Heartbreaking Bravery

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Tag: Sorority Noise

The Honorable Mentions of August 2017

A lot has happened over the past month and the time to get this site back on track has nearly arrived. On a quick personal note: Heartbreaking Bravery is now based in Madison, WI and will likely expand on some forms of coverage — and feature selections — in the very near future. Before all of that can happen, it’s imperative that the events of the past month be taken into stock. We’re now arriving at a time where the AotY-caliber material descends like a waterfall and it can be overwhelming. To that end, this post will highlight all of the new songs, music videos, and records that made a sizable impression over the past month. A few more posts will follow but if anyone’s looking for a wide-ranging variety of outstanding new music, it’d be best to bookmark this page and spend hours clicking around. It’ll be worth the time.

RECORDS

The Obleeks, Honeyrude, Thanks for Coming, Duncan Fellows, UV-TV, SOAR, The Anatomy of Frank, Tyler Ditter, Big Fred, Half Gringa, Little Kid, Guggi Data, Dina Maccabee, Small Reactions, Noon, At Zero, Dude Elsberry, Guided By Voices, The Ocean Party, Rick AshtrayFrøkedal, Faith Healer, Winston Hightower, Rose Hotel, Maneka, Ice Balloons, Black Mekon, WALK, Luke Rathborne, Mosquitos, Limp Wrist, The Homeless Gospel Choir, Club Night, Sunrot, Judders, No Museums, DieAlps!, Howlin’ Banana, and Ruination.

MUSIC VIDEOS 

David Ramirez, The Coathangers, VARSITY, Potty Mouth, Cody & Danz, St. Vincent, Courtney Barnett & Kurt Vile, Phoebe Bridgers, Black Kids, Los Angeles Police Department, Omni, Melkbelly, Mauno (x2), Curtis Harding, Trupa Trupa, Amy O, Jessica Lea Mayfield, OxenFree (x2), Ritual Talk, Palehound, Small Reactions, Land of Talk, Nnamdi Ogbonnaya, People Like You, Hurray For The Riff Raff, CHUCK (x2), Sam Coffey and the Iron Lungs, Oak House, Liars, ayo river (x2), Jason Isbell and the 400 Unit.

Kane Strang, Peach Pit, Manchester Orchestra, Elettrodomestico, Black Lips, Circuit des YeuxSløtfaceFilthy Friends, Hellrazor, Quiet Hollers, Fake Palms, Partner, Folkvang, The By Gods, Sorority Noise, Cloud Nothings, Young Boys, Annie HartDaniele Luppi & Parquet CourtsThe Safes, Small Culture, The Mynabirds, Sparks, Gallery 47, ALA.NI, Poppies, BABY!, Briana Marela, Pile, Hope, Ellen and the Degenerates, Wild Honey, Early Riser, Baby Jesus, Cassels (x2), Midnight Sister, Alex Lahey, Sono Oto.

Frankie Rose, The Homeless Gospel Choir, Shabazz Palaces, Warm Body, doubleVee, Sound of Ceres, Beliefs, Rainbrother, Arrows of Love, WAND, Demure for Sure, Emily Haines & The Soft Skeleton, Dead Heavens, DieAlps!, Grey Gersten, Ride, Wolf Parade, Kevin Morby, Prism Tats, Cristobal and the Sea, Becca Mancari, The New Pornographers, Surrounder, Houg, Mount Kimbie, High Bloom, Ian Randall Thornton, Michael Charles Smith, Steve Martin and the Steep Canyon Rangers, Mr. Muthafuckin eXquire, Rookin, Ibeyi, Marlon Williams, Black Beach, At The Drive In, Douse, Anthony, Open Mike Eagle, Your Old Droog, Girl Ray, and Superet.

SONGS

Beachtapes (x2), Partner, The Willowz, Julie & The Wrong Guys, Slothrust, The Pains of Being Pure at Heart, Dream Wife, Karl Blau, Petite League, Florist (x2), Lean Year, Worst Place, Fits, METZ, Prom Queen, Lina Tullgren, Strawberry Runners, Slaughter Beach, Dog, A. Savage, Covey, Dava Gavanski, Bully, Cherry, floral print, Floating Action, Anti Pony, Soft Fangs, Queen Moo, Strawberry Runners, VV Torso, ORB, Gleemer, Holy Wars, Ephrata, Ben Grigg, Reptaliens, Sam Evian, Looming.

Hope Sandoval & The Warm Inventions, Holiday Ghosts (x2), OCS, Pardoner, Friendship, Top 8, Strange Relations, Lomelda, The Tin Can Collective, Graham Hunt, Mini Dresses, Versing, Caracara, A Giant Dog, Makthaverskan, Pool Holograph, Jack Cooper, Noah Engel (x2), Tall Friend, Mercy Weiss, Monogold, Sick Feeling, Temple of Angels, Duds, Allah-Las, Mutts, Hand Habits, Silver Torches, Twist, Honeyrude, Tapeworms, The Jesus and Mary Chain, Ripped Genes, Liars (x2), Dead Stars (x2), Philip Selway.

Jude Shuma, The Persian Leaps, Rick Ashtray, Small Circle (x2), Twain, Car Seat Headrest, Everyone Is Dirty, Protomartyr, Black Beach, Smoke Rings, John Dylan, Maneka, Club Night, Nassau, Plastic Pinks, David Ramirez (x2), Weird Owl, Cults, Hercules & Love Affair, Charles Howl, The Duke Spirit, BIRDS, Pale Honey, The Dream Syndicate, Cina Polada, Alex Calder, Ruby Fray, Camp Counselor, Linda Perhacs, IDYLLS, The Dig, Nora Jane Struthers and the Party Line, WHIMM, PictureHouse, Duncan Kissinger.

S. Carey, The Dodos, Pinkshinyultrablast, Yumi Zouma, Deerhoof, Son Little, Haunted Summer, Quicksand, The Cribs, Death From Above, Mirah, Walter Etc., Ben Stevenson, L.A. Witch, Trevor Sensor, Francis, Wild Ones, Blank Range (x2), Cloning the Mammoth, King Khan, STACEY, The Darts, The Duke of Surl, Siv Jakobsen, North Lynx, Looms, Sauropod, Plateau Below, Out Lines, Joey Sweeney, Deradoorian, Parentz, Norma, Surf Rock Is Dead, Freedom Baby, The World Is A Beautiful Place & I Am No Longer Afraid To Die.

ExSage, The Sighs, The War On Drugs, DDCT, Hudson Bell, The Side Eyes, EMA, Knighstown, Fuzz Queen, LOSANGE, Andi, Loyal Lobos, OMD, Hypnotic Kingdom, Happy Hollows, After Hours Radio, Peter Oren, Andrew Weatherall, A Valley Son, Far Lands, Tree House, Faith Healer, Diamond Thug, DestroyerMÄRVEL, Seasonal Beast, clipping., Cape FrancisGunn-Triscinski Duo, Four Tet, Smash Boom Pow, Acid Tongue, Black Pistol Fire, NVDES, Midnight Sister, Kid Midnight (Charly Bliss Remix), MOURN, and Petal.

Streams of the First Quarter: The Honorable Mentions

Less than a week remains in 2017’s first quarter and the year’s already earned solid representation thanks to a slew of incredible releases. Below this paragraph are links to approximately 500 of the finest songs that the January-to-March period had to offer. A few of which are from widely renowned artists but the vast majority are from the artists who deserve more recognition than they receive.

Now, it’s practically impossible to imagine any one individual is going to sit down and listen to every single one of the songs here but that’s not exactly the purpose of these lists. This, as was the case with the others, is a capsule of a time period that offered up art that was (mostly) lost to the shuffle. It’s a representative account of what was happening behind-the-scenes while this site was in its extended hiatus.

Most importantly, it’s a way to recognize and honor the artists responsible for crafting pieces that both deserved and earned praise, even if it’s in a relatively minor form. This will likely be one of the longest lists of links to ever run on this site and it’s likely best to just click around until something strikes a chord. So, bookmark this page, dive in, and explore what the world’s produced over this first quarter and keep an eye on this site for a few short “best of” posts before Heartbreaking Bravery resumes its regular daily coverage. Enjoy.

NE-HI, Hater (x2), Knife in the Water (x2), Thelma, The Districts, Flasher, Catholic Action, Growl, Happyness, Land of Talk (x2), Canshaker Pi, Baby!, Gold Connections (x2, 3), Jay Som (x2), Go Fever, The Mells, The Chinchees, Aye Nako, Greatest Champion Alive, Diet Cig (x2, 3), High Sunn, Tall Friend (x2, 3), Do Make Say Think, Boss Hog (x2), Fog Lake (x2), Littler, Real Life Buildings (x2), The Proper Ornaments, Alex Napping (x2), Bruising, YURT, Analog Candle (x2), The Courtneys (x2), Wild Pink (x2), Amanda Glasser

Lunch Ladies (x2, 3), B Boys, Molly BurchIdle Bloom, WHY?, Vengeance, Phoebe Bridgers, Kane Strang, Former Bullies, The Spookfish (x2), Dude York (x2), Ben Grigg (x2, 3), Agent blå, Andrew Goldring, Fragrance., Rolling Blackouts Coastal Fever, Spiral Stairs (x2), Bonnie ‘Prince’ Billy, Guided By Voices (x2), Future Teens, WaydeÀ La Mode, Fraidycat, Robyn Hitchcock (x2), Eric Slick, Terry Malts, Sharkmuffin, Ride, Joan Shelley, PONY, The Coathangers, Juliana Hatfield (x2), Sorority Noise (x2), Slow Caves

No Thank You (x2, 3), Francobollo, Great Profile, Mount Song, Real EstateHawkmoon, Casper Skulls, Century Palm (x2), Deathlist (x2), Rosie Carney, Superorganism, Goldblooms, Day Wave, Wire, Cotillon (x2, 3), Will Johnson (x2), Anti Pony, Personal Best, Mind Rays (x2, 3), Ty Segall (x2, 3), Bonny Doon (x2), Arc Flash (x2), Tobin Sprout, Slowdive, Top Down, Mise en Scene, Thunder Dreamer, Hiccup (x2), Bent Denim, The Molochs, Caitlin Pasko, Cold Beat, Oak House

Mad OnesThe FeeliesWavves (x2), Tonstartssbandht (x2), Those Lavender Whales (x2), Overlake, Winstons, Vagabon, MaganaTrust Fund, Fuzzystar (x2), Baked (x2), Loose Tooth (x2, 3), The Sloppy Heads, The Cairo Gang (x2), Vundabar, Chick Quest (x2), Holy Sheboygan (x2), The Craters, Doug Tuttle, Walter Martin, Nadine Khouri, Holy Now, Vassals, The Obsessives (x2), Orchid Mantis, Thin Lips, Apocalypse, Communions, Olden Yolk, Dion Lunadon, Emperor X, Shadow Band, Richard Edwards, Adna

Bleached (x2), SaltlandTim Kasher (x2), Warm SodaAlyeskaMatthew Squires, You’re Jovian, Little Star, Mothpuppy, Midwives, Monster Movie, Jessica Denison + JonesElijah, Loom, Your Old Droog, Mimi Raver, Smidley, Beachheads, Clap Your Hands Say Yeah (x2), Cesar Ruiz, Leather Can, Woods, The Yugos (x2), Adam Torres (x2), L.A. Witch, David Bazan, Luxury Death (x2), Imaginary Tricks, Strange Lot (x2), Lomelda, Sacred Spirits, Matty Ann, The Hernies, Destrends, ELLA, Adult Mom, Second Still

The Dove & The Wolf, Gang of Youths, Trementina (x2), Good Good Blood, SheerOrchin, Anna Coogan, WALL, Artificial Pleasure, Sera Cahoone, Annie Hardy (x2), Priests, Laura Marling, Yawn Mower (x2), Toby Foster, Wear Your Wounds, The Present Age, The Knitts (x2), Junior Astronomers, No Vacation, Wolf Girl, Peter Bjorn and John, Cassandra Jenkins (x2, 3, 4), A Valley Son (x2), Jons, Sinai Vessel, Yellow Paper Planes, Seven Deaths, Snakehole, Sondre Lerche (x2), Varvara, Karen Elson

Tiger! Shit! Tiger! Tiger!, Wilding, Common MinerDan Misha GoldmanCymbals Eat Guitars, Lost Boy ?, Moon DialThe Birthday Letters, UV-TV, Girl As Wave, Big Surr, Nightlands, Menace Beach, Boytoy, Melby, Dali Vision, Desperate Journalist, Alex G, Knifey, Aquarian Blood, Winstons, High Up, Joshua James, I Am the Polish Army, Feral Ohms, French Vanilla, Bad Breeding, The Octopus Project, Born Without Bones, Laughed The Boy, Jake Xerxes Fussell (x2, 3), Cindy Lee, The Cover Letter, Michael Nau

Lyrie and the Duckies, Vorhees, Blank SquarePatterson Hood, Jon McKiel, Whips, WompsKikagaku Moyo, Brandon Koebs, Surf Dads, LT Wade, Daddy Issues, David Bazan, Matthew Lee Cothran, Jake Clarke, Spur, Loose Buttons (x2), Bilge Rat, Saw Black, Lowly, Jackson Boone, Superchunk, Desert Culture, Julia Lucille, The Darling Buds, Ducks Unlimited, Hoops, Taft Mashburn, Summer Moon, Conifer Vista, My Education, The Wooden Sky, Her’s, Teen Daze, Rubblebucket, Platinum Boys, Jens Lekman, Threefifty

Sam Coffey & The Iron Lungs, Nadia KazmiShelby Earl, Preservation Hall Jazz Band, Circus DevilsFire in the Radio, Half Waif, Metric, Sampha, Deadwall, Ground and Grave, Martin Rev, Craig FinnOiseaux-Tempête, Raj and the 100’s, The Wintyr, TW Walsh, ShitKid, Joel Michael Howard, Evening Darling, FOTR, Pollen Rx, Lillie Mae, Kyle T. Hurley, Hite, Tara Jane O’Neil (x2), Louise Lemón, PalomaStacey, Two Moons, POND, Business of Dreams, Billy Moon, Low Roar, She-Devils, White Reaper, Tiny Vipers

SOFTSPOT, Gorillaz, ROYA, BottlerThe Megaphonic Thrift, Caves, The New PornographersJulie Byrne, BNQT, COTE, Damaged Bug, Railings, Mark Eitzel, Deleter, Code Orange, Goddamnit, Cory Branan, No Joy, Blak Emoji, Tropical Skin Byrds, Empty Lungs, Tomber Lever, Rainbrother, Max Subar, Little Person, Perhapsy, Other Houses, Dehd, Niilo Smeds (x2), Morning Teleportation, The Co Founder, Show Me the Body, Kory Quinn, Tow’rs, Circle, Maria Kelly, Cosima, John Craigie, Holy Motors, Benjamin Booker

Me Not You, Her HarbourHeath Green and the Maksehifters, CodistMatt Maltese, Thurston Moore, Pissed Jeans, Feist, Odd Couple, A Deer A Horse, Cassels, Thad Kopec, Turn to CrimeTorgeir Waldemar, Oyama, Said the Whale, Altar Eagles (x2), Grace Mitchell, Radiator King, Minus the Bear, The Tarantula Waltz, Hiva OaTrès Oui, The Buttertones, Winston Hightower, Crooked Bangs, Los Angeles Police Department, CFM, Diagrams, Boosegumps, Marcus Norberg and the Disappointments

The Nickajack Men, Semi-Attractive Boys, BanditosRachel Kilgour, Broken Field Runner, Residuels, Jim and the French Vanilla, Wooden Wand, Emma Ruth Rundle, Batz, Monograms, Operator Music Band, RF Shannon (x2), LAKE, Ha Ha Tonka, Fufanu, Coast Modern, The Glass Eyes, Keto, Loess, Go By Ocean, Unstoppable Death Machines, Frederick the Younger, Bendigo Fletcher, Meatbodies, The Bingers, Slingshot Dakota, Astro Tan, Football, etc., Planning for Burial, Delafye, Dim Wit, Retail SpaceEmma Gatrill, Gnod, Mark Lanegan Band, and Leon of Athens.

 

 

 

Watch This: A Long List of Honorable Mentions from A Brief Stretch of Time

It’s been approximately a month and a half since the last volume of Watch This ran on this site. During the interim, there was a lull in coverage due to show coverage (the results of which will be appearing in the very near future) and then a spree to get the three main release categories — single streams, full streams, and music videos — caught back up to the current release cycle.

Now that everything’s back on pace, the Watch This series will be revived in a continuing series of posts that are spread out over the next week. During all of the time the series maintained radio silence, the material that was emerging was being taken into account on a near-daily basis. An intimidating amount of great live performance videos have surfaced in that time and will be split up into groups as those clips are recapped. Below is a list of strong candidates that have a lot to offer, either in the filmmaking department, through the band’s performances, or a mixture of both. So, as always, sit up, scroll down, and Watch This.

Gordi, The Black Angels (x2), The Coathangers, The Peekaboos, Andy Shauf (x2, 3), Sorority Noise, Sera Cahoone, Footings, Lina Tullgren, Abi Reimold, Your Friend (x2, 3, 4), Shearwater, Christian Lee Hutson, Indian Askin, Lady Pills, Valley Queen, Gary Clark Jr. (x2), Choir Vandals, Pearl Charles, New Madrid, Laura Sauvage, Simeon Beardsley, Colleen Green, Palm Springs, didi, Max Meser, Keeps, Pinkwash, Cate Le Bon, Namorado, Mount Moriah, Tacocat (x2. 3), Trixie Whitley, Bleached (x2, 3), Psychic Love

Clean Spill (x2, 3), The KillsRestorations (x2, 3), Band of Horses (x2), Sioux Falls, The Frights, Behold the Brave, SOAR, The Ultrasounds, Arnold Turbobust, Broken Beak, Korey Dane, Songhoy Blues, Tony Peachka, Beach Slang, Pinegrove (x2), Astronautalis, CocoRosie, Little Green Cars (x2), Golden Daze, Sex Tide, Audacity, Jalen N’Gonda, Sun Club, Laura Gibson, Born Ruffians (x2), Kurt Vile, Bird Laww (x2), Mail the Horse, Radical Face, Yeasayer, Nada Surf, Wimps, Museyroom, Bummer, Quiet Hollers

Deerhunter Rainwater Cassette Exchange, Kaiti Jones, Yak, Operators, Quilt, Laney Jones (x2), Slowdive (x2), Laurel, Penny and Sparrow, Model/Actriz, Savages, You Won’t (x2), Psybeams, Julia Pox, Lip Talk, Pure Bathing Culture, Amanda Bergman, Hinds (x2, 3), Battles, Parlour Tricks, Deerhunter, Jackie Islands, Flying Horseman, Wet Nurse, American Pinup, Blitzen Trapper, Davina and the Vagabonds, Cybee, Jon Latham, Jon Latham.

 

What A Difference A Month Makes (Full Streams)

Let’s get this out of the way at the top: there hasn’t been a post on this site for roughly a month. A large part of that development is due to the fact that for approximately half of that timeframe, I’ve been on the road and either playing or taking in shows (the majority of which will be receiving coverage here at some point in the near future). During that stretch, a lot of material has surfaced. From extremely strong post-punk debuts to an astonishing, simultaneous 35-record release, it’s been a fascinating month. Below is a collection of some of the finest releases that have emerged over the past several weeks. Enjoy.

Gland, Phosphene, Husdon Bell, No Ditching + Baby Ghosts, Mean Jeans, Dump Him, Free TimeTender Age, Hurry, J. Robbins, Hayden Calnin, Wood Lake, Animal Faces, A Giant Dog, Haybaby, Museum Mouth, JulianCrossed Wires, Hovvdy, Nearly Oratorio, Psychedelic Witchcraft, Plants & Animals, Pity Sex, Those Pretty Wrongs, Tyler Jordan and the Negative Space, Grubby Little Hands, Beach Skulls, Lenguas Largas, Sorority Noise, TV SetsDoctor Barber and Fog.

Spice BoysYoni & Geti, Klaus Johann Grobe, Quinn Walker (x35), Colleen Green, Modern Baseball, skating, The Duke Spirit, Kikagaku Moyo, Star Parks, Hydropark, Pinkwash, Stone Cold Fox, Half Waif, Lacerate, microsoft saint, Mo Kenney, Hey Lover, Cave States, CE Schneider Topical, Dietrich & Barnes, Britta Phillips, Praise, Boyscouts + Ylayali, Oliver Wilde, Flasher, Acapulco Lips, Constant CompanionGrayling, and an outstanding new Z Tapes compilation.

2015: A Year’s Worth of Memories (Lindsay Hazen)

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When I started Heartbreaking Bravery, its sole intent was to spotlight important voices that weren’t being granted the exposure they deserved. While in the early stages, it primarily featured songwriters, it evolved to include filmmakers, and then — finally — other writers. Anytime I made a new discovery, it gave me a surge of hope for the years to come. Even as some of these roles — especially that of the writer — grew more thankless, it was inspirational to see people who were willing to kick back against an intimidating current. After more than two years of meticulously combing through just about every resource I had to identify emerging talent, I still wasn’t adequately prepared for the pieces Lindsay Hazen was quietly turning in on her personal tumblr. Long-form essays on streaming platforms, deeply personal asides, critical dissections of movements and geographical circumstance; everything I read blew me away. It’s a sincere honor to be publishing her writing on this site and the piece she’s turned in may be her most definitive to date. Below, she explores her diagnosis, the artists that brought her joy and comfort, and the general shape of her 2015. Dive in and give her work a look whenever and wherever it surfaces.

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When I think about 2015, I get overwhelmed. It was a year marked by unmanageability, the sheer amount of events, information, and media unable to be synthesized, catalogued and understood in any satisfying way. My year started off memorizing the lyrics of Colleen Green’s “Pay Attention“, a song which takes up an attitude of assertive indifference to her attention deficiency. As someone whose lifelong fight not to doze off/get lost in the middle of conversations (and lectures, and my own sentences…) is an endless cause of anxiety, it’s such a relief to be able to embrace two and a half minutes of a right for my absent-minded brain to exist in the world, even to the point of sitting in judgement of others.

Whenever I listen to it, “Small talk on the bus, wondering how do some people talk so much/ Small talk at The Smell, talk so small you’d need a microscope to discern much at all,” I hear an echo of “Psycho Killer“, “You start a conversation, you can’t even finish it/You’re talking a lot but you’re not saying anything/ When I have nothing to say, my lips are sealed/Say something once, why say it again?”

It’s ending sort of like it began, anxious and cold. But on a cold December day, I weep quietly to Modern Baseball’s “The Waterboy Returns“. It comes on on my iPod, on the bus, and I run my thumb across the crack in the screen incessantly. I’ve never successfully made it through the song without crying and this is no exception. The first time I heard it, I sobbed hard and loud; now I just turn to the window and let the emotion wash over me, trying to catch my tears on my knuckles as they slip out past my glasses.

2015 was made up of moments like this. Being backpacked in the face by an aggressive guy at a Speedy Ortiz show, only to have them start a hotline just weeks later for people who feel unsafe at their shows. The way the stage lights at the Hard Luck Bar looked through eyes, brimming with tears, as I watched Sorority Noise perform “Using“, hearing the song for the first time. I didn’t cry then, blinked it away. I wonder if this is how normal people always feel. Accepted, joyous, okay. Among people who understand them.

Not drinking alcohol anymore because it’s disastrous for my anxiety, and spending the minutes between each band’s set admiring how brave the girls are at the show – an all ages affair. These teenage punks, eyes lined with black and bags covered in patches and buttons. So grateful that these girls have a place where they could yell and scream and jump; so in awe of how they held their own in a sea of giant men – at 24, I’m just learning to do the same.

The Sorority Noise record was my favourite of the year. I spent a lot of time in the early months of the year shouting songs off their 2014 effort Forgettable in the shower. The anticipation I felt for Joy, Departed was such an integral part of my year. Maybe it’s because it paid off, a powerful and direct series of emotional appeals that oscillate between soaring and slow-burning – sometimes within the same track.

It’s a record that dropped right as I realized that I wasn’t going to be able to stay in the city, just as I had to move away from my friends and my education and my life. It’s a record that I hope one day stands as a classic in the canon of art that explores man vs. self. It is certainly an album which elucidated many thoughts I had about my own mental illness, and led to my being able to develop coping mechanisms for the first time since my diagnosis. I still get a lump in my throat when I hear, “maybe I’m my own greatest fear/ maybe I’m too scared to admit that/ I might not be as dark as I think.”

Next to Joy, Departed, the record that had the most impact on me this year was Krill’s A Distant Fist Unclenching. Where Sorority Noise’s songs felt like the slow blossom of hope in my chest, a hand reaching out to pull me away from all the things I’ve done to myself and my life, Krill songs are like the first fidget coming out of stasis. All of the angles and dissonant reaches.

I can’t think of a song in the world I identify with more than “Brain Problem“, the drums skipping along like arrhythmia and the lyrics part confession and part prayer. Before listening to Krill I didn’t think of there being a separation between my mental illness and my self. Krill gave me a sense of personhood that I was starting to be too jaded to believe I would find in music anymore. I won’t go on because they’ve been eulogized, praised and parsed by minds much finer than mine.

Everything Everything released my favourite pop album of the year, a dystopian rock opera continuing a loose narrative they introduced in the post-apocalyptic banger “My Kz, Ur Bf” a few years ago. Get To Heaven is an album that lets you revel in the sheer amount of evidence that you are the problem, because people are the problem, and we have let the world end around us – and are nostalgic for the way it happened all the same. “Take me to the distant past,” “Did you imagine it in a different way,” “Keep on rubbernecking, yeah, whatever feels familiar.”

There’s been a few difference thinkpieces on the increased awareness/acknowledgement of mental illness in music this year and I listened to a lot of music this year for aforementioned therapeutic/self-help kind of reasons. But, holy hell is it ever lovely to put on Get To Heaven and live in the world that Higgs and company have created – to feel a universalized misery and to find a narrative, to find humour and grand tragedy that leads to a greater sense of catharsis.

There were also a million punk/rock albums by women that just kicked my ass. The Speedy Ortiz record, the Palehound record, Dirty Dishes, Bully, Chelsea Wolfe, MarriagesG.L.O.S.S., The Lonely Parade, not to mention the valiant return of Sleater-Kinney. I don’t know why it’s harder for me to write about these records, or even to speak about them. I push them on others with half-formed sentences, gushing about something that escapes me.

I tell them about the loss and longing in the first moments of “Red Roulette“, and about how I woke up early one morning in August to sit in the backyard just after sunrise and listen to Abyss in full – how the record that reveled in so much lush darkness was somehow even more beautiful in sunlight so bright you could barely open your eyes. I tell the producer/songsmith at my work about how in my most anxious moments I scream along with the G.L.O.S.S demo because of what I can only term as its inclusive alienation. It is a record that feels made for moments when I feel alone and afraid in my house and in my skin. It is a reclamation of the space around me.

I guess the last big thing of the year for me was spending two months with Smokes’ debut, Zone Eater. It opens with the absolutely cutting lyric, “I know I need to evolve instead of revolving,” on “Dead Hand” and repeats into the chorus, continuing, “I need to evaporate, but I’m still devolving.” There’s a detectable desperation, in Nick Maas’ voice and echoed in both the guitar and violin that suggests a critical mass, a return of Saturn, a day that you make a choice and you don’t look back – the record is full of this feeling. Of looking into the face of nihilism and deciding to just fucking leap into being who you want to be.

It makes sense, I learned in reading the press surrounding the record that the second song on the record, “Lemonlime“, is a coming out song. It might just have ended up my favourite song of the year. “I used to be a mind among machines, now I’m a timebomb wearing tight jeans/I was a clock but I couldn’t tell time, but I can tell a lemon from a fucking lime.” “Now I’m a shark, and I still can’t tell time, but I can tell a lemon from a fucking lime.” “I’ve lost all my baby teeth, so what you see is what you’re going to get with me.” “I’m a fucking shark, I eat what I want.” I moved back to the East Coast – I still don’t know whether it was a good decision but “Lemonlime” is the song that made me stop worrying about it.

I finally acknowledged the loss of my own metaphorical baby teeth. Their early single “Body Heat” is on the record, and it’s the one that hooked me. It’s a cinematic song made for walking through the busy streets and feeling everyone move past you like a blur – the violin, fiddle-like, a soundtrack fit for a hero walking into the sunset. ‘’For once in your fucking life, wear your heart like body heat.” There’s a rawness to the emotion on this record that runs right through, even the most starkly Canadian indie music tendencies don’t obscure the boiling blood contained within. And there are songs like “Snakeskin,” that bypass all of that and head right for a heartland that falls somewhere between L’Acadie and Rasputina territory, thrilling and chilling me.

I guess to me, being overwhelmed by music was a welcome distraction from all of the other things that overwhelmed me. The music of 2015 reminded me of all the excitement and enthusiasm and effusiveness with which I loved music as a teenager. I felt so profoundly grateful for music this year. I guess that’s the place that I should leave off – knowing that the music I listened to this year helped me to rediscover the parts of my brain that I liked, helped me to realize that depression hasn’t taken away my ability to feel grateful and fulfilled. I slip out of the imposter syndrome that has cloaked me and all my decisions in doubt and though I stand about as tall as a concrete foundation, I have all of these songs; these melodies; these lyrics; these memories on which to build some fucked up, crazy, beautiful life in the coming year.

-Lindsay Hazen

Watch This: Vol. 85

Welcome to the 85th installment of Watch This, the annual Sunday series that celebrates some of the finest performance captures to find release over the past week. Courtney Barnett, Girlpool, and Torres all continue their respective strangleholds on this series’ feature spots. Heavy on full sets, every artist featured here has earned several words from this site in the past. Of course, as usual, there was stiff competition for the feature spots. Artists responsible for those performances included: Tahiti Boy & the Palmtree Family, Christopher Owens, Christopher Paul Stelling, Sorority Noise, Leon Bridges, Viet Cong, HEALTH, Calexico, Dave Monks, Sam Prekop + Archer PrewittMolina y Los Co´smicos, Forth Wanderers, Shana Cleveland and The Sandcastles, and footage from the FORM Acrosanti anti-festival. It’s another lineup that’s indicative of the five featured clips’ astounding strength. So, as always, grab a drink, sit back, adjust the volume to whatever best reflects your preference, and Watch This.

1. METZ – Spit You Out (3voor12)

METZ are one of the fiercest live bands on the planet right now so their inclusion here isn’t really all that surprising. What’s definitely unexpected, though, is the gorgeous scenery. Performing at the Best Kept Secret festival, the trio took to a house’s front yard and delivered an absolutely blistering rendition of METZ II highlight “Spit You Out”. It’s an exhilarating tour de force from one of this generation’s most exciting bands.

2. Girlpool (NPR)

By now it’s very likely that the trio of songs the duo of Cleo Tucker and Harmony Lebel-Tividad play here have graced this series more than any other songs. However, they’ve never been played on a stage even remotely similar to NPR’s vaunted Tiny Desk Concert series. Now, more than ever, it’s abundantly clear how ingrained these songs are in both members. Intuitive playing, effortless harmonies, and a genuine love for their work and each other once again carries their performances to near-transcendental heights.

3. Speedy Ortiz (unARTigNYC)

First thing’s first: this is not a complete video. Understandable, because the weather started threatening everyone’s equipment, not just Speedy Ortiz’s (who had several technical difficulties throughout a spirited, memorable set). I was fortunate enough to be in attendance for this show- held for free on a pier in Manhattan as part of Hudson River Parks’ Hudson RiverRocks concert series- and weathered a fairly brutal rainfall sans umbrella until the bitter end (the rain started- and the wind picked up- during a beautiful version of “Doomsday”, a song that still manages to elicit goosebumps and stands firm as a Song of the Decade contender). Although it’s not featured in the video, I’ll have a permanently embedded memory of the band losing pedal after pedal (and then amp and PA connections) during a particularly fierce take on “American Horror” that ended with Sadie Dupuis opting to take her guitar off and hold it above her head, allowing the feedback to ring out, like some ritualistic sacrifice to the gods. It was a stunning moment. Unfortunately, Waxahatchee’s set had to be cancelled due to lightning before it even started- but it would have been hard to have made much of an impression after what Speedy Ortiz accomplished in the face of what could have easily been disastrous.

4. Torres – A Proper Polish Welcome (Sunday  Sessions)

There’s something about Torres’ “A Proper Polish Welcome” being played as a solo piece that manages to come off as intrinsically haunted. One of the most arresting moments on one of the year’s best records, it’s lent an even greater pathos when it’s stripped bare. With Sunday Sessions placing all of the emphasis on Mackenzie Scott, the clip nears a strange voyeurism as Scott completely loses herself to both the song and the performance. Gripping and beautiful, it’s a masterclass in solo performance.

5. Courtney Barnett (Moshcam)

Courtney Barnett seems to be making a habit out of crashing Watch This‘ weekly party with astounding full sets and this excellent performance- beautifully lensed by Moshcam- sees the continuation of that pattern. This time around, the songwriter unloads a career-spanning powerhouse homecoming set to an appreciative audience. Barnett’s a preternaturally gifted performer and the band she’s assembled plays well to her seemingly endless strengths. A staggering 16-song set, this serves as one of the definitive documents of Barnett’s abilities and still-ascending level(s) of success.

Lady Bones – Botch (Stream)

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Lady Bones have had this site’s attention ever since sending over a copy of their split with Horsehands last year, and while that release presented Lady Bones as a band with enormous potential, it still would have been hard to predict the direction they take for their latest single, “Botch”. Before diving into their bold stylistic revision, there’s quite a bit of material to catch up on that came out this week. Both this post and the ensuing post will have a handful of songs and full streams that will be featured and, as ever, all of them will be worth hearing. For the sake of time, they’ll all be listed with no other context given than that they’re exceptional pieces of art that deserve attention. Full streams: Toner’s self-titled, Needle Exchange’s Is This My Program?, Really Big Pinecone’s Embrace the Boss, Vexx’s Give and Take, The Barbazons’ Avec Plaisir, Nicolas Jaar’s Nymphs II, Diamond Youth’s Nothing Matters, Liza Anne’s Two, and Young Jesus’ Grow/Decompose (which will likely be making a few more appearances on here as time drags on). Songs: Sorority Noise’s “Art School Wannabe“, Expert Alterations’ “Midnight Letters“, Deaf Wish’s “Eyes Closed“, Anna B Savage’s “III“, Bad Meds’ “Hoax Apocalypse“, Vundabar’s “Chop“, and Ratboys’ “Tixis“. Seek all of them out; they’re linked here for a reason. “Botch” is also the featured song for a reason: it’s a monumental step forward for one of today’s more compelling bands.

Eschewing any semblance of sunnier sensibilities to take a plunge into a realm that sees them shoulder to shoulder with Kal Marks and Pile at their darkest, Lady Bones seem to have tapped into something that many bands have attempted (and failed) to capture. Embracing bleak, Gothic-tinged post-punk to an unprecedented degree, Lady Bones sound completely rejuvenated. It takes them less than sixty seconds to establish this sea change before exploding out into an impassioned furor. For three and half minutes the band provides a masterclass in refined dynamics (with an emphasis on tension) and engage in a total rebirth. There’s an unbridled passion that runs deep in “Botch” that seems set to tie over to the band’s upcoming full-length, the provocatively titled Dying. As a standalone single, “Botch” has enough punch to brand the name Lady Bones into the memory of just about anyone who crosses its path- but where the mystery kicks in is how it fits into the larger puzzle. If all of Dying can sustain this level of grim determination and near-feral energy, then Lady Bones may have a bona fide album of the year contender on their hands. With a battering ram of a track like “Botch”, it’s only a matter of time before they start turning some heads.

Listen to “Botch” below and pre-order Dying ahead of its June 3o release date from Midnight Werewolf here.

14 of ’14: The Best Albums of 2014

LVL UP II

One last time for one last 2014 list: “best” is in no way an attempt to be an objective statement. The terminology is shorthand to reflect personal taste and is not to be construed as anything more. Also, for the purposes of a more personal summary in this year-end coverage period, this site’s regular restriction on first person will be lifted. In 2014, I listened to more music that was released throughout the year than any other in my life. Numbering well upwards of a thousand releases, it proved impossible to keep tracks on everything (I’m already certain a few of these lists are missing more than a few titles that I genuinely loved)- but there were a few items that were worth remembering. Below are 14 records that managed to carve their way into my esteem both instantaneously and through the process of time. Below that is what turned into the most extensive list I’ve ever assembled, one that acts as an unnecessary validation that good music is being created at an excessively high volume (all of which is hyperlinked to either a full stream or a representative portion). We’re living in a golden age for access and music continues to reap the benefits allowed by technology.  In that spirit, it’s worth noting that a lot of the names included below won’t always be the most recognizable- this is due to both that volume and the fact this site’s built on a foundation that ensures bands who are marginalized will be given the consideration they deserve. So, with all of that noted, it’s time to move on to the main attraction: 14 of ’14: The Best Albums of 2014.

14. Taulard – Les Abords Du Lycée

2014’s most unexpected gem, Les Abords Du Lycée, is a mesmerizing listening that drives home taut organ/drums/vocals post-punk with a startling amount of verve. Endlessly charismatic and unpredictable, the dozen tracks on display here constantly twist and turn, never once daring to let the listener catch their breath. Mood and tempo changes abound on one of 2014’s most fearlessly unique records. Even for those who aren’t even remotely well-versed in the French language, Les Abords Du Lycée should be a thrilling listen; something like unbridled passion can always translate well enough to near the universal.

13. La Dispute – Rooms of the House

What’s easily one of 2014’s boldest concepts roots La Dispute’s mesmerizing Rooms of the House, a record that shows La Dispute’s rapid maturation with a weary grace. Centered around a meticulously brilliant narrative device, it’s a record that stunned me on my first few listens before growing into an inescapable force of nature that refused to leave my thoughts. As bleak as anything the post-hardcore has ever produced, Rooms of the House finds its strength through focus and restraint, zeroing in on difficult topics with a keen eye and an abundance of determination. Blisteringly personal and nearly voyeuristic, it stands as one of 2014’s fiercest artistic statements.

12. Two Inch Astronaut – Foulbrood

Two Inch Astronaut’s Foulbrood has come up more than a few times on the site over the past handful of months thanks to its casual brilliance. Wielding an enticing palette of influences ranging from Drive Like Jehu to their contemporaries in Exploding in Sound, Two Inch Astronaut managed to conjure up one of the most impressive sophomore efforts of the year. The title track, “Part of Your Scene“, and “Dead White Boy” all earned themselves individual write-ups on the basis of their appealingly off-kilter and ragged identity. Foulbrood‘s a record that knows exactly what it wants to be and goes straight for the throat, sending a trail of viscera flying it its wake.

11. Cloud Nothings – Here and Nowhere Else

One of the things I kept coming back to throughout the course of music in 2014 was Jayson Gerycz’s drumming on this record. Not just because it’s a staggering individual performance but because there’s an undefinable, inherent quality that exists within that drumming which drives this record to obscene heights. Impossibly, stripped of the drumming, the record succeeds wildly in an acoustic setting and demonstrates Dylan Baldi’s increasing proficiency as a songwriter, a vocalist, and a guitarist. After losing a member in guitarist Joe Boyer, Cloud Nothings somehow managed to transform themselves into an act that was simultaneously heavier and poppier than when they were a quartet. Importantly, this is a record that’s built to last and it’s only grown on me as the year’s progressed (and that trend’s not showing any signs of slowing).

10. Ought – More Than Any Other Day

As beguiling as it is bewitching, Ought’s brit-pop influenced post-punk masterpiece was a record that sounded triumphant right out of the gate. Slowly, that triumph turned to transcendence and the songs contained within More Than Any Other Day became unavoidable mission statements. In terms of scope, the majority of More Than Any Other Day feels as epic as LCD Soundsystem operating at their best. Both acts share a penchant for sprawling structures and self-containment, bridging a gap between intimacy and grandeur with a knack for deceptive, intricate songwriting. Anthemic and mundane, More Than Any Other Day was like a shot of adrenaline straight to the heart, waiting for the resuscitated with a sly grin and a memorable, tossed-off joke. Excessively charming and utterly winsome, it’s a record that felt (and still feels) necessary.

9. Jawbreaker Reunion – Lutheran Sisterhood Gun Club

“E.M.O.”, Lutheran Sisterhood Gun Club‘s thrilling centerpiece, recently appeared in this site’s best songs of 2014 list- but the song’s only one part of a much larger picture. At once, one of the year’s most joyous and pissed off releases, Jawbreaker Reunion tore through a variety of serious issues with aplomb on their absolutely stunning debut effort. Other than distilling songs like “Laughing Alone Eating a Salad” with a wicked sense of humor, the whole affair’s imbued with an enviably powerful sense of songcraft. Lo-fi, DIY, punk, and teeming with an understanding of classic pop, Lutheran Sisterhood Gun Club was one of 2014’s boldest introductions- it was also one of its best.

8. PURPLE 7 – Jewel Finger

PURPLE 7 boasts a lineup that’s accompanied by an impressive pedigree. Members of the band have previously played in bands like Defiance, Ohio, Landlord, and Hot New Mexicans (whose self-titled record ranks among my all-time favorites and currently leads my “best of decade” selections). Unsurprisingly, their debut LP effort hits a lot of sweet spots, including a gritty middle point between basement punk and basement pop. Simply put, this is a stunning collection of songs that was overlooked by most to a baffling degree after its release. Grounded, humble, and heartfelt, Jewel Finger is one of the records that reminds me of the reasons I started this site. This is music that deserves to be celebrated.

7. Angel Olsen – Burn Your Fire For No Witness

Arguably 2014’s first truly great release, Angel Olsen’s Burn Your Fire For No Witness saw the songwriter transition from a promising talent into one of the year’s most arresting figures. Embracing a fuller sound and a newfound confidence, Burn Your Fire For No Witness broke Angel Olsen’s career wide open with an onslaught of genuinely haunting tunes. Whether they were relentlessly spare or soaked in noir-ish tendencies, they were uniformly captivating; both the storm and the eerie silence before. Raw, tender, and occasionally antagonistic, Burn Your Fire For No Witness was one thing above all else: unforgettable.

6. Cymbals Eat Guitars – LOSE

From the devastating opening lines all the way through to the climactic finish, LOSE holds its ground as one 2014’s most frighteningly personal albums. Largely influenced by the death of a friend close to the band, it’s a meditation on loss and the surrounding aspects of something so tragic. Easily Cymbals Eat Guitars’ finest work to date both lyrically and musically, it’s a powerful (and powerfully moving) listen. “Warning”, in particular, cuts deep- which is one of the reasons why it wound up on the best songs of 2014 list just a few days ago. Incredibly impassioned and brave in its sincerity, LOSE finds a level of catharsis in its emotional turbulence, lending it a charge that renders it one of the year’s most human (and most important) releases.

5. Perfect Pussy – Say Yes To Love

Perfect Pussy, for better or worse, have become intrinsically linked with this site. From Meredith Graves’ insistence on tangential involvement (which I’ll forever be grateful for) to the fact that the band’s greater ascension matched up with the very start of this site, they’re a band I’ve gone step for step with since bringing Heartbreaking Bravery into existence. None of that would have happened if I hadn’t been so fiercely drawn to the things that they were doing, though, which is why I approached them in the first place. Ever since those beginnings, it’s been a privilege to watch them progress, to travel at lengths to watch them play, and to see them release a record as enormously powerful as Say Yes To Love, a collection which houses my favorite song of 2014 (and possibly of this decade so far). Unapologetic, personal, damaged, resilient, powerful, feral, oddly triumphant, and unbelievably intense, Say Yes To Love operates as a perfect reminder for all of the reasons why I fell in love with this band- and why I’ll continue to pay close attention to their movements.

4. Iceage – Plowing Into The Field of Love

No band in 2014 made a more stunning artistic leap than Iceage, who went from a static blur to matching the swaggering heights of Nick Cave & the Bad Seeds after discovering their voice. Plowing Into The Field Of Love was a startlingly radical change of pace for Iceage, who imbue the record with a curious restraint and a sense of deeply haunted Americana. Southern Gothic touch points are littered throughout the record’s bleak landscape, while making room for plaintive ornamentation in the form of brass, string, and piano figures. Darker and more self-aware than anything in the band’s career, Plowing Into The Field Of Love earned them quite a few words of praise from this very site. Augmented by some legitimately extraordinary music videos, Plowing Into The Field Of Love proved to be an unexpectedly rattling experience. Easily one of the year’s most divisive records (as is the case with any left turns this sharp), it suggested Iceage’s ambitions ran way deeper than anyone expected and, subsequently, that they had the know-how to see those ambitions to fruition. In chasing their whimsy they wound up with something I wouldn’t fault anyone for calling a masterpiece.

3. Mitski – Bury Me At Makeout Creek

My connection with Mitski’s music is something that will always hold a very personal resonance. I’ll leave most of the reasoning behind that statement to a forthcoming piece but it’s worth noting in regards to a record that’s so unabashedly self-exploratory. Bury Me At Makeout Creek was an enthralling re-introduction for Mitski, who saw it rightfully skyrocket her name recognition. Top to bottom, it’s an extraordinary effort that re-defined her artistic capabilities after a string of meticulously composed records that leaned on chamber pop tendencies. Here, that past gets blown to bits almost immediately. One of my favorite experiences in music listening all year came when “Texas Reznikoff” explodes in its final section- another came while listening to one of the best songs I’ve heard this decade (for obvious reasons, considering that statement). Where Bury Me At Makeout Creek manages to approach the transcendental is in the process of allowing listeners to hear an artist coming into their own. Part of Mitski’s identity is laid bare by Bury Me At Makeout Creek: it’s the unwillingness to accept identity as a static object and the desire to question its cumulative elements. That search is what gives Bury Me At Makeout Creek its bruised heart- and it’s why musicians will use it as a source of inspiration for several years to come.

2. Radiator Hospital – Torch Song

After the exhilarating highs of Something Wild, Radiator Hospital had a tall order for their follow-up. Fortunately (and unsurprisingly), they obliterated those towering expectations with Torch Song. Sounding more confident- and more polished- than ever before, Torch Song cemented Sam Cook-Parrott’s status as one of this generation’s keenest emerging voices. Paying attention to the minutiae of everyday experiences and injecting them with a self-deprecating sense of poetry laced with pessimism, the songs contained on this record all aim to cut and find their mark with an incredible amount of ease. Having already established themselves as one of today’s more formidable units musically, Torch Song has the added benefit of having four loaded personalities find each other in total harmony, each acting as a complement to the other. Personal diatribes, small journeys of self-discovery, and a sense of empathy inform Torch Song and help cultivate its unassuming charm. There’s not a weak track among the record’s 15 songs and it maintains an assured sense of pace throughout its relatively breezy runtime. By the time it draws to a close, it stands as one of the most fully-formed and rewarding records of recent memory.

1. LVL UP – Hoodwink’d

I don’t think any record resonated more for me throughout the course of 2014 than LVL UP’s Hoodwink’d, which I revered with literally no reservations. 2014’s strongest sophomore effort, Hoodwink’d saw LVL UP expanding most of the elements that made Space Brothers such an incredible release and retained all the others. Unreasonably refined and exceedingly personable, LVL UP have always found a strength in accentuating their members’ unique personalities and that trend got pushed to the forefront for their second full-length (which was co-released by Double Double Whammy and Exploding in Sound). Utilizing a distinctly unique take on their 90’s influences, the band also reveled in the benefits of a cleaner production that allowed them to sound more massive than they ever have in the past. No release felt more timely than Hoodwink’d, either, with the record practically serving as a stand-in voice for a disenfranchised sect of people. Alternately crushingly heavy, viciously poppy, relentlessly personal, and completely worn-out, Hoodwink’d never loses sight of its own mechanics. There’s a level of mutual understanding on display here that separates it from the rest of the year’s releases. Everyone feeds off each other, everyone supports each other, and everyone contributes to one hell of a set without even coming close to overstaying their welcome. Conversely, Hoodwink’d also ranks as one of the year’s most welcoming releases, radiating an empathetic warmth in its tone (and in its tones). As an entry in LVL UP’s catalog, it’s their career best. As a general 2014 release, it’s the best thing I had the privilege of hearing all year.

[EDITOR’S NOTE: All of the titles below without an accompanying link can be streamed in the order they’re listed via the embedded spotifly player below the list.]

Albums from 2014 that deserve to be heard:  Mean Creek – Local Losers | Happyness – Weird Little Birthday | Dark Blue – Pure Reality | Band Practice – Make Nice | Little Big League – Tropical Jinx | Happy Diving – Big World | Tweens – Tweens | Big Ups – Eighteen Hours of Static | Geronimo! – Cheap Trick | Greys – If Anything | Alvvays – Alvvays | White Lung – Deep Fantasy | Caddywhompus – Feathering A Nest | Left & Right – Five Year Plan | Ty Segall – Manipulator | Brain F/ – Empty Set | We Need Secrets – Melancholy and the Archive | Makthaverskan – II | Playlounge – Pilot | Eternal Summers – The Drop Beneath | MOURN – MOURN | Run the Jewels – Run the Jewels 2 | The History of Apple Pie – Feel Something | Flying Lotus – You’re Dead! | Trace Mountains – Buttery Sprouts | Dead Stars – Slumber | Fear of Men – Loom | PAWS – Youth Culture Forever | Swans – To Be Kind | The Yolks – King of Awesome | Crabapple – Is It You? | The Coasts – Racilia | Purling Hiss – Weirdon | Reigning Sound – Shattered | Creepoid – Creepoid | Saintseneca – Dark Arc | Mannequin Pussy – Gypsy Pervert | Fucked Up – Glass Boys | Music Band – Can I Live | Glish – Glish | Liam Betson – The Cover of Hunter | Frankie CosmosZentropy, Donutes, Affirms Glinting | Girl Tears – Tension | Martha – Courting Strong | Hurry – Everything/Nothing | The Spirit of the Beehive – The Spirit of the Beehive | Protomartyr – Under Official Color of Right | The Gary – Farewell Foolish Objects | Spit – Getting Low | Nothing – Guilty of Everything | Sharpless – The One I Wanted To Be | Legendary Wings – Do You See | Therapy? – Act of Contrition | Chris Weisman – Monet in the 90’s | Mumblr – Full of Snakes | Cayetana – Nervous Like Me | Free Cake for Every Creature – “pretty good” | Ed Schrader’s Music Beat – Party Jail | S – Cool Choices | Allo Darlin’ – We Come From The Same Place | Sneeze – Wilt | Quarterbacks – Quarterboy | The Twilight Sad – No One Wants To Be Here And No One Wants To Leave | Filmstrip – Moments of Matter | Bleeding Rainbow – Interrupt | La Sera – Hour of the Dawn | Big K.R.I.T. – Cadillactica | Gold-Bears – Dalliance | Sharon Van Etten – Are We There | Nude Beach – ’77 | A Winged Victory For The Sullen – Atomos | The Gotobeds – Poor People Are Revolting | Nots – We Are Nots | Alex G – DSU | Lower – Seek Warmer Climes | Young Widows – Easy Pain | CreaturoS – Popsicle | Mr. Gnome – The Heart Of A Dark Star | Parquet Courts – Sunbathing Animal | Ex Hex – Rips | Trust Punks – Discipline | Failures’ Union – Tethering | Odonis Odonis – Hard Boiled Soft Boiled | Beverly – Careers | The Number Ones – The Number Ones | Tigers Jaw – Charmer | Tiger High – Inside The Acid Coven | Straight Arrows – Rising | Dead Soft – Dead Soft | The Lemons – Hello, We’re The Lemons | Baked – Debt | MAZES – Wooden AquariumSleepyhead – Wild Sometimes | Native America – Grown Up Wrong | The Wans – He Said, She Said | Trophy Wife – All the Sides | Doe – First Four | Lushes – What Am I Doing | Ultimate Painting – Ultimate Painting | Haley Bonar – Last War | The Casket Girls – True Love Kills The Fairy Tale | Slothrust – Of Course You Do | Sorority Noise – Forgettable | Team Spirit – Killing Time | Feral Trash – Trashfiction | Blank Pages – Blank Pages | Mr. Dream – Ultimate In Luxury | Carsick Cars – 3 | SUNN O))) & Ulver – Terrestrials | This Will Destroy You – Another Language | Vanna Inget – Ingen Botten | The Real Energy – Beyond Delay | Muuy Bien – DYI | Young Ladies – We Get By | Eureka California – Crunch | Negative Scanner – Negative Scanner | Violent Change – A Celebration Of Taste | Black Wine – Yell BossImpo & The Tents – Peek After A Poke | Tomorrows Tulips – When | Mountain Bike – Mountain Bike | The Lees of Memory – Sisyphus Says | Telepathic Lines – Telepathic Lines | The Shivas – You Know What To Do | Allah-Las – Worship the Sun | Das Rad – Radiation | The Coathangers – Suck My Shirt | Crow Bait – Sliding Through The Halls Of Fate | together PANGEA – Badillac | Deerhoof – La Isla Bonita | PUJOL – Kludge | FF – Lord | Aj Davila Y Terror Amor – Beibi | Emilyn Brodsky – Emilyn Brodsky Eats Her Feelings | Young Statues – Flatlands Are Your Friend | Cancers – Fatten the Leeches | Sam Coffey + The Iron Lungs – Gates of Hell | Courtney Barnett – The Double EP: A Sea of Split Peas | The Ar-Kaics – The Ar-Kaics | Beach Day – Native Echoes | Hiss Golden Messenger – Lateness of Dancers | Dude York – Dehumanize | Gino & The Goons – Shake It! | Kevin Morby – Still Life | Bob Mould – Beauty & Ruin | Wyatt Blair – Banana Cream Dream | Queen Jesus – Darkness Yea, Yea | Joel Jerome – Psychedelic Thrift Store Folk | Espectrostatic – Escape From WitchtropolisCheap Girls – Famous Graves | Davila 666 – Pocos Anos, Muchos Danos | Parts & Labor – Receivers | Nick Thorburn – Music From SERIAL | DTCVHilarious Heaven, The Early Year | Bellows – Blue Breath | Teenager – E P L P | Spider Bags – Frozen Letter | The Paperhead – Africa Avenue | Parkay Quarts – Content Nausea | The Jazz June – After The Earthquake | Michael Sincavage – Empty Apartments (Supporting Actors) | Restorations – LP3 | MONO – The Last Dawn, Rays of Darkness | Matthew Melton – Outside of Paradise | The Vaselines – V For Vaselines | Total Control – Typical System | The Velveteens – Sun’s Up | Step-Panther – Strange But NiceExit Verse – Exit Verse | Slippertails – There’s A Disturbing Trend | Globelamp – Star Dust | Champ – Champ | Le Rug – Swelling (My Own Worst Anime) | VLMA – VLMA | Turn To Crime – Can’t Love | ScotDrakula – ScotDrakula | Warehouse – Tesseract | Muhammadali – Future Songs | Unwelcome Guests – Wavering | Baby Ghosts – Maybe Ghosts | White Mystery – Dubble Dragon | Constant Lovers – Experience Feelings | Future Islands – Singles | Maica Mia – Des Era | Tacocat – NVM | Popstrangers – Fortuna | Curtis Harding – Soul Power | New Swears – Junkfood Forever, Bedtime Whatever | The Miami Dolphins – Becky | Thee Oh Sees – Drop | Fasano – The Factory LP | Dum Dum Girls – Too True | Yellow Ostrich – Cosmos | Metronomy – Love Letters | Great Cynics – Like I Belong | Neighborhood Brats – Recovery | Connections – Into Sixes | Three Man Cannon – Pretty Many People | Grouper – Ruins | YOB – Clearing The Path To Ascend | Thee Silver Mt Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything | Apollo Brown – Thirty Eight | Hookworms – The Hum | Wrekmeister Harmonies – Then It All Came Down | Lee Fields & The Expressions – Emma Jean | What Moon Things – What Moon Things | Guided By VoicesMotivational Jumpsuit, Cool Planet | Gem Club – In Roses | Saturday’s Kids – The Lunatic | King of Cats – Working Out | Shopping – Tvff Noogies | The Love Triangle – Clever Clever | Nightmare Boyzzz – Bad Patterns | Future Virgins – Late Republic | Parasol – Not There | Lenguas Largas – Come On In | Cocktails – Adult Life | Generation Loss – Generation Loss | Feral Future – Haematic | Posse – Soft Opening | Diners – Always Room | Mimicking Birds – EONS | The Freezing Hands – Coma Cave ’13 | Amanda X – Amnesia | Predator – The Complete EarthWatery Love – Decorative Feeding | The Estranged – The Estranged | Steve Adamyk Band – Dial Tone | The Cry! – Dangerous Game | Ruined Fortune – Ruined Fortune | Good Throb – Fuck Off | The Elsinores – Dreams of Youth | The Bugs – The Right Time | Vacation Club – Heaven Is Too High | Freinds of Cesar Romero – Cinco Seis | Leather – Easy | Los Pepes – Los Pepes For Everyone | Juanita Y Los Felos – Nueva Numancia | Dan Webb and the SpidersEine Kleine Akustichmusik, Now It Can Be Told | Bozo Moto – BozoMoto | Low Life – Dogging | Moth – First Second | Rhythm of Cruelty – Dysphoria | Siamese Twins – Still Corner | Departure Kids – On The Go | Blessed State – Head Space | Flagland – Love Hard | Manateees – Sit N Spin | White Ass – White Ass | Ausmuteants – Order Of Operation | The Gutters – Eventually | Hysterese – Hysterese | The Ricky C Quartet – Recent Affairs | Hoax Hunters – Comfort & Safety | Arctic Flowers – Weaver

Watch This: Vol. 56

Part two of today’s three-part Watch This marathon once again returns to a few familiar faces and two new ones that should have been featured all along. It’s another installment that covers the acoustic single take session to full electric set gamut and contains one of the most unique KEXP sessions to have come out of 2014. A few big names and a few emerging ones provide a pretty balanced spread- and all of them provide great performances. These are five clips from the past two weeks that are worth time investment. So, as always, grab a snack, crack a drink, sit back, turn the volume up, and Watch This.

1. TV On The Radio – Happy Idiot (KCRW)

TV On The Radio delivered one of the all-time great late night performances on Letterman years back with a positively fierce version of “Wolf Like Me” that put them on the map. Ever since then, the band’s been subject to extraordinarily high expectations and has rarely disappointed. This year’s Seeds was an undeniably intriguing release, with lead-off single “Happy Idiot” serving as a strong highlight. Live, the song takes on new life and becomes a reminder of some of the things that make TV On The Radio one of this generation’s more fascinating acts. Bonus points for Kyp Malone’s beard, always-incredible falsetto, and Thurston Moore signature jazzmaster.

2. Sorority Noise – Blonde Hair, Black Lungs (Space Jam Sessions)

A few bands quietly emerged over the course of the past eleven months and Sorority Noise were certainly among that group. With a great album and a great split under their belt, a lot of people have started granting them the attention they deserve. Here, they deliver an engaging acoustic performance of the lilting “Blonde Hair, Black Lungs” for Space Jam Sessions that more than lives up to their growing acclaim.

3. Restorations – Wales (Little Elephant)

Every once in a while Little Elephant will deliver on consistently great sessions from incredible live bands and Restorations are currently in the middle of one of their gradual session roll-outs. Having already earned a previous Watch This feature spot, they return with a vengeance. “Wales” is a menacing slow-builder that showcases the band’s penchant for dynamics and tension. For “Wales”, Restorations’ claws come out and dig into every tendon they can find. It’s a ferocious performance from a band that excels in a live setting, making this unmissable.

4. Shilpa Ray – Johnny Thunders’ Fantasy Space Camp (TCGS)

It’s been a while since a performance from The Chris Gethard Show has made an appearance in this feature- and who better to revive it than former Grinderman touring partner Shilpa Ray. Laying waste to a harmonium and a microphone, Ray leads her band through the driving “Johnny Thunders’ Fantasy Space Camp”. The band puts seemingly everything they’ve got on the line and the audience responds in kind. It’s a strong enough performance to make converts out of anyone who wasn’t previously familiar with Shilpa Ray- and it’s more than strong enough to earn a spot in this installment of Watch This.

5. Courtney Barnett (KEXP)

It’s unlikely that there’s been an artist to have more full set Watch This appearances than Courtney Barnett. There’s a reason Barnett and her band keep cracking  their way into these lists; there’s a palpable vibrancy and sense of pure enjoyment to their live show that’s more clear-cut than just about anyone else currently playing music. That said, they’ve never been more entertaining than they are here- appropriately decked out and fully costumed for a Halloween performance that doubles as one of the most memorable sessions the reliably excellent KEXP’s hosted all year.