Heartbreaking Bravery

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Tag: Psychic Ills

Lost Boy ? – Goose Wazoo (Stream)

Lost Boy ? IV

After a relatively quiet run for new releases at the onset of this week, Wednesday threw things back into full sprint with great streams surfacing from Clearance, Lithuania, Honey Bucket, Cool Ghouls, Pill, Hillary Susz, YJY, Maxwell Drummey, Elephants, Helena Deland, Kishi Bashi, Breathe Panel, Ex-Cult, Hyetal, Aaron Holm, Protomartyr, and Idiot Genes. In addition to those, there were excellent music videos that arrived courtesy of Savoy Motel, Charles Bradley, Psychic Ills, Show Me The Body, Oshwa, Trails and Ways, Sugar Candy Mountain, Kid Congo & The Pink Monkey Birds, and Foreign Fields. Full streams from Jody, Heaters, and Preen rounded things out in memorable fashion.

Earning the featured spot was site favorites Lost Boy ?, who’ve been relatively quiet since releasing one of the best basement pop records in recent memory. That record, Canned, set expectations astoundingly high for their follow-up and now the band’s offered up a first glimpse via the characteristically off-kilter “Goose Wazoo”. The nonsensical title is a solid indicator of the song, which fearlessly embraces zaniness while simultaneously managing to keep the proceedings impressively grounded.

Lost Boy ? mastermind Davey Jones has more than proven his worth as a songwriter and it’s wildly entertaining to hear him tackle a more experimental approach. Jones has made Daniel Johnston’s influence on his work incredibly transparent over the past few releases (and has been known to cover the artist from time to time) but that influence reaches a fever pitch on “Goose Wazoo”. From the vivid cartoon-friendly narrative to the vocal delivery, Johnston’s spirit’s present but it never quite overtakes the singular identity that Lost Boy ? has managed to cultivate.

From the melodic shifts to the vocal quirks, everything on “Goose Wazoo” indicates that Canned wasn’t a fluke release; Lost Boy ? seems determined to cement a status as a great outsider artist. “Goose Wazoo” alone goes quite a way in establishing that status as a palatable goal. A complete joy, a tantalizingly unique entry, and an impressive display of both confidence and artistry, “Goose Wazoo” is the kind of song that won’t fade easily. More importantly, it’s one that holds up to a dozen consecutive plays without losing an ounce of its oddball charm.

Listen to “Goose Wazoo” below and keep an eye on this site for more news surrounding the band and their upcoming release.

Doe – Last Ditch (Music Video)

doe

It’s been a solid week for music videos, a fact evidenced by strong clips from Alexis Taylor, DaughterPleistoceneFrankie Cosmos, The Medicine Hat, Teenage FanclubThe Channels, Okkervil River, Lisa Prank, Clipping., Busman’s HolidayThe Holy Circle, Daniel Woolhouse, Health&BeautyLuke Roberts, Opposite Sex, VATS, Slingshot DakotaAtoms and Void, Psychic Ills, Nice As FuckHead Wound City, Ziemba, Ryley Walker, and Jaala. Rounding things out with yet another highlight were site favorites Doe, thanks to their mesmerizing clip for Some Things Last Longer Than You highlight “Last Ditch”.

Some Things Last Longer Than You, Doe’s forthcoming full-length debut, will confidently stand as one of the year’s most solid records several months down the line. It’s a forceful beast that’s teeming with grit, determination, and conviction. Every song on the record feels like the band’s intent on throwing a knockout punch at any turn. These qualities, while characteristic of the entire record, hold especially true for “Last Ditch”.

A towering anthem of pent-up frustration, the prospect of a visual narrative to accompany the song left a lot of potential doors open. What the band opts for continues their subversive streak and demonstrates their understanding of just how effective that trait can be in the right hands. Instead of playing  into the song’s emphatic anger, the trio scales things way back in favor of a slice-of-life presentation that balances “Last Ditch” out beautifully.

Using overlays to the point of near exclusivity, “Last Ditch” gets to create an immersive world that makes peace with the mundane routines that comprise the majority of life. It’s deceptively simple and remarkably beautiful in its tacit tribute to uncompromising realism. The faded, low-saturation visual presentation also tinges the clip with a longing and nostalgia that suit “Last Ditch” to a quiet perfection. In all, “Last Ditch” is just another winsome notch in what should prove to be a monumental year for Doe, who will deserve every last good thing that comes their way.

Watch “Last Ditch” below and pre-order Some Things Last Longer Than You from Old Flame here (if you’re in the US) and from Specialist Subject here (if you’re in the UK).

Trophy Dad/Barbara Hans (Split Single Review)

trophydad

After a quiet holiday, the releases nearly doubles from their daily average. There were great songs Amy Klein, Honeysuck, Lisa Prank, Ranch Ghost, Rosemary Fairweather, and Savoy Motel, Mesmerizing music videos were unveiled by Pinegrove, Jackal Onasis, PLGRMS, and Slow Club. Impressively, there was a shocking amount of full streams that appeared from the following artists: Erin Tobey, ghostbusters VHS, Bag-Dad, Psychic Ills, Skatebored, Rae Fitzgerald, Dream Wave, Mourn, Pudge, Whelpwisher, the A-side of Cult Values’ self-titled, PUP (easily one of this year’s finest records), and a vinyl issue of Tenement’s self-titled cassette (easily one of last year’s finest releases). Since the Tenement self-titled was extensively covered at the time of its initial cassette release, the feature spot today falls to an astonishing split single between Trophy Dad and Barbara Hans.

The split opens with Trophy Dad (pictured above), who are continued to ride a wave of momentum they generated with last year’s excellent Shirtless Algebra Fridays. 2o15 felt, in a lot of ways, like a breakout year for the quartet with Shirtless Algebra Fridays serving as their crown jewel, indicating a growing level of confidence. That trend continues its upward ascension on “Addison”, an explosive song that approaches the six minute mark without ever losing its energy or pacing. “Addison” opens with a beautiful piano outro before blooming into a Waxahatchee-esque verse section, building to a breathtaking crest before falling away into a hypnotic middle section. Just as it seems “Addison” is content to ride out in a storm’s wake, a solo erupts and viciously cuts any semblance of serenity to shreds before returning to the more median operative mode that the first verses called home.

Bundt Cakes“, the song that Barbara Hans contribute to the split, is a far spikier and complements the impressive dynamics of “Addison” nicely. Barbara Hans specialize in basement pop rave-ups and stompers and “Bundt Cakes” may be their best to date, incessantly surging forward towards some unknown ending like its destined for a fiery wreck and openly embraced its own death. Just as it seems Barbara Hans are content to coast on their own adrenaline-generating powerpunk, they veer sharply left into a chaotic outro that could ostensibly resemble a free-form Sonic Youth noise session. It’s a thrilling end to an exhilarating song and makes a sizable impression. Paired with “Addison”, it experiences a natural elevation (and “Addison”, in turn, does the same). It’s the perfect capper to one of the best split singles of the year. Don’t miss out.

Listen to Trophy Dad/Barbara Hans below and pick it up here.

Birth (Defects) – Hanshin (Stream)

birth defects

Deerhoof, Mumblr, TUNS, Speedy Ortiz, Toys That Kill, Erin Tobey, Moonface and Siinai, Heliotropes, Martha, Decorations, Nassau, Pink Mexico, Psychic Ills, The Julie Ruin, PAWS, benjamin783, Cymbals Eat Guitars, Mikey Erg, Cass McCombsDavid Åhlén, Mourn, Fleurie, ARMSGrieving, Lake JonsWildes, Madeline Kenney, and The By Gods all released impressive songs at either the end of last week or the start of this one. The Sidekicks got in on the action with a lovely cover of a Chris Bell classic. As good as all of those were, Birth (Defects) claimed this post’s feature spot with a fierce new addition to an increasingly impressive discography.

Birth (Defects), Sean Gray‘s continuously evolving noise/hardcore project, have been consistently impressive ever since they made their introductory rounds. Now, fresh off the addition of Roomrunner guitarist Jeff Byers, the band’s striking their way back out into the world with the vicious “Hanshin”. Inspired by the love that Gray (who also heads Is This Venue Accessible) has for Japanese baseball team the Hanshin Tigers, the song hits harder than anything Birth (Defects) has released in their still-young career.

More importantly, “Hanshin” shows Birth (Defects) have latched onto a distinct identity that’s firmly rooted in their own convictions. Elevating “Hanshin” even further is the grime-coated production of Perfect Pussy‘s Shaun Sutkus (who also has a noise project of his own, Pretengineer), who’s perfectly suited to Birth (Defects)’s brand of noise-damage. Everything that the band’s thrown into “Hanshin” clicks effortlessly, each part complementing and elevating all of its surrounding elements. Brash, unapologetic, and ferocious, “Hanshin” is the best Birth (Defects) have ever sounded and sets the band up nicely for an exhilarating run. Keep up or get left in the dust.

Listen to “Hanshin” below and keep an eye on Reptilian Records for the release of the forthcoming 7″.

What A Difference A Month Makes (Streams)

As was discussed in the preceding two posts, there’s been a serious lull of inaction on this site as of late as far as posting is concerned. A large reason for that was the fact that the majority of that coverage gap was spent traveling thousands of miles to document sets from bands like Oops, Dilly Dally, Yowler, Eskimeaux, Frankie Cosmos, Beach Slang, Potty Mouth, Dyke Drama, PWR BTTM, and more.

The resulting documentation will be posted at some point in the near future but the hefty amount of visual content (not to mention the act of traveling itself) necessitated a publishing break. However, as usual, every new piece of incoming information was accounted for in the interim. Full streams and music videos have already been covered so it’s time that the attention was turned towards individual songs.

A list of some of the finest new tunes to have emerged over the past month can be found below. Since there are so many, it may be best to bookmark this page and explore its contents at a more leisurely pace to avoid being overwhelmed. Jump on in and go swimming.

Basketball Shorts, Mikey Erg, Bird of Youth, Las Rosas, Mitski, The Big Moon, Nicholas Allbrook, The Gotobeds, Nothing, Fawnn, Leapling, Speedy Ortiz, Yours Are the Only Ears, Don Vail, Frail, Stephen Steinbrink, Yeesh, Pkew Pkew Pkew, Haley Bonar, And The Kids, Gauntly, Summer Cannibals, case/lang/veirs (x2), Psychic Teens (x2), Glenn Davis, Dogheart, Cat’s Eyes, benjamin783 (x2), Ian William Craig, Terry, Emily Jane White, Walleater, VATS, Alice Bag (x2), Mutual Benefit, Blowout, Mike Adams At His Honest Weight, and Outer Spaces.

The Monkees, Tens, Yung, Star Parks, Marissa Nadler, Brenda’s Friend, elvis depressedly (x2), Rick Redbeard, Sega Genocide (x2), Honey (x2), GØGGS, The Dan Ryan (x2), Male Gaze, Heaters, Leif Erikson, Blessed, Boys, Mumblr, Anthony Sanders, Swanning, Kvelertak, Hollowtapes (x2), Bonnie ‘Prince’ Billy, OVER, Erin Tobey, Quiet Hollers, The Clientele, Young Magic, LUKA, Yikes, Teen BodyFew Bits, Fear of Men (x2), Joy Void, Message to Bears (ft. Will Samson), Baby In Vain, Local Natives, Scroll Downers, and Psychic Heat.

OHIOANDaniel Wilson, The Invisible, Ultraviolence, Oddissee, Bad Channels, Dentists, Deerhoof, Hayden Calnin, The Mercury Programs, Yoni & Geti, Marisa AndersonColleen Green, Lisa Prank, Ultimate PaintingJuniore, Spice Boys, Stone Cold Fox, Avalanche, Beliefs, Museum Mouth, Psychic Ills, Flat Worms, Robin Pecknold, Mock Orange, Magic Potion, Retail Space, VHSBag-Dad, Casper Skulls, Peach Kelli Pop, Aloha, JPNSGRLS, Adeline Hotel, WoodsColder, The Mystery Lights, Islands, Sego, Casey Jordan Weissbuch, Honey Radar, and an unexpected Car Seat Headrest cover of a Radiohead classic as well as an unexpected Yuck cover of an Elliott Smith staple.