Heartbreaking Bravery

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Tag: Pfarmers

Clearance – Owner/Operator (Stream)

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Since Friday, there have been notable streams from IAN SWEET, Fake Palms, American Wrestlers, Space Mountain, John K. Samson, Tanukichan, What Moon Things, Peace Be Still, Axis: Sova, Twist, The Veils, Quarterbacks, J&L Defer, Bon Iver, Cheshires, Black Thumb, CHUCK, Suntrodden, Makeout Point, Shapes In Calgary, Adam Torres, Dowsing, and Hiva Oa that have all appeared. On top of that, there were great music videos that came courtesy of Pleasure Leftists, Jake S-M, Breathe Panel, Emma Russack, Winter, Ka, and Pfarmers. Full streams that came via Bueno, Swimsuit Addition, Echo Courts, Big Bliss, The Channels, Cassels, BJ Barham, Dolfish, and Red Heat closed the haul of new material out in a memorable fashion.

All of those entries impressed on multiple levels but it was the latest offering from site favorites Clearance that earned this post’s featured position. “Owner/Operator” is the band’s second individual release — following the excellent “Are You Aware” — since their outstanding Rapid Rewards LP and sees the quartet continuing to find fascinating ways to balance a carefree atmosphere with urgent conviction. The song will be featured as part of their forthcoming Are You Aware 7″, which seems poised to stand as one 2016’s finest releases for that format.

A large part of those expectations can be accredited to the successes of “Owner/Operator”, a breezy and bristling three-and-a-half minute number that both refines and advances Clearance’s songwriting. From the structure to the dynamic nuances, there’s an uncommon liveliness that electrifies the proceedings, pushing a good song into the realms of greatness. Surprisingly memorable, weirdly powerful, and unashamedly casual, “Owner/Operator” is an unlikely slacker pop anthem for the basement punk crowd.

Listen to “Owner/Operator” below and pre-order Are You Aware from Tall Pat here.

Big Eyes – Behind Your Eyes (Stream)

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Yohuna, Communions, Pfarmers, Daphne, Eros and the Eschaton, Cassels, Atlas Engine, Pansy Division, Hamilton Leithauser + Rostam, Esp Ohio, Prudence, The Linedots, Blueheels, and Dog Orchestra all had excellent new songs emerge over the past week and either established or reaffirmed their impressive potential. In addition to that impressive roster, Big Eyes joined the ranks of bands returning in a manner that more than proves they haven’t lost a step.

Kaitlyn Eldridge first caught my attention with Cheeky, back in the mid-’00s. Later on, I’d have the distinct pleasure of sharing a few bills with Eldridge as her ensuing band, Used Kids, went on a long tour with site favorites Tenement. Shortly after that extensive run of dates, Used Kids splintered apart and Eldridge started what would become a new DIY punk staple with Big Eyes and, nearly off the bat, wrote one of the best basement pop songs of the past 16 years.

From the outset, all of Big Eyes’ releases — including a handful of excellent 7″ entries — have been exceptional and Eldridge has anchored all of them with a distinctive writing voice and a deeply relatable personality. With the band’s forthcoming release, Stake My Claim, looming just over the horizon, there’s plenty of reason to greet its arrival with excitement.

Heightening the anticipatory fervor is the recently-released “Behind Your Eyes”, which boasts a characteristically understated chorus section and some of the band’s best verses to date. Masterfully constructed and meticulously executed, “Behind Your Eyes” is a very welcome reminder of the band’s formidable understanding of their genre and their willingness to bend expectations to create moments that come across as legitimately bracing.

It’s an extraordinarily promising listen from a record that’s already shaping up to be a listen that’s tough to shake, which is a feat that most bands can never manage to achieve. Big Eyes aren’t most bands, though, and “Behind Your Eyes” should be irrepressible proof. Give it a try…   and then come back for seconds.

Listen to “Behind Your Eyes” below and pre-order Stake My Claim from Don Giovanni here.

Joanna Gruesome – Peanut Butter (Album Review, Stream)

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Joanna Gruesome‘s a name that’s been appearing on this site consistently throughout its duration and Peanut Butter‘s ensured that trend’s been one that continued throughout 2015’s first stretch. Weird Sister was one of the best records of 2013 and it came out just before Heartbreaking Bravery started operating, which meant they likely factored into the decision to create (and sustain) this space. In 2014, their Astonishing Adventures split with Perfect Pussy nearly topped our best splits of 2014 list (where Peanut Butter standout “Psykcick Espionage” made its debut) and they’ve earned themselves several standalone features through their music videos as well as their recorded output. In short, the band had a lot to live up to with Peanut Butter and they answered those expectations with a deafening roar.

Embracing the dynamics that made them such a compelling act out of the gate, they’ve managed to refine their approach and incorporate a much heavier emphasis on dissonance. Peanut Butter is Joanna Gruesome’s heaviest, noisiest, and most accomplished work to date, extending a narrative arc of continuous improvement. For a band that already packed a punch, throwing in stabbing noise freakouts that punctuate a large number of Peanut Butter‘s tracks might seem unnecessarily excessive. What sets Joanna Gruesome apart from some of their like-minded kin when it comes to this department is their unwavering understanding of restraint. “I Wanna Relax” starts with sheer white noise- but it’s cut off at the head almost as soon as it appears, effectively rendering it a jarring warning of the content that lies ahead.

Joanna Gruesome didn’t set out to pull punches on Peanut Butter and much of the record comes off like an assault. Impressively, even with the strengthened bent on atonality, the band hasn’t sacrificed any of their melody- they’ve enhanced it. “Last Year”, the record’s opening track, is one of the best examples of this duality and sets the tone for the nine tracks that follow. Never dipping under mid-tempo, the band keeps things at a sprint throughout the record, never allowing the listener a reprieve. The closest they come is the band’s surprisingly gentle closer, “Hey! I Wanna Be Yr Best Friend”, which feels like the transcendental calm that descends after a violent storm.

Part of what makes Joanna Gruesome’s storm so electric is the way vocalist Alanna McCardle weaves her ideologies into her narratives, subtly drawing the line to gender expectations through tales of difficult relationships and personal angst. Throughout Peanut Butter McCardle grapples with what and what isn’t good, torturing herself by questioning her own motivations. At times, the self-examination is brutal but it’s softened by the band’s pop sensibilities, which are continuing to produce some of the most gorgeous moments of any band currently making music. Terrifying, exhilarating, and unfailingly brilliant, Peanut Butter isn’t just Joanna Gruesome’s current crown jewel, it’s also one of the brightest spots of a year that’s already overflowing with greatness. To further illustrate that last point, a list of titles worth hearing will be included at the very bottom of this page (which also acts as an addendum to the preceding post).

Before you scan through those titles, though, make sure to listen to Peanut Butter over at NPR’s First Listen (the Spotify embed will take the place of that link once the record goes live).

Pre-order Peanut Butter from the always-great Slumberland here.

Now, as promised, an accompanying list of some other previously unlisted 2015 titles that are more than worth your attention.

Johanna Warren – nūmūn
Pfarmers – Gunnera
Sick Sad World – Fear and Lies
Glockabelle – Wolf BBQ
Fraternal Twin – Skin Gets Hot
Coliseum – Anxiety’s Kiss
DTCV – Uptime!
Clean Girls – Despite You
Turnover – Peripheral Vision
Battle Ave – Year of Nod
Tres Padres – Father’s Day / A Lot to Maintain
Vomitface – Another Bad Year
Eskimeaux – O.K.
Crocodiles – Boys
Novella – Land
Blanck Mess – Dumb Flesh
Miss June – Matriarchy
Art Is Hard – Family Portrait Pt. II

Downies – Widow (Stream)

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Photo by Seth Applebaum

For a while now, I’ve been teasing Heartbreaking Bravery’s brief transition to full-blown catch-up mode. And, well, that time has come. Each of the ensuing posts will contain so much more than just the song, video, or album in the headline. Single songs will each come equipped with a list of 75 other great tunes to have appeared in 2015. A new music video mixtape will be arriving shortly as well as several other mixtapes to re-ignite the Watch This series, which time dictated be temporarily relegated to the sidelines. A lot of things will be heading in a lot of directions in the coming months so coverage may be sporadic but I will be damned if I let this site out of my thoughts and intentions for even a second.

With all of that noted, it’s time to get back to what drives this site’s existence: legitimately great art propelled by a DIY ethos. A lot of incredible music has emerged over the past several weeks with gems arriving every day (extremely recent company includes Eskimeaux, Sharpless, Flagland, Flyying Colours, Mitski, Upset, and so many more) so selecting one to feature has become an unenviable task- but sometimes history makes it easy. I was fortunate enough to hear some roughs of a band called Downies towards the start of the year and it immediately became one of my favorite releases, something that came as no surprise considering the group’s pedigree (I’ve yet to come across a LVL UP-affiliated project that I dislike, which can also be said of Porches.). Pushing things over the edge was the fact that Downies came off like a version of Purple 7 that was even more pop-happy but sacrificed none of that band’s considerable punch.

That exhilarating dynamic is perhaps most present in “Widow”, the band’s recently-unveiled warning shot. On its surface, it’s a frantically paced gut-punch that’s forceful enough to stop just about anyone in their tracks. Live, it’s a firecracker that seems hell-bent on total destruction. Stripped back to its bare essentials, it’s a song driven by a troubled subtext that’s directly hinted at in the title. Even setting aside the dissections of its particulars, “Widow” is a staggering show of force from a band that deserves to be ushered in with a high level of excitement.

Listen to “Widow” below and keep an eye on this site for continuing coverage of the band and the upcoming EP that houses this song. Beneath that is a list of 75 incredible songs that I wish I could attribute more words to, as they truly deserve to be held in praise, but- at this point- there’s simply too many items that have amassed. Soon, the site will be caught up and current releases will be accounted for as they enter the fold. For now, enjoy “Widow” and a long list of treasures.

NEEDS – Rescue Don
Walleater – Swallow You
Turn To Crime – Without A Care
Built to Spill – Never Be the Same
Thin Lips – Nothing Weird
Hollow Sunshine – Careful Travel
Toro Y Moi – Run Baby Run
Dutch Uncles – Realm
Cillie Barnes – Earthquake Season at the Crystal Convention
No Joy – Everything New
Inheaven – Regeneration
Crying – Patriot
Torres – Sprinter
Hop Along – Powerful Man
Ronnie Stone & The Lonely Riders – Kiss the Daddy
Dolores Haze – I Got My Gun
The Teen Age – Low Cunning
Funeral Advantage – I Know Him
Shadow Age – Silaluk
YAST – When You’re Around
Mittenfields – Optimists
Coeds – Sensitive Boys
PJ Bond – The Better Option
Pfarmers – The Ol’ River Gang
Round Eye – City Livin’
Val Son – Sundays
Lowin – Best Laid Plans
Alright – Watercolors
The Midwestern Charm – Can’t Stand It
The Bloodhounds – La Coahuila
Broken Water – Wasted
Trans Van Santos – The Flight
Weed – Yr Songs
Elliot Moss – Best Light
Girls Names – Zero Triptych
Communions – Out of My World
Two Sheds – Get It Out
Free Cake For Every Creature – The Day To Day
Elvis Perkins (ft. Alec Ounsworth) – Mexican Ritual
Loose Tooth – Pickwick Average
Barbazons – Bad Catholics
Eternal Summers – Together Or Alone
Someone Still Loves You Boris Yeltsin – Step Brother City
Mall Walk – Container
Verses Narrow – Passive
Nevada Nevada – Anger Tango
Annabel – Everything
Triumph of the Wild – Brown Dog Blues
Mitski – Square (Live Solo Piano)
Chick Quest – Somebody Call A Doctor
Downtown Boys – Future Police
Honey Butter (ft. Chris Savor) – Times
Tanlines – Invisible Ways
Heaters – Mean Green
Warm Soda – I Wanna Go Fast
Diamond Youth – Thought I Had It Right
LA Font – Whisperer
Palma Violets – English Tongue
Prinzhorn Dance School – Reign
FFS – Piss Off
Avid Dancer – Not Far To Go
Cheatahs – Murasaki
Jaga Jazzist – Starfire
Flyying Colours – Running Late
Eskimeaux – I Admit I’m Scared
Sharpless – Franz Kafka (Home Movies)
Flagland – Awesome Song, Kerry Jan
Tomboy – Tomboy Anthem
The Moi Non Plus – Away With Words
Upset – Glass Ceiling
Panther Ray – Get to You
The Weaks – Frances Quinlan Will Have Her Revenge on Philadelphia
Ka – Pruitt Igoe
Dogs On Acid – Substitute (The Who)
Creepoid – American Smile