Heartbreaking Bravery

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Tag: Puberty 2

16 of ’16: The Best Albums of the Year

Mitski XXV

At long last, we arrive at the end of the 2016 lists with this reflection of the year’s best albums. A lot of criteria need to be met for a record to make this list, for example: a record can’t be primarily composed of reworks of older material (this is the reason Talons’ sublime “Driving Home From Shows” didn’t make the songs list). To be eligible for a featured slot on this list, the record also can’t come from a clearly-established artist, which is the only reason Nick Cave & The Bad Seeds’ Skeleton Tree is being excluded. The Radioheads and David Bowies of the music world all received more than enough positive press and this site has always aimed to give an additional leg up to emerging or unknown artists.

With all of that said, 2016 was an exceptional — and exceptionally diverse — year for music provided you knew where to look. As has been the case, no numerical assignments were given to the below selections. However, the field of titles was so abundantly strong that instead of merely selecting one Album of the Year, there are five. Those five records managed to stand out in an unbelievably exceptional year and picking one of the five to give a singular Album of the Year designation proved to be impossible. That being said, virtually all of the titles below are worth time, investment, and praise.

Once again, the majority of the embedded players belong to bandcamp so be mindful of where the records start (a small handful auto-start at odd points in the record). There’s a fairly wide-ranging display of music to be found below so dive on in and go exploring. Enjoy the list and stay tuned for the third edition of A Year’s Worth of Memories.

Bent Shapes – Wolves of Want

After a string of promising releases, Bent Shapes hit new heights with the galvanizing Wolves of Want, a pitch-perfect basement pop record teeming with memorable hooks. A lovingly crafted work, Wolves of Want finds the band hitting an eyebrow-raising stride and cranking out a formidable batch of songs good enough to grace any mixtape.

Crying – Beyond the Fleeting Gales

One of the most unique and compelling releases of the year, Crying took a bold new step with the riveting Beyond the Fleeting Gales. Taking their early approach and gleefully exploding it into something barely-recognizable, Beyond the Fleeting Gales winds up as one of 2016’s most refreshing, exhilarating, and utterly singular listens.

Mitski – Puberty 2

Embracing the bruising, unforgiving introspection of the breakout Bury Me at Makeout Creek, site favorite Mitski returned with a powerful and acute examination of identity. An artistic leap forward, Puberty 2 saw Mitski wielding an expanded musical palette to arresting effect. Warm, moving, and accepting, it’s not difficult to see why it was one of the year’s most beloved records.

Parquet Courts – Human Performance

Parquet Courts records have made a habit of appearing on year-end lists since the band’s formation several years back. While, admittedly, those were solid records, they don’t come anywhere close to Human Performance, the band’s crowning achievement. The band shed their blood all over this record and it shows in every beautiful, cracked, messy, ramshackle moment.

Mannequin Pussy – Romantic

Another record on this list that saw a band make a staggering leap forward, Romantic was — by some distance — the most impressive work of Mannequin Pussy‘s burgeoning career. One of 2016’s most ferocious records, Romantic saw the band firing on all cylinders on levels that may have even surprised their most devoted fans. It’s a molotov cocktail of a record; hit play and get obliterated.

Big Thief – Masterpiece

One of the year’s most welcome surprises, Big Thief‘s Saddle Creek debut Masterpiece found the band conjuring up the open-road spirit that their label built its name peddling. Gorgeous songwriting, unavoidable emotional intensity, and a clear commitment to the material defined Masterpiece. When all was said and done, the record succeeded in living up to its ostensibly tongue-in-cheek title.

Swim Team – Swim Team

One of the strongest records to come out of Infinity Cat‘s cassette series, Swim Team‘s self-titled is a gamut run trough the punk sub-genres that have defined the past three decades. All of them are successful and infused with the kind of grit and determination that characterize great bands. It’s an unforgettable warning shot from a band that seems hell-bent on using the past to elevate the future.

Car Seat Headrest – Teens of Denial

Easily one of the year’s most celebrated releases, Teens of Denial earned every trickle of positive press that came its way. A landmark record from a project that could have withered under a massively-increased spotlight instead finds Car Seat Headrest operating on an entirely new level. Epics, ballads, and stormy punk numbers abound, illuminating one of 2016’s best coming-of-age stories in virtually any format.

Greys – Outer Heaven

2016 found Greys continuing to determinedly  push their boundaries outward and succeeding with the kind of wild abandon that defines their adrenaline-inducing live show. Outer Heaven was their biggest moment and saw the band effectively blend their delirious energy with a refined sense of atmosphere that enhanced already-great songs. An absolute triumph from one of today’s more fascinating acts.

Hovvdy – Taster

A remarkable, understated, near-flawless record, Hovvdy‘s Taster never received the recognition it was due. Front to back, there are no false moments on this record, only a series of unassuming grace notes that bind it into a gentle, spellbinding whole. Punk-informed bedroom pop, Taster is the product of meticulous dedication to craft and an enormous reserve of genuine feeling. It’s sincerity is a large part of its strength and its strength is overwhelming. Give it innumerable listens and the estimation it deserves.

John K. Samson – Winter Wheat

A painfully beautiful record, Winter Wheat marked the welcome return of John K. Samson. The former Weakerthans bandleader turned in another sorrowful, damaged collection of songs that contained enough glimmers of hope (apart from the devastating opener, which nearly made this year’s song’s list but was abandoned in favor of the record’s emotionally shattering closer) to make the impact even more severe. An atmospheric masterstroke from one of our greatest living songwriters, Winter Wheat is as comfortingly calm as it is completely unforgettable.

ALBUMS OF THE YEAR

Mo Troper – Beloved

In focusing on the dark corners while establishing that darkness wouldn’t exist without some lightness as well, Mo Troper winds up wearing a very tattered heart on his sleeve. While that heart may be showing a considerable amount of scars, it’s still valiantly beating. Pathos, gravitas, and an incredibly inviting structure all combine to make Beloved a must-own but it’s Mo Troper himself who makes this record a masterpiece.

Original feature review here.

PUP – The Dream Is Over

PUP‘s The Dream Is Over, the band’s jaw-dropping sophomore outing, was a release where nearly every song was considered for this year’s best songs list. In the end, the record proved so uniformly excellent across the board that it became literally impossible to define a standout. This is as a complete a punk record that anyone will be likely to hear for a very long time. Narrative focus, overall consistency, composition, conviction, production, sequencing, pacing… in every conceivable aspect, PUP absolutely demolished what were already ridiculously high expectations. One of the most defiant, triumphant releases in recent memory, The Dream Is Over was the shock to the system that the punk genre has sorely needed for years. Unbelievably consistent and weirdly empowering, PUP were able to put their name on one of the most vital records of 2016.

Doe – Some Things Last Longer Than You

Meticulously composed and teeming with unchecked aggression and greater meaning, Doe have offered up something that’s impossible to ignore. At every corner, there’s a breathtaking moment that continuously heightens the overabundance of impact present in Some Things Last Longer Than You. Whether the listener tethers themselves to the record’s multi-tiered narrative functions or to the artistry present in the composition, they’ll walk away contemplating its awe-inspiring depth. In short: Some Things Last Longer Than You isn’t just one of the year’s best records, it’s a full-blown masterpiece.

Original feature review here.

Weaves – Weaves

It’s not just that no one does what Weaves are doing as well as they do, it’s that no one else is even making an attempt. Should Weaves inspire some attempts at this particular eclectic blend of songwriting styles, genres, and cornerstones, this record will retain — and most likely remain in — a position as the gold standard. Grab onto something close and hold on tightly because Weaves is an unpredictable, exhilarating, and ultimately deeply satisfying thrill ride that knows no borders or boundaries. Greet it with an anxious smile and give in to its myriad charms.

Original feature review here.

LVL UP – Return to Love

All told, Return to Love is a document of a band determined to continuously better themselves, a new career high, and a bona fide statement release from one of this generation’s most consistently exciting acts. It’s a series of sustained, connected grace notes that never wavers, even as it openly acknowledges it doesn’t have all of the answers. Not a single second of its run time is wasted and each of the songs are memorable for a wildly varying list of reasons. LVL UP aren’t the type of band to be dissuaded from taking action by a daunting challenge and Return to Love is an assured, steadfast piece of proof.

To put it as succinctly as possible: it’s a masterpiece.

Original feature review here.

Nine more worth hearing:

Tancred – Out of the Garden
Pinegrove – Cardinal
Oh Boland – Spilt Milk
Dark Thoughts – Dark Thoughts
Eluvium – False Readings On
Told Slant – Going By
Mothers – When You Walk A Long Distance You Are Tired
Jean-Michael Blais – II
Minor Victories – Minor Victories

Other honorable mentions:

Frankie Cosmos – Next Thing | Yucky Duster – Yucky Duster | Vanity – Don’t Be Shy | Kane Strang – Blue Cheese | Steve Adamyk Band – Graceland | Lydia Loveless – Real | Touché Amoré – Stage Four | Margaret Glaspy – Emotions and Math | Jeff – Rosenstock – WORRY. | Lucy Dacus – No Burden | Summer Cannibals – Full Of ItNopes – Never Heard Of It | Florist – The Birds Outside Sang | Susan – Never Enough | Abi Reimold – Wriggling | Mal Devisa – Kiid | Julianna Barwick – Will | Mutual Benefit – Skip A Sinking Stone | Big Ups – Before A Million Universes | Diarrhea Planet – Turn To Gold | Japanese Breakfast – Psychopomp | AJJ – The Bible 2 | Angel Olsen – My Woman | Drive-By Truckers – American Band | Charles Bradley – Changes

Mitski – A Burning Hill (Music Video)

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Following two of the year’s best music videos in “Your Best American Girl” and “Happy“, Mitski recently returned with yet another breathtaking clip from a Puberty 2 highlight. This time around, “A Burning Hill” gets the visual treatment and returns to Mitski’s exploration of her sense of character, side-stepping the remarkably acute examination of genetic makeup featured that drove “Happy”. “A Burning Hill” is one of Puberty 2‘s quietest moments and allows Mitski a direct line to showcasing a guarded mental state, revealing a sense of being directionless with devastating certainty.

Small moments of comfort and strength can be found through routine and choice, something “A Burning Hill” makes explicitly clear, while acknowledging they’re only temporary victories in an ongoing war. All of these points are emphasized by the breathtakingly gorgeous cinematography (courtesy of Bradley Rust Gray) and the assured concept and realization of So Yong Kim (who worked closely with Gray). “A Burning Hill” largely follows Mitski around for a day, from an empty home to busy streets to the elegiac coda that finds the songwriter adrift underwater. It’s a mesmerizing work that affords Mitski the same empathy that’s found in the songwriter’s music, leaving “A Burning Hill” as one of Mitski’s most revealing works to date. Gentle and spellbinding, “A Burning Hill” is more than just a great clip, it’s an unforgettable one.

Watch “A Burning Hill” below and order Puberty 2 here.

Mitski – Happy (Music Video)

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Over the past handful of days, several notable music videos have found release. Yoni & Geti (who almost claimed this post’s featured spot thanks to the editing alone), Band of Horses, Mumblr, Dead Stars, Fear of Men, Gemma Ray, Nicholas Allbrook, Atoms and Void, SomosCate Le Bon, Omni, Thin Lips, Braids, and The Good Life Ben Seretan, all had clips deserving of multiple looks and Steve Gunn offered up an endearing lyric video. There was even a Henry Rollins-starring trailer for a new Dinosaur Jr record. Ultimately, it was the latest clip from Mitski that earned this post’s feature.

Following the unforgettable “Your Best American Girl” clip would’ve been a daunting task for any artist (or filmmaker) but “Happy” accomplishes it with astonishing ease. Directed by the inimitable Maegan Houang — whose work has been praised on this site before and likely will again — “Happy” creates a challenging narrative that touches on everything from personal intimacy to self-doubt to self-loathing to gender politics and race relations (among others).

Exquisitely shot and paced, the story unfolds delicately, revealing a growing wound between a woman and her military husband. Suspicions are confirmed and the wound grows deeper, creating a tightly-wound level of tension that’s only drawn tighter as the clip progresses. Fueling the atmosphere is Houang’s assured direction, giving nods to legendary filmmakers like Wong Kar-wai and Alfred Hitchcock along the way, layering on the cues to subtly underscore the passage of time.

Everything in “Happy” feels like it’s heading towards some climactic moment, a confrontation that exists on a purely personal basis. While that climactic moment does arrive, “Happy” manages to successfully subvert those expectations while remaining true to the heart of the video. At first blush, the final sequence may not seem overtly personal but dig deep enough and it becomes heartbreaking in its symbolism.

Those final moments are full of untold tragedy, harsh reality, and keen awareness. It’s terrifying and confrontational all at once, full of a well-placed rage that imbues the entire affair with a passion that retroactively alters every one of the clip’s preceding vignettes. One of the most satisfying narrative presentations the format’s had in recent memory, “Happy” winds up being more than masterful; it’s legitimately memorable. Easily one of 2016’s finest clips, “Happy” demonstrates Mitski’s taste and convictions in equal measure, ultimately culminating in one of the artist’s finest offerings to date.

Watch “Happy” below and pre-order Puberty 2 here.

Mitski – Your Best American Girl (Music Video)

Mitski IV

Finally, after an onslaught of posts both large in scope and small in stature, this site has caught up to the current release cycle in all three main categories: streams, full stream, and music videos. It’s been a surprisingly overwhelming early run for great material in all three fields and Wednesday kept that pace humming along.

This post will cover music videos and full streams, while the ensuing post will circle back to individual songs. While Mitski‘s brilliant, confrontational “Your Best American Girl” finds the spotlight here, Bob Mould, Lewis Del Mar, The Pack a.d., and Neil Michael Hagerty & The Howling Hex also provided strong clips. Meanwhile, a formidable duo of records — Zen Mantra‘s self-titled and Guided By VoicesPlease Be Honest — also found their way out into the world.

“Your Best American Girl” winds up with this post’s spotlight for a whole array of reasons. Everything from the directing, to the subtext, to the pointed commentary, to the visual presentation, to the editing, to the song itself ensured that “Your Best American Girl” would be held up an an example of not only the extraordinary but the deeply important. Ever since I first met Mitski, she’s been expounding on the virtues of self-worth and detailing the endless struggles that accompany the path to its attainment.

The Zia Anger-directed clip for “Your Best American Girl” is the most vivid hyper-realization of those defeats and triumphs to date.

After cracking this site’s 50 Best Songs of 2016‘s First Quarter list, “Your Best American Girl” has been on near-constant repeat and that level of investment’s been rewarded tenfold. The anticipation for Mitski’s upcoming Puberty 2 has been growing since the release of Bury Me At Makeout Creek (one of this site’s picks for the Best Albums of 2014) and the arc of “Your Best American Girl” has elevated that anticipation to stratospheric levels. Now, that song’s got an unforgettable video and Puberty 2 seems poised to be another instant classic.

Opening on a shot of Mitski being sprayed, touched up, and transformed into a perfectly made up creature. During this process, she looks overwhelmingly disinterested until the clip cuts to a one shot of a young, conventionally attractive male across the room. Both of them are seated on stools and, eventually, they start exchanging body language, cultivating some palpable sexual tension in the process. While this is a sequence that takes less than forty seconds, it proves to be masterful in its execution, taking great care to both distance the male figure and pull Mitski out of the shadows through clever lighting design and photography direction.

Meticulous details like those inform the rest of “Your Best American Girl” while the central action occurs; an attractive white woman joins the male figure and the pair quickly become physically affectionate as Mitski looks on, confused, distraught, despondent, and displaced. Those looks that occur on the artists end feel painfully honest due to the onslaught of cruel injustices that she’s had to face throughout her life. For a moment, “Your Best American Girl” abandons any semblance of hope and becomes a devastating statement of isolation.

Before long, the video inverts is course and Mitski pulls up her hand and mimics the discomforting display of affection happening across the room. At first, those moments where Mitski becomes amorous with herself feel like they’re drawn from a learned place of loneliness, despair, and the kind of personal anguish that can be derived from having a crushingly low sense of self-worth.

Just a few seconds after the sequence becomes extremely uncomfortable in both its confrontational presentation and its unflinching subtext, something beautiful happens: Mitski reclaims her own agency and fully commits to herself. In just a few frames, “Your Best American Girl” transforms itself from a public display of extreme self-deprecation to a bold, empowering statement that drastically reduces the need for the approval of others.
 
By the video’s end, Mitski’s shed her carefully-selected ensemble (a red pantsuit that exposes her own vulnerability) and been reborn in a dress, guitar in hand. While there’s still a desire for intimacy, understanding, and acceptance that lingers throughout the closing moments of “Your Best American Girl”, the need’s been lessened by the realization that we’re worth more than our disappointments. It’s a crucial, realistic distinction and it pushes “Your Best American Girl” from being great to being legitimately important.

“Your Best American Girl” is an astonishingly powerful video that perfectly presents the values that drive the majority of Mitski’s work. It’s a daring clip, whose risks are rewarded with the songwriter’s most definitive entry in an already impressive career. If the rest of Puberty 2 lives up to the standard this has set, it’ll be a record that’ll be admired (and played) for decades. Don’t make the mistake of letting this pass without celebration and remember that we all have inherent worth, even during the stretches — especially during the stretches — when that seems impossible.

Watch “Your Best American Girl” below and pre-order Puberty 2 ahead of its release here.