Heartbreaking Bravery

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Tag: No Mind No Money

Hey Hallways – Anything At All (Music Video)

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Continuing the recent trend of emerging (or, in this case, re-emerging) items that were featured  or teased by the writers kind enough to participate in A Year’s Worth of Memories series is Hey Hallways’ first music video, “Anything At All”. Of course, it wasn’t the only music video to surface over the past few days. It was joined by the likes of Titus Andronicus’ typically fiery “Fatal Flaw“, YAWN’s gorgeously lensed “Overflow“, Dan Andriano in the Emergency Room’s surprisingly great lyric clip for “Enemies“, Beach Baby’s intuitive, sensual “No Mind No Money“, Craft Spells’ effects and editing masterclass “Twirl“, and Birdstriking’s urgent, damaged “Monkey Snake“.

In the very first installment of a A Year’s Worth of Memories Radiator Hospital‘s Cynthia Schemmer (who also serves as managing editor for the rightfully-celebrated She Shreds) waxed ecstatic about Hey Hallways’ Absence Makes the Heart Forget, singling out “Anything At All” specifically. It’s easy to see why: the song’s a knockout punch that demonstrates the vast range of Jason Brownstein’s considerable talents (he also plays in both Joyride! and Permanent Ruin). Now, that song has its own music video- a collage of home movie aesthetics that bristles with genuine feeling. That kind of raw honesty is something that’s impossible to duplicate and difficult to convey but it comes across effortlessly in both song and video, providing a brief glimpse at Brownstein’s quiet charisma. Ultimately, “Anything At All” is the exact kind of song (and clip) that has the power to inspire others to start creating their own art and that alone’s worth more than words could ever convey.

Watch “Anything At All” below and pre-order Absence Makes the Heart Forget from Salinas here.

Mean Creek – Forgotten Streets (Stream)

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Eulogizing someone or something you love is always a difficult task that’s fraught with intensely personal emotions, whether it be a friend, a pet, a show, or a band. In this case: site favorites Mean Creek. While the quartet certainly had their reasons to disband, it’s still a difficult loss because they filled part of an important void by maintaining genuine authenticity. Before they unplug their amps and tear down the kit one last time at a show next month with Meat Puppets and Soul Asylum, they’re providing one last gift: “Forgotten Streets”. It’s a song that encapsulates what made the band such an invigorating act from the outset and an impassioned, rousing death rattle. Before diving too far into its details, though, it’s worth taking a step back to appreciate another round of standout tracks.

Among the bands responsible for those tracks: Mean Creek member Mikey Holland’s solo project, The Dazies, providing some light in the twilight phase of his main vehicle’s career. That particular track, “Piece of My Love“, is a fiery jolt of basement pop with a healthy dose of punk attitude. Joining that song were an onslaught of other purchase-worth numbers: Martha’s jumpy “The Historian“, Moaning’s emotive “Misheard“, 100 Watt Horse’s tender “Julie“, Pet Symmetry’s kinetic “Gone, Gone, Gone (Even Further Gone)“, Dog Party’s thrashing “Peanut Butter Dream“, Pavo Pavo’s kaleidoscopic “Ran Ran Run“, and Froth’s strangely cinematic mid-tempo basement punk highlight “Turn It Off“. All of those songs are worthy of a great deal of attention and will likely wind up on similarly strong records. However, to bring them into sharper focus here would likely function as a disservice to the heart of this post: Mean Creek’s departure.

When this site first started covering Mean Creek more than a year ago, a lot of words were spent trying to deconstruct the band’s sound into individual elements because they occupied a unique platform. While their may have been bands that have succeeded in combining decades’ worth of musical cornerstones unique to popular American culture. Tom Petty & the Heartbreakers are just as likely to be brought up as a potential influence as Hüsker Dü or Gram Parsons. In “Forgotten Streets”, they bring their distinct blend of those genres back to the forefront at a pace that suggests they were already taking advantage of the freedom that comes with evading the chains of industry expectation. Guitarist/vocalist Chris Keene has never sounded as enlivened as he does in the half-screamed raw-throated vocals on display here; all searing intensity and total fearlessness. Similarly, the band behind him deliver a collectively jaw-dropping performance that suggested the band still had a lot to say, making their departure even rougher.

There is some comfort to be found, though, in knowing that the band went out on top. 2014’s extraordinary Local Losers was easily the band’s most celebrated record to date and it earned that level of recognition through the band’s own conviction. Mean Creek are leaving behind an incredible body of work and “Forgotten Streets” comes off as an exhilarating victory lap. Right down to the very last words that Mean Creek will ever commit to a studio recording (a pointed plea for continuation, however brief, followed by the most intense moment of musicality the band’s ever recorded), this is a band that gave me- and so many others- something to feel good about celebrating. They’ll be missed but, hopefully, their musical legacy will last long enough to serve as inspiration to emerging bands decades down the line.

Listen to “Forgotten Streets” below and revisit the band’s enviable discography here.