Heartbreaking Bravery

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Tag: Never Come Down

Watch This: Vol. 161

Every week this year’s offered up an enticing host of live clips and the week that transpired the week before last proved no exception, keeping the flame not only alive but roaring. The Tablets, Fits, Robyn Hitchcock, Miss Molly Simms, Summer Twins, Perfume Genius, Strand of OaksBenoît Pioulard, Sean Rowe, Rahim AlHaj, Tenement, Flesh World, Bad History Month, Dinosaur Jr, Hi-Tec Emotions, The Paranoyds, Laura Marling, The New Pornographers, Slow Dancer, Lucy & La Mer, Imaginary Tricks, Double Grave, Queen Hilma, Violents & Monica Martin, Juliana Hatfield, Fast Romantics, Atlas Road Crew, Micah P. Henson, The Drive-By Truckers, Tamino, Lucille Furs, Leif Vollebek, Two Houses, Umm, S.H.I.T., and Electric Eye all found themselves at the center of excellent live captures. A group that strong goes a long way in indicating the formidable nature of the featured clips, which include several long-time site favorites. So, as always, sit up, straighten out, adjust the settings, draw the screen a little closer, and Watch This.

1. Waxahatchee – No Curse (Weathervane)

Katie Crutchfield’s no stranger to this site, seemingly all of the songwriter’s projects having been covered in some capacity. Waxahatchee has become Crutchfield’s calling card in recent years and remains the most singularly focused of the musician’s artistic output. Here, Crutchfield and company rip through an enticing new song entitled “No Curse” for Weathervane’s outstanding Shaking Through series. It’s a potent reminder of the inherent power of one of this generation’s finest artists.

2. Hurray for the Riff Raff – Living in the City (The Current)

A handful of releases into an increasingly notable career, Hurray for the Riff Raff continue an impressively upward trajectory. Each consecutive record and performance seems to constitute a new career high for the project, which has never been anything less than commendable. “Living in the City” is just the latest upward rung on a never-ending ladder that seems poised to reach stratospheric heights. Looking down from where the act is now, it’s more than enough to induce a serious amount of vertigo.

3. Vundabar (Audiotree)

One of the more intriguingly frenetic punk bands of recent times, Vundabar have carved out a reputation for themselves by meticulously crafting unpredictable music. Recently, the band swung through Audiotree’s studio to record a session perfectly showcasing the tension and urgency the band’s so adept at creating. Every song in this session is eye-opening and executed to perfection without anyone in the band sacrificing even an ounce of conviction.

4. Nothing (Amoeba)

Watch This veterans, Nothing keep finding new ways to impress. In this Green Room session for Amoeba, the band sacrifices their signature onslaught of volume for something far more intimate and contained. In passing up one of their most noted trademarks, the band also ably demonstrates how good the songs lurking underneath have been since the beginning. Utterly transfixing and devastatingly sincere, this acoustic session stands as an entirely unlikely but wholly welcome new high for the band.

5. Allison Crutchfield (KEXP)

While Katie Crutchfield may have taken the opening slot on the features list in this volume of Watch This, Crutchfield’s twin sister is the one to close it out. As another musician whose projects have been well-documented on this site throughout a lengthy career, Allison Crutchfield seems poised to spearhead a sterling solo career. A lot of supporting evidence can be found to back that claim up, including this abbreviated set for KEXP, which finds the band (which includes Radiator Hospital‘s Sam Cook-Parrott) running through an impressive array of new songs with a sense of unified purpose.

Noun – Fame and Famine (Stream)

screamales

Over the past 24 hours, there have been quality streams from the likes of Real Numbers, LA Font, Wild Pink, Two Houses, Super Unison, Planes Mistaken for Stars, Dennis Callaci, Tokyo Tea Room, Balance and Composure, Raccoon Fighter, and Turnip King. On top of that, there were a string of music videos that emerged from the camps of Slow Down Molasses, Odonis Odonis, LUH, La Lenguas, Magik Magik, Yohuna, Moses Sumney, Brendan Canning, and Makeunder. Providing the day with a welcome dash of finality were full streams that were unveiled by Magic Trick, Ski Saigon, and The Hecks.

As always, all of those entries linked above are worth jumping over to and exploring with a certain level of intensity. However, they weren’t all that wound up being released Thursday. Screaming Females‘ Marissa Paternoster’s Noun project made an unexpected return with the jagged, lo-fi “Fame and Famine”. Quietly uploaded to Paternoster’s tumblr, “Fame and Famine” winds up benefiting from a pre-established tone of unpredictability.

While Paternoster may get the most recognition for Screaming Females, Noun has proven to be a project just as worthy. 2010’s Holy Hell, a consistently overlooked triumph, may even be Paternoster’s finest record to date (though the last few Screaming Females records have been hitting some exhilarating highs). Noun’s consistently allowed Paternoster a wider range of possibilities, making a new entry into the project’s discography a tantalizing prospect.

For “Fame and Famine”, Paternoster takes a direct, immediate route that fully commits to its lo-fi aesthetic and elevates itself via a comprehensive understanding of the format. There’s a surprising amount of nuance in the ambient beds that swirl beneath the insistent, repetitive main section that serves as the engine of “Fame and Famine”. Enhancing the aggressive disconnect that manifests in the narrative of “Fame and Famine” is the artwork the song’s projected over, one of Paternoster’s characteristically striking chalk-based originals.

Everything packaged together winds up being as disconcerting as it does galvanizing. There’s a nervous undercurrent of stress that imbues every second of “Fame and Famine”, lending it a feeling of completeness that can be rare in demos. It’s a fascinating glimpse towards one of today’s most fascinating, tireless artists and it’s another in a long line of formidable examples of Paternoster’s creativity and commitment. Tenacious, unnerving, and more than memorable, “Fame and Famine” is one of the best surprise standalone releases of recent memory.

Listen to “Fame and Famine” below and keep an eye on this site for more updates on the project.