Heartbreaking Bravery

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Tag: Mock Orange

Mock Orange – Put the Kid on the Sleepy Horse (Album Review)

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Over the past several days a handful of great full streams have surfaced from the likes of Cat Be Damned, Mike Adams At His Honest Weight, The Hotelier, Boys, Swanning, Supermoon, Wave ActionMagic Potion, Dead Waves, 50 Foot Wave, and Winston Hightower, in addition to an incredible four-way split between Pet Cemetery, Henoheno, Brittle Brian, and Francie Cool. While all of those have significant merit, none of them were as unexpected as Mock Orange’s tremendous new effort, Put the Kid on the Sleepy Horse.

From the onset of Put the Kid on the Sleepy Horse it’s clear that Mock Orange have expanded their ambition, tightened their grasp on dynamics, and honed the most compelling aspects of their craft. The record opens with the slow crescendo of the intro section of “I’m Leaving”, essentially providing a microcosm of the band’s intelligence (and penchant for subtle, tongue-in-cheek humor) right off the bat.

What follows is a cavalcade of riff-laden, punk-leaning, left field basement pop. Ultra-melodic and unflinchingly weird, Put the Kid on the Sleepy Horse draws an incredible amount of strength from it’s self-assuredness in its own singular nature. Mock Orange have all but perfected a sound that’s indebted to a strain of ’90s alt. bands that have remained relatively unmined in the crowded field of emergent bands taking cues from that decade.

Bright tones and a propulsive energy define Put the Kid on the Sleepy Horse even in its darkest moments, like on the bruising “Window”, imbuing the whole affair with a lively feeling that’s difficult to shake. The record rarely dips below mid-tempo, contenting itself with an operative mode that attacks far more frequently than it withdraws. “Some Say”, which arrives around the record’s halfway point, is as close to a ballad that Put the Kid on the Sleepy Horse has to offer but still comes across as more outwardly aggressive than vulnerable.

“Intake” and “Tell Me Your Story” constitute the explosive 1-2 punch that closes Put the Kid on the Sleepy Horse and betray the band’s debt of influence to Dinosaur Jr more than any of the eight preceding tracks. They’re gruff, bruised, gnarled slices of basement pop (in the case of the former) and basement punk (in the case of the latter) that show the band’s breadth of range in a dizzying sequence that puts the final punctuation mark on a great chapter in the band’s history. Put the Kid on the Sleepy Horse is the best the band’s ever been and promises great things for their future. I, for one, look forward to the ride.

Listen to Put the Kid on the Sleepy Horse below and pick it up from the band here.

What A Difference A Month Makes (Streams)

As was discussed in the preceding two posts, there’s been a serious lull of inaction on this site as of late as far as posting is concerned. A large reason for that was the fact that the majority of that coverage gap was spent traveling thousands of miles to document sets from bands like Oops, Dilly Dally, Yowler, Eskimeaux, Frankie Cosmos, Beach Slang, Potty Mouth, Dyke Drama, PWR BTTM, and more.

The resulting documentation will be posted at some point in the near future but the hefty amount of visual content (not to mention the act of traveling itself) necessitated a publishing break. However, as usual, every new piece of incoming information was accounted for in the interim. Full streams and music videos have already been covered so it’s time that the attention was turned towards individual songs.

A list of some of the finest new tunes to have emerged over the past month can be found below. Since there are so many, it may be best to bookmark this page and explore its contents at a more leisurely pace to avoid being overwhelmed. Jump on in and go swimming.

Basketball Shorts, Mikey Erg, Bird of Youth, Las Rosas, Mitski, The Big Moon, Nicholas Allbrook, The Gotobeds, Nothing, Fawnn, Leapling, Speedy Ortiz, Yours Are the Only Ears, Don Vail, Frail, Stephen Steinbrink, Yeesh, Pkew Pkew Pkew, Haley Bonar, And The Kids, Gauntly, Summer Cannibals, case/lang/veirs (x2), Psychic Teens (x2), Glenn Davis, Dogheart, Cat’s Eyes, benjamin783 (x2), Ian William Craig, Terry, Emily Jane White, Walleater, VATS, Alice Bag (x2), Mutual Benefit, Blowout, Mike Adams At His Honest Weight, and Outer Spaces.

The Monkees, Tens, Yung, Star Parks, Marissa Nadler, Brenda’s Friend, elvis depressedly (x2), Rick Redbeard, Sega Genocide (x2), Honey (x2), GØGGS, The Dan Ryan (x2), Male Gaze, Heaters, Leif Erikson, Blessed, Boys, Mumblr, Anthony Sanders, Swanning, Kvelertak, Hollowtapes (x2), Bonnie ‘Prince’ Billy, OVER, Erin Tobey, Quiet Hollers, The Clientele, Young Magic, LUKA, Yikes, Teen BodyFew Bits, Fear of Men (x2), Joy Void, Message to Bears (ft. Will Samson), Baby In Vain, Local Natives, Scroll Downers, and Psychic Heat.

OHIOANDaniel Wilson, The Invisible, Ultraviolence, Oddissee, Bad Channels, Dentists, Deerhoof, Hayden Calnin, The Mercury Programs, Yoni & Geti, Marisa AndersonColleen Green, Lisa Prank, Ultimate PaintingJuniore, Spice Boys, Stone Cold Fox, Avalanche, Beliefs, Museum Mouth, Psychic Ills, Flat Worms, Robin Pecknold, Mock Orange, Magic Potion, Retail Space, VHSBag-Dad, Casper Skulls, Peach Kelli Pop, Aloha, JPNSGRLS, Adeline Hotel, WoodsColder, The Mystery Lights, Islands, Sego, Casey Jordan Weissbuch, Honey Radar, and an unexpected Car Seat Headrest cover of a Radiohead classic as well as an unexpected Yuck cover of an Elliott Smith staple.