Heartbreaking Bravery

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Tag: Oh Pep!

A Week and a Half’s Worth of Material

Over the past week and a half there was a vast arsenal of material that found release across all three major formats. All of the titles that made a sizable impression will be linked to below and all of them are well worth exploring. Over the next few days there will be a laundry list of individual items to find small features but that in no way should deter from the immense value of the songs listed below. If there was enough time to provide each and every one of these entries features of their own, a regular day would have to be well over 24 hours. As it stands, the best approach is to simply bookmark this page and peruse these selections at a preferred pace. Keep an eye out for more updates from this site very soon and enjoy the incredible offerings that are available below.

Streams

The Raveonettes, Coaster, Puerto Rico Flowers, Beachtape, Sad13 (x2), Small Wonder, Two Houses, Floating Room, Hooton Tennis Club, Communions, Monster Rally, Mark Sultan, CRX, Dama Scout, Lady Lamb, Maria Taylor (ft. Conor Oberst), The Cinematic Orchestra (ft. Moses Sumney), Frank Weysos, Parlour Tricks, JD Werner, Del Water Gap, Invisible Boy, Magic Magic Roses, Hand Habits, The Breaks, Tyvek, clipping., Flower Girl, Mark Eitzel, Soft Lions, Cosmonauts, Desperate Journalist, Sonnyskyes, Tyler Daniel BeanSløtface, Cory Hanson, Sinai Vessel, Will Johnson, MOLLY, The Olympian, Boon, Emily Reo, Joanna Newsom, War Nurse, Ramonda Hammer, Sundayman, Yeasayer, Gummy, Sacred Paws, Enemies, BROS, Dead Leaf Echo, Mo Troper, Jarrod Milton, Dante Decaro, wrtch, Miya Folick, and Frankie Cosmos

Music Videos

Flasher, Honeyblood, Gland, Black Marble, Matt Kivel, Emilyn Brodsky, Peacock Affect, The Soonest, Alpenglow, Peder, Peeling, Worms, Girl Ray, Communist Daughter, Moonheart, The Superweaks, Sara Jackson-Holman, Andy Shauf, Monomyth, Victoria + Jean, The Avalanches, Purling Hiss, Tanukichan, Lou Barlow, Pity Sex, Froth, Allison Crutchfield, Strange Relations, Berwanger, Hazel English, Nada, Mayflower, Jess Williamson, Brunch, The Cavemen, Ray & Remora, Busman’s Holiday, Matt Costa, Muncie Girls, Soaker, and Oh Pep!.

Full Streams

Slothrust, Eric Schermerhorn, Tony Molina, Perfume-V, Silent, gobbinjr, Thick, Sam Kogon, Soft Pyramids, Max, Suntrodden, Loamlands, Nocturnal Habits, Choir Boy, Twiga, Angelic Milk, Realms, Parlour Tricks, Skye Wallace, Saba, Dead To Me, Teen Suicide, No Nets, Kevin Morby, Bloody Death Skull, Tournament, King Dude, Spectral Fangs, Communist DaughterSpeak Into My Good Eye‘s The 3rd Annual 24 Hour Songwriting Challenge, and Brown Acid, a joint-effort compilation from Riding Easy Records and Permanent Records that explores some of the heavier music of the ’60s and ’70s.

Watch This: Vol. 148

Continuing on with the two-part installment, The Let’s Go, Billy Bragg and Joe Henry, The Luyas, C Duncan, The Growlers, Warpaint, Faux Furs, Flesh Panthers, Ego, Courtney Marie Andrews, Adam Torres, Slow Club, Oh Pep!, Pity Sex, Northcote, Bec Sandridge, and Brooke Sharkey all put forth valiant efforts in last week’s crop of exceptional live videos. With the strength of those acting as an indicator, the merit of the five featured clips shouldn’t be questioned. A handful of series staples, a gorgeous and inventive new clip, and an excellent video from a series that’s quickly emerged as a new favorite constitute the spotlighted entries for the 148th installment of Watch This. So, as always, lean in, block out all the distractions, get studios, and Watch This.

1. Margaret Glaspy – You & I + Emotions and Math (Skype)

A biting wit, a commanding performance style, and tremendous songwriting have made Margaret Glaspy one of the most featured artists on this series over the past few months. While the selections here — “You & I” and “Emotions and Math” may be familiar, they’re still at the root of powerful performances. Week in and week out, Glaspy has proven to be a formidable talent. This abbreviated session’s no exception.

2. Lucy Dacus (La Blogotheque)

Lucy Dacus, another artist who made a habit of appearing on this series over the past several months, gets the La Blogotheque treatment in this characteristically gorgeous clip. Performing a trio of songs — including 2015 standout “I Don’t Wanna Be Funny Anymore” — Dacus is never anything less than mesmerizing. Framed by a series of lived-in Manhattan locations, the entire affair breathes effortlessly and casts a tantalizing spell all of its own.

3. Rhea – 3am (Boxfish Sessions)

As Cuttlefish Collective’s Boxfish Sessions project continues, their offerings seem to get more impressive. While their gold standard remains Long Neck‘s breathtaking showcase that was featured in Watch This: Vol. 143, this entry from Rhea’s not far behind. An entrancing performance of a brilliant song from an intriguing emerging artist, “3am” is comprised of a little bit of everything that this site was built to celebrate. Don’t let lack of familiarity prevent a look; this is exceptional work.

4. Angel Olsen – Give It Up (BBC)

My Woman will likely be showing up a lot as year-end lists start rolling out but that level of excessive praise is deserved. Angel Olsen delivered one hell of an album just last month and has been riding a wave of critical and commercial success in the wake of that release. Instead of just coasting, the songwriter’s turning in incredibly committed performances that not only retain but elevate the impressive bite that informed Burn Your Fire For No Witness. BBC’s Radio 6 studio was recently lit up by a charged performance of one of My Woman‘s many highlights, “Give It Up”, and finds the band sounding locked in and ready for anything.

5. Glen Hansard – Stay the Road (Nooks & Crannies)

Last year Glen Hansard delivered one of the most beautiful clips to ever be featured on this series in the painfully gorgeous “McCormack’s Wall” and has finally come through with what feels like a natural successor in “Stay the Road”. Shot in, around, and outside of the legendary Sydney Opera House, the tenderly-shot black-and-white clip tracks Hansard making the most of the venues architecture and delivering a heartfelt rendition of “Stay the Road”. A beautifully constructed clip, it’s a very capable demonstration of what can be accomplished while working within the confines of a very niche medium. It’s a masterful piece of multimedia artistry and it more than deserves a spot on this list.

Told Slant – High Dirge (Stream)

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Today unearthed great songs from angelic milk, Heaven For Real, Mourn, Lion’s Den, TSP, Kwesi Foraes, notable videos from The Virginmarys (who almost earned this post’s feature spot by virtue of their clip’s sheer honesty), Whitney, Ty Segall, Mothers, Oh Pep!, and a genuine Album of the Year candidate in Attic Abasement‘s Dream News. It also brought Told Slant‘s breathtaking “High Dirge” out into the world.

After gifting the world with the chill-inducing “Low Hymnal” — still a very strong candidate for 2016’s best song — and the warm “Tsunami”, the Felix Walworth-led project has returned to provided another glimpse at their forthcoming Going By. Of the two songs that have been released, “High Dirge” falls more in line with the somber nature of “Low Hymnal” than the more celebratory sensibilities of “Tsunami”, embracing an otherworldly melancholy that goes a long way in making the song feel endearingly human.

From the startlingly realized scene that opens the track, “High Dirge” never once veers away from the small, every day moments that confirm we’re alive. Whether it’s freshening up in the bathroom or prying yourself open, there’s enough time for a host of questions to emerge. Some of them get tackled, some get ignored, pushed to the wayside out of either fear or despondence.

Walworth addresses, confronts, and reassures those moments with the simple refrain of “It’s a long life, it’s hard to get it right” towards the song’s close, a surprisingly hopeful upgrade from “It’s a long life, I can’t get it right.” “High Dirge” is the third song from Going By to thrive on Walworth’s naked openness, bravely laying everything bare for a clinical dissection that’s as unforgiving as it is insightful.

Yet, the song never nears a feeling of total loss or hopelessness, offering just enough positivity to keep “High Dirge” courageously stretching forward towards something better. While there’s an inherent heartbreak to that glimmer of hope, that same lightness also allows the song to stay grounded and painfully relatable. As usual, the stakes of the narrative are heightened by incredibly tasteful and deeply intuitive instrumental work (the banjo figures of Going By have been nothing short of perfect) that provides “High Dirge” with an impressive dramatic flair.

Ultimately, “High Dirge” feels representative for Told Slant’s current era and marks a high point for Walworth’s songwriting, which may very well be why it also claims the line that gives Going By its title: High dirge for the way that I am going by. That line arrives in the song’s gentle outro section, which underlines the steady uncertainty that serves as the crux of “High Dirge”.

It’s a beautiful tactic that strengthens one of the song’s most important unifying threads before everything fades into silence. One last moment of transcendence in a song that’s destined to be remembered.

Listen to “High Dirge” below and pre-order Going By from Double Double Whammy here.