Heartbreaking Bravery

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Tag: Music Video

Sat. Nite Duets – Deep Peace (Music Video Premiere)

A lot of outstanding records were released last year and a handful of them wound up getting pushed to the wayside in favor of titles by more recognizable names. Among the best of those critically acclaimed outcasts was Sat. Nite Duets‘ Air Guitar, an innovative and explosive genre-demolishing blast that proved guitars could still be vital. Air Guitar was full of highlights, from the surging, giddy “Attached to the Lamp” to the acoustic-driven, nostalgic-leaning pop of “Sober July”.

One of Air Guitar‘s most unassuming moments came in the form of “Deep Peace”, the record’s melancholic penultimate track. While “Deep Peace” never seemed to be a song that was crying out for the music video treatment, Sat. Nite Duets have made a career out of eschewing the obvious decisions in favor of something more exploratory. Wrangling the talents of a trio of directors using the names Pizza Rat, Lord Stephen, and L.H. Burmesch, Sat. Nite Duets are given an appropriately minimalist turn for the visual treatment provided to “Deep Peace”, which is premiering below.

Recorded in Sat. Nite Duets member Ben Gucciardi’s Oconomowoc cabin last winter, “Deep Peace” is a decidedly low-key affair. Allowing the time stamp on some grainy home video footage to humorously jump backwards and forwards in time, the subjects of the film never really change, either slyly hinting at immortality — something that could be supported by the frequent cuts to the band surrounding a birthday cake adorned with an intense amount of candles — or just reveling in the simplistic absurdity of the anachronism. It’s a warm, tongue-in-cheek aspect of a similarly warm video.

More than anything, “Deep Peace” serves as a welcome reminder that sometimes the best thing about making music is simply getting to spend time with your friends. It’s immediately clear that the band enjoyed putting this together and there’s not even a trace of conflict to be found in “Deep Peace”, which turns out to be an incredibly apt title. “Deep Peace” is a familial affair that offers up an abundance of small riches, all anyone has to do is take the time to look.

Watch “Deep Peace” below and pick up Air Guitar from Father/Daughter here.

The Last Dinosaur – Atoms (Music Video)

Last week’s front-half came loaded with solid material and the back stretch proved to be just as strong, if not stronger. Outstanding songs from High Sunn, Jason Loewentstein, Milk, Sharkmuffin, Romantic States, Midday Swim, Walrus, Chris Bathgate, Abram Shook, Sebastian Blanck, Hikes, Daudi Matsiko, Wavves, Tim Woulfe, and Mount Song all made their way to the surface and each one brought something exhilarating to the table. Today’s feature falls to a separate format, shifting the focus back towards music videos: The Last Dinosaur’s atmospheric “Atoms”.

Occasionally, a video will surface from an act that’s not known and wind up having the power to freeze blood. It’s not something that happens often but it’s something that happened with The Last Dinosaur’s muted, elegiac clip for “Atoms”. Comprised of a seamless compilation of other people’s discarded Super 8 footage, the clip takes a deeply personal angle as the song, a hushed meditation on mortality and other limitations, underscores each frame with devastating clarity. Ambient, folksy, and more than a little haunting, it’s an unforgettable clip from an artist proving to be fully capable of taking the next big step. Watch it before it fades away.

Watch “Atoms” below and download it here.

Cloud Nothings – Enter Entirely (Music Video)

The last half of last week turned up a handful of great music videos from the likes of Japanese Breakfast, Starcrawler, Adult Mom, gobbinjr, Black Lips, Boogarins, Honus Honus, Gillian Welch, Tiny Eyes, Pallas, Walter Martin, Littler, and Sprinters. As always, there was a range of innovation present in those clips and each of them is well worth watching. Another chance to take a look back at one of 2017’s best records so far — Cloud Nothings‘ Life Without Sound — proved too tempting and the featured slot fell to the long-time site favorites.

Following the release of 2011’s Attack on Memory, Cloud Nothings have released a small handful of critically-acclaimed, widely-adored records that kept them on the road and continuously pushed the band to evolve. Life Without Sound, their most recent effort, found them bridging the band’s history for their most definitive release to date. One of the several highlights on that record came in the form of “Enter Entirely”, which has just been a deep-saturation, nostalgia-drenched visual presentation. Simple, effective, intuitive, and surprisingly absorbing, it’s just another indication that the band’s going to continue making the exact right moves as they careen forward through what looks to be an impressive — even important — career.

Watch “Enter Entirely” below and pick up Life Without Sound here.

Hoop – To Know Your Tone (Stream)

As another day recedes in the rear view mirror, it’s time to take stock of the goods it provided. There were excellent tracks from The Drums, B Boys, Gold Class, Us and Us Only, Loco Ono, Turtlenecked, Institute, and an unreleased demo from Ultimate Painting. Music videos were well represented by strong pieces that sprung from the likes of The Geraldine Fibbers, The Coathangers, Nick Hakim, Tiny Hazard, HOTT MT, and Daniel Martin Moore. Bringing everything to a nice close were full streams from The Wisconaut, Emperor X, and Sophie Sputnik.

While all of those, as always, are more than worth the time anyone’s willing to invest, today’s featured slot goes to Hoop’s arresting “To Know Your Tone”, from their forthcoming Super Genuine, which features a vocal assist from solo artist Allyson Foster. In a brief explanation of the inspiration for the song’s narrative, lyricist Caitlin Roberts offered the following: “To Know Your Tone” is about the power of asking for support and receiving support, and what it’s like to listen deeply to someone you don’t know very well but empathize with strongly. It’s about allowing tears to fall on the desert of isolation. 

A perfect summation of the humanism that’s always been at the core of Hoop’s music, the explanation goes a long way in explaining the overarching message of “To Know Your Tone” but what really elevates the song is the composition. Muted, hushed, nervous, and aggressive, “To Know Your Tone” benefits from an incredibly dark tone, providing both a contrast and a context to the song’s empathetic narrative. Allyson Foster delivers the vocal with a committed certainty, consumed by the song’s inherent power.

Appropriately, Foster stepped in to sing the song when Roberts lost her voice, underscoring the message of “To Know Your Tone” to an eerie perfection. Hoop — not to be confused with Hoops — and Foster work in tandem perfectly, complementing each other’s sensibilities with ease. The end result of their collaborative effort is both a tribute and testament to the very power of collaboration and the beauty present in asking for and receiving help. A gripping meditation on therapeutic connections, “To Know Your Tone” is also one of the year’s most quietly affecting tracks.

Listen to “Know Your Tone” below and pre-order Super Genuine from the band here.

Steady Lean – Bandages + Some Better Somethin’ (Stream)


Photograph by John Michael Ferrer

Today was a great day for new releases, ushering in compelling songs from Bloody Your Hands, The I.L.Y’s, Land of Talk, Peeling, R.G. Lowe, and Twinsmith. There were also strong efforts to be found in the music video department, courtesy of artists like Beach Fossils, Heavy Heart, and The Charlatans. Rounding everything out were outstanding full streams from the likes of Buildings, Harmony Woods, Trophy Dad, The Broken Hearts, and Walter Martin. Most of those releases got a very strong push from at least one well-known outlet, while the excellent new online single from Joe Gutierrez’s solo project turned full band Steady Lean flew under the radar.

Over the past few years, Steady Lean’s sound’s been carefully cultivated and refined, morphing from simplistic bedroom folk trappings to a sound resembling some of the forward-thinking punk-tinged Americana artists like Fraser A. Gorman and Kevin Morby.  Bandages b/w Some Better Somethin’ keeps that trend very much alive, showcasing Steady Lean at their most raucous. “Bandages” serves as both a solid introduction for the pair of tracks and as an introduction-at-large for those unfamiliar with Steady Lean. An agreeably gritty, energetic number “Bandages” showcases Gutierrez’s growth as a songwriter.

Humorous stabs of tongue-in-cheek couplets are mixed with salient insight and a rambling narrative with ease, bringing to mind a coterie of songwriters who are frequently considered as all-time greats. “Some Better Somethin'” picks up where “Bandages” left off, again allowing Gutierrez to interject both a sense of world-weariness and urgency into the proceedings. It’s a solid pairing, each track complementing each other in minuscule ways and forming a greater whole. By far the project’s most exciting release to date, Bandages b/w Some Better Somethin‘ is bound to leave listeners eager to discover what might be laying just around the corner.

Listen to Bandages b/w  Some Better Somethin’ below and pick it up from the band here.

Grim Streaker – Guts (Music Video)

A lot of great bands released fascinating new videos last week, including New Swears, Sufjan Stevens/Bryce Dessner/Nico Muhly/James McAlister, Thelma, Rostam, Peaness, and Hater. Grim Streaker was another one of those acts, providing their standout “Guts” — which this site pegged as one of early 2017’s finest songs — with an appropriately ferocious music video. Stephen Venezia’s direction provides “Guts” with all of the relentless immediacy and punishing nature it deserves, wisely centering the clip on the band performing. Shot in black-and-white widescreen (with white borders), it’s visual aesthetic is incredibly appealing and the band prove to be magnetic subjects. For all of its feral tendencies, “Guts” also winds up being oddly empowering, transforming it into a bone-rattling call to take direct action to pursue the things worth pursuing. Watch the video to get galvanized and let the song ring out as that journey’s soundtrack.

Watch “Guts” below and pick it up from the band here.

Siobhan Wilson – Whatever Helps (Music Video)

Last week Amber Arcades, Rolling Blackouts Coastal FeverOfflaga Disco Pax, Teen Daze, and Kaleidoscopic Horse all released great music videos. Emergent artist Siobhan Wilson also managed to turn in an arresting clip for the equally arresting “Whatever Helps”. Directed by Alistair Ogilvy and comprised of low-grade film footage that switches between a yellow-soaked hue and stark black-and-white, “Whatever Helps” is given an unnerving face that accentuates the song’s intrinsic uncertainty.

Incredibly dark in tone but deeply empathetic in delivery, “Whatever Helps” firmly establishes itself as one of 2017’s most gripping tracks and the video only heightens that arresting nature; it’s impossible to look away from something so unapologetic in its intimacy. Bruised and disconcertingly knowing, it sets a memorable tone for Wilson’s forthcoming There Are No Saints. If the rest of the material on the record lives up to “Whatever Helps”, it’ll be one of the year’s most unlikely — and most welcome — standouts .

Watch “Whatever Helps” below and pre-order There Are No Saints from Songs, by Toad here.

Algiers – The Underside of the Power (Music Video)

A week ago Fresh Snow, Wilding, The Great Albatross, YUNG, Heaven, CHIMNEY, and Happyness all released compelling music vidoes. Algiers was another one of those acts, returning with the characteristically powerful “The Underside of Power”, drawing once again from an acute understanding of history on both a micro and macro scale and incorporating that knowledge into something as aggressively resilient as it is familiarly sorrowful.

It’s the type of narrative and vision that Henry Busby and Marcus Tortorici bring to vivid life in the direction for the video for “The Underside of the Power”, aided by the intuitive lensing of Anthony Carella. Incorporating public domain footage of the Civil Rights Movement lends the video an air of immediacy, pushing the intensity levels to dangerous levels. Intensity has always been a key component of Algiers’ calling card and “The Underside of Power” doesn’t disappoint, significantly heightening the anticipation for Algiers’ forthcoming record of the same name.

Watch “The Underside of the Power” below and pre-order the record from Matador here.

Heather Woods Broderick – Home Winds (Music Video)

Last week, there were great videos to emerge from some reliably excellent camps, like those of Ty Segall, Grandaddy, Sam Craighead, Damn Jackals, Forest Swords, Jacky Boy, and Molly Nilsson. Another artist to offer up a new clip was Heather Woods Broderick, whose knack for the format hasn’t gone unnoticed. Broderick’s latest, a clip presented as a tie-in to the fascinating Home Winds project, boasts gorgeous cinematography and direction from Jeffrey Rowles. A characteristically majestic song from Broderick plays over the nature-heavy footage, giving “Home Winds” an appropriate sense of sweeping grandeur. Quiet, meditative, and gentle, it’s hard to shake but even harder to want to shake at all, leaving “Home Winds” as another in a string of Broderick’s unassuming triumphs.

Watch “Home Winds” below and order a copy of Home Winds here.

Waxahatchee – Silver (Music Video)

Throughout the past six or seven days, great music videos by the likes of Pale Grey, Meat Wave, Tim Kasher, Mark Lanegan, Fuzzystar, Special Teams, Gurr, Chick Quest, EMA, Street Eaters, SOFTSPOT, No Vacation, Mayflower Madame, Airpark, Real Numbers, Hoan, Exit KidMurlo, M.I. Blue, Kurt Swinghammer, The Broken Hearts, Skye Steele, and Morning Teleportation have found their way into the world. All of them made several very good impressions but none of them seemed to go quite as deep as the considerable indent Waxahatchee‘s “Silver” left in its wake.

Katie Crutchfield’s projects were always going to be a staple of this site for however long either wound up being around. Ever since becoming accustomed to the songwriter’s work during P.S. Eliot‘s tenure. Fortunately, Crutchfield’s kept busy under the Waxahatchee moniker, releasing one sterling record after another and Out in the Storm looks ready to carry that unimpeachable run. “Silver” the first song to be released from the record also came equipped with an appropriately DIY-leaning video.

Throughout the clip, Crutchfield’s shown in a variety of ways, from running through the song with the band, to lip-syncing along to “Silver” while bathed in confrontational strobe lights, to black-and-white footage of the artist simply walking around. All of it forms a coherent whole that seems to enliven the song driving the whole affair. Clever editing, an easygoing charm, and a sense of place all congeal into something striking. When all’s said and done and the storm has abated, Crutchfield remains calm, standing proudly as one of this generation’s essential artists.

Watch “Silver” below and pre-order Out in the Storm from Merge here.