Heartbreaking Bravery

@heartbreaking_bravery | heartbreakingbraveryllc@gmail.com | @hbreakbravery

Tag: Pookie & the Poodlez

2016: The First Two Months (Music Videos)

Saintseneca I
Saintseneca

Now that both the songs and the full streams have received the massive overhaul treatment in an effort to get this site caught up to the current releases, it’s time to turn to music videos. A few key videos will be featured over the next few days but that shouldn’t take away from the merits of the clips listed below, which number near 200. Whether it was an outstanding song, concept, or visual presentation, something made the below videos stand out from the endless array of clips that I saw since the turn of the year. Like the previous two posts, there’s absolutely no way that these can be consumed in one sitting. The best course of action would be to simply bookmark this page and explore it at random. Go cra

Tacocat – I Hate the Weekend || The I Don’t Cares – Whole Lotta Nothin’ || Carroll – Bad Water || Dogs On Acid – No Trigger || Go!Zilla – Pollution || Saintseneca – Sleeper Hold || Saul Williams – The Noise Came From Here || Husky Loops – Dead || Ex Head – Slowcoahces || Holy Pinto – Matches || Summer Flake – Shoot And Score || Phooey! – Wurld || Teleman – Düsseldorf || The Foxymorons – Spinning On A Needle || Fake Laugh – Mind Tricks || La Sera – High Notes || Bob Mould – Voices In My Head || Car Seat Headrest – Vincent || Yak – Victorious (National Anthem) || Pookie & the Poodlez – New Policy || Fraternal Twin – Boil || Beliefs – Swooner || Cate Le Bon – Wonderful || Big Thief – Masterpiece || Protomartyr – Dope Cloud || Teen Suicide – Alex || theMind – Mercury Rising || Ulrika Spacek – Strawberry Glue || Suede – Pale Snow || The Staves – Horizons

Eleanor Friedberger – Because I Asked You || Charles Bradley – Change for the World || together PANGEA – My Head Is On Too Tight || All Dogs – Sunday Morning || Abi Reimold – Vessel || Cayetana – freedom 1313 || Free Cake For Every Creature – For You || Mothers – No Crying In Baseball || Parquet Courts – Dust || Sea Ghost – Dog 69 || Minor Victories – A Hundred Ropes || Peach Kelli Pop – Heart Eyes || Lush – Out of Control || Kevin Morby – I Have Been to the Mountain || Show Me the Body – Body War || Neko Case – Man || White Wine – Where Is My Line? || Oscar – Sometimes || Spookyland – God’s Eyes || Teen Suicide – Alex || Frankie Cosmos – Is It Possible / Sleep Song || METZ – Eraser || KEN Mode – Absolutely Not || Glint – While You Sleep || LUH – I&I || Marlon Williams – Dark Child || Try the Pie – Root to Branch || Frøkedal – The Sign || Loop Line – Parts Unknown

Frankie Cosmos – Outside With the Cuties || Molly Drag – Rabbits || Beliefs – Leave With You || Phylums – Cold Coffee || Thao & The Get Down Stay Down – Astonished Man || Andy Ferro – Hood || WALL – Cuban Cigars || Mogwai – Ether || C Duncan – Say || Eleanor Friedberger – Sweetest Girl || Skylar Spence – I Can’t Be Your Superman || High Waisted – Party in the Back || Emilie & Ogden – Ten Thousand || Cigarette – Housewife || Vukovar – The Blood Garden || Pill Friends – Bleed || Wussy – Dropping Houses || Kelsey Lu – Morning After Coffee || Beverly – Victoria || Kathryn Joseph – The Outtakes || Ty Segall – Emotional Mugger || Reuben Hollebon – Common Table || Francis – Turning A Hand || Youth Lagoon – Rotten Human || Bleached – Keep On Keepin’ On || The Besnard Lakes – The Plain Moon || Monogold – Orchard Beach || A Giant Dog – Sex & Drugs

Andy Ferr0 – Sugar and Milk || Whitney – No Woman || Cherry – Alligators || Witching Waves – The Threat || Matthew Logan Vasquez – Everything I Do Is Out || TEEN – Free Time || FIDLAR – Why Generation || The Pains of Being Pure at Heart – Hell || Mount Moriah – Baby Blue || Death Index – FUP || Dan Rico – Soft Feeling || Red Pill – 90s Money || Sun Seeker – Georgia Dust || Mass Gothic – Every Night You’ve Got To Save Me || Steve Mason – Planet Sizes || Holy Fever – Find Your Fame || Nocando – Last Man Standing || Memory Rounds – Everywhere Near || Nicholas Krgovich – Sunset Tower || Bonnie ‘Prince’ Billy – When Thy Song Flows Through Me || Foals – Birch Tree || Moderat – Reminder || Computer Magic – Fuzz || South of France – Washed Up || Cavern of Anti Matter (ft. Bradford Cox) – Liquid Gate || Vandaveer – A Little Time Off Ahead || Hobosexual – Illegal Sensations

Andy Ferro – Crystal Tongue || Death Index – Little ‘N’ Pretty || Eddi Front – Prayer || Field Division – Modest Mountains || Sheer Mag – Nobody’s Baby || Aesop Rock – Rings || Childbirth – Breast Coast || Sparrows Gate – Ghost Blue || Roo Panes – Where I Want To Go || Rolling Blackouts C.F. – Wither With You || M. Ward – Girl From Conejo Valley || Beirut – Perth || Night Moves – Denise, Don’t Wanna See You Cry || Step Sisters – Dumb Love || O’Brother – Deconstruct || Museyroom – Ballad || Mind the Journey – Rose Colored Glasses || Giant Sand – Texting Feist || Mount Moriah – Precita || Wood Lake – Easy Love || Mossy – Electric Chair || River Tiber – No Talk || Let’s Eat Grandma – Deep Six Textbook || Automagik – Fucked Up || The Weather Station – Floodsplain || Hero Fisher – Breathe || Lionlimb – Domino || Girl Pants – Jupiter || The Range – Five Four

Fruit Bomb – Happy || Lushlife + CSLSX – The Waking World ft. I Break Horses || Candace – New Future || The Big Ship – Maybe I Don’t Know || Migrant Kids – Thread || Weezer – L.A. Girlz || Tim Woulfe – Riptide || Mercury Rev – Coming Up for Air || Spencer Radcliffe – Relief || Doe Paoro – The Wind || Photo Ops – Memories That Glow || Bill Eberle – When You’re Gone || Anya Marina – Gimme Resurrection || Kendrick Lamar – God Is Gangsta || The Manor – Don’t Like Going Places || Pale Dian – In A Day || Frightened Rabbit – Get Out || Shearwater – Quiet Americans || You Won’t – Ya Ya Ya || Muncie Girls – Respect || Otherwhile – Haunt You || Flying Lotus – FUCKKKYOUUU || Low Cut High Tops – Raise Hell || Ben Watt – Between Two Fires || Melaena Cadiz – At the Symphony || Mike Benecke – Astral Line

OBN III’s – Let The Music (Stream)

obn iii's

No matter how many times 2015 seems like it’s going to inevitably taper off in terms of outstanding new material, it confronts and defies that notion with an almost extravagant flair. The start of this week’s proved to be no different, making room for strong new full-length efforts from Blank Realm, Widowspeak, August West, Woolen Men, and Findlay Brown. So Young, Dave Monks, Gardens & Villa, Pookie & the Poodlez, Air Waves, and Sharkmuffin injected life into the music video format while a variety of acts unveiled powerful new songs, including Clearance, Frankie Broyles, Slight, Zulus, Wavves, The Garden, Christian Scott (ft. Elena Pinderhughes), and Siouxsie Sioux returned after an eight year absence alongside composer Brian Reitzell with a Bond-ian torch song for the jaw-dropping series finale of Hannibal, one of the most artistically inclined shows to ever air on television.

While it was tempting to throw caution to the wind and completely subvert this site’s established pattern to analyze (and wax ecstatic about) Hannibal and its legacy, the focus of today’s post instead falls to the fiery re-emergence of a band that’s earned praise on this site before: OBN III’s. Embracing a very evident Thin Lizzy influence this time around, full stop, they’ve delivered a rough-hewn reminder of their considerable power. Easily one of the band’s most accessible songs to date, “Let The Music” is seemingly a meta showcase that underlines the band’s own songwriting approach. Even this coy, though, the band finds a moment of deeply impassioned confrontation in the repeated line of “What about my voice?” At first, it’s a question in earnest, and then it’s a surprised echo before it finally becomes a rhetorical rallying cry before it gives way to a guitar breakdown that leads into a searing solo.

Everything packaged together comes off as a unique showcase for a band that’s already earned a devoted following thanks to some relentless touring and an incredible discography. All of the band’s best qualities are in place and the band’s zeroed in on those attributes, maximizing them to startling effect. Grimy, honest, tongue-in-cheek, and unabashedly rock n’ roll, “Let The Music” is the latest in a string of loud victories for OBN III’s and bodes extremely well for the band’s forthcoming full-length, Worth A Lot of Money. A small handful of fairly astonishing tracks from the album have been revealed and with the release date now just a few weeks away, September 14’s going to be a date to remember.

Listen to “Let The Music” below and pre-order Worth A Lot of Money from 12XU ahead of its September 14 release date here.

Watch This: Vol. 21

Well, it’s already been too long since the last one of these- the most personal installment of the series to ever have run– went live. This week’s all about making up for lost time which is why between this posting and Sunday, there will be three Watch This pieces posted. It’s been nearly a month since new material was posted so this volume will be dedicated to covering that space. There were more than a few videos to choose from due to the delay but the five below, whether they be a full set, short documentary, or just a single song, were five of the videos that most closely adhere to the spirit of this place. So kick off the new week in style, crank up the volume, and Watch This.

1. Tacocat (Full KEXP Session)

Tacocat’s recent self-titled record, NVM. is already shaping up to be one of the definitive 2014 summer records, filled to the brim with sunshine-inflected basement pop. In this recent KEXP session, the band plays four songs and enthusiastically responds to a fair few interview sections in an incredibly winning middle segment. All of the songs are played loose and with a sense of purpose. Never anything less than a delight, this round of songs for KEXP is just another notch in the band’s increasingly impressive belt.

2. Speedy Ortiz –  Silver Spring (Allston Pudding)

It didn’t take long for Speedy Ortiz to be thrown into the driver’s seat of the current 90’s revival crop. Major Arcana made it incredibly easy by distilling seemingly everything great from the alternative culture of that time period into something that was undeniably modern. This also allowed Sadie Dupuis a platform to tear down oppressive institutions and schools of thought, which is something that’s (dishearteningly) still sorely needed. Importantly, that also kept the band in the public eye and was likely one of the reasons for their continuously elevating success. Another reason? Their live show, which plays perfectly into their aesthetic- feeling over technicality had been lacking as of late, so praise be to Speedy Ortiz for trying their hand at restoring the balance. This version of “Silver Spring” should make just about anyone understand.

3. Clap Your Hands Say Yeah – Blameless (KEXP)

Clap Your Hands Say Yeah have remained an anomaly by virtue of the band’s undeniably erratic trajectory. When they were introduced to the world at large, they were at the forefront of a newly-emphasized class of buzz bands that were supported by hype and high expectations. After their debut record won them a vastly expanded following, they disappeared for a while before returning with what many thought was a lackluster sophomore effort. Retreating again after that, the band went through same changes, Alec Ounsworth started making solo music, and seemed fated to fade into a distant memory or relative obscurity. Now, Ounsworth is back, playing songs out solo under the Clap Your Hands Say Yeah moniker- and if this utterly gorgeous performance of new song “Blameless” is any indication, it looks like Clap Your Hands Say Yeah just might be coming up a whole lot more in conversation again.

4. Pookie & the Poodlez (Jam in the Van)

Another year, another Burgerama, and another of what will hopefully be one of many more Jam in the Vans from that festival. Pookie & the Poodlez (which is essentially just the Nobunny touring band switched around) rip through three gleefully obnoxious basement pop rippers. It’s all in the spirit of fun and fits perfectly into the Burger aesthetic, serving up a near-definitive representation of what kind of weirdness the label’s all about. Insanely catchy and absolutely carefree, it’s enough to spark hope for many more Burgerama Jam in the Van’s.

5. RIP 285 Kent (Pitchfork)

Definitely coming in as an outlier for the Watch This series, this Pitchfork documentary’s earned itself an inclusion on the basis of necessity; this is one of the most important short-form discourses on what a DIY space can mean to a community and what it can become. It doesn’t matter if it’s in a major area or the smallest town, there are valid points littered throughout RIP 285 Kent. Yes, there may be some esoteric language in terms of location and development pace but the underlying messages are ones worth noting. Additionally, it’s a close examination of a DIY space that was important to a scene that was important. Everyone from Deafheaven to Lodro to DIIV to Fucked Up get featured via live clips and a great deal of insight is offered from everyone who’s directly involved/responsible (like Ric Leichtung) and anyone who was tangentially involved (like Dan Deacon). It’s also a reminder to celebrate the things worth celebrating while they’re around. It’s worth several watches and bookmarking for future reference. All of those reasons are why it’s earned its spot as the closer for this 21st installment of Watch This.