Heartbreaking Bravery

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Tag: Mexican Summer

Quilt – Padova (Music Video)

Quilt

Few music video directors working today have cultivated an aesthetic that’s as consistently grounded and visually appealing as Christopher Good, whose work this site’s featured numerous times (and who has been kind enough to join the contributors ranks of A Year’s Worth of Memories). Good’s most recent work, the freewheeling clip for Kevin Morby’s “Dorothy” saw a confident footing in a fluid approach that’s carried over into his latest clip, Quilt’s heartrending “Padova”.

Guitarist Shane Butler wrote “Padova” as a rumination on the passing of his mother and the wide range of feelings — not just sadness — that event invoked. The music video’s a visual interpretation of that emotional gamut as well as a commentary on mortality and the passage of time. It’s a beautiful video (with some gorgeous lensing, courtesy of Jeremy Osbern) that solidifies Good’s position as a top-tier director for the format and it honors Butler’s mother in a fashion that’s tasteful, respectful, and deeply moving. For more on that count, read the statement that Butler issued in tandem with the video’s release:

This song was written shortly after my mother passed away. It was written in Padova, Italy on a night where we were scheduled to perform there in the courtyard of a beautiful villa-like building on the outskirts of the city. There were old ceramic walls, chandeliers, Italian vines, and horses on the periphery of the property; it was idyllic to say the least. During this period of time, after my mother had passed, I would talk to her every day. Whether it was in imagination or in spirit doesn’t really matter; my experience was the same. That night in Padova my mother and I talked for a long time as I took a walk around the property. I then happened to come across an old busted up guitar in a giant wooden room with a chandelier in it, I tuned it to something that would work, and this song came out.

The experience of my mother’s death has not only been of grief, as our culture often solely represents death being. But, in my experience, death has taken on infinite voices. There are voices of beauty, melancholy, humor, rejuvenation, and freedom located in this experience. When talking with Christopher Good about making this video we talked about making a representation of this experience that involved some of these other aspects of death. Christopher has an incredible eye and mind to make abstract narratives, which is what we decided to go with for this video. This scene is only a detail on the vast canvas of representing life’s transition. As there is no finality to this experience, no static way to understand it, we chose to use abstraction, movement, color, and the elements to play with the ideas at hand.

Whether you believe in ‘soul’ business or not I’d like to leave with this quote of Kahlil Gibran’s that I read shortly after my mother passed. I think it is very beautiful and maybe provides a moment to reflect on another possible voice of death:

Death is an ending to the son of
The earth, but to the soul it is
The start, the triumph of life. 

Watch “Padova” below and pick up Plaza from Mexican Summer here.

First Quarter Clips, Pt. 4 (Video Mixtape)

static

Ever sine the 2014 edition of A Year’s Worth of Memories came to its standard close (there may still be a forthcoming epilogue), this site’s been in constant catch-up mode. It’s not a mode that’s going to be entirely evaded- as there is still quite a bit of ground to cover along the single stream battle lines- but, as of this post, Heartbreaking Bravery’s all caught up on 2015 music videos. Having run approximately 1110 music videos from the year thus far, it’s astonishing that there are still enough to carry through a regular video mixtape set of 25 selections. For the first time, these will be presented jukebox style. Music’s always evolving, always rotating, and there are so many different sounds that deserve appreciation- but the best music (and the best clips) all exist alongside each other in enviably creative territories. Acting as complements to each other while simultaneously forming a much larger picture, the 25 music videos below are among the young year’s finest. From Pussy Riot’s breathtaking protest video to Flying Lotus’ continuous visual mastery to Ephrata’s barn-burning tiff, these clips represent some of the finest work being done in their given medium. Coverage on music videos will continue at regular pace form this point forward but it’s definitely worth setting aside an hour or two to explore some of today’s great art. Click play below and get swept up in the spree.

COLLECTION V

1. Nightmare Boy – Chivalry Is Alive and Well in Glasgow
2. SEAZOO – Panda Pains
3. Spirit Club – Duster
4. Matthew E. White – Rock & Roll Is Cold
5. Pompeii – Blueprint
6. Pussy Riot – I Can’t Breathe
7. Gaz Coombes – Detroit
8. William Ryan Fritch (feat. Esme Patterson) – Still
9. Hundred Waters – Show Me Love
10. The Amazing – Picture You
11. Woman’s Hour – Devotion
12. Weyes Blood – Bad Magic
13. Flying Lotus – Corronus, The Terminator
14. The Afghan Whigs – The Lottery
15. Big Noble – Atlantic Din
16. Only You – Let Me Burn
17. Ephrata – Say A Prayer
18. The Green Seed – Gotchoo
19. The Cush – Orange Like Water
20. Secret Space – Stay For A While
21. Dazed Pilots – Sinner
22. Boxed In – Mystery
23. Grounders – Pull It Over Me
24. ANAMAI – Lucia
25. Annalibera – Blooms

Slight – Run (EP Review, Stream)

slight

Part 3 of tonight’s ongoing series of coverage for the great little bits and pieces of entertainment to have surfaced in the past two days operates like its precedents: four items worth looking into and one feature spot. That there is a feature spot to be granted shouldn’t demerit anything that gets mentioned in this space, though. Everything that earns a link on this site is put there for a reason; if it’s linked, don’t make the mistake of missing out on what it leads to- because it would be a massive mistake. Things like Bugs in the Dark‘s visceral gut-punch of a record, Cross My Heart Little Death, don’t come around often and neither do songs like The Chemistry Experiment’s delicate “Channel Light Vessel“, which pulls in aspects of several genres to create a soft-edged psych-pop tapestry. A pair of music videos worth several looks also fought their way out into the world; Medicine‘s aggressively warped kaleidoscopic head trip for “Move Along – Down the Road” and the breezy charms of Quilt’s clips video for “Mary Mountain“. Then, to complete everything, there was the sophomore effort of Brooklyn’s ragtag crew in Slight (for those keeping score at home, that’d be Painted Zeros and Trace Mountains member Jim Hill, LVL UP‘s Greg Rutkin, and Catalonia’s Alberto Casadevall).

Run, which follows the band’s excellent townie490, may take the the track total from five down to two but it certainly doesn’t skimp on the band’s key elements: hooks, melody, fuzz, crunch, personality, and left field basement pop. The title track kicks things off at a full sprint, with promises of remaining level-headed enveloped in the adrenaline rush of the music. Rutkin proves to be a force behind the kit, urging everything forward while Hill’s guitar and synth work seems intent on trying to outstrip everyone, leaving Casadevall to keep everything in check with workmanlike bass lines. There’s a clear 90’s influence culled from the band’s powerpop pull and slacker punk aesthetics but they’re supplied with a modern worldview and a sense of history that supports the contrast that always exists between brave modernity and the tried-and-true.

While “Run” may skew towards a weird, contained combination of Lost Boy ? and Superchunk, the track that follows it- “The News”-  veers more towards Sloan with Slight’s fuzz-is-bliss identity starting to punch holes through their influences before too long. Synths serve as a warm bed for a track that darts, cuts, and charges just as fiercely as “Run”, only at a slightly slower clip. After everything clicks and sends it rocketing upward, it fades out in a bout of feedback (and one tastefully subtle synth interjection) leaving nothing but a trail of smoke in Slight’s wake. If the band’s next release is even half as good as this pair of tracks, Slight could be the next in line to break out and make a serious name for themselves.

Listen to Run below and snag the band’s young discography from their bandcamp.

NXNE Day 3: Greys, Benjamin Booker, Viet Cong (Photo Gallery)

Viet Cong II

Once again, an apology for a delay in posting is necessary. Radio silence in regards to new content has gone on far longer than it should have. It should be noted, though, that during this latest silent interim, photographs were being assembled, run through, and edited in a variety of programs. Looking through the old posts, an unusual loading time was noticeable for the featured photography. In an attempt to amend this, all night tonight Heartbreaking Bravery will be running photo galleries. Now that Days 1 and 2 are both firmly in the past and set in stone, everything posted will be broken up into galleries that will have full reviews written for them in the near future.  Day 3 will be an exception due to the fact it yielded the most photographs. To that end, the first of these photo galleries will focus on the first half of the show that wound up being the festival’s main draw for a great many people and the gallery devoted to the second half of this particular lineup will run soon after- with one exception. There will be an entire gallery dedicated to Perfect Pussy’s set (easily the year’s most memorable) as well as a full review. So, without further ado, here are a selection of photographs from The Legendary Horseshoe Tavern (which was re-named Budweiser Music House at The Legendary Horseshoe Tavern for the evening). Enjoy the visuals now and expect the written content to appear next week.