Centering a music video around a lone dancer performing a solo routine in 2014 is a bold move as it’s inevitably going to call to mind one of the most ubiquitous clips of the year. La Dispute went ahead and did it anyway- and the result’s one of the year’s most breathtaking achievements in the visual format there’s been in a handful of months. Rooms of the House was one of a select few records that made a deep enough impact to warrant a full review from this site and “Woman (Reading)” was one of its many standout moments. Unrelentingly powerful in its acute dissection of a relationship on the fringes of disintegrating, the song now has an equally striking video to match.
Yes, this is- as noted above- a solo routine from a single dancer but where it differs from Sia’s “Chandelier” is in the details. Where “Chandelier” was an intimate exploration of the boundless beauty of youthfulness on a private level, “Woman (Reading)” turns outward; it’s shame and struggle plays out in public. There’s still a strong thematic pull on isolation but it’s pained and forced rather than in tune with self-discovery. as the video progresses along with the story told in the lyric set, the fluidity of the movements decreases and the routine transforms from a relative lightness to a brute imperfection. The genuinely stunning cinematography (courtesy of Matt Vahey) draws back from the close-ups that are so prominent in the video’s first half as the change occurs, allowing its central subject greater freedom while suggesting a second narrative in the subtext; another character who grows more willfully distant as the character in frame self-destructs.
By the video’s end the dancer’s beaten, brutalized, covered in dirt and- more than anything- alone. In the final movements, there’s a glimmer of resilience in the acceptance of these facts, thanks in part to a masterful performance by Julie Ann Minaai and the intuitive direction (and editing) of Niall Coffey. In that moment “Woman (Reading)” completes its transformative experience both for the character and the viewers drawn in by the extraordinarily moving story played out in the video. It’s autumnal, it’s brave, it’s fiercely moving, and it’s unforgettable. Don’t let it pass by unnoticed.
Watch “Woman (Reading)” below and order Rooms of the House here.