Heartbreaking Bravery

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Tag: SSLYBY

Heat – This Life (Music Video)

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This summer, Thursday’s have offered up a glut of outstanding material vying for coverage and today’s field was no different. Since there are nearly two dozen titles to touch on, they’ll be listed by virtue of artist and the represented format before moving onto the featured item. As usual, the single streams category proved to have the most productive release slate and included great new tracks from Hazel English, Sleepy, Infinity Girl, The Chills, Dark Palms, Wavves, Night Flowers, Willis Earl BealBlank Realms, and Air Waves. Music videos found some entertaining life via clips from Someone Still Loves You Boris Yeltsin, Pet Cemetery, Kalle Mattson, Pink Frost, The Atom Age, and Pearl Charles. Topping everything off was a strong group of full releases that included releases from Worriers, Nice Legs, Fox Academy, Fog Lake, Suis La Lune, and Two White Cranes.

A lot of those band names are new to the site and Heat, who have today’s feature spot, are yet another new addition. Still riding high on the surge of last year’s excellent- and overlooked- Rooms EP, the band are now offering up a stark black-and-white clip for the release’s lead-off track. Using a minimalist approach to the visuals, director Jimmi Francoeur takes a few cues from some of Anton Corbijn’s formative work to create a sleek, engaging performance-sync clip. A room setup that’s clever in both construction and lighting lends an air of sophistication to the visually striking clip, while still allowing the bulk of the emphasis to fall on “This Life” itself, a punk-indebted powerpop number that cribs influences from a variety of other genres and sculpts it into something that manages to be both familiar and refreshing. In short: it’s a knockout from a band that deserves more attention than they’ve received.

Watch “This Life” below and pick up Rooms here.

Lady Bones – 24 Hour Party Girl (Stream)

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Now that the site’s caught up to the current release cycle on all fronts, their may not be as much material in the ensuing posts as some of the more recent entries. Even with that note, it’s extremely clear that 2015’s not going to bother to slow down its astonishing pace in regards to great new releases. While not a lot of publications or bands offered up new material over what seemed to be a slightly extended Labor Day weekend, there were still a few slivers of gold. The music video format found strong representation by way of Mick Jenkins’ stunning “P’s & Q’s” and Skating Polly’s delightfully whirlwind “Nothing More Than A Body“. Single streams saw another compelling duo ushered forth in Terrible Feelings’ new noir-tinged basement pop classic “Black Water” and Drowse’s slowly-unfurling, dread-induced “Melt“.

Full streams were in much larger supply, with no less than six outstanding titles vying for greater attention. Soul Low hit a new career with the surging, shambolic Sweet Pea EP, reaffirming their potential in the process. La Lenguas proved that “Love You All The Time” was no fluke by padding it out with two more stunners on their debut EP, Tears In My Milkshake. Rightfully-vaunted punk label Dirt Cult found another strong release in Blank Pages’ urgent No Reception EP while Heyrocco got their career off to an extraordinarily promising start with the powerful Teenage Movie SoundtrackBoth Communions and Someone Still Loves You Boris Yeltsin exceeded heightened expectations with The High Country and Communions, respectively, to bring everything home.

All of those songs, records, and music videos- as always- are worthy of praise and greater scrutiny. It’s Lady Bones’ latest, though, that earns this post’s featured spot. The band recently began teasing their upcoming Dying with a song, “Botch“, that suggested a bold atmospheric shift. Now, “24 Hour Party Girl” has arrived to confirm the band’s new era. Lady Bones had initially caught this site’s attention by virtue of an incredible split release with Horsehands. Any of the band’s more vibrantly bright tendencies evidenced in that first release have all but vanished, replaced instead with the dour relentlessness that drives bands like their labelmates (and site favorites) Kal Marks.

“24 Hour Party Girl”, like “Botch” starts murky and intent, working itself into a contained furor that seems as if its on the verge of toppling everything over at any given moment. Incredibly dynamic, restless, and unnervingly foreboding, the song’s unavoidable proof of the band’s sudden ascension to an unthinkable level. Coming in 15 seconds shy of five minutes, it hits its fiercest moments in its closing passage, erupting into a bruising, cathartic release. The guitar sings while the rhythm section punishes, bringing everything to an unexpectedly explosive finish, leaving nothing but smoke in its wake. Two songs in and Dying is already looking like a surprise candidate for Album of the Year.

Listen to “24 Hour Party Girl” below and pre-order Dying in advance of its June 3o release date from Midnight Werewolf here.

Someone Still Loves You Boris Yeltsin – Line On You (Stream)

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Only a small handful more of these posts to go and the site will be caught up on all angles for the first time since 2014. Part of that’s due to periods of inactivity brought about by an intense schedule in the year’s opening stretch and part of the reasoning behind that apparent drought was the sheer amount of time it took to collect everything as it appeared. 2015’s been absolutely overflowing with great releases from new and established artists, some hitting unthinkable highs. Mainstays Someone Still Loves You Boris Yeltsin have been gearing up to join that club over the past few weeks, releasing a string of songs that register as the best work of their career. Their latest single, “Line On You”, continues making a strong case for that particular argument. Before jumping into that song’s strengths, it’s almost necessary at this point to take a step back to cover some other outstanding material that’s been unearthed over the past week.

All of these posts are still going to regulate the featured titles to the single stream category and this time around, that category includes a very eclectic handful of tracks. There was Chomp’s basement punk and hardcore hybrid “The Rational Anthem“, Frances Cones’ blissed out dream pop tune “Wait Right Here“, Flesh World’s tension masterclass “Poolside Boys“, Amber Edgar’s breathtaking “Good Will Rise“, and It Was Romance’s punk-tinged indie pop number “Philadelphia“. Cayucas unveiled their compellingly frenetic “Moony Eyed Walrus“, DMA’s “Your Low” coasted on its carefree powerpop, The Weather Station released their startlingly gorgeous “Tapes“, and Eternal Summers’ characteristically stunning “Come Alive“. Then, of course, there was Someone Still Loves You Boris Yeltsin’s “Line On You”.

With more than a few sections falling between early Weezer and site favorite Tony Molina, “Line On You” is one of the most energized pieces of music that Someone Still Loves You Boris Yeltsin have ever crafted. Expertly marrying more than a few genre pastiches to create something genuinely electrifying. All of the songs that have emerged in the band’s rollout campaign have sounded like their most committed work to date, an impressive feat for a band already so far into their career. Warm tones, sunny melodies, and a whole host of unexpectedly supercharged aggression cement The High Country‘s position as a record worth greeting with heightened expectations. By the time the surging finale takes the song to its roaring conclusion, the band’s subverted their own position in today’s constantly shifting musical landscape and wound up with one of their most immensely enjoyable works to date.

Listen to “Line On You” below and pre-order The High Country from Polyvinyl ahead of its June 2 release here.