Heartbreaking Bravery

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Tag: Paradise

Hung Toys – Lurid (Album Review, Stream)

hung toys

There have been several dozen records unveiled in the past few weeks that merit attention. One of the latest in that string of releases has been flying completely under the radar despite the pedigree of the musician responsible. While Geronimo! weren’t the most well-known band but they meant a lot to a small but devoted following. I was happy to count myself among the converted and having the band headline this site’s first showcase on their farewell tour was something I won’t be forgetting anytime soon. However, the more you pour yourself into something, the more it stings when the container shatters.

While Geronimo! is officially over, a few of the bands members are working on new projects- the latest being guitarist/vocalist Kelly Johnson’s solo venture Hung Toys. Earlier this week, Johnson’s project released Lurid a full-length collection that finds the songwriter immediately diving back into the propulsive effects of his old project. Opener “Gotta Drink Some Water” is a monster of a basement punk song that’s as bruising as it is intriguing. It’d be easy for the rest of Lurid to fall short in the song’s tremendous wake but Johnson manages to subvert and expand central ideas across the rest of the record, exploring a range of styles that recall everyone from Terry Malts to, of course, Geronimo!.

All of Lurid comes off as an incendiary gut-punch and only the title track, the record’s sprawling closer, exceeds the 2 minute and 10 second mark. At times the record plays like a gambit and runs the risk of appearing as a genre exercise. By the time the record’s halfway mark gets highlighted by the searing instrumental attack that is “Blendered”, it becomes clear that Johnson’s songwriting is too capable (and substantial) to be reduced to something that hackneyed. Lurid is a record that rewards investment and begs for repeat listens, wielding its unerring immediacy as a formidable weapon. Powerful, brute, and spectacular, Lurid stands as one of 2015’s most welcome- and unexpected- entries.

Listen to Lurid below and explore a list of some of the best records to surface over the past two weeks.

The Yolks – Don’t Cry Anymore
Grubs – It Must Be Grubs
Alimony Hustle – BNOC b/w Zero Chill
Bob Keelaghan – Country Fresh: A Ghost Guitar Soundtrack
Hot Flash Heat Wave – Neapolitan
James Elkington & Nathan Salsburg – Ambsace
Salad Boys – Metalmania
Astronauts, etc – Mind Out Wandering
Nuclear Age – The Distinct Sounds of…
Pontiak – NOPE/JEPPE
Roger Lion – Roger Lion
Media Jeweler – $99 R/T Hawaii
Broomfiller – Third Stage Propellor Index
Guerilla Toss – Flood Dosed
Baston – Gesture
Yonatan Gat & Gal Lazer – Physical Copy
Carroll – Carroll
Blonde Summer – Paradise
Alone at 3AM – Show the Blood
Tedo Stone – To the Marshes
Jóhann Jóhannsson – Sicario
Diät – Positive Energy
BIG|BRAVE – Au De La
Rat Columns – Do You Remember Real Pain
Wand – 1000 Days
Tommy Stinson – L.M.A..O.
Lucern Raze – Happy & Astray
Summer Twins – Limbo
Blessed Feathers – There Will Be No Sad Tomorrow
Daniel Klag – Reality and Self
Dead Heavens – Adderall Highway
Loma Prieta – Self Portrait
Spencer Radcliffe – Looking In
Holy ’57 – Au Naturel

Happy Diving – So Bunted (Stream)

happy diving

Once more, with feeling: I’ve been caught up in travel arrangements over the past week and a half but I haven’t let new music escape me during that time. I’ve kept a detailed record of everything that’s caught my attention and, unsurprisingly, the bulk of those materials were single tracks. As was the case in the previous two posts, a list of 15 of the strongest highlights to emerge throughout that time frame have been included below the embed of the song earning the feature spot. In this case, that song’s a blistering reminder of the myriad strengths of site favorites Happy Diving.

The band’s exhilarating debut for Father/Daughter Records (another site favorite), Big World, established the band’s identity as well as their reputation for crafting feedback-heavy downer pop. Taking just as many cues from 90’s alt. as shoegaze, the band have conjured up yet another sharp blast of reverb-laden melancholy with “So Bunted”, the title track from a forthcoming 7″ that also marks their first release for the increasingly impressive Topshelf Records (Happy Diving’s signing follows a series of impressive moves from the label and the acquisition of Happy Diving rates as one of their strongest). Effortlessly pairing melancholy with urgency has always been one of the band’s strongest draws and “So Bunted” is a masterclass in that particular dynamic, creating a compelling whirlwind of soaring guitars and bleak emotions. Not a single moment of the track’s 134 seconds are wasted and if this is indicative of what Happy Diving has in store for Topshelf, then we’re all in for one hell of a ride.

Listen to “So Bunted” below and pre-order the 7″ from Topshelf directly here. Beneath the embed are 15 more songs that deserve paragraphs worth of praise and to be added to just about any collection.

Broen – Iris
Jessie Jones – Sugar Coated
FFS – Call Girl
Creepoid – Shaking
Weaves – Tick
Cyberbully Mom Club – No-Fun
Oscar – Stay
HEALTH – Stonefist
Ducktails – Surreal Exposure
Hibou – Dissolve
The Armed – Paradise Day
theweaselmartenfisher – Draw Back Your Bow
The Rashita Joneses – My Finger
Operation Simon – Innervation
Blacklisters – Cash Cow

Hop Along – Texas Funeral (Stream)

ha

Over the past year-and-a-half I’m not sure any band at this point has come up in coverage without snagging a headline feature than Hop Along. While they’ve appeared in various Watch This installments and a handful of mixtapes (including the best-of for 2015’s first quarter), they’ve never actually had an individual focus piece. That changes today. First, though, as was earlier relayed, are ten songs to have emerged this April that are absolutely worth hearing. Among them: Grounders’ psych-pop dream “No Ringer“, Saul Williams’ characteristically vicious “Burundi“, Honey Radar’s tantalizingly lo-fi “Per Schooner Agro“, Cyberbully Mom Club’s hazy new demo “Make Time“, and Vomitface’s pummeling post-punk number “Never Make It“. In addition to those five there was Diamond Youth’s powerpop rave-up “In the Clouds“, Wild Yaks’ defiantly triumphant “Paradise“, Estates’ searing “Not Now“, The Holy Circle’s mesmerizing “Basel (About What Was Lost)“, and site favorites Vaadat Charigim‘s typically extraordinary “Hashiamum Shokea“. While all of those deserve a slew of plays, it’s high time to give Hop Along their proper due and “Texas Funeral” provides the perfect opportunity.

After making a memorable impression on the DIY circuit and cultivating a small but extraordinarily passionate following, the band signed to Saddle Creek for the release of their forthcoming record, Painted Shut. The lead-up to the record’s been extremely promising with both songs preceding “Texas Funeral”- “Powerful Man” and “Waitress“- easily ranking among the year’s very best. “Texas Funeral” joins their company with a practiced finesse that even furthers Painted Shut‘s likelihood at being something truly special, even in regards to this year’s already formidable stockpile of musical highs. The band’s last record, 2012’s staggering Get Disowned, showed glimmers of bigger things to come- hinting that the band was capable of producing a classic.

Ever since then, guitarist/vocalist Frances Quinlan and company have been refining their sound and delivering heartfelt sets that have occasionally taken on a monumental feel. It’s a peak that “Texas Funeral” hits again and again, emphasizing both Hop Along’s considerable growth and undeniable talent. Quinlan, in particular, sounds more assured than ever, with her vocals (sometimes sung, frequently nearly-screamed) hitting stratospheric heights. Unpredictable, exhilarating, vibrant, and unapologetically alive “Texas Funeral” makes it sound like Hop Along is in the throes of a victory lap, bringing to mind the feel and aesthetic of another Saddle Creek record on more than a few occasions- Rilo Kiley’s career highlight The Execution Of All Things (one of the best records of last decade). With an exasperated youthfulness on full display and a keen eye for life’s minutiae, Hop Along seem to have tapped into something genuinely thrilling with “Texas Funeral”- and at this point it doesn’t seem like too much of a stretch to expect that the rest of Painted Shut will follow suit.

Listen to “Texas Funeral” below and make sure to pre-order a copy of Painted Shut from Saddle Creek here.