Heartbreaking Bravery

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Tag: Needle Doll

Tony Molina – See Me Fall (Stream)

tony-molina

Over the past few days Fraternal Twin, Slothrust, Russian Tsarlag, Pamphleteers, Bottle Rocket, Francie Moon, Tobias Jesso Jr., Leo, Drive-By Truckers, The Lampshades, Votaries, Earwig, Erica Freas, and Resina have all been responsible for outstanding new tracks. Music videos from Gurr, Hazel English, Culture Abuse, Kal Marks, The Regrettes, The Britanys, Damaged Bug, Whitney, and Beekeepers all held up to the excessively high standard set up by the new numbers. Topping everything off were exceptional full streams that came courtesy of Johanna Warren, Cymbals Eat GuitarsFond Han, Tapehead, and Tom Brosseau.

As is typically the case, every single one of those entries above is worth exploring in greater detail and the fact that they’re not featured at length in this space shouldn’t diminish their impact. For this post’s featured title, the attention turns back to an old favorite: Tony Molina. Ever since turning in some spectacular work with Ovens, the project that earned Molina an early dose of notoriety and acclaim, the songwriter’s been on a hot streak.

2014’s Dissed & Dismissed, the last record to be released under Molina’s name, was an exhilarating collection of micro-punk numbers that were infused with expansive ideas and an earnestness that isn’t always present in the genre. Now, Molina’s returning with a new, eight-song 7″ release entitled Confront the Truth and is teasing the record with “See Me Fall”.

Stripping way back, “See Me Fall” occupies the space of Molina’s most plaintive offerings, a straightforward acoustic number anchored by a familiar sense of trepidation and longing. There’s still a classically-influenced solo to close the proceedings out — a Molina staple — but it’s more subdued than scintillating, demonstrating Molina’s increasingly acute sense of atmospherics.

While it may not be the celebrated songwriter’s most explosive track, “See Me Fall” still manages to become an immediate standout in an impressive discography. In just over a minute, Molina manages to evoke a quiet despair that elevates “See Me Fall” from being somewhat of a curiosity to being genuinely memorable. Vocals, acoustic guitar, and an abbreviated running time is an economic setup but, like so many times before, Molina turns a small scale into something grandiose. It’s a potent reminder of Molina’s considerable talent and a song that should be remembered fondly several years down the line.

Listen to “See Me Fall” below and pre-order Confront the Truth from Slumberland here.

Slanted – Fake Party (Stream)

slanted

Last Friday saw great new streams from Car Seat Headrest, Idiot Genes, Never Young, The Minders, Balto, and Middle Kids. Additionally, there were a string of impressive music videos Lydia Loveless, Liam Betson, Carl Broemel, Jail Weddings, and Retail Space. Full streams that came via AJJ, The Afterglows, YJY, Tanukichan, Whipworm, Bangladeafy, and See Gulls padded everything out with an extra dose of substance.

Casey Weissbuch‘s Slanted project also unveiled a surprise release that was headlined by the formidable “Fake Party”, one of Weissbuch’s finest songs to date. Following up last year’s extraordinary Desire For Lust, “Fake Party” once again demonstrates Weissbuch’s knack for composition. While the song’s lyric set is arguably the most polished Weissbuch has offered, it’s the song’s ability to breathe that makes it a genuine standout. Dynamic, open, and effortless is a surprisingly difficult combination to pull off but “Fake Party” excels by that very virtue, providing a level of life that’s absent from the majority of releases that make similar attempts.

Of course, the atmospheric tone of a song can only carry it so far on merit, the genuinely great songs are able to separate themselves by succeeding in other capacities. Make no mistake, “Fake Party” is a great song. From the light auto-tune running through the vocals to the breathtaking bridge and outro sections, not a moment of “Fake Party” is wasted. Everything’s designed for maximum effect, even though it always retains a spur-of-the-moment feel that’s essential to its success.

“Fake Party” also sets the tone for the remainder of the Party EP, which is comprised of two similarly excellent tracks (“Green Balloons//Walk of Life” and “Junk”). By establishing “Fake Party” as the introductory piece, the song’s risks are allowed to be elevated and to define the EP’s palette, which works to both the advantages of the EP and the song itself. The characteristic, Pavement-esque looseness is still there and Weissbuch even name-checks Guided By Voices (another evident influence) in the first verse, providing a revealing glimpse at how openly Weissbuch embraces Slanted’s influences.

Packaged together as a whole, “Fake Party” paints a portrait of an artist who thrives on sincerity, soaring melodies, and a sense of history. The song’s imbued with an easygoing confidence that plays perfectly into Slanted’s identity. Apart from being a legitimately great song, “Fake Party” is also a potent reminder that the DIY punk scene is currently an embarrassment of riches and exist in an environment that’s facilitating these types of releases. Sadly, that easy access is allowing too many people to regard these releases as disposable entries. As casual as they may seem at first blush, their existence remains deeply important. Songs — and artists — this good deserve to be celebrated.

Listen to “Fake Party” (and the rest of Party) below and pick the EP up here.