It’s been a hectic two weeks. One move to Brooklyn and nearly a dozen live reviews later, there’s barely been time to run anything other than specialty coverage. In the interim since the move, I’ve been accumulating the pieces of media that have managed to catch my attention. This particular post will be dedicated to the music videos that managed to fight their way onto my radar, with the feature falling squarely on Bully’s endearing clip for Feels Like‘s hell-raising “Trying” (and an accompanying list of every other title via a list of hyperlinks).
As mentioned above, most of the coverage has been geared towards live documentation, including a fierce in-store set from Bully, who managed to inject that same raw intensity into their latest clip. Shot in a straightforward black-and-white, the official visual representation of “Trying” manages to nicely echo the band’s very apparent 90’s influence. Utilizing a lot of shaky devices to compelling effect (the quick zoom, in particular, is utilized astoundingly well), the video’s central narrative finds an uplifting exuberance in its simplicity; Bully break into an amusement park and a pair of security guards attempt to track them down. There’s a very visible affection for the project on display throughout, exuding a very sincere giddiness that ultimately elevates “Trying” into one of the years most memorably fun videos. It’s a testament to the band’s intrinsic charisma as much as it is to their career savvy. Put simply: this isn’t something worth missing.
Watch “Trying” below and order a copy of Feels Likehere. Beneath the embed, there are links to several other videos that came out in the past two weeks that are worth watching.
After the Downies review and accompanying round-up ran yesterday, the plan that was laid out in the introductory paragraphs was set in stone. Then today happened. Over the past few months, the sources where I turn to for material increased- as did the amount of emails I’ve been receiving. Every day, I’m finding roughly twenty things I wish I could dwell on for paragraphs. Contesting that desire is the harsh reality of time- so a few adjustments are going to be made. I currently have more than 250 songs from 2015 to link on the site so I’ll be providing lists of 75 (and one of 25) until that number’s brought to 0. It’ll be an additional part of what- as of tonight- will be regular daily coverage of new content. By the end of next week, things should be back to their normal pace. It’s been a difficult, transitional time but it killed me to force the site into relative inactivity over the months following the 2014: A Year’s Worth of Memoriesproject (and once again, I’d like to take the time out to sincerely thank all of that series’ incredible contributors- I’m sincerely grateful for your work).
Getting back to what matters, the material to have surfaced today has only reaffirmed the fact 2015 has been an absurdly strong time for music. For full-lengths, there was a powerful self-titled from American Wrestlers and a feral 7″ from recent Don Giovanni act Pinkwash. Music videos had even more to offer with Kopecky unveiling a charming lyric clip for “Quarterback“, Crushed Beak’s astonishingly lovely “History“, TOPS’ unnerving animated adventure in “Driverless Passenger“, BETS’ artful black-and-white tryst in “Jenny“, and Froth’s blistering “Postcard Radio” (which very nearly earned today’s feature spot). Most of all, though, there were songs. Site favorites Speedy Ortiz raised expectations for their forthcoming record even higher with the gnarled “Puffer“, Total Babes (who feature Jason Gercyz of Cloud Nothings) unleashed the spiky “Heydays“, and Slonk Donkerson reveled in a heavy sludge influence on “Painted From Memory“. Death Valley Girls looked forward to warmer weather with “Summertime“, Hip Hatchet wove a delicate folk tapestry with “David’s Wolves“, while Meg Baird followed a similar pattern with “Counterfeiters“. Wave & Rome demonstrated an increasingly tired genre’s potential with “Across the Map” while The National demonstrated their propensity for an elegant consistency via the Sharon Van Etten-assisted “Sunshine On My Back“. Rounding everything off was Yazan’s rousing “Tell Me Baby” and Creative Adult’s hypnotically bleak “Ring Around the Room“.
While every single one of those is worth some level of investment, there’s just something about seeing your friends having a good time that elicits an inexplicably great feeling that’s impossible to sideline. Which is precisely why Waxahatchee‘s new video for “Under A Rock” is falling under tonight’s most meticulous level of scrutiny (and most thorough level of affection). I’ve long held a fondness for videos that celebrate lo-fi, VHS home video aesthetics. There’s a certain sense of time and place that accompanies the aesthetic, which winds up being a perfect match for the subtle sense of nostalgia that permeates all of Katie Crutchfield’s work as Waxahatchee. As one of Merge Records’ newest artists, Crutchfield and her collaborators have started off- predictably- on an extended series of grace notes. Now that NPR has verified Ivy Trippis as incredible as its previews suggested. It’s fitting then, that the footage that comprises “Under A Rock” feels like a hard-won victory lap. From the lineup that performs the song in the video (it’s difficult to see Allison Crutchfield join her twin and not be reminded of Bad Banana or PS Eliot, two bands that meant a lot to me as I started exploring DIY punk’s fabric nearly a decade ago) to the faces in the crowd (Radiator Hospital‘s Sam Cook-Parrott and Cynthia Schemmer are always a welcome sight- as are the innumerable other familiar faces to appear throughout the clip), “Under A Rock” feels like a homecoming celebration built on mutual fondness and respect- which is a trait that this site will always support.
Watch “Under A Rock” below and pre-order Ivy Tripp from Merge here. Below that, explore 75 great songs from 2015’s first quarter that caught my ears (a few of them are on records that are already out but they’re definitely worth revisiting). Enjoy.