Heartbreaking Bravery

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Tag: LUH

Nothing Stops In November: The Month’s Music Videos

November was a hectic month for a lot of reasons, politically and personally. Barely any posts ran over the past 30 days but, as always, the new releases were accounted for as they were unveiled. As December presses towards 2017, there will be a slew of new posts covering the best material to be released in November as well as the releases that appear throughout the month. Before those run, though, there’ll be extended recaps of some of the most exceptional releases in the three major categories (streams, music videos, and full streams). This post will cover the visual end of that spectrum and offers up a wide array of styles. Go exploring. 

Weyes Blood, Methyl Ethel, Ultimate Painting, Small Feet, Silver Rose, Adam & Elvis, The Franklys, Willie J HealeyLA BÊTE BLOOMS, Communions, Rick Rude, Slowcoaches, Landing, ROYA, NE-HI, Lost Under Heaven, Soft Lions, Shellshag, Littler, Mutts, No Nets, The Evaporators, Drive-By Truckers, Bing & Ruth, Leggy, Quilt, Lydia Loveless, Dizzyride, Bash & Pop, Kissing Party, Jamie T, Jeff Rosenstock, Martin Courtney, Thom Hell, Cass McCombs, Lou Barlow, Drugdealer (ft. Weyes Blood), Aathens.

Sammus (ft. Izzy True), July Talk, Howardian, Invisible Boy, The Empty Page, Ricky Eat Acid, Haybaby, Mikey Erg, Hodgy, Rogov, Marchildon!, Streets of Laredo, Pill Friends, Hello Shark, Owen, Bichkraft, Roosevelt, Margaret Glaspy, Clipping., The So So Glos, Joan of Arc, Jesca Hoop, Luke Temple, Lost in the Cosmos, Cut Off Your Hands, Dear Boy, The Molochs, ANOHNI, Monogold, Young Pioneers, Cherry Glazerr, Terra Lightfoot, The Smith Street Band, Waxlimbs, Hero Fisher (ft. Carol Batton), Delicate Steve.

Yael Naim, NONA, BADBADNOTGOOD (ft. Kaytranada), Uni Ika Ai, Vandaveer, Jarrod Milton, Mount Moriah, Jade Imagine, Brodka, Priests, Wolf People, The Severed Limb, and a trio of clips from Chastity.

Noun – Fame and Famine (Stream)

screamales

Over the past 24 hours, there have been quality streams from the likes of Real Numbers, LA Font, Wild Pink, Two Houses, Super Unison, Planes Mistaken for Stars, Dennis Callaci, Tokyo Tea Room, Balance and Composure, Raccoon Fighter, and Turnip King. On top of that, there were a string of music videos that emerged from the camps of Slow Down Molasses, Odonis Odonis, LUH, La Lenguas, Magik Magik, Yohuna, Moses Sumney, Brendan Canning, and Makeunder. Providing the day with a welcome dash of finality were full streams that were unveiled by Magic Trick, Ski Saigon, and The Hecks.

As always, all of those entries linked above are worth jumping over to and exploring with a certain level of intensity. However, they weren’t all that wound up being released Thursday. Screaming Females‘ Marissa Paternoster’s Noun project made an unexpected return with the jagged, lo-fi “Fame and Famine”. Quietly uploaded to Paternoster’s tumblr, “Fame and Famine” winds up benefiting from a pre-established tone of unpredictability.

While Paternoster may get the most recognition for Screaming Females, Noun has proven to be a project just as worthy. 2010’s Holy Hell, a consistently overlooked triumph, may even be Paternoster’s finest record to date (though the last few Screaming Females records have been hitting some exhilarating highs). Noun’s consistently allowed Paternoster a wider range of possibilities, making a new entry into the project’s discography a tantalizing prospect.

For “Fame and Famine”, Paternoster takes a direct, immediate route that fully commits to its lo-fi aesthetic and elevates itself via a comprehensive understanding of the format. There’s a surprising amount of nuance in the ambient beds that swirl beneath the insistent, repetitive main section that serves as the engine of “Fame and Famine”. Enhancing the aggressive disconnect that manifests in the narrative of “Fame and Famine” is the artwork the song’s projected over, one of Paternoster’s characteristically striking chalk-based originals.

Everything packaged together winds up being as disconcerting as it does galvanizing. There’s a nervous undercurrent of stress that imbues every second of “Fame and Famine”, lending it a feeling of completeness that can be rare in demos. It’s a fascinating glimpse towards one of today’s most fascinating, tireless artists and it’s another in a long line of formidable examples of Paternoster’s creativity and commitment. Tenacious, unnerving, and more than memorable, “Fame and Famine” is one of the best surprise standalone releases of recent memory.

Listen to “Fame and Famine” below and keep an eye on this site for more updates on the project.

Watch This: Vol. 128

Lady Lamb, Eleanor Friedberger, La Luz, Bob Mould, Tangerine, Weaves, Lacrymosa, Bye Beneco, The Big Pink, Weaves, Sex Tide, David Bazan, Plants and Animals, LUH, The Wooden Sky, Mumblr, Bleached, Adult Mom, Hattie Marsh, Stephen Steinbrink, Destroyer, Mount Moriah, Muuy Biien, Young Magic, The Kills, Adeline HotelDeclan McKenna, Palehound, Friendship, Titus Andronicus, Petal, and Foals all had very strong live videos surface over the past seven days. Unsurprisingly, that cast of titles underscores the strength of the five performance that are highlighted in this, the 128th installment of the Watch This series. I’ve been fortunate enough to catch each of the five acts featured below and can confirm that these captures come close to doing them justice, chronicling their charisma, emotional pull, and talent spectacularly. So, as always, sit up, adjust the settings, elevate the volume, block out all distractions, and Watch This.

1. Seratones (Audiotree)

Ever since Seratones‘ run at last year’s CMJ, the band’s been slowly escalating nearly every facet of their already-formidable presentation. Boasting one of the most awe-inspiring vocalists currently on the circuit, the band delivers a commanding performance here for Audiotree. Grabbing onto something won’t save you from being flattened.

2. Car Seat Headrest – Fill In The Blank + Vincent (WXPN)

Teens of Denial still confidently stands as one of 2016’s finest records, a fact that will inevitably be reflected by several sources come December, and thanks to the band’s live show it’s still gaining traction. The band tore through “Fill In The Blank” and “Vincent”, the record’s opening two tracks, for WXPN. It’s a masterful run that shows Car Seat Headrest have plenty of tricks up their sleeves.

3. Courtney Barnett (Strombo Sessions)

Courtney Barnett may very well hold the record for the most Watch This series appearances at this point. An endlessly gifted — and obscenely likable — performer, Barnett’s hyper-intelligent songwriting is allowed to thrive in the live setting. All of those qualities can become even more pronounced in her endearing solo performances, which is squarely the case with this beautiful set that comes courtesy of Strombo Sessions.

4. Midnight Reruns – Richie the Hammer (Set List)

Last year, Midnight Reruns‘ brilliant Force of Nurture made a very strong showing in this site’s year-end rankings and a large reason for that placement was guitarist/vocalist (and principal songwriter) Graham Hunt’s growth as a lyricist. The record’s most surprising moment may very well have been the emotional devastation contained in “Richie the Hammer”, which the band recently performed for WPR’s excellent Set List series.

5. Weaves (NPR)

After several years of stellar performances and continuous evolution, Weaves have managed to create quite a few converts. “Shithole“, a fiery moment of reinvention, kicked off a run of songs that currently comprise the most formidable stretch of the band’s still-blossoming career. The band takes on a trio of those selections for one of the most galvanizing Tiny Desk sessions in recent memory. It’s downright electric.