Heartbreaking Bravery

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Tag: New Starts In Old Dominion

16 of ’16: The Best Songs of the Year

LVL UP II

Following suit with the two previous examples, the best songs of 2016 list will abandon the traditional numerical format in favor of a more open approach that concentrates on the best material of the year without offering too many individual designations. The majority of the songs featured on this list were under-represented on lists by far more visible publications (and a few that were fairly represented are listed below the main list as honorable mentions) and fall under the genres normally covered by this site. Of course, this list — just like any other — can’t claim to be truly representative but it does offer a decent encapsulation of 2016 releases that deserved to be celebrated.

An additional note: most of the embeds come from bandcamp, so songs will auto-play after the initial listen. This was intentional to ease the access to the records that can claim these songs and to more directly benefit the artists that brought them into the world.

Enjoy the list.

Mo Troper – Happy Birthday

One of the strongest debut records of last year was Mo Troper‘s Beloved, an entirely unexpected but wholly welcome powerpop masterpiece. While just about every song on Beloved was considered for this list, it seemed appropriate to go with “Happy Birthday” which set the tone for a fearsome record that deserved far more recognition.

Doe – Sincere

Some Things Last Longer Than You was a blistering statement from Doe, a band that had been steadily gaining momentum for years. It was a perfectly structured record that allowed its songs an equal amount of weight but “Sincere” still managed to emerge as a standout single. Fiery and full of conviction, it was one of 2016’s best moments.


Told Slant – Low Hymnal

Low Hymnal” was a song that I was fortunate enough to hear forming in its earliest stages but the finished product still managed to wind up as a transcendental experience. There’s genuine pain at the root of Told Slant‘s “Low Hymnal” that lends to the overwhelming weight of the song’s unforgettable final stanza. A gorgeous and moving masterwork.

Parquet Courts – Human Performance

In the title track for their career best, Human Performance, Parquet Courts hit an exhilarating new high point. “Human Performance” is a tightly-coiled and deeply felt examination of the human condition that finds the band stretching in new directions with a fearlessness that makes the song as gripping as it is immediate.

Yucky Duster – Gofer

A pitch-perfect pop song, Yucky Duster‘s “Gofer” became one of 2016’s most unexpected summer anthems. It’s a pure delight at every perfectly-navigated hairpin turn, serving up some of the most meticulously constructed guitar pop in recent memory. A perfect blend of style and substance, “Gofer” is a triumph from a band worth watching.

Cymbals Eat Guitars – Philadelphia, 4th of July (SANDY)

While Pretty Years saw Cymbals Eat Guitars continue to evolve their sound, no moment of the record was more jaw-dropping than the towering “Philadelphia, 4th of July (SANDY)“. An eye-opening display of formidable strength and untapped ferocity, the song saw the band perfecting just about every facet of their already-impressive songwriting.

LVL UP – Spirit Was

Pain” and “Hidden Driver” got a fair amount of attention from year-end lists but the most representative moment of LVL UP‘s Return To Love was the bittersweet “Spirit Was“, which also ranks as one of the band’s best. Vocalist/bassist Nick Corbo provided Return To Love its beating heart and “Spirit Was” marked the moment it completely opened.

Big Thief – Real Love

It takes a certain type of boldness to title a record Masterpiece but when that record features songs like “Real Love“, that title just seems apt. In some moments “Real Love” is breezy and open, while others finds Big Thief baring their fangs. Throw in one of the most effective guitar solos of the past few years and “Real Love” quietly emerges as a new classic.

Jawbreaker Reunion – Cosmos

Before hanging up their cables, Jawbreaker Reunion were kind enough to deliver one last album in haha and then what 😉, which lived up to the bands sterling track record. The best moment of a great record came via “Cosmos“, a gorgeous ballad examining serious topics that quickly transforms into a forceful reckoning. In short: it’s perfect.

Car Seat Headrest – The Ballad of the Costa Concordia

Likely the most celebrated record appearing on this list, Car Seat Headrest‘s Teens of Denial‘s most breathtaking moment was largely ignored by other outlets. “The Ballad of the Costa Concordia” is a sprawling meditation on hopelessness that somehow finds a way to seamlessly work in a brief, heartrending cover of Dido’s “White Flag”. A genuine achievement.

Fred Thomas – Brickwall

Fred Thomas is making and releasing music at a relatively relentless rate, which is a trait that typically produces a lot of filler material. Thomas somehow keeps getting better, something that’s clearly evident in “Brickwall“, a characteristically acerbic slice-of-life send-up that highlights Changer, which will go down as one of 2017’s finest.

Cloud Nothings – Modern Act

Rarely does a band come across as progressive while revisiting their earlier sounds, yet “Modern Act” finds a way to fuse progression with refinement in its revisitations. A brilliant hybrid of virtually every stage of the band’s career “Modern Act” is both a victory lap and an engrossing look at Cloud Nothings‘ increasingly promising future.

Slothrust – Horseshoe Crab

Crockpot” was the kind of unforgettable song that could make a band’s career, that Slothrust has surpassed those dazzling heights so quickly is a staggering accomplishment. “Horseshoe Crab” is the kind of track that can stop people in their tracks. It’s a spellbinding song from a band unafraid to rip the bleeding heart out of their own chest.

Catbus – Fracas

A standalone release — and lone track — from a band that features Phyllis Ophelia and members of Patio, Catbus‘ “Fracas” is a riveting hybrid of post-punk and basement pop. The verses ensnare the listeners attention before the chorus blooms and casts an unbreakable spell. Exceedingly lovely and perfectly crafted, “Fracas” is an absolute gem.

John K. Samson – Virtute At Rest

No song in 2016 carried more emotional resonance than John K. Samson‘s devastating final chapter to the Virtute trilogy. Plaintive, painfully intimate, and tinged with a deeply damaged sense of hope, the song finds Virtute’s owner resurrecting the neglected cat to beg for forgiveness. Harrowing and unforgettable, “Virtute At Rest” was a knockout blow.

SONG OF THE YEAR

Jay Som – I Think You’re Alright

There’s a grace and elegance that’s identifiable even through the light damage that Jay Som applies to “I Think You’re Alright” that brings Sparklehorse to mind. Now, direct comparisons on this site are few and far between — especially in the case of such notable luminaries — but it’s next to impossible not to hear the ghost of Mark Linkous lovingly haunting every last second of “I Think You’re Alright”.

Melina Duterte, the mastermind behind the Jay Som project, has listed Sparklehorse as a major influence and the two share a kindred, empathetic spirit- something that shows in the delicate tenderness of “I Think You’re Alright” and maintains its convictions throughout the rest of Jay Som’s discography. While that discography is an enviable one, “I Think You’re Alright” remains its crown jewel, thanks to not only the song’s sublime instrumentation but a narrative that plays perfectly into the song’s soft lyricism.

All at once, uplifting and resigned, “I Think  You’re Alright” occupies a fascinating space. There’s a lot going on in “I Think You’re Alright”, from the subdued atmosphere to the way that instrumentation interacts in its final quarter. When it’s playing, though, none of that’s taken into account as “I Think You’re Alright” has the ability to envelop the listener in a very specific feeling, rendering it a unique (and uniquely moving) listen. Not just one of the finest of this year but of the past decade.

Nine more worth hearing:

PWR BTTM – Projection
Mitski – Your Best American Girl
Weaves – Coo Coo
Margaret Glaspy – You and I
Forth Wanderers – Slop
Bent Shapes – New Starts In Old Dominion
Eskimeaux – WTF
Tancred – Sell My Head
Young Jesus – Baked Goods

Staring Down the Sun (Mixtape)

IMG_2362

After a whirlwind catch-up session saw around 80 new posts go up in the past month, this site’s falling back into old habits. Namely, the preservation of implementing some sort of mixtape for every at every 50-post interval. With summer officially kicking off next week, it felt appropriate to create a mix in anticipation of the increasingly warm weather. Somehow,  Heartbreaking Bravery’s now also 900 posts into its existence and some sort of commentary felt fitting as well. To that end, the 25 songs selected below are mostly tracks that have been featured — in some way or another — on this site throughout the course of those 900 posts (including Audacity’s “Hole in the Sky”, which was the the focal point of Heartbreaking Bravery’s first post).

A lot of the songs in Staring Down the Sun are songs that have carried me through previous summers, propelling me forward or comforting me with warmth  and familiarity. It’s those two traits, warmth and familiarity, that are underlined most emphatically on this mix as they’re two of the season’s most consistently definitive draws. As such, Staring Down the Sun is a mix that’s heavily populated by friends, old and new, to sustain the kind of camaraderie that’s so often reinvigorated by sense of contentment and desire for exploration that frequently accompanies the season.

Open the windows, call up some friends, start a band, stoke the embers of the fire in the backyard, enjoy the scenery, travel to a new city, go swimming, or do whatever it takes to enjoy the shifting weather. Whatever the option, there’s now a soundtrack to accompany those moments available for the taking. Grab it and go.

Staring Down the Sun‘s tracklist can be found below the embed. Underneath the tracklist are hyperlinks to the preceding 100 posts. Enjoy.

1. Used Kids – Midwest Midsummer
2. PUP – DVP
3. Audacity – Hole in the Sky
4. Patsy’s Rats – Rock N’ Roll Friend
5. Goodnight Loving – Dead Fish On the Banks
6. PURPLE 7 – Wise Up
7. The Marked Men – Fix My Brain
8. Screaming Females – Wishing Well
9. Good Grief – Cold Compress
10. Jay Som – I Think You’re Alright
11. Icarus Himself – Digging Holes
12. Bent Shapes – New Starts In Old Dominion
13. Jawbreaker Reunion – Friends Theme Song
14. Midnight Reruns – King of Pop
15. Dogs On Acid – Make It Easy
16. Sleeping in the Aviary – Love Song
17. Swearin’ – Hundreds and Thousands
18. Sweet John Bloom – Aging In Place
19. Meat Wave – Cosmic Zoo
20. Mo Troper – Princess
21. Mike Krol – Left Out (Attn: SoCal Garage Rockers)
22. Royal Headache – High
23. Weaves – One More
24. Tenement – Near You
25. Swim Team – Teenage Brain

++

HB800: Watch This: The Best of 2016’s First Quarter, Vol. VI
HB801: Watch This: The Best of 2016’s First Quarter, Vol. VII
HB802: Tenement – Bruised Music Vol. 2 (Album Review)
HB803: Watch This: Vol. 120
HB804: Casey Jordan Weissbuch – Dream (Stream)
HB805: Parquet Courts – Human Performance (Stream)
HB806: Minor Victories – Folk Arp (Music Video)
HB807: Lady Bones – Weight (Stream)
HB808: Ratboys – Not Again (Stream)
HB809: Summer Cannibals – Full Of It (Music Video)
HB810: Faye – Chow Chow (Stream)
HB811: Yucky Duster – Gofer (Stream)
HB812: Catbus – Fracas (Music Video)
HB813: Hudson Bell – Box of Bones (Stream)
HB814: Dark Thoughts (Album Review)
HB815: Eskimeaux – Year of the Rabbit (EP Review)
HB816: The Side Eyes – I Don’t Want To Go To School (Stream)
HB817: Mercury Girls – Ariana (Stream)
HB818: Mitski – Your Best American Girl (Music Video)
HB819: Mo Troper – Star Wars (Stream)
HB820: What A Difference A Month Makes (Full Streams)
HB821: What A Difference A Month Makes (Music Videos)
HB822: What A Difference A Month Makes (Streams)
HB823: Patio – Luxury (EP Review)
HB824: Greys – Outer Heaven (Album Review)
HB825: Alexis Taylor – I’m Ready (Stream)
HB826: Lady Bones – Ice Cream (Stream)
HB827: Deerhoof – Plastic Thrills (Stream)
HB828: Ratboys – Not Again (Music Video)
HB829: Told Slant – Tsunami (Music Video)
HB830: Ought – Beautiful Blue Sky (Music Video)
HB831: EERA – Drive With Fear (Music Video)
HB832: Patsy’s Rats – Rock N’ Roll Friend (Music Video)
HB833: WRAY – Pined (Music Video)
HB834: Mutual Benefit – Lost Dreamers (Music Video)
HB835: Faye – Ancient Bones (Stream)
HB836: Big Thief – Humans (Stream)
HB837: Twist – Soaked (Stream)
HB838: Jackal Onasis – The New Ron (Stream)
HB839: Casket Girls – Tears of A Clown (Stream)
HB840: Diarrhea Planet – Bob Dylan’s Grandma (Stream)
HB841: Cadet Kelly – Throttle You (Stream)
HB842: Beverly – The Blue Swell (Album Review)
HB843: Nano Kino – Surfing on the Void (EP Review)
HB844: Devon Welsh – Down the Mountain (Album Review)
HB845: Frankie Teardrop – Hell Yep (Album Review)
HB846: Major Leagues – Dream States (EP Review)
HB847: Dogheart – Real Mood (EP Review)
HB848: Lady Bones – Terse (EP Review)
HB849: Mulligrub – Soft Grudge (Album Review)
HB850: Plush – Please (EP Review)
HB851: Mo Troper – Beloved (Album Review)
HB852: Color TV – Anybody’s Girl (Music Video)
HB853: Faye – Faye (EP Review)
HB854: Lonely Ghost – Funereal (Album Review)
HB855: Happyness – SB’s Truck (Stream)
HB856: Mercury Girls – All That Heaven Allows (Stream)
HB857: Big Thief – Paul (Stream)
HB858: Charly Bliss – Ruby (Music Video, Live Video)
HB859: M. T. Foyer – All I Wanna Do Is Love You + Let’s Make Something Happen (Stream)
HB860: Petite League – Zookeeper (Stream)
HB861: Woahnows – Mess (Music Video)
HB862: NE-HI – Buried on the Moon (Stream)
HB863: Hollowtapes – Tall (EP Premiere)
HB864: Oceanator – Sunrise (Song Premiere)
HB865: Mitski – Happy (Music Video)
HB866: Birth (Defects) – Hanshin
HB867: Mock Orange – Put the Kid on the Sleepy Horse (Album Review)
HB868: Told Slant – High Dirge (Stream)
HB869: Young Jesus – Void As Lob (Single Review, Live Video)
HB870: Watch This: A Long List of Honorable Mentions from A Brief Stretch of Time
HB871: Watch This: A Full Session of Full Sessions
HB872: Naked Hour – Always on the Weekend (Stream)
HB873: Gorgeous Bully – Just Like Before (Stream)
HB874: Jay Som – I Think You’re Alright (Stream)
HB875: Quilt – Padova (Music Video)
HB876: Watch This: Another Full Session
HB877: Splitting at the Break: The Live Videos of 2016’s First Half
HB878: Watch This: Resuscitations, Pt. I
HB879: Watch This: Resuscitations, Pt. II
HB880: Trophy Dad/Barbara Hans (Split Single Review)
HB881: Hater – Radius (Stream)
HB882: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. I
HB883: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. II
HB884: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. III
HB885: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. IV
HB886: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. V
HB887: Tenement – Feral Cat Tribe (Music Video)
HB888: PUP – Live at the 7th St. Entry – 6/3/16 (Pictorial Review, Live Video)
HB889: Watch This: Vol. 126
HB890: Watch This: Vol. 127
HB891: Rod – Cemetery (Stream)
HB892: Trust Fund – Together (Stream)
HB893: Even Hand – Sighted (Album Review)
HB894: Future Biff – I Crashed Your Car (EP Review)
HB895: Jacky Boy – Bad (Song Premiere)
HB896: Lithuania – Kill The Thing You Love (Stream)
HB897: Watch This: Vol. 128
HB898: Weaves – Weaves (Album Review)
HB899: Dentist – Joel (Stream) [Contains hyperlinks to post 700-799]

The 50 Best Songs of 2016’s First Quarter

Eskimeaux

Now that nearly everything’s back up to speed on the three major fronts (streams, full streams, and music videos), it’s time to re-direct the attention to the very best material that emerged in the first three months of 2016. After listening to literally thousands of new songs throughout the course of this year, 50 songs will be embedded below (the original list was just over 50 and the last three cuts were from Public Access T.V., SOAR, and Retired), with the first several artists listed having multiple songs vying for the feature.

Due to the time constraints, each of the songs — while worthy of several paragraphs — will  receive a line or two of text. All of the songs that competed for the feature spot will be hyperlinked. All of these songs, in one way or another, genuinely stood out from the rest of the pack- and beyond that, several of them have proven their worth via their staying power.

From moments of devastating vulnerability (“Low Hymnal”) to electrifying bursts of visceral energy (“DVP”), there’s a lot to digest. Whether carrying the status of new, emerging, proven, or elder statesman, the artists that comprise this list have viable year-end potential. All 50 of these tracks deserve investment. Dive in below and explore a large handful of 2016’s finest gems.

Bent Shapes – New Starts In Old Dominion

After making their mark with a string of consistent releases, Bent Shapes delivered their strongest effort yet with Wolves of Want, which was highlighted by the surging powerpop number “New Starts In Old Dominion”. | Also worth hearing: What We Do Is Public, Realization Hits

Culture Abuse – Turn It Off

A seething mess of chaos and cacophony, Culture Abuse‘s “Turn It Off” was one of young 2016’s most immediate post-punk tunes. Sharp and unrelenting, “Turn It Off” more than makes its mark. | Also worth hearing: Dream On, Peace On Earth

Audacity – Lock On the Door

Self-described by the band as a “Third Eye Blind rip-off song”, “Lock On the Door” is the band’s most successful grime-coated excursion and retains every bit of its predecessors’ considerable charms.  | Also worth hearing: Umbrellas, Dirty Boy.

Mulligrub – Homo Milk & Man in the Moon

Mulligrub managed to impress when they were just starting out and they’ve grown noticeably in a surprisingly short period of time. If this two-song package is any indication, there are some extraordinary things in Mulligrub’s future. | Also worth hearing: Europe

Mo Troper – First Monkey In Space

Mo Troper’s Beloved is my early front-runner for Album of the Year and with songs as perfectly crafted (and presented) as “First Monkey In Space”, that shouldn’t come as a surprise. Big Star-meets-Tony Molina is a very, very good look. | Also worth hearing: After the Movies

Jawbreaker Reunion – Cosmos

Another early year-end candidate came in the form of Jawbreaker Reunion‘s breathtaking “Cosmos”, which saw them tapping back into the lovesick despair that made “E.M.O.” so unforgettable. When the back half kicks in on his one, it’s a moment of powerful transcendence. | Also worth hearing: Small Investments

Kal Marks – Coffee

A sprawling, bruiser of a track, “Coffee” sees Kal Marks continuing to dominate the realms of aggressively down-trodden post-punk, fully equipped with a messy handful of grunge influences. It’s another masterclass from a band who are very nearly peerless. | Also worth hearing: Mankind

Tenement – The Block Is Safe Again

One of three songs on this list to be experiencing a cleaned up re-release, “The Block Is Safe Again” is vintage Tenement. All you really need to see to know that this is incredible is the last word of that first sentence. | Also worth hearing: Freak Cast In Iron

Nicole Dollanganger – Chapel 

Another song that experienced a re-release, “Chapel”, saw Nicole Dollanganger embracing her softest sensibilities and conjuring up something spellbinding. Let it wash over you and give into its dreamlike state, pay attention, though, and you’ll be plunged straight into a delicate nightmare. | Also worth hearing: Beautiful and Bad

Big Ups – National Parks

Shortly after hitting their five year anniversary, Big Ups unloaded a behemoth of a record in Before A Million Universes. The high-wire tension act of “National Parks” was one of its many peaks, providing an able showcase for the band’s commanding sense of self. | Also worth hearing: Hope for Someone

Tancred – Sell My Head

One of 2016’s most pleasant surprises has come in the full-blown emergence of Tancred. Spiky, formidable, and exceptional, everything Jess Abbott’s project has unleashed this year has hit its target. Store this one away right next to the fiercest songs from Palehound and Speedy Ortiz. | Also worth hearing: Control Me

Eskimeaux – WTF

After claiming this site’s Album of the Year distinction, the Epoch quartet known as Eskimeaux has returned with a shimmering new EP. “WTF” continues the band’s winsome penchant for expertly crafted, bittersweet pop songs with a gentle ease. Good luck shaking that chorus section. | Also worth hearing: Power

Solids – Blank Stare

Following a string of strong releases, Solids have a career high on their hands with the Else EP, which boasts four enthralling tracks that combine a host of influences into something melodic and menacing. “Blank Stare” is the EP’s highlight. | Also worth hearing: Wait It Out

Eureka California – Cobwebs on the Wind

Eureka California have proven themselves to be a remarkably consistent band and they’ve rarely ever been granted the spotlight they deserve. Versus, their latest effort, is their most engaging thanks to the jittery energy that propels tracks like “Cobwebs on the Wind” and “Caffeine”. | Also worth hearing: Caffeine

Banned Books – Fuselage

Very few records this year have caught me as off guard or sent me reeling as quickly as Banned Books, the exhilarating self-titled effort from the Philadelphia noise-punk figureheads. “Fuselage” contains some of the band’s most exceptional — and propulsive — work to date. | Also worth hearing: Everything I’ll Ever Need

Hudson Bell – Box of Bones

One of the most difficult decisions to make in compiling this list was which of these two listed songs to feature. “Box of Bones” got the edge for the extraordinary hooks and some jaw-dropping sections of sheer perfection. Hudson Bell is putting together something unreal and more people should be taking note. | Also worth hearing: Hey Doll

Plush – Sheer Power

A sweeping, magisterial work of lush decadence, “Sheer Power” announced Plush’s 2016 run with a heaven-sent explosion. Dynamic, powerful, gorgeous, and towering, “Sheer Power” is the band at their most gripping and one of early 2016’s most spine-tingling offerings. | Also worth hearing: Please Don’t Let Me Go

PUP – DVP

As expected, when PUP resurfaced after making one of the most beloved punk records of this current decade, they were even more feral and wild-eyed than when they left off. “DVP” isn’t just the band’s fiercest song to date, it’s also one of their strongest. Get out of the way or get run over (repeatedly).

Greys – No Star

Another one of Toronto’s finest punk acts, Greys, have been putting together a deeply impressive run over the past few years. They’ve yet to make a bad song and thrive off the tension they inject into the kinetic “No Star”, which expertly balances the band’s most melancholic sensibilities with their most explosive.

The Sun Days – Don’t Need To Be Them

2016 has already had its fair share of excellence in powerop but right now, no one’s doing that genre better than Sweden, who’ve gifted us another extraordinary act in The Sun Days. Album, the band’s debut record, offers up a whole bevvy of what are likely to go down as some of 2016’s loveliest tunes, like the gorgeous “Don’t Need To Be Them”.

Frankie Cosmos – On the Lips

The last of the songs on this list to have a prior release, “On the Lips” finally gets the full band treatment for Frankie Cosmos‘ sprightly Next Thing. Already considered a standout of a very crowded discography, “On the Lips” is pure Frankie Cosmos: light, charming, and memorable.

Oceanator – Nowhere Nothing

Very few songs over the past several years have had a section that laid me as flat as the outro to Oceanator’s “Nowhere Nothing”. The project of Vagabon drummer Elise Okusami, Oceanator’s already showing an astounding level of promise. As a standalone song, it’s breathtaking. As an artist’s introductory number, it’s flat-out unbelievable.

Yoni & Geti – Madeline

Serengeti’s carved out a respectable place for himself throughout the course of a very consistent career. WHY?‘s Yoni Wolf is rightfully regarded as one of this generation’s most remarkable lyricists (by certain circles, at least). Their collaborative project is only just getting started but the lilting powerpop of “Madeline” bodes well for the duo’s future.

EERA – Drive With Fear

“Drive With Fear” was the first song that really pulled me into EERA‘s fascinating world. Combining elements of dream-pop, ambient, and noise into an extremely tantalizing package, the project from Anna Lena Bruland’s landed on something intangible that seems ready to pay dividends as it goes forward. This song alone’s a piece of magic.  

Tacocat – I Hate the Weekend

Tacocat returned with “I Hate the Weekend”, advancing the band’s commendable aversion to disappointing by amplifying what they do best: carefree basement pop that deals with life’s more mundane moments. Sugary, sharp, and well-informed, “I Hate the Weekend” will stand as one of 2016’s greatest anti-parties.

Dilly Dally – Know Yourself

Watching Dilly Dally unexpectedly pull out this Drake cover last year at CMJ prompted what I can only describe as a near-out-of-body experience. I wrote about it extensively a few times and was hoping an official recording of the cover would make its way out into the world. When it arrived, it didn’t disappoint; “Know Yourself” is an absolute monster.

Lucy Dacus – Strange Torpedo

I Don’t Wanna Be Funny Anymore” was one of the best songs of last year and I haven’t been able to shake it since its release. Fortunately, Lucy Dacus had a new batch of equally exceptional songs to round out the incredible No Burden, including “Strange Torpedo”, a very strong showcase of Dacus’ knack for hyper-intelligent songwriting.

Weaves – One More

Weaves have undergone one of the more impressive transformations in music, transitioning from an intriguing world-leaning act to a full-fledged basement pop group. “Shithole” was one of the first indications of their radical switch and they’ve followed it up with the vicious, teeth-baring noise-punk of “One More”.

Free Cake For Every Creature – First Summer In A City

Katie Bennett’s Free Cake For Every Creature project has excelled in making airy bedroom pop that’s grounded by a relatable honesty. “First Summer In A City” is an instant standout, instantly capitalizing on the act’s most breezy and road-weary sensibilities. The slide guitar work here is a thing of quiet perfection. 

Woods – Morning Light

Another band that knows a thing or two about breezy, road-weary sensibilities is Woods, who have sculpted an entire career out of combining the two. One of the most remarkably consistent bands going today, they’ve managed to produce a career highlight with the easygoing, piano-speckled Americana of “Morning Light”.

Music Band – Fortune Guns

Basement pop meets basement punk is where this site pulls most of the bands it features most prominently. Music Band exists squarely in that intersection and have nearly perfected that marriage. “Fortune Guns” is the latest piece of thrilling evidence. 

A Death Forest Index – Myth Retraced

“Myth Retraced” is the kind of song that slowly washes over the listener, pulling them deeper in with each successive wave as the current gets increasingly stronger. A collaboration between A Death Forest Index and Savages’ guitarist, Gemma Thompson, it’s a dark, fractured miracle of a track. 

Carey – You Were Right

Old Flame Records has long specialized in retro-leaning basement pop, building up a roster of acts that have — appropriately — been granted a lot of attention from this site. Carey‘s the latest band to get in on the action and they kicked 2016 off with the blazing “You Were Right”, which more than lives up to the label’s high standard.

Wood Lake – Hollow

Easily the heaviest song on this list, “Hollow” is a swift masterstroke from emerging act Wood Lake. Combining the very best elements of post-hardcore and shoegaze, the band’s latched onto something that feels as exhilarating as it does singular. Gorgeous and punishing isn’t an easy combination to pull off but Wood Lake’s got it down pat.

Dead Stars – Unpopular

Dead Stars have shown up on this site a few times thanks to their ’90s-infused take on basement pop and “Unpopular” is another very worthy addition to a strong discography. Clean when its called for and distorted when it matters, “Unpopular” finds the band in fine form.

Such Hounds – I’ve Been Lost

Riding a syncopation lifted from The Damned’s classic “Neat Neat Neat” in the introduction, Such Hounds’ “I’ve Been Lost” quickly transforms into a beast of its own, lacing its emphatic powerpop with a punk sneer. Insanely catchy and playfully welcoming, it’s a breath of fresh air in an all-too-often overly serious musical landscape.

Told Slant – Low Hymnal

The first time I heard a note of Told Slant‘s “Low Hymnal” was when it was being recorded in DBTS. I’d wake up and listen in on Felix Walworth meticulously recording the song, wondering how the finished version would play. When I heard the rough take, I surrendered myself to chills, on the verge of tears. Now that it’s done, that feeling’s returned.

Mitski – Your Best American Girl

The year Bury Me At Makeout Creek came out it came very close to capturing this site’s Album of the Year distinction. Mitski‘s made a lot of moves in the time that’s followed, watching her audience grow exponentially in the process. “Your Best American Girl” is more than strong enough to allow that trend to continue; it’s a dynamic behemoth.

Yung – Pills

Yung were one of the first bands to really impress me at last year’s CMJ. I’d enjoyed what I’d heard from them previously but their was something intangible happening with their live show that converted me into a full-fledged believer. “Pills”, an expertly crafted basement pop number, serves as a welcome reminder that they’ve elevated their game.

Patio – Arbitrary Numbers

Fortunately, for everyone, Patio‘s only grown more confident since their demo (and their first show). Their upcoming EP, Luxury, is chock-full of memorable post-punk, including “Arbitrary Numbers”, the release’s minimalist pull track. Intelligent, catchy, and well-informed, it shows the band’s well on their way to being a recognizable name.



Jean-Michel Blais (ft. Bufflo) – Nostos

One of the more beautiful piano compositions to have emerged in some time, this collaborative effort between Jean-Michel Blais and Bufflo is a haunting, masterful run that’s weighted by what scans as genuine emotion. All of the ambient elements that spring up manage to enhance the vivid nature of the piece’s most emotive moments.



Fog Lake – Rattlesnake

From its melancholic opening moments to its uneasy close, Fog Lake‘s “Rattlesnake” is a gripping journey through unsparing self-examination. Haunting, haunted, and oddly unnerving, the relatively tranquil “Rattlesnake” is a miniature masterpiece that should go quite a ways in elevating Fog Lake towards a desirable status. 

Tangerine – Sunset

Tangerine have all the energy you’d expect from an exciting emerging act but are able to differentiate themselves thanks to how effectively they wield that energy. “Sunset” is a perfect example, a frantic, sun-soaked, punk-tinged powerpop number that plays like the band was having difficulty containing their sheer joy over the prospect of simply making music. 

Bob Mould – The End of Things

At this point, if you’re reading this site, it’s highly unlikely that Bob Mould‘s an unfamiliar name. The Hüsker Dü co-leader has been on an absolute tear with his solo releases of late, his finest work on those rivaling the best of the band that made him a legend. The fire-breathing “The End of Things” shows that he has absolutely no intentions of slowing down.

Catbus – Fracas

Patio‘s Lindsey-Paige McCloy and Alice Suh make another appearance on this list as part of this new, Phyllis Ophelia-led project that announced itself by way of the uniformly excellent “Catbus”. Post-punk, ’90s pop, and minimalism are woven together here to instantaneously memorable effect. The chorus alone stands as one of 2016’s strongest musical moments.



Museum of Recycling – Stillove

Last year, I was fortunate enough to host the demo premiere of “Stillove”, the standout track from new Big Ups side-project, Museum of Recycling. Heavy, atmospheric, and unrelentingly bruising, “Stillove” sees Joe Galaragga embracing his most melodic sensibilities to spellbinding effect. Get crushed under its formidable weight.

Leapling – Alabaster Snow

While Leapling have had a sizable handful of great tracks leading up to 2016, “Alabaster Snow” showed the band operating on a different level entirely. Easily the band’s best song to date, it’s a chaotic mixture of powerpop and vicious noise-punk that keeps things clean and winds up being even more engaging for its unconventional choices.

Dusk – My Own Design

Tenement‘s Amos Pitsch and Holy Sheboygan!‘s Julia Blair have both had their turn at the helm of Dusk and now, on “My Own Design”, the band moves darn it.‘s Ryley Crowe to the forefront. “My Own Design” is just as timeless and perfect as “(Do the) Bored Recluse” and “Too Sweet“, definitively proving Dusk as a whole belongs at the head of the WI music scene.

The Gotobeds – Real Maths/Too Much

It took me a while to come around on The Gotobeds after the lead-off single from their last record left me fairly cold. This time around, I’d happily go all in on “Real Maths/Too Much”, a pointed burst of post-punk that lingers long after its left. Fiery, insistent, and played with an intense amount of feeling, it’s the band at their absolute best.

Big Thief – Real Love

Another likely contender for multiple year-end lists arrived in the form of Big Thief‘s “Real Love”, a breathtaking tune that’s breathing new life into Saddle Creek’s increasingly impressive roster. A towering masterclass of pure songwriting, “Real Love” is jaw-dropping at nearly every turn, from the sky-bound guitar work to the plaintive honesty that grounds the whole affair. If the rest of the band’s upcoming Masterpiece comes close to matching this song, it’s tongue-in-cheek title won’t carry a shred of irony. “Real Love” is four minutes and 17 seconds of sublime perfection.


March 2016: The Music Videos

PWR BTTM I

While January and February certainly had their fair share of great music videos, March saw an influx of truly great clips find their way out into the world. From Johanna Warren‘s extraordinary “Great Lake” (which I was fortunate enough to premiere over at Consequence of Sound) to a new, patently excellent, video from PUP, the format’s found its stride. Apart from the music videos, there was an outstanding Vaadat Charigim mini-documentary chronicling their first US tour.

Since there were so many clips — and since so many were so exceptional — they’ll be split into two categories below. At the very bottom of the page will be the honorable mentions category and above that will be a slew of videos that have positioned themselves to be early year-end contenders. Since “Great Lake” was already mentioned above, it won’t be below. Similarly, since Yours Are the Only Ears’ aching, gorgeous video for “Low” is the only non-YouTube entry, it will simply be listed in this paragraph (but rest assured, it’s more than worth your time). For the sake of convenience, 31 music videos are featured- one for each day in March.

Watch some of the finest clips of a young 2016 via the embed (with an accompanying tracklist tucked underneath) and explore the laundry list of exceptional titles in the honorable mentions category below the player. Enjoy.

1. PWR BTTM – West Texas
2. Dilly Dally – Snakehead
3. Palehound – Molly
4. Foul Tip – Drifting
5. Greys – Blown Out
6. Big Ups – National Parks
7. PUP – If This Tour Doesn’t Kill You, I Will
8. The Crookes – The World Is Waiting
9. Mutual Benefit – Not for Nothing
10. Alex G – Mud
11. Free Cake For Every Creature – Talking Quietly of Anything With You
12. Lucy Dacus – I Don’t Wanna Be Funny Anymore
13. El Perro Del Mar – In the Woods
14. Kevin Morby – Dorothy
15. Abi Reimold – Mask
16. Daughter – How
17. Eluvium – Life Through Bombardment Vol. 2
18. Bent Shapes – New Starts In Old Dominion
19. Nancy Pants – I’ve Got A Crush On You And Everybody Knows It 
20. Outer Spaces – I Saw You
21. Eleanor Friedberger – Never Is A Long Time
22. PJ Harvey – The Community of Hope
23. Sunflower Bean – Easier Said
24. James Edge and the Mindstep – On A Red Horse
25. Furnsss – Slow Dark Water
26. The Lemons – Ice Cream Shop
27. Quilt – Roller
28. Marissa Nadler – All the Colors of the Dark
29. PAWS – No Grace
30. Savages – Adore
31. Hayden Calnin – Cut Love

Honorable Mentions

Kino Kimino – Passion | Car Seat Headrest – Drunk Drivers/Killer Whales | NOTHING – Eaten by Worms | The Mynabirds – Velveteen | Miya Folick – Oceans | Laura Carbone – Swans | Wilder Adkins – Our Love Is A Garden | Head Wound City – Scraper | Fear of Men – Island | Thin Lips – Never AgainSioux Falls – Dom | La Sera – I Need An Angel | Tim Heidecker – In Glendale | DTCV – Capital Ennui | José González – With the Ink of a Ghost | B Boys – Get A Grip | Trevor Sensor – Pacing the Cage

Teen Suicide – The Big Joyous Celebration | Ladada – Old Wave | Dam Gila – The Undertow | Brodka – Horses | Ashley Shadow – Tonight | Hurry – Nothing to Say | Mumblr – Super! | Long Beard – Porch | We Are Scientists – Buckle | Steve Gunn – Conditions Wild | My Bubba – Charm | Amber Arcades – Right Now | Kwesi Foraes – Devils Child | Saul Williams – Down For Some Ignorance | NOTHING – Vertigo Flowers | The Amazons – Stay With Me | Holy Pinto – Hospital Room | Whitney – Golden Days | Luke Top – Chariot

King Gizzard & The Lizard Wizard – Gamma Knife | Eskimeaux – Drunk | Andy Shauf – The Magician | Innerspace Orchestra – One Way Glass | Crows – Whisper | Deep Sea Diver – See These Eyes | The Hunt – Hawk | Jerkagram – Cloud Builder | Julianna Barwick – Nebula | The Dirty Nil – Wrestle Yü To Hüsker Dü | Sarah Neufeld – We’ve Got A Lot | Cat’s Eyes – Drag | Zones – Tides | The Drones – Taman Shud | Andy Stott – ButterfliesThe Lemons – Shark BaitGrey Waves – Remember Me | Wood Lake – Hollow | Black Mountain – Florian Saucer Attack | Fleabite – Missing Everyone | Haelos – Separate Lives | Nada Surf – Rushing | PAWS – No Grace