Heartbreaking Bravery

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Tag: self-release

Watch This: Vol. 55

With a few days of silence and a Watch This-less Sunday firmly in the past, today’s left with a lot of material to catch up on. Two weeks has provided a lot of great performances spread across a sizable range of styles, from full set in-studio sessions to solo acoustic takes. All but one of the bands featured in what will be the first of three Watch This installments has previously been featured on the site- with a great band from Columbus being the lone debut. It’s a lot to admire, a lot to celebrate, and a lot to analyze. So, as always, sit back, adjust the settings, focus, and Watch This.

1. Big Ups (KEXP)

Big Ups‘ Eighteen Hours of Static was one of 2014’s first great releases. All wild-eyed ferocity and unrelenting momentum, it marked the emergence of one of the more exciting young bands. While it still stands as one of the more notable records of the year, it’s since been overshadowed by the band’s incendiary live performance (it’s not a mistake that they keep showing up in this series). Here, they light up KEXP’s studios with a characteristically fiery five-song performance that should only facilitate their ascension. This is a band that fully deserves their growing recognition, don’t make the mistake of letting them slip by unnoticed.

2. Frankie Cosmos – Embody (Radio K)

Frankie Cosmos provided one of the most lovely sets of NXNE a few months back and since then, they’ve only grown more poised. Greta Kline’s an enviably gifted and incredibly prolific songwriter with a high ceiling. Nearly every Frankie Cosmos release has been a gem and ensured the band’s continued recognition. Airy pop songs like the excellent “Embody”, which they perform here for Radio K, are perfectly crafted pieces of- to quote the song- grace and lightness. It’s a warm embrace from an old friend, providing comfort and reassurance in equal measure; simply sublime.

3. Spit (Live at Treehaus)

Spit‘s Getting Low was one of the year’s quiet self-released records, exceedingly excellent but completely unheralded. Easily one of the best submissions this site’s ever received, the project’s now evolved from a solo venture to a full band endeavor- and what a band. Completely expanding on the Exploding in Sound-style tendencies that Getting Low hinted at, they’ve come out of the gate swinging with vicious intent. Spit’s only got one real show under their belt and they’re already very much a band to watch. Fuzzed out and appropriately left of center, this is a band worth greeting with high expectations- with this full live show serving as definitive proof.

4. Day Creeper – The Way You’re Told (The Mug and Brush Sessions)

Columbus, OH has been producing incredible bands at an alarming rate for some time now, with Day Creeper situated firmly in that pack. With a live show that’s just as ferocious as their recorded output, they’re always a great candidate for a feature performance- and the band absolutely lights up The Mug and Brush Sessions’ studio.
“The Way You’re Told” also serves as a tantalizing glimpse at the band’s upcoming Central States. If the rest of the record’s as good as this performance, they’ll have a serious contender on their hands.

5. Cloud Nothings – Now Hear In (Exclaim!)

A lot’s been made of Dylan Baldi’s vocal takes for Cloud Nothings. In most assessments, Jayson Gerycz’s drumming usually works its way into the central conversation (and rightfully so) but one thing that’s continuously evaded scrutiny is Baldi’s inventive guitar work. Stripped all the way back to a solo acoustic performance, it’s an aspect that’s allowed greater focus and opens up the impressive levels of songwriting happening in Cloud Nothings at present. Here, Baldi’s both restrained and subtly aggressive, providing a commanding performance that contributes to Cloud Nothings’ status as one of today’s most exciting bands.

LVL UP – Big Snow (Stream)

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What a day. There was no obvious choice for a feature until LVL UP’s “Big Snow” premiered over at Impose. On the surface, that’s a bland statement- but looking at the company that “Big Snow” joined today, it’s one hell of a testament to LVL UP.  In the single song department there were some legitimately great songs: Run The Jewels’ pulverizing new (Zach De La Rocha-featuring) scorcher “Close Your Eyes (And Count To Fuck)“, Dollface’s impossibly breezy indie pop gem “Churchyard“, Daddy Issues’ distortion-laden post-punk dirge “Ugly When I Cry“, and  a bracing new Crow Bait song- “Separate Stations“- that incorporates members of Iron Chic. There was also Dasher’s foreboding noise-punk minimalism piece, “Teeth“, as well as Vetter Kids’ “I’m Just Your Newest Bluest” which is a perfect representation of the band’s modernist take on classic 90’s emo and noise-punk. “A Million Random Digits” proved that …And You Will Know Us By The Trail Of Dead are far from being done while Wedding Dress’ “Somewhere Darker” makes it clear that Wedding Dress are anxious to make their introduction to the world.

Cellphone also posited themselves as a band ready to make a notable entrance with an enticing and mysterious trailer to promote their upcoming Excellent Condition. Denmark’s Mimas returned to the fold in a big way with the characteristically impressive live-edit clip for “Kissinger’s Jaw” (fans of Exploding in Sound who aren’t well-versed in Big Scary Monsters would do well to take note of this one) and Tangerine released a delightful video for another indie-pop keeper, “You’ll Always Be Lonely”. Ex Hex got in on the action as well, releasing a knockout video for Rips highlight (one of many) “Waterfall“. For full streams there were stunners from The Grayces, Thurston Moore, and a mildly insane (and wildly heavy) split between Big Neck Police and Dog.

Everything hyperlinked in the two paragraphs above stands as both a great way to share music worth listening to and acts as a very long-winded way of saying that featuring “Big Snow” wasn’t a foregone conclusion- at least not until the riff kicked in at the :26 mark. It’s the third song to be streamed from a just-released split between LVL UP, Krill, Ovlov, and Radiator Hospital. “Big Snow” is a song that’s actually been featured on this site before in an admittedly roundabout way- it was the feature piece in the band’s Serious Business session that was featured on Watch This. Even with Hoodwink’d being one of this site’s top contenders (if not top contender) for Album of the Year honors, “Big Snow” manages to stand out as one of the best songs to spring out of the band’s discography.

Having just seen LVL UP take the roof off of Chicago’s Beat Kitchen (pictured above, more to come on that later), it’s allowed the cementing of some previously-held opinions in regards to how the band functions. First and foremost; this is a truly collaborative effort with everything working as a complement to its surrounding elements at an obscenely high level. Second, this music works best as a victory lap for the disenfranchised; it’s both a rousing call to action and a well-meaning embrace for the people who were told they’d never live up to their potential or lived on the fringes of culture. LVL UP’s never been one to shy away from the unconventional (or the irreverent) and that’s a trait that takes bravery to embody. “Big Snow” hints at all of these elements and includes a rare treat; every one of the band’s vocalists (Dave Benton, Nick Corbo, and Mike Caridi, respectively) joins in for one last rousing harmony run before that surging, blissed-out guitar riff rallies the song to its fade-out finish. If Hoodwink’d wasn’t already proof, “Big Snow” certainly cements what’s become an unavoidable fact: LVL UP are one of today’s best bands and they deserve all the accolades that are bound to fall their way.

Listen to “Big Snow” below and pre-order the split it’s on from Double Double Whammy here.

Songs of Summer: 2014 (Mixtape)

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Another hundred posts in and this site’s still humming along. As tradition dictates, today is one of the only days that doesn’t get dedicated to the outstanding just-released content (though there was an incredible amount, which will be covered tomorrow)- and features a digital mixtape instead. There was a lot of talk over what the song of the summer was and no real general consensus in any type of forum. In the spirit of that surprisingly diverse conversation, the mixtape features the songs that resonated throughout this place most strongly during what proved to be an incredibly memorable summer (covering both NXNE and Pitchfork festivals among the many highlights). As the season approaches its end, it only felt right to shine a light on some of those songs one more time before the year draws to a close.

A few of these have been featured in previous playlists but that should only stand as a testament to their longevity. While a few weren’t even released in summer, they definitely struck a deeper chord as the surroundings finally caught up to the mood they inhabited. Every single one of them can be streamed below (a tracklist is also provided) and, being that this marks another hundred posts- and in the event anyone was curious in catching something they missed, hyperlinks to posts No. 200-299 are given beneath the tracklist. So, turn the volume all the way up and enjoy some great music while the warm weather’s still here.

Stream Songs of Summer: 2014 below and feel free to navigate through any of the listed hyperlinks.

1. Lost Boy ? – Hollywood
2. LVL UP – Soft Power
3. Radiator Hospital – Cut Your Bangs
4. The Coasts – I Just Wanna Be A Star
5. The Yolks – You Don’t Live Here No More
6. Tweens – Forever
7. The Sleepwalkers – My Best Was Never Good Enough
8. Bent Shapes – 86’d in ’03
9. The Freezing Hands – Good Morning Takeout
10. Happyness – Anything I Do Is All Right
11. Dead Stars – Summer Bummer
12. Joanna Gruesome – Jerome (Liar)
13. Perfect Pussy – Leash Called Love (Sugarcubes Cover)
14. Eugene Quell – Hell Presidente
15. Happy Diving – Weird Dream
16. Mean Creek – My Madeline
17. Cymbals Eat Guitars – Warning
18. Left & Right – Low Expectations
19. Mulligrub – Canadian Classic
20. Dude York – Believer
21. Cayetana – Scott Get the Van, I’m Moving
22. Lenguas Largas – Kawasaki Dream
23. Wyatt Blair – Girls!
24. Jawbreaker Reunion – Empire
25. Reigning Sound – Falling Rain

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HB200: NXNE 2014: A Listener’s Guide (Mixtape)
HB201: Sam Coffey & the Iron Lungs – Calgary Hill (Music Video)
HB202: Swearin’ at Memorial Union Terrace – 5/30/14 (Pictorial Review, Video)
HB203: Watch This: Vol. 27
HB204: Watch This: Vol. 28
HB205: Pretty Pretty – Leather Weather (Stream)
HB206: Haunted Heads – VV (Stream)
HB207: Marvelous Mark – Bite Me (Music Video)
HB208: Mean Creek – Anxiety Girl (Music Video)
HB209: Bob Mould – I Don’t Know You Anymore (Music Video)
HB210: Parquet Courts – Black and White (Music Video)
HB211: Greys – Use Your Delusion (Music Video)
HB212: Beverly – Honey Do (Music Video)
HB213: Jawbreaker Reunion – Lutheran Sisterhood Gun Club (Review)
HB214: Green Dreams – Rich Man Poor Man (Review)
HB215: Watch This: Vol. 29
HB216: Watch This: Vol. 30
HB217: La Sera – Fall in Place (Music Video)
HB218: Lemuria – Brilliant Dancer (Music Video)
HB219: The Midwestern Charm – Growing Pains (Trailer)
HB220: NXNE: Day 1 (Pictorial Review)
HB221: Watch This: Vol. 31
HB222: NXNE: Day 2 (Pictorial Review, Video)
HB223: NXNE Day 3: Greys, Benjamin Booker, Viet Coing (Photo Gallery)
HB224: NXNE Day 3: Speedy Ortiz, Swearin’, Spoon (Photo Gallery)
HB225: NXNE Day 3: Perfect Pussy (Photo Gallery)
HB226: NXNE Day 4: Creep Highway, Perfect Pussy, Frankie Cosmos, Swearin’ (Photo Gallery)
HB227: NXNE Day 5: Courtney Barnett, Army Girls (Photo Gallery)
HB228: Soybomb HQ: Cellphone, Ice Cream, Pleasure Leftists, Perfect Pussy (Photo Gallery)
HB229: Smiling Buddha: Pleasure Leftists, Holy Fuck, METZ (Photo Gallery)
HB230: NXNE: Day 3 (Review, Videos, Photos, Videos)
HB231: NXNE Day 3: Perfect Pussy (Review, Photos)
HB232: NXNE Day 4 + 5 (Review, Photos)
HB233: Perfect Pussy at Soybomb HQ – 6/21/14 (Review, Video)
HB234: METZ at Smiling Buddha – 6/22/14 (Review, Video)
HB235: Deafheaven at Bottom Lounge – 7/18/14 (Review, Photos)
HB236: Pitchfork Festival Day 2 (Review)
HB237: Pitchfork Festival Day 3 (Review)
HB238: Pitchfork Festival Day 3: Perfect Pussy (Review)
HB239: Watch This: Vol. 32
HB240: Watch This: Vol. 33
HB241: Watch This: Vol. 34
HB242: Watch This: Vol. 35
HB243: Watch This: Vol. 36
HB244: Watch This: Vol. 37
HB245: LVL UP – Soft Power (Stream)
HB246: Cymbals Eat Guitars – Warning (Stream)
HB247: Iceage – The Lord’s Favorite (Music Video)
HB248: Terry Malts – Let You In (Stream)
HB249: Dead Stars – Summer Bummer (Music Video)
HB250: Songs in Screen: A Look Back (Music Video Mixtape)
HB251: The Frankl Project – Day at the Races (Stream)
HB252: Cancers – Moral Net (Stream)
HB253: Watch This: Vol. 38
HB254: Mannequin Pussy – Kiss (Stream)
HB255: Vacation – Every Direction (Stream)
HB256: The Midwestern Charm – Bloodbath (Stream)
HB257: Dude York – Believer (Stream)
HB258: PURPLE 7 – Wise Up (Stream)
HB259: Lost Boy ? – Hollywood (Stream)
HB260: Mulligrub – Canadian Classic (Stream)
HB261: Purling Hiss – Learning Slowly (Stream)
HB262: Sam Coffey & the Iron Lungs – Gates of Hell (Music Video)
HB263: Two Houses – Disappointer (Stream)
HB264: Cayetana – Scotty Get the Van, I’m Moving (Stream)
HB265: Shy Boys – Life Is Peachy (Music Video)
HB266: Low Expectations – Left & Right (Stream)
HB267: Sonic Avenues – Bored With Love (Stream)
HB268: Joanna Gruesome – Jerome (Liar) (Stream)
HB269: The Yolks – You Don’t Live Here No More (Stream)
HB270: Bent Shapes – 86’d in ’03 (Stream)
HB271: Watch This: Vol. 39
HB272: Ex-Breathers – Pocket (Stream)
HB273: Liam Betson – Rapture in Heat (Stream)
HB274: Allison Crutchfield – Berlin (Stream)
HB275: The Ar-Kaics – Be My Baby (Stream)
HB276: Even Hand – Even Hand (Album Review, Stream)
HB277: Naomi Punk – Firehose Face (Music Video)
HB278: Kindling – Sunspots (Stream)
HB279: Places to Hide – Nowhere Bound (Stream)
HB280: We Need Secrets – How You Remember (Stream)
HB281: LVL UP – I Feel Ok (Stream)
HB282: Girl Tears – Candy Darling (Stream)
HB283: Ex Hex – Beast (Stream)
HB284: The Freezing Hands – Good Morning Takeout (Stream)
HB285: Follies – I Make Sense (Stream)
HB286: Happy Diving – Weird Dream (Stream)
HB287: Big Ups – Justice (Music Video)
HB288: Radiator Hospital – Bedtime Story (Music Video)
HB289: Space Raft at Crunchy Frog – 8/16/14 (Pictorial Review)
HB290: Watch This: Vol. 40
HB291: The Seeers – Without Lites (Stream)
HB292: Dark Blue – Here On My Street (Stream)
HB293: Lenguas Largas – Kawasaki Dream (Stream)
HB294: Wyatt Blair – Girls! (Stream)
HB295: Perfect Pussy – Leash Called Love (Stream)
HB296: Eternal Summers – Window (Stream)
HB297: Watch This: Vol. 41
HB298: Eugene Quell – A Great Useleness (Review, Stream)
HB299: LVL UP – DBTS (Stream)

Eugene Quell – A Great Uselessness (EP Review, Stream)

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During the mad scramble of post-festival coverage, there was more than a month’s worth of material to go over. So, naturally, some releases slipped through the cracks. What that was attributed to is impossible to definitively state. Now, with today being a relatively slow day for new material (apart from the NPR First Listen streams of the new Blonde Redhead and The Gotobeds, that is), there’s a perfect opportunity to feature what’s proven to be one of the best releases of August: Eugene Quell’s A Great Uselessness.

Continuing on where the delightfully raucous Eugene Otto Quell left off back in January, Quell’s second EP of the year expands on everything that made his debut effort such an unlikely powerhouse. There’s still a weary confidence that roots these songs in something that feels both entirely real and connected to something completely intangible. All of the songs still feel like they’d fit snugly into the Double Double Whammy and Exploding in Sound wheelhouses, full of peculiar melodicism and searing blasts of fuzz. Off-kilter pop gets consumed by a ragged punk influence, resulting in something inexplicably compelling and expertly delivered.

What sets Quell apart from a growing number of like-minded peers is his grasp on songcraft. Every single one of the four songs on A Great Uselessness twists and turns, taking left turns where they could have just gone straight. It’s something that’s evidenced straightaway with the harsh 1-2 punch of “Hell Presidente” and “That One Song”, which both feature a completely unhinged manic energy and a tendency to lean towards the subversive. In the case of the former, it’s an absolutely gorgeous slow-burning bridge that winds up being a calm spot of sea in the middle of an otherwise ferocious onslaught- while “That One Song”, on the other hand,  grows even fiercer and more deranged before falling apart into remarkably compelling ambient chaos.

Both of those first two songs also reveal Quell’s grunge, emo (think Sunny Day Real Estate), post-punk, and indie influences, something that A Great Uselessness‘ penultimate track, “Alta Loma” also underscores. Where the EP cements itself as a collection necessity, though, is the elegiac acoustic closer “And There Goes the Drugs”. For that song, Quell presents himself at his most vulnerable, leaning closer to Elliott Smith than Archers of Loaf.  It’s a genuinely stunning moment that caps off another extraordinary effort from the Brighton-based musician, closing A Great Uselessness out on a note of intrigue that manages to further his promise. This isn’t just one of the best EP’s of August- it’s one of the best of the year.  

Listen to A Great Uselessness below (and read along, as Quell’s graciously provided lyrical copy for each song) and order it from his bandcamp here (for US residents ordering a physical copy, expect to pay shipping).

We Need Secrets – How You Remember (Stream)

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At the end of last month, We Need Secrets (the project of Halifax-based Chad Peck) released Melancholy and The Archive, a shoegaze-heavy debut LP that’s been four years in the making. Anytime that amount of time’s invested in a single release, expectations are going to be considerably heightened. Fortunately, Melancholy and The Archive immediately obliterates any lingering doubts with its scorched-earth opener “How You Remember”.

Ferocious and delicate in equal measure, the oneiric “How You Remember” demonstrates Peck’s near-alarming levels of understanding in regards to genre, composition, and control. Even from the record’s first few seconds, a brief stretch of quiet ambient noise that gets obliterated when everything kicks in, it’s evident that there’s something rare happening with the music in Melancholy and The Archive. Effortlessly commanding attention, Peck (who plays next to every instrument throughout the record) holds nothing back from the get-go, going full-throttle and never letting up over the course of the record. It’s a wonder his name’s not one that’s gained greater familiarity, which is a possibility that’s not entirely out of the question if We Need Secrets is consistently held to a standard this fully-realized.

Listen to “How You Remember” below and then let the rest of the record play through- it’s easily one of 2014’s most stunning surprises. Order it here.

NXNE 2014: A Listener’s Guide (Mixtape)

It’s been 200 days since the idea of Heartbreaking Bravery was actually put into motion. In that time, multiple recurring features have been launched and it began to become something a little more than just a hobby. The more effort that was put into the content that went up, the greater the response was. Now, the site’s been viewed in nearly 80 countries, been granted media accreditation outside of the country, and helped form some meaningful relationships. Most importantly, though, it served- and will continue to serve- as a place of unwavering support for artists rooted in the DIY scene doing things on their own terms.

Now, anyone who has been paying attention to recent content will know that this site’s been running a lot of coverage in anticipation of this year’s NXNE. Anyone who’s been following the content for a long time will know that every 50 posts brings a new mixtape. This being the case, it only made sense to draw up a mixtape that served as an abbreviated listener’s guide for anyone who needed a crash course before heading to Toronto next month. That mix can be found below and features both long-held favorites and a few artists outside of this site’s normal comfort zone. All of the songs are worth a listen and the tracklist for the mix can be found below. Below all of that are hyperlinks to posts 100-199 (post 100 includes hyperlinks to the first 99). Enjoy.

Heartbreaking Bravery Presents: NXNE 2014: A Listener’s Guide

1. Swearin’ – What A Dump
2. Spoon – Don’t Make Me A Target
3. METZ – Wet Blanket
4. PS I Love You – Facelove
5. Greys – Use Your Delusion
6. Perfect Pussy – Interference Fits
7. Swans – My Birth
8. St. Vincent – Cheerleader
9. Courtney Barnett – Avant Gardener
10. Odonis Odonis – I’d Prefer Walking
11. Eagulls – Nerve Ending
12. White Mystery – People Power
13. Beliefs – Long Wings
14. Run the Jewels – A Christmas Fucking Miracle
15. Pusha T – Nosetalgia
16. Mac DeMarco – Brother
17. Future Islands – Seasons (Waiting On You)
18. Christian Hansen – Ma-Me-O
19. Mutual Benefit – Golden Wake
20. My Darling Fury – Blots in the Margin
21. Low – Murderer
22. Robert Ellis – Only Lies
23. Typhoon – Common Sentiments
24. Speedy Ortiz – No Below
25. Tim Hecker – Live Room

Here’s the last set of 100 articles, hyperlinked for convenience. Enjoy the exploration.


HB100: Heartbreaking Bravery: A Retrospective

HB101: Great Cynics – Whatever You Want (Music Video)
HB102: Watch This: Vol. 12
HB103: Bleeding Rainbow – Tell Me (Stream)
HB104: Beverly – Honey Do (Stream)
HB105: Brain F/ – Sicks (Stream)
HB106: Vertical Scratchers – Memory Shards (Stream)
HB107: Carsick Cars – Wild Grass (Stream)
HB108: Summer Twins – Carefree (Music Video)
HB109: Archie Powell & the Exports – Everything’s Fucked (Stream)
HB110: Perfect Pussy – I (Music Video)
HB111: Watch This: Vol. 13
HB 112: Mozes and the Firstborn – Bloodsucker (Music Video)
HB113: Cheap Girls – Knock Me Down (Stream)
HB114: Watch This: Vol. 14
HB115: Perfect Pussy – Interference Fits (Stream)
HB116: PAWS – Tongues (Stream)
HB117: Screaming Females – Lights Out (Live) (Stream)
HB118: Technicolor Teeth – Can You Keep Me Out of Hell (Stream)
HB119: Silence Dogood – Chairman of the Bored (Stream)
HB120: Watch This: Vol. 15
HB121: Nervosas at Center Street Free Space and Quarters Rock N Roll Palace – 3/1/14 (Live Review)
HB122: White Lung – Drown With the Monster (Music Video)
HB123: Tweens – Be Mean (Music Video)
HB124: La Sera – Losing to the Dark (Stream)
HB125: Creepoid – Baptism (Music Video)
HB126: Dum Dum Girls – Are You Okay (Short Film)
HB127: Watch This: Vol. 16
HB128: Green Dreams – Bug Sex (Music Video)
HB129: Playlounge – Waves and Waves and Waves (Stream)
HB130: Molybden – Woman Who Left Behind (7″ Review)
HB131: La Dispute – Rooms of the House (Album Review)
HB132: Perfect Pussy – Say Yes to Love (Album Review)
HB133: Watch This: Vol. 17
HB134: Mr. Dream – Cheap Heat (Stream)
HB135: Fucked Up – Paper the House (Music Video)
HB136: Bleeding Rainbow – Images (Music Video)
HB137: Sleep Party People – In Another World (Stream)
HB138: Help Save Fort Foreclosure (Indiegogo Campaign)
HB139: Tashaki Miyaki – Cool Runnings (Music Video)
HB140: Thee Oh Sees – The Lens (Music Video)
HB141: Diarrhea Planet – Babyhead (Music Video)
HB142: Green Dreams – Eye Contact (Stream)
HB143: Watch This: Vol. 18
HB144: Tumul – Nature Master (Music Video)
HB145: Young Widows – King Sol (Stream)
HB146: Priests – Right Wing (Stream)
HB147: Antarctigo Vespucci – I’m Giving Up On U2 (Stream)
HB148: Ernest Undead (Short Film)
HB149: Watch This: Vol. 19
HB150: First Quarter Finish (Mixtape)
HB151: Perfect Pussy at 7th St. Entry – 3/30/14 (Live Review)
HB152: Perfect Pussy at Township – 4/1/14 (Live Video)
HB153: The Sleepwalkers – Come Around (Music Video)
HB154: Watch This: Vol. 20
HB155: Tweens – Forever (Music Video)
HB156: Reigning Sound – Falling Rain (Stream)
HB157: New Swears – Midnight Lover (Music Video)
HB158: Shannon & the Clams – Mama (Stream)
HB159: Gold-Bears – For You (Stream)
HB160: PUP – Lionheart (Music Video)
HB161: The So So Glos – Speakeasy (Music Video)
HB162: Archie Powell & the Exports – Holes (Music Video)
HB163: Mean Creek – My Madeline (Music Video)
HB164: Watch This: Vol. 21
HB165: Greys – Guy Picciotto (Music Video)
HB166: PAWS – Owls Talons Clenching My Heart (Stream)
HB167: Perfect Pussy – Candy’s Room (Stream)
HB168: Watch This: Vol. 22
HB169: 5 to see at NXNE 2014: Vol. 1
HB170: Girl Band – The Cha Cha Cha (Stream)
HB171: Cloud Nothings at High Noon Saloon – 5/2/14 (Pictorial Review)
HB172: Watch This: Vol. 23
HB173: 5 to see at NXNE 2014: Vol. 2
HB174: Savages – Fuckers (Music Video)
HB175: Midnight Reruns at Polack Inn – 5/7/14 (Pictorial Review, Video)
HB176: Watch This: Vol. 24
HB177: Watch This: Vol. 25
HB178: PAWS – Owls Talons Clenching My Heart (Music Video)
HB179: Priests – Doctor (Stream)
HB180: Lady Bones + Horsehands (Split Review)
HB181: Fucked Up – Sun Glass (Music Video)
HB182: 5 to See at NXNE 2014: Vol. 3
HB183: Cymbals Eat Guitars – Jackson (Stream)
HB184: Dead Stars – Someone Else (Music Video)
HB185: 5 to see at NXNE 2014: Vol. 4
HB186: Lower – Bastard Tactics (Music Video)
HB187: Bad History Month – Staring At My Hands (Stream)
HB188: White Lung – Face Down (Music Video)
HB189: Greys – Use Your Delusion (Stream)
HB190: 5 to See at NXNE 2014: Vol. 5
HB191: The Rich Hands – Teenager (Stream)
HB192: Clap Your Hands Say Yeah – As Always (Music Video)
HB193: The Pharmacy – Masten Lake Lagoon (Stream)
HB194: 5 to See at NXNE 2014: Vol. 6
HB195: Naomi Punk – Television Man (Stream)
HB196: Watch This: Vol. 26
HB197: Geronimo! – Euphoria (Stream)
HB198: Watch This: Vol. 27
HB199: PUP – Guilt Trip (Music Video)

Clap Your Hands Say Yeah – As Always (Music Video)

Clap Your Hands Say Yeah -

Clap Your Hands Say Yeah have endured one of the stranger career arcs of recent memory but, thankfully, that hasn’t stopped them from making music. If the backlash and critical comedown they faced after the buzz from their much-adored self-titled debut had deterred them, they wouldn’t be on the verge of releasing what looks to be a fairly incredible record. The band had already shared a track featuring The National’s Matt Berninger which didn’t skimp on scuzz, which is a trend that continues on “As Always”. Additionally, they’ve released an alluring music video to accompany “As Always” that accentuates the song’s sense of unease to near-perfection.

Anchored by an engaging central performance from Will Daniels, the David M. Helman-directed clip blurs the boundaries between the naturalistic and surreal to great effect. Tracking the protagonist through a night on the town that’s filled with a quiet discontentment, it manages to become both a frightening character study as well as a cautionary warning. With the atmosphere of the clip heightened by the decision to present much of its arresting imagery through hazy exteriors, it becomes a magnetic force through its artfully positioned movements. By the climactic finish, just how harrowing everything that preceded it becomes clear- and everyone involved has something they have every right to be proud of.

Watch “As Always” below and make sure to pick up the band’s forthcoming album, Only Run, when it’s self-released on June 3.

Lady Bones + Horsehands (Split Review)

lbnhh

There are times when great music comes out of nowhere and seizes everything in its path without warning, leaving the listener scrambling to catch up with the destruction it left left in its wake. It doesn’t happen very frequently but when it does, it’s sure as hell worth writing about. Enter: Lady Bones and Horsehands, two Massachusetts bands who came together to release a split last year. Unfortunately, the band only managed to get that split out digitally initially. That didn’t stop either from trying to get it out into the world in a physical format, though, which is why (as of last month) the four songs from that split now exist in the world on a few cassettes.

As for the songs themselves? They’re everything anyone should want out of a DIY basement punk release: they’re impassioned, left-field, aggressive, catchy, and bordering on unclassifiable. All four nearly run the risk of toppling themselves over with great songwriting and clever arrangements. Lady Bones’ side kicks things off and the band wastes no time in hurtling themselves towards whatever the nearest object is to them. The nonstop riffing of “Courtesy Moans” growls and races in equal measure, baring an intimidating set of fangs while lodging its claws (read: hooks) deep. “Courtsey Moans” also sets up the woozy “Hoovah” perfectly, which carries over the decidedly darker tone of its immediate predecessor (one that matches the incredible artwork for the release, pictured up above). While “Hoovah” manages to maintain the pace and atmosphere of the split, it also succeeds in showcasing Lady Bones’ range, offering up a slightly more varied take on their approach without losing any impact. If anything, a lesson that can be taken away from this is that it only takes two songs to hear the sound of a band arriving.

Horsehands’ side more than holds up, plummeting the dark atmosphere into even greater depths while continuing to expand the release’s sonic palettes. It’s still an unmistakably Boston kind of sound but, as “Flagstone Sonogram” proves, that’s not something the band holds sacred. Coming off as nightmarish as it is poppy, the song’s the audio equivalent of a kaleidoscopic fever dream that’s terrifying in the moment but revisited fondly later. Again, impressive musicianship is on full display as the arrangements weave in and out of each other with tact and grace, creating a unique sound that complements Lady Bones’ songs without overwhelming them. “Hot Pants Nose Bleed” hits a lot more directly than “Flagstone Sonogram”. proving Horsehands to be another band with dynamic range and an able command over it. It’s a short, sharp blast that rounds out four songs that play into each others strengths as well as any four possibly could while also being incredible as standalones. It’s not difficult to imagine these bands having as much clout as, say, any of the flagship bands over at Exploding in Sound, in the very near future.

Listen to both sides below and make sure both of these bands are on the radar because this is music worth hearing.