Heartbreaking Bravery

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Tag: Max Levy

Even Hand – Drifted (Album Review, Stream)

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Now that all of last week’s best single streams and music videos have been given their due, it’s time to move onto a slightly more challenging beast: the full stream. There’s been a monstrous surge of outstanding new releases (often on the small-scale side of things) as 2014 enters its final weeks. Among these were: Dusk (a new project featuring members of Tenement, Black Thumb, and darn it., as well as a handful of other contributors) and their new country-soaked demo reel, Lemuria‘s contribution to the Turnstile Comix series, Currents’ unpredictably intense Mondegreen, Semicircles exquisitely delicate Blown Breeze, Grown Grass And We Are Part of the Earth, King of Cats’ entertainingly spastic Working Out, Big Lonely‘s impressive full-length debut Close Your Eyes, Keep Talking, and Space Mountain‘s unfailingly gripping Wilderness Explorer. All of them stand out as great December releases but there’s one that surfaced seemingly out of the blue worth paying quite a bit of attention to: Even Hand’s sophomore effort, Drifted.

A few months ago, there was a review posted on this site of Even Hand’s arresting self-titled debut, a brilliant record that brought to mind acts as varied as Shellac, The Wipers, and Sunny Day Real Estate. The band fought fairly hard to release it on vinyl this year after it’s original 2013 cassette run on the severely under-appreciated Stupid Bag Records (an excellent label run by Jeff Bolt of Swearin’). Even Hand, by all accounts, was a galvanizing debut. The band’s follow-up exceeds it in fairly stunning fashion. More risks are taken throughout the record and there’s an unrelenting intensity that binds the whole thing together. From the hypnotic instrumental that sets things in motion all the way through the record’s epic closer, the serrated “Lover’s Oath”, Drifted morphs into something that starts feeling like less of a record and more of a show-of-force mission statement.

Even more than the aggressively atmospheric Even Hand, Drifted finds its voice via a balance between abrasion, precision, atmosphere, and unfiltered emotion. Each of these 11 tracks is tied to a loose narrative that operates around a very human frustration with certain social functions and their maladaptation. One of the most striking examples of this device is the vignettes that bandleader Mike Borth presents with “Kid Unkind”, which suggests that the promise of social improvement is just a bittersweet projection that holds nothing but harsh realities at its moment of realization. That pattern of cruel repetition is emphasized with vivid detail in the spoken word stream-of-conscious style ranting in the restlessly foreboding “The Palace Holographic / Dust Bath”, which suggests that the end result will always be the same while Borth punctuates its message with razor-sharp visual imagery that include things like “rapid-cycling trees in a violence of leaves” and “shallow canals, drooling over portraits that hate [him], worshipping darkness”. It’s an existential nightmare ready to swallow any listener whole with virtually no remorse or regret- and, like the rest of Drifted, it’s brilliant in a myriad of subtle, detail-oriented ways.

In terms of technical accomplishment, Drifted also outpaces its predecessor in a number of departments; the sequencing flows just a touch more naturally, the production- as ever- is staggering, the work provided by the rhythm section of Dan Edelman and Dominic Armao is the best of the band’s still-young career, and it feels remarkably unified. It’s an anxious and unnerving masterwork of brutally cynical proportions- and, importantly, it’s a record that belongs in as many collections as possible. Crow Bait‘s Mike Bruno got it right by recently ranking this as one 2014’s best releases– hopefully the rest of the world gives Drifted the attention it deserves and considers doing the same.

Listen to Drifted below and keep an eye on Stupid Bag for the eventual tape release here.

Band Practice – Bartending At Silent Barn (Stream)

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The past few days have been incredibly kind for new releases.  So much so that it seems criminal to attempt to contain them all in one post, which is why there will be several appearing throughout the night, each containing a few links to other very worthy items. For this round, that includes a scrappy lo-fi video from Bully for their wonderful “Brainfreeze“, Painted Zeros‘ cameo-heavy clip for their outstanding slacker pop anthem “Too Drunk to Function“, King of Cats‘ newest brilliant lo-fi basement pop outing “Ulcers” (which also features Joanna Gruesome’s Owen Williams behind the kit), and Illusion– a relentlessly spiky post-punk EP from Honduras. While, again, all of those were incredible releases, there was an inherent magic contained in Band Practice‘s slow-building indie pop triumph “Bartending At Silent Barn”.

Spearheaded by Miscreant Records mastermind Jeanette Wall, Band Practice takes Wall’s wealth of hard-won history and sculpts it into arresting presentations-with “Bartending At Silent Barn” being the finest to date. Starting off with nothing but a clean palm-muted guitar, a mid-tempo gait, and Wall’s narration of a rough show at the Brooklyn DIY staple, it slowly delves into inner thoughts and outward apologies as the show continues, always brought back by the refrain “sorry, here’s your beer; sorry i got weird”, making it painfully relatable for just about anyone who’s ever served drinks. It’s that keen eye on a semi-uncomfortable reality that transforms “Bartending At Silent Barn” into an oddly moving experience even before it blooms from a plaintive atmosphere into a towering- and obscenely gorgeous- falsetto-laden indie pop number at the close. Even better: that change is brought about by an inverted refrain- “you say, you say, keep the change” slowly progresses into “you say, you say, things will change”. That those words are brought to vivid life by the music itself is a warm final reassurance; Wall’s an extremely talented songwriter, Band Practice is worth a lot of excitement, and Make Nice– the release “Bartending At Silent Barn” is taken from- is a record that deserves an extraordinarily high level of anticipation.

Listen to “Bartending At Silent Barn” below and keep an eye on this site for updates on Make Nice.