Heartbreaking Bravery

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Tag: Raury

Glueboy – Yikes (Album Review)

Glueboy XXI

The past few Friday’s haven’t offered much in the way of new material but this week proved to be an exception, gifting the world new tracks from Earth Girls, Anti Pony, JEFF The Brotherhood, Slow MassSLØTFACE, Kindling, Emma Ruth Randle, Looming, Divan, Sheer, Criminal Hygiene, Raury, Buzz Kull, Gothic Tropic, The Raveonettes, Scarlett Saunders, Banks & Steelz (ft. Kool Keith), Sharks Teeth, and Bueno. Additionally, there were full streams from Steve Adamyk Band, Eric Slick, Hollow Sunshine, and an entrancing music video from Massive Attack.

While all of those proved to be worthy titles, it’s Glueboy‘s sophomore full-length debut, Yikes, that earns this post’s featured spot. Following two promising releases, the band fully capitalizes on their potential and lets loose from the record’s onset with the fiery “Foot Soldier”. After a deceptive 40 second buildup, “Foot Soldier” takes off at full sprint and from that moment forward, Yikes never looks back.

Importantly — and largely thanks to the mixing and mastering team of Flagland‘s Nick Dooley and Big Ups‘ Amar Lal — this is the best Glueboy’s ever sounded on record. Following 2015’s impressive Videodrama EP, the band sounds revitalized, attacking every square inch of these songs with a newfound conviction. It’s a trait that’s evident from Yikes‘ opening run of songs and that sense of galvanization never wavers. Whether it’s guitarist/vocalist Jonathan Marty’s frantic, deeply-felt vocal work, bassist/vocalist Coby Chafets’ increasingly sharp lyric sets, or the additional sense of purpose that seems to have elevated Eli Sills’ drumming.

Everything clicks, congealing into a whirling dervish of a record that feels volatile and grounded simultaneously. Even when the band’s being boldly transparent in their influences (the vocal pattern and general construction of “Telescreen”, for example, is incredibly reminiscent of Titus Andronicus’ “Dimed Out“), there’s a genuine spark behind their playing that essentially erases any room for complaint. Helping matters along is that those moments are few and far between, allowing the rest of Yikes to firmly establish the band’s own singular identity.

Yikes also winds up benefiting from its members’ intrinsic musicality [disclosure: I lived with Chafets for half of 2015 and had several opportunities to join in jam sessions with all of the band’s members] and their comprehensive understanding of their chosen genre. Taken as a whole, the level of musicianship Marty, Chafets, and Sills imbue Yikes with is incredibly impressive, conjuring up levels of energy that oscillate but never come anywhere close to stagnancy.

Helping Yikes maintain its pace is the fact that only two of the songs eclipse the three minute mark, keeping things lively. Nearly every song in the collection comes in at a furious tempo, with the band seemingly intent on finding catharsis through destruction. Remarkably, the trio seems to actually achieve that goal at nearly every turn. Personal confessions, declarations, and half-buried desires litter Yikes‘ narrative landscape and breathe an additional level of life into the proceedings, coming to a climactic moment that serves as the record’s finale.

At the end of “Falling Down” everything finally threatens to go off the rails for good, splintering apart into near-chaos as the band lays seemingly everything on the line. Chafets (who trades vocal leads with Marty throughout the record) screams his larynx raw in the song’s closing passage, with the band around him erupting into a hardcore spree before cutting out abruptly. It’s an extraordinary ending to a record that should prove to be monumental to the band’s evolution as well as their reputation. Earnest, uncompromising, and endlessly fascinating, Yikes is more than just a much-needed jolt of pure basement pop adrenaline- it’s one of the year’s best surprises.

Listen to Yikes below and pick up a copy here.

2016: The First Two Months (Streams)

littler
Littler

Now that the 2015 edition of A Year’s Worth of Memories has officially wrapped, it’s time to dive headfirst into 2016. There’s been a long delay in posting due to all of the recurring series and, simply, covering the volume of what’s been released in January, February, and the first few days of March. It’s precisely because of the jaw-dropping amount of material that the next few posts on this site will merely be a collection of links. Since it’d be humanly impossible to get through even a large chunk of this in one setting, it may be best to just bookmark this page and peruse the below list at your own leisure. After all of the single stream, full stream, and music video links lists are up, the focus will shift to a handful of standout releases. Once that’s all been said and done, Heartbreaking Bravery will resume operations as normal.

Explore some of 2015’s excellent early offerings below.

Yuck – Cannonball || Yucky Duster – Seashell Song || Hovvdy – Problem || Skaters – Head On to Nowhere || Lost Film – Still Youth || Robert Pollard – My Daughter Yes She Knows || Horse Jumper of Love – Bagel Breath || The Pooches – Heart Attack || Lou Doillon – Where To Start || Martha Ffion – Wallflower || Pity Sex – Bonhomie || Brittany Costa – Harbor || Self Defense Family – In Those Dark Satanic Mills || Kane Strang – Things Are Never Simple || Nothing – Vertigo Flowers || Gun Outfit – Make Me Promise || Summer Flake – Wine Won’t Wash Away || Ladada – New Psych || Alex Napping – Trembles Part II || Hit Bargain – The Circuits That Cannot Be Cut || Hard Girls – Dulcet Tones || Sioux Falls – Dinosaur Dying || Fake Laugh – Mind Tricks || Mind Spiders – Running || Arbor Labor Union – Radiant Mountain Road || Parakeet – Sugar Rush || John Dillon – The Fox || Littler – Of Wandering || Grayling – Bidding War

The Raveonettes – Run Mascara Run || Horse Jumper of Love – Ugly Brunette || Pinemen – Predictions || High Waisted – Door || Neighbors – Angel O || Waxahatchee – With You || ROMP – Backfire || The So So Glos – Dancing Industry || Littler – Phantom Limb || Gun Outfit – Expansion Pact || Bambara – All the Ugly Things || Miserable – Oven || Witching Waves – Flowers || Fucko – Best Little Something in Somewhere || Mind Spiders – Cold || Littler – Slippery || Journalism – Everywhere I Look || Carey – Hey Caty || Plastic Flowers – Diver || A Dead Forest Index – No Paths || Japanese Breakfast – Everybody Wants To Love You || Drug Pizza – No Reaction || Music Band – Day Stealer || Alma Elste – Limitless || Field Report – Your Friend Tia || Bad Cop – Ain’t From Here || Gun Outfit – King of Hearts || Agent Blå – Frustrerad || Jennifer O’Connor – It’s A Lie || Takénobu – Curtain Call

Låpsley – Cliff || The Thermals – Hey You || Frankie Cosmos – Sinister || Mothers – Coppermines || Operators – Cold Light || Wire – Nocturnal Koreans || Steady Holiday – No Matter || La Sera – I Need An Angel || Jackson Whalan & Jules Jenssen – Home Again || Japanese Breakfast – In Heaven || Caveman – Never Going Back || Beat Awfuls – You’re Not Gonna Love Me Anymore || Guerilla Toss – Diamond Girls || Brass Bed – Be Anything || Sunflower Bean – Easier Said || Snow Roller – Too Good || Doug Tuttle – It Calls On Me || Frances Cone – Arizona || Abi Reimold – Vessel || Twin River – Antony || Beach Baby – Sleeperhead || Aleyska – Everglow || John Congleton and the Nighty Nite – Until It Goes || Great Pagans – Call of the Void || ROMP – Avoiding Boys || Mike Bell & the Movies – Fucked If You Do || Heron Oblivion – Your Hollows || Tiger Army – Prisoner of the Night

Eagulls – My Life In Rewind || Courtney Barnett – Three Packs A Day || David Vassalotti – Ines De Castro || Baby Birds Don’t Drink Milk – Don’t Wanna Fall In Love || Guerilla Toss – Grass Shack || Sorority Noise – Either Way || Spookyland – God’s Eyes || Jennifer O’Connor – Black Sky || Chumped – Not the One || Florist – A Hospital + Crucifix Made of Plastic || John Congleton & the Nighty Nite – Your Temporary Custodian || Andrew Bird (ft. Fiona Apple) – Left Handed Kisses || The Thermals – My Heart Went Cold || Summer Flake – Shoot and Score || Quilt – Roller || Space Raft – Mountain || What Moon Things – Party Down the Street || Soar – Speak Write || B Boys – Get A Grip || Beach Skulls – Santa Fe || Rolling Blackouts C.F. – Write Back || Yndi Halda – Together Those Leaves || Amber Arcades – Right Now || Mára – Surfacing || Nai Harvest – Just Like You || Tim Woulfe – Be Clarity

Operator – Bebop Radiohaus || Abi Reimold – Sugar || Sarah Neufeld – Where The Light Comes In || Ali Beletic – Stone Fox || Dunes – Runner || DTCV – Bourgeois Pop || Gladiola – The Uninvited Guest || Earl Sweatshirt – Wind In My Sails || Wavves x Cloud Nothings – I Find || Soda – Blonde On Blonde || The Dead Ships – Company Line || Pkew Pkew Pkew – Mid 20’s Skateboarder || Gioia – Circling || Tangerine – Sunset || Mrs Magician – Forgiveness || Acid Dad – Don’t Get Taken || Summer Cannibals – Go Home || B Boys – Seagulls || David Vassalotti – Broken Rope || The Coathangers – Nosebleed Weekend || Fucko – Buzz || Ulrika Spacek – Beta Male || Alexei Shishkin – Yucca Street || Day Wave – Stuck || Ashley Shadow – Tonight || Journalism – Faces || The Hanged Man – Invisible Tree || Sofia Hardig – Sitting Still || VHS – Wheelchair || Phosphene – Silver || The Castillians – Come What May

Kidsmoke – Cut Yourself Loose || Future of the Left – The Limits of Battleships || Woodes – Daggers & Knives || Dusk – When Sleep Washes Over || Sheer Mag – Can’t Stop Fighting || Murena Murena – Lovely Homes || Woods – Can’t See At All || case/lang/veirs – Atomic Number || Eagulls – Lemontrees || Crater – Summer Skin || Flowers – Bitter Pill || Cat’s Eyes – Chameleon Queen || Pity Sex – Burden You || Tiny Deaths – The Gardener || Journalism – Watching and Waiting || The Middle Infield – Shadow || Kyle Forester – Won’t Go Crazy || Dark Blue – Vicious Romance || Grubby Little Hands – No Such Thing || Wussy – Dropping Houses || Jo Passed – Lego My Ego || Frightened Rabbit – Death Dream || Bombay Harabee – Interval || Fear of Men – Fall Forever Island || Fleurie – Sirens || Kane Strang – Full Moon, Hungry Sun || Kindness – A Retelling || Nothing Works – Dark Musick

Risley – Kill the Clock || Anna Meredith – Taken || ROMP – Last Year || Yikes – Thought You’d Stay || Chirping – Corona || Keeps – Let It Fall (Keeping Time) || Sound of Ceres – Dagger Only Run || Mike Newman – Vinny || Beverly – Victoria || Dirty Dishes – All of Me || Raury (ft. Take A Daytrip) – Home || Shonen Knife – Jump Into the New World || Head Wound City – Scraper || James Supercave – Burn || Shitkid – Oh Please Be A Cocky Cool Kid || Moderat – Reminder || Avante Black – Imaginary Love || Sonya Kitchell – Follow Me In || Charlie Hilton – Funny Anyway || Explosions in the Sky – Disintegration Anxiety || The Raveonettes – The World Is Empty (Without You) || Tinted Sun – Only One || Zula – Not the Same || Nicholas Krgovich – Written in the Wind || Slingshot Dakota – Paycheck || Day Wave – Gone || Matt Kivel – Violets || The Body – Hallow/Hollow || Future of the Left – If AT&T Drank Tea What Would BP Do? || Wintersleep – Santa Fe || Pop. 1280 – Chromidia || Gladiola – Greatest Hits || Sean Lennon – Demon Daughter || Acid Dad – Fool’s Gold

I’m An Island – Vitamin D || Night Moves – Carl Sagan || Phosphene – Be Mine || Risley – Warpaint On || Bonnie ‘Prince’ Billy – Rich Wife Full of Happiness || Cross Record – Basket || Ashley Shadow – Tonight || Francis – Turning A Hand || Delta Will – A Dream || Dam Gila – What Fire || Nap Eyes – Lion In Chains || Scott Yoder – Looking Back In Blue || Holy Esque – Tear || Rob Crow – Oh, the Sadmakers || Whitney – No Woman || Marissa Nadler – Janie In Love || Teen Suicide – The Stomach of the Earth || Benny Boeldt – Valley Amnesia || Vandaveer – A Little Time Off Ahead || The Cradle – The Screen of Skin || James Bishop – Tailspin || Inner Space Orchestra – One Way Glass || Mirror Travel – Yesca || Two People – Fading || Hundred Waters – Forgive Me For Giving Up || Jaill – Paint Me Scary || Ryley Walker & Charles Rumback – Dhoodan || Scott Yoder – Silver Boy || Body Origami – Bright Hunger

Slingshot Dakota – Lewlyweds || Flower – Deadly Ill || TEEN – Please || Mavis Staples – Dedicated || Relick – Offering || Alpenglow – Solitude || Nathaniel Bellows (ft. Timo Andres) – It Never Ends || Say No! To Architecture – Wieder’s Floor || Chelsea Wolfe – Hypnos || M. Ward – Confession || Geddy D (ft. Darius Minwalla) – For You This Fall || Morly – The Choir || Turnover – Humblest Pleasures || Weird Dreams – The Ladder || Jo Passed – No, Joy (I’m Not Real, Girl) || RJD2 – Peace of What || Bill Eberle – Too Late To Take It Back || Those Pretty Wrongs – Ordinary || Still Parade – Walk in the Park || No Side – AM Revised || Hayden Calnin – Cut Love || Inspired & the Sleep – Die Slow || Pined – Wray || Copperfox – Feel in the Void || Michael Nau – While You Stand By || Laura Gibs0n – The Cause || Say No! To Architecture – Cocaine, Eh || Tangerine – Tender || Chambers – Yeagin Shone

Melaena Cadiz – California || Andy Ferro – Crystal Tongue || Nap Eyes – Roll It || Violent Soho – Viceroy || Jon Patrick Walker – Hideous Monster || Bat For Lashes – I Do || Andy Ferro – Sugar and Milk || Naps – Social Skills || Los Angeles Police Dept. – Hard || Sound of Ceres – Hand Of Winter || Pillow Talk – Monogamy (Demo) || RJD2 – The Sheboygan Left || Andy Ferro – Hood || Proud Parents – Saab Story || Muncie Girls – Balloon || Carter Tanton (ft. Sharon Van Etten) – Twenty-Nine Palms || Ghost Riders – Rolla Olak || Death Grips – Hot Head || CFM – Purple Spine || Human People – In My Speakers || Kevin Garrett – Refuse || Iska Dhaaf – Invisible Cities || Chris Maxwell – Arkansas Summer || Step Sisters – Vox Pop || Bianca Casady – Daisy Chain || Ship Thieves – Undertakers || South of France – Washed Up || Dear Boy – Local Roses || Lontalius – It’s Not Love || Merival – Kicking You Out

DJDS – I Don’t Love You || The Sherlocks – Last Night || Wanderwild – Optimist || Soft Fangs – Birthday || Anenon – Once || My Golden Calf – Young Pioneers || Drowners – Cruel Ways || Darla and the Love – End of the Party || Minotaurs – Stayed Too Long || The Flats – Machinery || Lust For Youth – Sudden Ambitions || Chris Storrow – A True Christian || The Bulls – Prudence || The Gills – Gimme Gimme || Lust For Youth – Stardom || Lionlimb – Just Because || Sonya Kitchell – Hurricane || Wet – All the Ways || Public Memory – Ringleader || Eric Bachmann – Mercy || James Blake – Modern Soul || Soft Fangs – The Wilderness || Reed Turchi – Offamymind || Yonaka – Ignorance || Public Memory – Zig Zag || Henrietta – Arrows || Shirlette Ammons (ft. Amelia Meath) – Aviator || Gideon Benson – Talk Talk

Beliefs – Colour Of Your Name (Music Video)

beliefs

Now that the full streams are all caught up, it’s time to turn the attention back to music videos. A lot of great material’s surfaced in the interim including memorable clips from Looming, Sunflower BeanPuddle Splasher, The Goon Sax, Nicholas Krgovich, RAMLEH, Bent Denim, Yumi Zouma, Hailey Wojcik, Ratatat, J.E. Sunde, Hinds, Raury (ft. Key!), and S.M. Wolf. In addition to all of those, there was the inspired Darkest Before Dawn short film from Pusha T that ranks as one of the more ambitious undertakings of its kind in recent memory. While all those are well worth multiple looks, tonight’s featured video comes from the familiar faces of Beliefs.

Leaper, a late 2015 highlight saw Beliefs continuing to impress and they’ve taken that even further with this Alex Earl Grey-directed clip for the record’s title track. Ostensibly a subtle commentary on the the societal expectations that accompany a woman’s appearance, it’s a striking piece of minimalism that resonates because of its inherent truths. As that commentary plays out, “Colour Of Your Name” also touches on the process of transformation and hints at a secure sense of agency. Stripped down to its barest essentials, “Colour Of Your Name” becomes a startling piece of work that plays directly into the zeitgeist and, in the process, has a more than decent shot of securing a position as a timeless work.

Watch “Colour Of Your Name” below and pick up a copy of Leaper from site favorites Hand Drawn Dracula here.

Watch This: Vol. 109

Since the preceding post covered the time lapse between the last run of Watch This and tonight’s posts, this introductory paragraph will lean slightly harder on the material that’s actually come out in that interim. Two weeks can feel like an overwhelming amount of time when faced with the endless expanse of releases in any format and the live video is no exception. It can occasionally be difficult to narrow down these selections to just five when considering them all, which was the case this week as worthy efforts surfaced from the following artists: Shopping, Hooton Tennis Club, Ed Schrader’s Music Beat, Bad Bad Hats, Kurt Vile, Flavor Crystal, Hinds, Joanna Newsom, Courtney Barnett, FIDLAR, Fury Things, Black Box  Revelation, Eliot Sumner, Low, Glen Hansard, Martin Courtney, Deaf Wish, Raury, Zanders, Six Organs of Admittance, Oscar, Protomartyr, Palm, Sun Club, Julia Holter, Woozy, Caleb and Carolyn, The Tambourine Girls, Little May, Forever Pavot, Mellow Diamond, why+the+wires, Iguana Death Cult, and Okkervil River. Obviously, with a list like that, the below selections are comprised of clips that truly managed to stand out, for one reason or another. So, as always, lean in, relax, adjust the volume, and Watch This.

1. Car Seat Headrest (KEXP)

Car Seat Headrest was another band from 2015 that had gained previous traction and capitalized in blinding fashion, showing a complete disregard for the thought of looking back. Understandably, KEXP invited them into their studio for a session and the band delivered one of 2015’s most towering sets in recent memory. At a monstrous running time that exceeds most full-length efforts, it’s actually a fairly intimidating ask- or, it would be if the music (and performance) wasn’t so immediately likable. Will Toledo’s got an enviable gift for pop songwriting and for subverting expectations, leading the charge in a session that more than justifies the swirling interest surrounding the band.

2. Dilly Dally (BreakThruRadio)

If this site’s love for Dilly Dally hasn’t been made abundantly clear by now, this very sentence will probably at least give you a small indication. After torching the stages of Santos Party House and Baby’s All Right during CMJ, the band’s kept pace with their music and maintained a deliriously frantic touring schedule. All of that time playing out is paying off, tightening the screws on their already-formidable live show. It’s evident in every live clip that surfaces, including this revealing session with BreakThruRadio that includes some endearing interview segments. Turn it up and fall in love.

3. The Lumes – Nervous + Satan (The Daily Indie)

Every so often, a relatively unknown band crops up on my radar and blows me away with how complete they seem and The Lumes definitely qualifies as one of those bands. A lightly menacing post-punk trio that excels in atmospheric work, they’ve managed to carve out a thoughtful identity that feels more singular than it should just two releases into their career. Here, they perform vicious takes on “Nervous” and “Satan”, the tracks that bookend their outstanding Lust EP. The trio gives their all in both performances and ultimately secures a spot on this installment of Watch This thanks to their overwhelming strength.

4. Woozy – Hush (Little Elephant)

It’s been a while since Little Elephant’s hosted a session as strong as the one Woozy’s provided, committing another jewel to that particular crown with this committed take on “Hush”. Marrying genres with ease and integrating surprisingly explosive moments in fits and starts, “Hush” may actually be one of the band’s most definitive songs. Leaning heavily into their post-punk and grunge angles, they still find ways to surprise in territory that’s generally far more straightforward. Ultimately, it’s another extremely impressive showing from a band that seems surprisingly determined to top themselves with each successive outing.

5. Bandit – The Drive Home + Dragon (Audiotree)

Closing out this run of Watch This is a performance that feels like a genuine finale, courtesy of Bandit’s beautiful renditions of two Of Life‘s highlights: “The Drive Home” and “Dragon”. The former of those two songs received one of the most gorgeous music videos of the year and has the capacity to overwhelm listeners with genuine feeling, amplifying atmospheric currents as it progresses. “Dragon” is a track that operates in a similar vein and, packaged together, they manage to elevate each other’s best qualities, which is why- in spite of a deeply impressive full session– this performance is being highlighted individually. Exemplifying all of Bandit’s finest qualities as both a band and as a live act, Audiotree struck gold with the band’s turn-in of these two songs, leaving behind something that the studio might be talking about for quite some time.

Raury – Devil’s Whisper (Music Video)

raury

It’s only been a few days since the last mass music video roundup but that’s still enough time for a handful of gems to sneak through the tunnel and into the light. Those clips were as follows: Staring At Lakes’ powerful, compassionate “Consanguinea“, Wolf Alice’s hard-charging “Fluffy“, HONNE’s heavily atmospheric “Top To Toe“, TOPS’ lovingly retro “Sleeptalker“, Ratatat’s animated “Abrasive“, Foals’ gripping “What Went Down“, Funeral Advantage’s tantalizingly hazy “Sisters“, and Tangerine’s charming home video experiment “Tiny Islands“.  While all of those are worth a watch (or several), this post’s feature is branching off into somewhat unexpected territory and places a spotlight squarely on Raury and the young songwriter’s extraordinary clip for “Devil’s Whisper” (itself a bookend to one of his older singles, “God’s Whisper“).

Musically, the track encapsulates centuries worth of heritage touch points, spinning them into something that feels startlingly original (and in a manner not too dissimilar from site favorites Algiers). Visually, it’s a masterpiece. Backed by a strong narrative that could be seen as deeply allegorical and bolstered by committed performances from the cast and crew, “Devil’s Whisper” feels like the culmination of pop’s progression (though “Devil’s Whisper” probably wouldn’t immediately be categorized as such). What starts as celebratory quickly turns nightmarish before finally settling into boldly confrontational. There are transitions between psyches, gorgeous landscape shots, stunning edits, and a lot of raw talent that find themselves in plain view here, making “Devil’s Whisper” essential viewing. Don’t make the mistake of missing out on what could very well be the future of pop music. Fingers crossed, at least.

Watch “Devil’s Whisper” below and keep an eye on this site for more news on the artist’s upcoming releases.