen, HAWK, Remission, Andy Cook, White China, LANKS, and A Deer A Horse.

MUSIC VIDEOS

Fenne Lily, Sulky Boy, Night Flowers, Bonny Doon, Oddnesse, Albert Hammond Jr, Tremends, Locate S, 1, Sun June, KNIFEY, Las Rosas, Mastersystem, Ought, Rozwell Kid, RF Shannon, Alex Lahey, Launder, Soccer Mommy, Speedy Ortiz, Wax Idols, Sleepy Zuhoski, Loma, Courtney Barnett, Francobollo, Flasher, Volage, Hinds, Porlolo, The By Gods, Frankie Cosmos, Okkervil River, Crooked Teeth, Laura Veirs, S. Carey, The Dazies, Sam Evian, Alice Bag, Jo Passed, Young Valley, Quiet As A Mouse, Canshaker Pi, Death By Unga Bunga, Sean McMahon, Vive la Void, Yuki Ame, Preoccupations, Moviestar, LICE, Tomma Intet, and Phosphenes.

FULL STREAMS

Daniel Klag, Gentle Heat, Queen of Jeans, The Bordellos, Swampmeat Family Band, Erika Wennerstrom, Rat Kid Cool, T.C. Crosser, and half of the upcoming Nicole Dollanganger record.

2018: A Long Look, A Longer Listen (The First Two Months)

A persistent and all-consuming myth among people that refuse to commit a shred of investment to any sort of search is that “good music just doesn’t exist anymore.” It’s the same sort of thinking present in the cavalcade of thoughtless attempts to shift any sort of blame for societal ills to a younger generation based solely on an outlook that was defined by a vastly different era. Fortunately, there are a host of artists to emphatically disprove brand of thinking and act as a counter to what could be construed as a subtle, insidious form of ageism. Below there are literally hundreds of links providing access to various songs, music videos, and records.

All of them are worth a shot and a good many of them are vastly different from their surrounding links. Each of those items came out in 2018 and there’s an entire world more of them waiting to be discovered by the people willing to put in the work. So use these as a starter pack of sorts or just scroll through and see what today’s musicians can offer. It’s a boundless scope and when its allowed to not just exist but thrive, there are a multitude of reasons to celebrate. Enjoy.

SONGS

Okkervil River, Hop Along, OughtFrøkedal, ConnectionsNoble Son, Mount EerieRich Girls, DuskTherese Litner, Soccer MommyHindsEric Benoit, JACK (x2), The Radio Dept., Parker Longbough, Rat Kid CoolWhy Bonnie (x2), Holy Now (x2), High Sunn (x2), Odina, Spielbergs, The Breeders, Shark ToysJouska (x2), Yazan, Johanna Warren, No Thank You, Drive Me Home Please, Your Old Droog, Charly Bliss, Liza Anne, Father John Misty, Rolling Blackouts C.F., Chemtrails, Katie Von SchleicherWavves & Culture Abuse, VALES, Sharaya Summers, Katie Dey, War On Women, The Goldberg Sisters (x2), Busdriver (x2), Queen of Jeans (x2), Shell of A Shell (x2), Soccer Mommy (x2)

Bodies Be Rivers, Cold Fronts, Three Man Cannon, Russian Baths (x2, 3), Rachel Angel, Francobollo, Big Air, Dryspell (x2), Deanna Petcoff, Sam Levin, Good Air, Helena DelandTrès Oui, Josh Rouse, Sarah Mary ChadwickDustedBonny Doon, Jay Som (x2), Golden Drag, In Tall Buildings, Mastersystem, The Love-Birds, School Disco, Caroline Rose, Zomber, Drawing Boards, SALES, Big Bliss, Wax IdolsErika Wennerstrom (x2), Droopies, Jalen N’GondaKid Dakota (x2), Haley Hendrickx, Tim Kuhl, Sunflower Bean, BambaraBenjamin Lazar Davis (x2), Hanz, Courtney Marie Andrews (x2), Verge Collection, Now, Now, Lowpines, Hurry (x2), Pole Siblings, Birds of Passage

Bush Tetras, Maria Kelly, Rafiq Bahtia, Cut Worms, Death By Unga Bunga, Sitcom, Natalie Shay, Wussy, Citris, Sculpture Club, TheodoreElan Noon (x2), Avalon, Terror Pigeon, Greg Mendez, Neil O’NeilDélage (x2, 3), Anna McClellan, Nap Eyes (x2), BILK, Malena Zavala, Camp Cope, Guerilla Toss, Damaged Bug, Gentle Leader XIV, Kraus, Bummerville (x2), WINDHAND, Numb.erErik Phillips, Oberon Rose, Lizzie Loveless, Hot Snakes, Girlpool, American Nightmare, Dr. Octagon (x2), Runaway Brother, A Grave With No Name, Samara Lubelski, vaarwell, The Golden DregsBelle MareChappo, HOLY, Vamping, Noble SonS. Carey, Ed Schrader’s Music Beat (x2), TT

Sofia Härdig, GrouperAir Waves (x2), Tenderfoot (x2), Sunflower Bean, Josh Mover & The Shakers, Jean-Michael BlaisMany RoomsFreedom Baby, La Luzilluminati hottiesThe Black Lips & The Khan FamilyMelvins, Extravision, AnemoneEverett Bird, Parquet Courts, Life In VacuumSuperteen, Cindy Lee, Ricky Lewis, BUDDIESam Moss, Sego, BRNDADungen & Woods, Loma, John Craigie (x2), Lanikai, Pony LeagueDreamend, Sea Moya, Oceanator, Holly Miranda, Renata Zeiguer, Deathlist, Wilder MakerLea Bertucci, Cutouts, Sur Back (x2), I’m Kingfisher, ANMLPLNET, Oneida, wyd, Western Scene, Bad BreedingThe Drums, Bob HolroydWill Stewart, Varvara

Jerry David Decicca, Redolent, Lokki, ROOS, QWAM, Water From Your Eyes, Old S Resort, Jesse Merchant, Dead Sullivan, John Moods, They Might Be Giants, Cool Ghouls, Strawberry Mountain, The Low Anthem, Peacock Affect, The fin., Ezra Feinberg, EMA, Sloan, The Voidz, VOWWS, Nature Shots, Narrow Head, Sleepyhead, Bob Holroyd, Virginia Wing, Orchid MantisYoung Statues, Kate Teague, Leyya, Pinky Pinky, Mind Over MirrorsWalter Martin, Beach House, The Sea and the Cake, Alice Bag, Eels, Hero-Fisher, Andy CookDatarock, Dabrye, Swear TapesTerra Naomi, FeverbonesPariuh, David Byrne, Palm, Youth In A Roman FieldKid Koala, LokkiHelena Deland

Freedom Fry, ARXX, Troels Abrahamsen, Young Fathers, Post Louis, SpandrelsHannah Epperson, Saw Black, Iceage, Dylan CarlsonAmerican Pleasure Club, Swampmeat Family Band, Pearl Charles, Chez Ali, Compltr, Refrigerator, The Nectars, Candy Ambulance, Death, Jack Watts., Simon D JamesToebow, yndi halda, SabiyhaEllie Schmidly, Sitcom, Doby Watson, Laura Veirs, Lost Horizons, Lost Under Heaven, Andy Jenkins, Guts Club, Yo La Tengo, Media Jeweler, The Saxophones, Hum, Margaret Glaspy, Cary Illinois, Susan the Cat, I Hate You Just Kidding, Tee Grizzley, Barren Womb, Madeline Kenney, I Think Like Midnight, Spirit In The Room, Torgeir Waldemar, LuxGaze, and Japanese Breakfast.

MUSIC VIDEOS

Ought, Parquet Courts, Shy Kids (x2), Caroline Rose, Billy Moon, Screaming Females, Car Seat Headrest, Current Joys (x2, 3, 4), Somehow, Night Flowers (x2), Palehound, Heaven, Look Vibrant, Pip Blom, Ultimate Painting, Royal Brat, CorridorFalcon Jane, Olden Yolk (x2), Stella Donnelly, Nap Eyes, Winter, Wendyfix (x2), Dusted, Superorganism, Pale Kids, Z Berg, Son Lux, Palm, The Spook School, Clint Michigan, Girl Ray, Rostam, Japanese Breakfast, OdinaFrankie Cosmos, Von K, Dogeyed

Shopping (x2), Speedy Ortiz, Treehouses, Holiday Ghosts, Sports Team, Sonny Smith, Bully, Tremends, Bethlehem Steel, Soccer Mommy, The ArmedPJ Harvey & Harry Escott, Lucy Dacus, Moaning (x2), Cloud Castle Lake, Albert Hammond Jr., Chris Dave and the Drumhedz, FlasherNative Sun, Emma Tricca, Partner, Drowse, Barren Womb, Martha Ffion (x2), Honduras, S. Carey, Middle Kids, Newspoke (x2, 3), Callow, Charlotte Day Wilson, Suuns, Goat Girl, Shamir, Death Bells, Guppy, Half Waif (x2)

ROOS, Natalie Prass, Cornelius (x2), Peach Kelli Pop, King Tuff (x2), The Winter Passing, Renata Zeiguer, La Luz, Bat Fangs, Jess WilliamsonSkating Polly, Lionlimb (x2), Charlotte Gainsbourg, Michael RaultGianni Paci, Queen of Jeans, Dirty Fences, Sorry, Wiggy Giggy, Lemuria, Tough Age, Yours Are the Only Earsnothing,nowhere., Jack Ladder & The Dreamlanders, Kal MarksScuffleSløtface, Kal Marks, Coping SkillsLauren Ruth Ward (x2, 3), Charmpit, They Might Be Giants, Hurry, First Aid Kit

Sharon Jones & the Dap Kings, Fun Fare, Daddy Issues, The AmazingJeff Rosenstock, boerdJanelle Monáe, Sc Mira, Ed Schrader’s Music Beat, Surrounder, Iceage, The Go! Team, Mavis Staples, Eels, Margo Price, Titus Andronicus, Alice Bag, Oddnesse, Jessica RiskerFRANKIIEDestroyer, Spinning Coin, Damien Jurado, Ed Schrader’s Music BeatLa Bête BloomsThe Lonely Biscuits, Prawn, Hippo Campus, New Spell, Dream Wife, Echo Pressure, Amen Dunes, Leroy Francis, Laurie Anderson & Kronos Quartet

Montero, ShitKid, The Dazies, Marlon Williams, Lazy DayLaura Veirs, Lily Allen, Fruition, No Age, YACHT, Sunny War, Cut Worms, Glen Hansard, Trevor Ransom, Hannah Epperson, Seafoam, VedeTTClever Girls, In Tall Buildings, Fufanu, Lowpines, Tiny Fighter, The Prids, STRFKR, Hinds, SuperchunkTFS, Tallies, American Pleasure Club, Johanna Warren, Sam Himself, Men I TrustJessica Lea MayfieldA Place To Bury Strangers, Bad MovesRazorbumpsMoviestar, Teen CreepsPoppy AckroydCaroline Says, Charles Howl, Loma, Fontaines DC, CrumbAlessi’s Ark, Jenny Wilson, The Regrettes, Bummerville, GluedTenderfoot, Tree House, Susie Q, and si,irene.

FULL STREAMS

Vundabar, Hello Flora, Emily Yacina, Kal Marks, Harmony Tividad, Corey Flood, Johanna Warren, Palm, Plain Dog, Candace, Hovvdy, American Pleasure Club, Bat Fangs, Dark Thoughts, Poppy Ackroyd, Erik Phillips, Grave School, Cameron Boucher/Field Medic, The Number Ones, Margaret Glaspy, The Hold Steady, Guided By Voices, Superchunk, Bleary, Lillet Blanc, Hurry, Bedbug, I Hate You Just Kidding, Sidney Gish, weary, ther, Sunshine Faces, Elan Noon, Bodies Be Rivers, Hex, Hobbyist, Las Rosas

Dryspell, Rik & the Pigs, Amaya Laucirica, No MuseumsZinskē, First Thought Worst Thought, Sur Back, Little Star, Mind Spiders, Lowpines, Shopping, Mimicking Birds, Scrap Brain, The Go! Team, Th Da Freak, Shareef Keyes & The Groove, ShitKid, Unlikely Friends, Kid Dakota, Lightwash, Berry, Matthew Politoski, Holy Motors, Blushing, Shakey Graves, Tim Kuhl, Pando, Leyya, Shamir (x2), bristletongue, Dealer Plates, Hank Wood & the Hammerheads, closer, Bummerville, Tropical Trash, Brutal Birthday

Special Explosion, Hookworms, Lisa/Liza, Russian Baths, VOWWS, A Lily, Caroline Says, BB & The Blips, Listener, Balkan Bump, Martha Ffion, Corniglia, Qwam, HOLY, Spice Boys, Hour, Conviction, Cassandra Jenkins, Refrigerator, Sweeney, mita, and compilations from Z Tapes and Emotional Response (x2).

The Very Best of the Very Rest: The Best Songs of the Past Two Months

Over the past two months, a ridiculous amount of music has found release. Plumbing the depths of that haul has been a privilege but it’s also been incredibly time-consuming. Digging through the rubble, as it has so frequently in the past, yielded no shortage of absolute gems. From a few of the most gorgeous songs I’ve heard all year to some career highs to some genuine standout material, there’s a lot to explore in the below list. Normally, each of these would receive a short accompanying write up (and a few of them still will in the forthcoming year-end lists) but for the sake of expediency in the face of the volume of forthcoming content, they will simply be listed below. Don’t let that distract or discourage, all of the song are here for a reason. Queue them up, close your eyes, and let them wash you away.

 

Mo Troper – Your Brand

Covey – Call Home

Long Neck – Mine/Yours + Elizabeth

Weed Hounds – Double Life

Vundabar – Acetone

Sammi Lanzetta – Circles

Juan de Fuca – All the Time

Hater – Rest

Deep State – Time Unraveled

Hovvdy – Late

Boys – Rabbits

Bully – Kills To Be Resistant

Bethlehem Steel – Finger It Out + Fig

Yours Are the Only Ears – Saturn

Kal Marks – Adventure

Dmitry Evgrafov – Rootedness

Anna Burch – Asking 4 A Friend

Alyeska – Stones

Slaughter Beach, Dog – Acolyte

Operator Music Band – Realistic Situation

Saintseneca – Moon Barks at the Dog

The Magic Lantern – Holding Hands

A Month’s Worth of Songs Worth Hearing

It’s been a long stretch since the last main update ran on this site. Part of the reason for its absence is a slow relocation from central Wisconsin to Madison and all of the accompanying transitional necessities. Part of it’s due to my own musical obligations (Heartbreaking Bravery remains a one-person operation). All of that said, the work and updates that keep this place afloat have continued in earnest. Below, there are over 200 songs that emerged over the past month (and a few additional weeks) that deserve to be heard. There will be a handful more that are touched on in the near future but for now, bookmark this page and explore the endless amount of reasons why the people who claim there’s no interesting music being made today have no idea what they’re talking about.

Patsy’s Rats, Fake Palms, Queen Moo, Swanning, Baby!, Lomelda, UV-TV, Jack Cooper, Gorgeous, Shannon Lay, Small Reactions (x2), Lina Tullgren, Atlas Wynd, Melina Mae, Jenny O., Terror Watts, Ephrata, Amy OBunny, Apollo Vermouth, Beachtape, Girl Ray, Speedy Ortiz, The Cribs, Cannery Terror, Arrows of Love (x2), Easy Love, Pardoner (x2), Walter Etc., Maneka, The Lovebirds, Birds, Becca Mancari, Holiday Ghosts, together PANGEA, Soft Fangs, Honey, Downtown Boys, The Districts, Club Night.

Monk Parker, Guided By Voices, Big Hush, Deerhoof, The Duke Spirit, Partner, Space Mountain, Surfer Rosie, The Mynabirds, Mini Dresses, Winter, Wieuca, Knifey, A. Savage, Katie Ellen, Guilt Mountain, EMA, Ayo River, Luke Sital-Singh, Black Beach, The Travelling Band, Curtis Harding, Black Belt Eagle Scout, Culture Abuse, Alvvays, The Sighs, Earth Girl Helen Brown, Holy Hum, Hypoluxo, The Fresh & Onlys, Dream Ritual, Guantanamo Baywatch, Brian Dewar, Warbly Jets, Nick Cave & Warren Ellis, Oh Sees.

Annie Hart (x2), Sløtface, Company of Thieves, Lushloss, Las Rosas, Boris, Shelley ShortCRITTÉ, Joey Sweeney & The Neon Grease, Lambchop, Dina Maccabee, Hiss Golden Messenger, Looming, Faith Healer, Jogging House, Filthy Friends, TV Sets, Goat Girl, No Friends, Hairpins, The Warp/The Weft, Body Origami, Broken Social Scene, Shagg, Omni, Ice Balloons (x2), Max Chillen and the Kerbside Collective, Anna Tosh, Carmen Villain, Dabble, Hayden Calnin, Hand Habits, WHIMM, Grizzly Bear, Turnover, Coast Modern.

Sparks, Ian Randall Thornton, Har-Di-Har, Sam Coffey & The Iron Lungs, The Shivers, Broncho, James Riotto, Naomi Punk, Tamino, Fassine, Shabazz Palaces, Jordan Klassen, Wet Dream, Offa Rex, Emily Reo, Kan Wakan, Night Talk, Cina Polada, Bombz, Cold Specks, Juiceboxxx, Pearl Earl, Zola Jesus, Absolutely NotNØMADS, Space Camp, Poppy Ackroyd, Oro Swimming Hour, Flesh WorldLød, Nassau, Living, The Anatomy of Frank, Quiet Hollers, Elle Mary & The Bad Men, Stone Irr, Lil Tits, Crooked Teeth.

King Borneo, Kazyak (x2), Swimming Tapes, Prism Tats (x2), Bloody Your Hands, Tom Hale, Fake Billy and the False Prophets, Electric Eye, Briana Marela, The Tambo Rays, Oly Sherman, Wicca Phase Springs Eternal, Everyone Is Dirty, Gladys Lazer, Fronds, Mappe Of (x2), Lee Bains III & The Glory Fires, Shout Out Louds, Heavenalive, Kabells, Flood Coats, Tempest le Mans, Spirit Award, Babygirl, Kinder, Weatherboy, Pawns, Memnon Sa, Mark Springer, Reese McHenry & Spider Bags, Triptides, Cadet Kelly.

The Weather Station, Will Hoge, A Valley Son, Shy, Low, Dent May, Parent, Jordan B. Wright, Kele OkerekeTed Leo, Blank Range, Tomo Nakayama, The Woggles, Whispertown, The Two Tens, Wild Honey, Sam ValdezSusanne Sundfør, Pill, Peakes, Muskets, THE VAN T’s, Ruby FrayRainer Maria, METZ, Lens Mozer, and Petite League.

The Seven Best Full Streams of the Past Three Weeks

Songs and music videos have had their turn in the spotlight so it’s time to shift the focus towards full streams. A stray EP or two and a handful of full-lengths have emerged over the past three week stretch that have managed to make a significant impression. A few fresh faces combined with a host of site staples to create the list, which features a few emergent acts alongside some established names. Exciting debuts brush up against spirited reaffirmations of talent and, in the end, we all win. Take a beat and make a mental note to make sure none of these records go unheard in the coming weeks. Dive in and enjoy. 

Poppies – Good

One of the most promising emerging bands in music, Poppies keep finding new ways to improve upon a growing, riveting discography. Both Double Single and “Told” were exceptional and the band’s music videos have been compelling. Good is the young project’s first statement release and it should go a long way in establishing them as the tantalizing act they’ve been from the outset. All five of Good‘s songs could reasonably called a highlight and continue the band’s unlikely run at unassuming perfection. Basement pop shot through with just a touch of twee, Good‘s perfectly suited for summer and seems destined to become part of the season’s 2017 soundtrack.

Palehound – A Place I’ll Always Go

Palehound have proved their salt on more than a few occasions now, amassing one outstanding record after another and cultivating one of the most inventive, outstanding discographies of any emergent act. A Place I’ll Always Go does the band’s new label, Polyvinyl, more than proud; it’s, by far, the best of the band’s records, which is no mean feat considering the company that it keeps. Nearly every song here registers as a career highlight and in “If You Met Her” the band invokes the defeated, melancholic spirit of Elliott Smith (never a comparison to be made lightly). Start to end, it’s an absolute triumph that easily ranks as one of 2017’s finest musical moments.

Corridor – Supermacado

More than four years into an increasingly promising career, Corridor have been restlessly perfecting their brand of skittering post-punk and sharpening it into a deadly weapon. Supermacado, the band’s latest record, serves as proof. Virtually every track on the record offers something different and the music is more than powerful enough to transcend any language barriers. It’s a masterful record from a band that seemingly refuses to do anything but improve. A fine problem to have, especially when it yields results as engaging and captivating as Supermacado. One of 2017’s most pleasant surprises, Supermacado is a strong enough record to warrant committing the name Corridor to memory.

Big Thief – Capacity

Masterpiece was one of last year’s finest records and definitively put Big Thief on the map. A little over a year later, the band’s already released an astonishing follow-up in Capacity, a towering work that stands shoulder-to-shoulder with their reputation-making debut. Not only did the band prove their consistency with Capacity, they delivered one of the most breathtakingly beautiful tracks of this current decade in “Mary“, a spellbinding meditation on longing and understanding the importance of the past. Hard-earned, weary, triumphant, resigned, burdened, and optimistic in turns, the band keeps their rustic sweep intact and delivers another masterful record.

Cool American – Infinite Hiatus

Earlier this year, Cool American released an incredible compilation of tracks entitled better luck next year vol 2: good job nice try, which remains one of the year’s best releases. Nathan Tucker, the brains behind Cool American, may have already topped it with Infinite Hiatus, the project’s most recent full-length. An inventive, energetic record full of sharp turns and exhilarating dynamic structures cements Tucker’s place as one of today’s most fascinating songwriters. Infinite Hiatus combines bedroom pop with basement punk in a manner more seamless than just about any record attempting a similar combination. Buoyed by Tucker’s distinct personality, Infinite Hiatus offers yet another reaffirmation that Cool American is one of the most consistent projects on the market.

Lexie – Record Time!

The involvement of Frankie Cosmos‘ mastermind Greta Kline in Lexie is bound to direct quite a bit of attention towards the band, which also includes two members of Warehouse. It’s also something of a comfort that Lexie sounds exactly like you’d expect: a more technically proficient and reverb-laden take on what Kline’s been accomplishing with Frankie Cosmos since day one. It’s not an empty recreation, though, the band manages to subvert expectations throughout Record Time! by offering a strain of wiry post-punk that comes as a pleasant surprise, allowing the record to feel varied enough to not only feel fresh but complete. Lightly subversive and characteristically gentle, Record Time! is sweet enough to warrant more than a few extra helpings.

Lost Balloons – Hey Summer

Jeff Burke and Yusuke Okada have made some serious names for themselves, playing in bands like The Marked Men, Suspicious Beasts, Radioactivity, and Blotto. Okada crafted his unimpeachable songwriting reputation in Japan while Burke cranked out a number of genre classics stateside. Both musicians excelled in crafting hyper-excitable basement pop laced with basement punk grit. The two recently joined forces to create Lost Balloons, a project that softens up their vicious attacks while retaining a significant amount of bite. Folk-inflected basement pop informed by decades worth of classic American music, Hey Summer is a record that’s as inviting as it is winsome. Both musicians should be proud to have it as part of their respective discographies.