Bringing an end to the opening trio of posts to amend some of the time lost during the hiatus that followed this site’s 1,000th post, the following links will be dedicated to some of the finest full-length streams that appeared over the past two weeks. From site favorites to new names, there’s a wealth of material here that’s worthy of investment. A handful of these may even be legitimate Album of the Year contenders. Carve some time out to listen or just hit play and turn the volume up while working, either way, make sure not to miss some extraordinary records.
As good as all of those were — and they were all quite good — the focus here, for the second time this week, falls to another gorgeous music video from the House of Nod production team. Robert Kolodny’s at the helm for this venture, an absolutely beautiful clip for LVL UP‘s sprawling “The Closing Door”. Easily one of the darkest songs in the band’s formidable discography, “The Closing Door” went through a revamp from its first iteration on last year’s inspired Three SongsEP and now stands proudly as one of Return to Love‘s finest moments.
Presented in a classic 1.37:1 ratio, Kolodny immediately establishes that “The Closing Door” is going to be heavily informed by a nostalgic bent. Even in the most minuscule of details, there are stories to be told and the ratio presentation here is an expertly played tactic that also emphasizes the clip’s tonal quality. The color palette’s soft saturation similarly invokes memories of a past age of film, nicely complementing the song’s narrative, which pays careful attention to transitional elements.
Sean Henry — an artist who resides on the excellent Double Double Whammy label, which is run by LVL UP’s Dave Benton and Mike Caridi — stars in the clip and spends the majority of “The Closing Door” wandering a scenic patch of woods, stuck in a state of wide-eyed wonderment. It’s an endearing central performance but, more importantly, it’s an incredibly effective one. Even with all of the sublime flourishes that elevate the clip’s considerable sense of style, Henry grounds the entire affair with an everyman’s charm that suffuses “The Closing Door” with a lived-in feel.
That’s not to say all of “The Closing Door” is straightforward, as there are exquisite splashes of magic realism and pure artistry that further enlivens the proceedings. Bits of classic animation litter the woodland landscape and shots of small animals taking flight punctuate the clip’s measured pace to great effect. To top everything off, “The Closing Door” hits the peak of its subdued strangeness with a climax that sees Henry tenaciously scaling a tree only to throw open a door to reveal a host of warm, familiar faces in a living room (among them, FORGE.‘s Matthew James-Wilson and Yours Are The Only Ears‘ Susannah Lee Cutler).
That final reveal’s a transcendental payoff in an immensely compelling clip that never makes a false move. In a clip that’s driven by the past, it’s ultimate destination points towards the future. It’s an elegant metaphor and Kolodny handles it with an astonishing amount of grace. As the song’s monumental final section soundtracks the moment, “The Closing Door” breaks from familiarity to provide a gentle epilogue that winds down to contentment and acceptance. That closing scene is one final grace note in a series of brilliant maneuvers that all but guarantee “The Closing Door” a status as an unlikely classic.
Watch “The Closing Door” below and pick up Return to Love from Sub Pop here. Watch the band playing the song live last year beneath the music video.
Heartbreaking Bravery 