Heartbreaking Bravery

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Tag: Side Eye

sewingneedle – feel good music (Music Video)

Last week a slew of music videos came out and some of the finest came from Floating Room, Bodega, Petal, Brooke Annibale, TENTS., PILL, Maria Kelly, Sad Baxter, Mikaela Davis, Frankie Cosmos, Protomartyr, Young Fathers, The Plainviews, Elke, Parquet Courts, Olden Yolk, and Dott. Each of them are worth multiple viewings but sewingneedle earns the feature here with their eerie clip for “feel good music”, a foreboding song off their upcoming full-length, user error.

Every once in a while, there’s the kind of band that kicks around in murky shadows, refining a mixture of sludge, grunge, and post-punk. Boston built an entire scene around that specific genre but the latest band to forge an identity on the back of that kind of darkly-tinted magic comes from Boston’s far neighbors to the (Mid)West in Chicago’s sewingneedle. The band’s been active for more than four years, turning heads at an increasingly rapid pace with a reportedly stellar live show and incredible new material.

“feel good music” is part of the band’s improbable run towards greatness, a song that was released simultaneously with an effortlessly captivating music video that touches on the kind of lurking anxiety that the band imbues into their music. The clip’s opaque, opting to strive towards eliciting an immediate, intangible reaction rather than going for something easily explained. Drone shots of a raft tethered to a journeying boat, men racing through a field, and urban sprawl all coalesce into a mesmerizing whole in “feel good music” which defiantly announces sewingneedle’s bid for something bigger.

Watch “feel good music” below and pre-order user error here.

american poetry club – glad to be here, etcetera (EP Review)

In the past week Wendell Borton, Side Eye, Detenzione, Sarah Shook and the Disarmers, Puppy Problems, Soft Fangs/Bellows, Kindling, moshimoss/stabilo, Wilsen, and GRLMIC all unveiled full streams of various types of records. The landmark Our First 100 Days compilation also came to its natural conclusion. On the quieter, less-publicized side of things, american poetry club’s glad to be here, etcetera — packaged with I Love to Surf’s Mantras as a split EP release — was also made available to the public.

A deeply felt bedroom pop recording from Jordan Weinstock (who runs the excellent It Takes Time Records), glad to be here, etcetera is the sound of creative restlessness. Collaborators trickle in, a sample gets used, and one lonely narrative after another crops up. There’s a lot of resentment present in glad to be here, etcetera, typically manifesting in self-deprecation or self-loathing (and never as strongly as it does on the EP’s closing track) but there are softer moments scattered throughout, specifically “how i felt about most things”, which boasts a simplistic but oddly affecting video that’s premiering right here:

More than any other song on glad to be here, etcetera, this one feels complete. Fully formed, deeply felt, and brimming with genuine emotion, “how i felt about most things” grapples with a much larger scale than most of the other songs on the record. Instead of just introspection, it’s a meditation on love, familial love, mortality, aging (and being forced to age), and a handful of other weighty topics. It’s easily the strongest composition on the record (the piano figure at the end is the EP’s loveliest moment) and it suggests Weinstock will be saying a lot more things with american pooetry club in the future. A gorgeous moment on a very strong EP, “how i felt about most things” affirms one basic truth: glad to be here, etcetera is worthy of any serious collection.

Listen to glad to be here, etcetera below and pick it up here.