Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Tag: Loom

Streams of the First Quarter: The Honorable Mentions

Less than a week remains in 2017’s first quarter and the year’s already earned solid representation thanks to a slew of incredible releases. Below this paragraph are links to approximately 500 of the finest songs that the January-to-March period had to offer. A few of which are from widely renowned artists but the vast majority are from the artists who deserve more recognition than they receive.

Now, it’s practically impossible to imagine any one individual is going to sit down and listen to every single one of the songs here but that’s not exactly the purpose of these lists. This, as was the case with the others, is a capsule of a time period that offered up art that was (mostly) lost to the shuffle. It’s a representative account of what was happening behind-the-scenes while this site was in its extended hiatus.

Most importantly, it’s a way to recognize and honor the artists responsible for crafting pieces that both deserved and earned praise, even if it’s in a relatively minor form. This will likely be one of the longest lists of links to ever run on this site and it’s likely best to just click around until something strikes a chord. So, bookmark this page, dive in, and explore what the world’s produced over this first quarter and keep an eye on this site for a few short “best of” posts before Heartbreaking Bravery resumes its regular daily coverage. Enjoy.

NE-HI, Hater (x2), Knife in the Water (x2), Thelma, The Districts, Flasher, Catholic Action, Growl, Happyness, Land of Talk (x2), Canshaker Pi, Baby!, Gold Connections (x2, 3), Jay Som (x2), Go Fever, The Mells, The Chinchees, Aye Nako, Greatest Champion Alive, Diet Cig (x2, 3), High Sunn, Tall Friend (x2, 3), Do Make Say Think, Boss Hog (x2), Fog Lake (x2), Littler, Real Life Buildings (x2), The Proper Ornaments, Alex Napping (x2), Bruising, YURT, Analog Candle (x2), The Courtneys (x2), Wild Pink (x2), Amanda Glasser

Lunch Ladies (x2, 3), B Boys, Molly BurchIdle Bloom, WHY?, Vengeance, Phoebe Bridgers, Kane Strang, Former Bullies, The Spookfish (x2), Dude York (x2), Ben Grigg (x2, 3), Agent blå, Andrew Goldring, Fragrance., Rolling Blackouts Coastal Fever, Spiral Stairs (x2), Bonnie ‘Prince’ Billy, Guided By Voices (x2), Future Teens, WaydeÀ La Mode, Fraidycat, Robyn Hitchcock (x2), Eric Slick, Terry Malts, Sharkmuffin, Ride, Joan Shelley, PONY, The Coathangers, Juliana Hatfield (x2), Sorority Noise (x2), Slow Caves

No Thank You (x2, 3), Francobollo, Great Profile, Mount Song, Real EstateHawkmoon, Casper Skulls, Century Palm (x2), Deathlist (x2), Rosie Carney, Superorganism, Goldblooms, Day Wave, Wire, Cotillon (x2, 3), Will Johnson (x2), Anti Pony, Personal Best, Mind Rays (x2, 3), Ty Segall (x2, 3), Bonny Doon (x2), Arc Flash (x2), Tobin Sprout, Slowdive, Top Down, Mise en Scene, Thunder Dreamer, Hiccup (x2), Bent Denim, The Molochs, Caitlin Pasko, Cold Beat, Oak House

Mad OnesThe FeeliesWavves (x2), Tonstartssbandht (x2), Those Lavender Whales (x2), Overlake, Winstons, Vagabon, MaganaTrust Fund, Fuzzystar (x2), Baked (x2), Loose Tooth (x2, 3), The Sloppy Heads, The Cairo Gang (x2), Vundabar, Chick Quest (x2), Holy Sheboygan (x2), The Craters, Doug Tuttle, Walter Martin, Nadine Khouri, Holy Now, Vassals, The Obsessives (x2), Orchid Mantis, Thin Lips, Apocalypse, Communions, Olden Yolk, Dion Lunadon, Emperor X, Shadow Band, Richard Edwards, Adna

Bleached (x2), SaltlandTim Kasher (x2), Warm SodaAlyeskaMatthew Squires, You’re Jovian, Little Star, Mothpuppy, Midwives, Monster Movie, Jessica Denison + JonesElijah, Loom, Your Old Droog, Mimi Raver, Smidley, Beachheads, Clap Your Hands Say Yeah (x2), Cesar Ruiz, Leather Can, Woods, The Yugos (x2), Adam Torres (x2), L.A. Witch, David Bazan, Luxury Death (x2), Imaginary Tricks, Strange Lot (x2), Lomelda, Sacred Spirits, Matty Ann, The Hernies, Destrends, ELLA, Adult Mom, Second Still

The Dove & The Wolf, Gang of Youths, Trementina (x2), Good Good Blood, SheerOrchin, Anna Coogan, WALL, Artificial Pleasure, Sera Cahoone, Annie Hardy (x2), Priests, Laura Marling, Yawn Mower (x2), Toby Foster, Wear Your Wounds, The Present Age, The Knitts (x2), Junior Astronomers, No Vacation, Wolf Girl, Peter Bjorn and John, Cassandra Jenkins (x2, 3, 4), A Valley Son (x2), Jons, Sinai Vessel, Yellow Paper Planes, Seven Deaths, Snakehole, Sondre Lerche (x2), Varvara, Karen Elson

Tiger! Shit! Tiger! Tiger!, Wilding, Common MinerDan Misha GoldmanCymbals Eat Guitars, Lost Boy ?, Moon DialThe Birthday Letters, UV-TV, Girl As Wave, Big Surr, Nightlands, Menace Beach, Boytoy, Melby, Dali Vision, Desperate Journalist, Alex G, Knifey, Aquarian Blood, Winstons, High Up, Joshua James, I Am the Polish Army, Feral Ohms, French Vanilla, Bad Breeding, The Octopus Project, Born Without Bones, Laughed The Boy, Jake Xerxes Fussell (x2, 3), Cindy Lee, The Cover Letter, Michael Nau

Lyrie and the Duckies, Vorhees, Blank SquarePatterson Hood, Jon McKiel, Whips, WompsKikagaku Moyo, Brandon Koebs, Surf Dads, LT Wade, Daddy Issues, David Bazan, Matthew Lee Cothran, Jake Clarke, Spur, Loose Buttons (x2), Bilge Rat, Saw Black, Lowly, Jackson Boone, Superchunk, Desert Culture, Julia Lucille, The Darling Buds, Ducks Unlimited, Hoops, Taft Mashburn, Summer Moon, Conifer Vista, My Education, The Wooden Sky, Her’s, Teen Daze, Rubblebucket, Platinum Boys, Jens Lekman, Threefifty

Sam Coffey & The Iron Lungs, Nadia KazmiShelby Earl, Preservation Hall Jazz Band, Circus DevilsFire in the Radio, Half Waif, Metric, Sampha, Deadwall, Ground and Grave, Martin Rev, Craig FinnOiseaux-Tempête, Raj and the 100’s, The Wintyr, TW Walsh, ShitKid, Joel Michael Howard, Evening Darling, FOTR, Pollen Rx, Lillie Mae, Kyle T. Hurley, Hite, Tara Jane O’Neil (x2), Louise Lemón, PalomaStacey, Two Moons, POND, Business of Dreams, Billy Moon, Low Roar, She-Devils, White Reaper, Tiny Vipers

SOFTSPOT, Gorillaz, ROYA, BottlerThe Megaphonic Thrift, Caves, The New PornographersJulie Byrne, BNQT, COTE, Damaged Bug, Railings, Mark Eitzel, Deleter, Code Orange, Goddamnit, Cory Branan, No Joy, Blak Emoji, Tropical Skin Byrds, Empty Lungs, Tomber Lever, Rainbrother, Max Subar, Little Person, Perhapsy, Other Houses, Dehd, Niilo Smeds (x2), Morning Teleportation, The Co Founder, Show Me the Body, Kory Quinn, Tow’rs, Circle, Maria Kelly, Cosima, John Craigie, Holy Motors, Benjamin Booker

Me Not You, Her HarbourHeath Green and the Maksehifters, CodistMatt Maltese, Thurston Moore, Pissed Jeans, Feist, Odd Couple, A Deer A Horse, Cassels, Thad Kopec, Turn to CrimeTorgeir Waldemar, Oyama, Said the Whale, Altar Eagles (x2), Grace Mitchell, Radiator King, Minus the Bear, The Tarantula Waltz, Hiva OaTrès Oui, The Buttertones, Winston Hightower, Crooked Bangs, Los Angeles Police Department, CFM, Diagrams, Boosegumps, Marcus Norberg and the Disappointments

The Nickajack Men, Semi-Attractive Boys, BanditosRachel Kilgour, Broken Field Runner, Residuels, Jim and the French Vanilla, Wooden Wand, Emma Ruth Rundle, Batz, Monograms, Operator Music Band, RF Shannon (x2), LAKE, Ha Ha Tonka, Fufanu, Coast Modern, The Glass Eyes, Keto, Loess, Go By Ocean, Unstoppable Death Machines, Frederick the Younger, Bendigo Fletcher, Meatbodies, The Bingers, Slingshot Dakota, Astro Tan, Football, etc., Planning for Burial, Delafye, Dim Wit, Retail SpaceEmma Gatrill, Gnod, Mark Lanegan Band, and Leon of Athens.

 

 

 

First Quarter Clips, Pt. 4 (Video Mixtape)

static

Ever sine the 2014 edition of A Year’s Worth of Memories came to its standard close (there may still be a forthcoming epilogue), this site’s been in constant catch-up mode. It’s not a mode that’s going to be entirely evaded- as there is still quite a bit of ground to cover along the single stream battle lines- but, as of this post, Heartbreaking Bravery’s all caught up on 2015 music videos. Having run approximately 1110 music videos from the year thus far, it’s astonishing that there are still enough to carry through a regular video mixtape set of 25 selections. For the first time, these will be presented jukebox style. Music’s always evolving, always rotating, and there are so many different sounds that deserve appreciation- but the best music (and the best clips) all exist alongside each other in enviably creative territories. Acting as complements to each other while simultaneously forming a much larger picture, the 25 music videos below are among the young year’s finest. From Pussy Riot’s breathtaking protest video to Flying Lotus’ continuous visual mastery to Ephrata’s barn-burning tiff, these clips represent some of the finest work being done in their given medium. Coverage on music videos will continue at regular pace form this point forward but it’s definitely worth setting aside an hour or two to explore some of today’s great art. Click play below and get swept up in the spree.

COLLECTION V

1. Nightmare Boy – Chivalry Is Alive and Well in Glasgow
2. SEAZOO – Panda Pains
3. Spirit Club – Duster
4. Matthew E. White – Rock & Roll Is Cold
5. Pompeii – Blueprint
6. Pussy Riot – I Can’t Breathe
7. Gaz Coombes – Detroit
8. William Ryan Fritch (feat. Esme Patterson) – Still
9. Hundred Waters – Show Me Love
10. The Amazing – Picture You
11. Woman’s Hour – Devotion
12. Weyes Blood – Bad Magic
13. Flying Lotus – Corronus, The Terminator
14. The Afghan Whigs – The Lottery
15. Big Noble – Atlantic Din
16. Only You – Let Me Burn
17. Ephrata – Say A Prayer
18. The Green Seed – Gotchoo
19. The Cush – Orange Like Water
20. Secret Space – Stay For A While
21. Dazed Pilots – Sinner
22. Boxed In – Mystery
23. Grounders – Pull It Over Me
24. ANAMAI – Lucia
25. Annalibera – Blooms

First Quarter Clips, Pt. 1 (Video Mixtape)

static

As was laid out in yesterday’s mixtape, for the next few days this site will be in strict catch-up mode. Mixtapes of some of the best material to emerge in the first three months of 2015 will be running until everything’s brought up to the present-day release cycle. A few items here and there will be granted individual focus pieces but don’t let that distract from the importance of the songs and clips in all of the past and forthcoming lists (as well as the one on display here). It’s been a strong year for music videos across several genres, which is something this package of clips is intended to emphasize. From site favorites Mumblr‘s stroke of brilliance in incorporating actual live footage from their previous shows into “Got It” to the Bob’s Burgers tribute to Sleater-Kinney to the searing, soulful “Keep In Mind (Asshole)”, there’s a lot here to admire. Dive in below and explore a few of this year’s richest treasures.

COLLECTION I

1. Mumblr – Got It
2. Toro Y Moi – Empty Nesters
3. Heaters – Levitate Thigh
4. Menace Beach – Tastes Like Medicine
5. California X – Hadley, MA
6. Protomartyr – Want Remover
7. Destruction Unit – Final Flight
8. MOURN – Your Brain Is Made of Candy
9. Young Guv – Crushing Sensation
10. Cyberbully Mom Club – Bobby Pins
11. King Tuff – Headbanger
12. Sleater-Kinney – A New Wave
13. Cayetana – Scott Get the Van, I’m Moving
14. Ex Hex – Don’t Wanna Lose
15. Franky Flowers – Fell In Love
16. Gal Pals – Do You Ever?
17. Celestial Shore – Weekenders
18. Twerps – Stranger
19. Kuroma – Simon’s in the Jungle
20. Kool Stuff Katie – Cars
21. Fear of Men – America
22. This is the Kit – Bashed Out
23. Tori Vasquez – Keep In Mind (Asshole)
24. Only Real – Can’t Get Happy
25. The Dodos – Competition

14 of ’14: The Best Albums of 2014

LVL UP II

One last time for one last 2014 list: “best” is in no way an attempt to be an objective statement. The terminology is shorthand to reflect personal taste and is not to be construed as anything more. Also, for the purposes of a more personal summary in this year-end coverage period, this site’s regular restriction on first person will be lifted. In 2014, I listened to more music that was released throughout the year than any other in my life. Numbering well upwards of a thousand releases, it proved impossible to keep tracks on everything (I’m already certain a few of these lists are missing more than a few titles that I genuinely loved)- but there were a few items that were worth remembering. Below are 14 records that managed to carve their way into my esteem both instantaneously and through the process of time. Below that is what turned into the most extensive list I’ve ever assembled, one that acts as an unnecessary validation that good music is being created at an excessively high volume (all of which is hyperlinked to either a full stream or a representative portion). We’re living in a golden age for access and music continues to reap the benefits allowed by technology.  In that spirit, it’s worth noting that a lot of the names included below won’t always be the most recognizable- this is due to both that volume and the fact this site’s built on a foundation that ensures bands who are marginalized will be given the consideration they deserve. So, with all of that noted, it’s time to move on to the main attraction: 14 of ’14: The Best Albums of 2014.

14. Taulard – Les Abords Du Lycée

2014’s most unexpected gem, Les Abords Du Lycée, is a mesmerizing listening that drives home taut organ/drums/vocals post-punk with a startling amount of verve. Endlessly charismatic and unpredictable, the dozen tracks on display here constantly twist and turn, never once daring to let the listener catch their breath. Mood and tempo changes abound on one of 2014’s most fearlessly unique records. Even for those who aren’t even remotely well-versed in the French language, Les Abords Du Lycée should be a thrilling listen; something like unbridled passion can always translate well enough to near the universal.

13. La Dispute – Rooms of the House

What’s easily one of 2014’s boldest concepts roots La Dispute’s mesmerizing Rooms of the House, a record that shows La Dispute’s rapid maturation with a weary grace. Centered around a meticulously brilliant narrative device, it’s a record that stunned me on my first few listens before growing into an inescapable force of nature that refused to leave my thoughts. As bleak as anything the post-hardcore has ever produced, Rooms of the House finds its strength through focus and restraint, zeroing in on difficult topics with a keen eye and an abundance of determination. Blisteringly personal and nearly voyeuristic, it stands as one of 2014’s fiercest artistic statements.

12. Two Inch Astronaut – Foulbrood

Two Inch Astronaut’s Foulbrood has come up more than a few times on the site over the past handful of months thanks to its casual brilliance. Wielding an enticing palette of influences ranging from Drive Like Jehu to their contemporaries in Exploding in Sound, Two Inch Astronaut managed to conjure up one of the most impressive sophomore efforts of the year. The title track, “Part of Your Scene“, and “Dead White Boy” all earned themselves individual write-ups on the basis of their appealingly off-kilter and ragged identity. Foulbrood‘s a record that knows exactly what it wants to be and goes straight for the throat, sending a trail of viscera flying it its wake.

11. Cloud Nothings – Here and Nowhere Else

One of the things I kept coming back to throughout the course of music in 2014 was Jayson Gerycz’s drumming on this record. Not just because it’s a staggering individual performance but because there’s an undefinable, inherent quality that exists within that drumming which drives this record to obscene heights. Impossibly, stripped of the drumming, the record succeeds wildly in an acoustic setting and demonstrates Dylan Baldi’s increasing proficiency as a songwriter, a vocalist, and a guitarist. After losing a member in guitarist Joe Boyer, Cloud Nothings somehow managed to transform themselves into an act that was simultaneously heavier and poppier than when they were a quartet. Importantly, this is a record that’s built to last and it’s only grown on me as the year’s progressed (and that trend’s not showing any signs of slowing).

10. Ought – More Than Any Other Day

As beguiling as it is bewitching, Ought’s brit-pop influenced post-punk masterpiece was a record that sounded triumphant right out of the gate. Slowly, that triumph turned to transcendence and the songs contained within More Than Any Other Day became unavoidable mission statements. In terms of scope, the majority of More Than Any Other Day feels as epic as LCD Soundsystem operating at their best. Both acts share a penchant for sprawling structures and self-containment, bridging a gap between intimacy and grandeur with a knack for deceptive, intricate songwriting. Anthemic and mundane, More Than Any Other Day was like a shot of adrenaline straight to the heart, waiting for the resuscitated with a sly grin and a memorable, tossed-off joke. Excessively charming and utterly winsome, it’s a record that felt (and still feels) necessary.

9. Jawbreaker Reunion – Lutheran Sisterhood Gun Club

“E.M.O.”, Lutheran Sisterhood Gun Club‘s thrilling centerpiece, recently appeared in this site’s best songs of 2014 list- but the song’s only one part of a much larger picture. At once, one of the year’s most joyous and pissed off releases, Jawbreaker Reunion tore through a variety of serious issues with aplomb on their absolutely stunning debut effort. Other than distilling songs like “Laughing Alone Eating a Salad” with a wicked sense of humor, the whole affair’s imbued with an enviably powerful sense of songcraft. Lo-fi, DIY, punk, and teeming with an understanding of classic pop, Lutheran Sisterhood Gun Club was one of 2014’s boldest introductions- it was also one of its best.

8. PURPLE 7 – Jewel Finger

PURPLE 7 boasts a lineup that’s accompanied by an impressive pedigree. Members of the band have previously played in bands like Defiance, Ohio, Landlord, and Hot New Mexicans (whose self-titled record ranks among my all-time favorites and currently leads my “best of decade” selections). Unsurprisingly, their debut LP effort hits a lot of sweet spots, including a gritty middle point between basement punk and basement pop. Simply put, this is a stunning collection of songs that was overlooked by most to a baffling degree after its release. Grounded, humble, and heartfelt, Jewel Finger is one of the records that reminds me of the reasons I started this site. This is music that deserves to be celebrated.

7. Angel Olsen – Burn Your Fire For No Witness

Arguably 2014’s first truly great release, Angel Olsen’s Burn Your Fire For No Witness saw the songwriter transition from a promising talent into one of the year’s most arresting figures. Embracing a fuller sound and a newfound confidence, Burn Your Fire For No Witness broke Angel Olsen’s career wide open with an onslaught of genuinely haunting tunes. Whether they were relentlessly spare or soaked in noir-ish tendencies, they were uniformly captivating; both the storm and the eerie silence before. Raw, tender, and occasionally antagonistic, Burn Your Fire For No Witness was one thing above all else: unforgettable.

6. Cymbals Eat Guitars – LOSE

From the devastating opening lines all the way through to the climactic finish, LOSE holds its ground as one 2014’s most frighteningly personal albums. Largely influenced by the death of a friend close to the band, it’s a meditation on loss and the surrounding aspects of something so tragic. Easily Cymbals Eat Guitars’ finest work to date both lyrically and musically, it’s a powerful (and powerfully moving) listen. “Warning”, in particular, cuts deep- which is one of the reasons why it wound up on the best songs of 2014 list just a few days ago. Incredibly impassioned and brave in its sincerity, LOSE finds a level of catharsis in its emotional turbulence, lending it a charge that renders it one of the year’s most human (and most important) releases.

5. Perfect Pussy – Say Yes To Love

Perfect Pussy, for better or worse, have become intrinsically linked with this site. From Meredith Graves’ insistence on tangential involvement (which I’ll forever be grateful for) to the fact that the band’s greater ascension matched up with the very start of this site, they’re a band I’ve gone step for step with since bringing Heartbreaking Bravery into existence. None of that would have happened if I hadn’t been so fiercely drawn to the things that they were doing, though, which is why I approached them in the first place. Ever since those beginnings, it’s been a privilege to watch them progress, to travel at lengths to watch them play, and to see them release a record as enormously powerful as Say Yes To Love, a collection which houses my favorite song of 2014 (and possibly of this decade so far). Unapologetic, personal, damaged, resilient, powerful, feral, oddly triumphant, and unbelievably intense, Say Yes To Love operates as a perfect reminder for all of the reasons why I fell in love with this band- and why I’ll continue to pay close attention to their movements.

4. Iceage – Plowing Into The Field of Love

No band in 2014 made a more stunning artistic leap than Iceage, who went from a static blur to matching the swaggering heights of Nick Cave & the Bad Seeds after discovering their voice. Plowing Into The Field Of Love was a startlingly radical change of pace for Iceage, who imbue the record with a curious restraint and a sense of deeply haunted Americana. Southern Gothic touch points are littered throughout the record’s bleak landscape, while making room for plaintive ornamentation in the form of brass, string, and piano figures. Darker and more self-aware than anything in the band’s career, Plowing Into The Field Of Love earned them quite a few words of praise from this very site. Augmented by some legitimately extraordinary music videos, Plowing Into The Field Of Love proved to be an unexpectedly rattling experience. Easily one of the year’s most divisive records (as is the case with any left turns this sharp), it suggested Iceage’s ambitions ran way deeper than anyone expected and, subsequently, that they had the know-how to see those ambitions to fruition. In chasing their whimsy they wound up with something I wouldn’t fault anyone for calling a masterpiece.

3. Mitski – Bury Me At Makeout Creek

My connection with Mitski’s music is something that will always hold a very personal resonance. I’ll leave most of the reasoning behind that statement to a forthcoming piece but it’s worth noting in regards to a record that’s so unabashedly self-exploratory. Bury Me At Makeout Creek was an enthralling re-introduction for Mitski, who saw it rightfully skyrocket her name recognition. Top to bottom, it’s an extraordinary effort that re-defined her artistic capabilities after a string of meticulously composed records that leaned on chamber pop tendencies. Here, that past gets blown to bits almost immediately. One of my favorite experiences in music listening all year came when “Texas Reznikoff” explodes in its final section- another came while listening to one of the best songs I’ve heard this decade (for obvious reasons, considering that statement). Where Bury Me At Makeout Creek manages to approach the transcendental is in the process of allowing listeners to hear an artist coming into their own. Part of Mitski’s identity is laid bare by Bury Me At Makeout Creek: it’s the unwillingness to accept identity as a static object and the desire to question its cumulative elements. That search is what gives Bury Me At Makeout Creek its bruised heart- and it’s why musicians will use it as a source of inspiration for several years to come.

2. Radiator Hospital – Torch Song

After the exhilarating highs of Something Wild, Radiator Hospital had a tall order for their follow-up. Fortunately (and unsurprisingly), they obliterated those towering expectations with Torch Song. Sounding more confident- and more polished- than ever before, Torch Song cemented Sam Cook-Parrott’s status as one of this generation’s keenest emerging voices. Paying attention to the minutiae of everyday experiences and injecting them with a self-deprecating sense of poetry laced with pessimism, the songs contained on this record all aim to cut and find their mark with an incredible amount of ease. Having already established themselves as one of today’s more formidable units musically, Torch Song has the added benefit of having four loaded personalities find each other in total harmony, each acting as a complement to the other. Personal diatribes, small journeys of self-discovery, and a sense of empathy inform Torch Song and help cultivate its unassuming charm. There’s not a weak track among the record’s 15 songs and it maintains an assured sense of pace throughout its relatively breezy runtime. By the time it draws to a close, it stands as one of the most fully-formed and rewarding records of recent memory.

1. LVL UP – Hoodwink’d

I don’t think any record resonated more for me throughout the course of 2014 than LVL UP’s Hoodwink’d, which I revered with literally no reservations. 2014’s strongest sophomore effort, Hoodwink’d saw LVL UP expanding most of the elements that made Space Brothers such an incredible release and retained all the others. Unreasonably refined and exceedingly personable, LVL UP have always found a strength in accentuating their members’ unique personalities and that trend got pushed to the forefront for their second full-length (which was co-released by Double Double Whammy and Exploding in Sound). Utilizing a distinctly unique take on their 90’s influences, the band also reveled in the benefits of a cleaner production that allowed them to sound more massive than they ever have in the past. No release felt more timely than Hoodwink’d, either, with the record practically serving as a stand-in voice for a disenfranchised sect of people. Alternately crushingly heavy, viciously poppy, relentlessly personal, and completely worn-out, Hoodwink’d never loses sight of its own mechanics. There’s a level of mutual understanding on display here that separates it from the rest of the year’s releases. Everyone feeds off each other, everyone supports each other, and everyone contributes to one hell of a set without even coming close to overstaying their welcome. Conversely, Hoodwink’d also ranks as one of the year’s most welcoming releases, radiating an empathetic warmth in its tone (and in its tones). As an entry in LVL UP’s catalog, it’s their career best. As a general 2014 release, it’s the best thing I had the privilege of hearing all year.

[EDITOR’S NOTE: All of the titles below without an accompanying link can be streamed in the order they’re listed via the embedded spotifly player below the list.]

Albums from 2014 that deserve to be heard:  Mean Creek – Local Losers | Happyness – Weird Little Birthday | Dark Blue – Pure Reality | Band Practice – Make Nice | Little Big League – Tropical Jinx | Happy Diving – Big World | Tweens – Tweens | Big Ups – Eighteen Hours of Static | Geronimo! – Cheap Trick | Greys – If Anything | Alvvays – Alvvays | White Lung – Deep Fantasy | Caddywhompus – Feathering A Nest | Left & Right – Five Year Plan | Ty Segall – Manipulator | Brain F/ – Empty Set | We Need Secrets – Melancholy and the Archive | Makthaverskan – II | Playlounge – Pilot | Eternal Summers – The Drop Beneath | MOURN – MOURN | Run the Jewels – Run the Jewels 2 | The History of Apple Pie – Feel Something | Flying Lotus – You’re Dead! | Trace Mountains – Buttery Sprouts | Dead Stars – Slumber | Fear of Men – Loom | PAWS – Youth Culture Forever | Swans – To Be Kind | The Yolks – King of Awesome | Crabapple – Is It You? | The Coasts – Racilia | Purling Hiss – Weirdon | Reigning Sound – Shattered | Creepoid – Creepoid | Saintseneca – Dark Arc | Mannequin Pussy – Gypsy Pervert | Fucked Up – Glass Boys | Music Band – Can I Live | Glish – Glish | Liam Betson – The Cover of Hunter | Frankie CosmosZentropy, Donutes, Affirms Glinting | Girl Tears – Tension | Martha – Courting Strong | Hurry – Everything/Nothing | The Spirit of the Beehive – The Spirit of the Beehive | Protomartyr – Under Official Color of Right | The Gary – Farewell Foolish Objects | Spit – Getting Low | Nothing – Guilty of Everything | Sharpless – The One I Wanted To Be | Legendary Wings – Do You See | Therapy? – Act of Contrition | Chris Weisman – Monet in the 90’s | Mumblr – Full of Snakes | Cayetana – Nervous Like Me | Free Cake for Every Creature – “pretty good” | Ed Schrader’s Music Beat – Party Jail | S – Cool Choices | Allo Darlin’ – We Come From The Same Place | Sneeze – Wilt | Quarterbacks – Quarterboy | The Twilight Sad – No One Wants To Be Here And No One Wants To Leave | Filmstrip – Moments of Matter | Bleeding Rainbow – Interrupt | La Sera – Hour of the Dawn | Big K.R.I.T. – Cadillactica | Gold-Bears – Dalliance | Sharon Van Etten – Are We There | Nude Beach – ’77 | A Winged Victory For The Sullen – Atomos | The Gotobeds – Poor People Are Revolting | Nots – We Are Nots | Alex G – DSU | Lower – Seek Warmer Climes | Young Widows – Easy Pain | CreaturoS – Popsicle | Mr. Gnome – The Heart Of A Dark Star | Parquet Courts – Sunbathing Animal | Ex Hex – Rips | Trust Punks – Discipline | Failures’ Union – Tethering | Odonis Odonis – Hard Boiled Soft Boiled | Beverly – Careers | The Number Ones – The Number Ones | Tigers Jaw – Charmer | Tiger High – Inside The Acid Coven | Straight Arrows – Rising | Dead Soft – Dead Soft | The Lemons – Hello, We’re The Lemons | Baked – Debt | MAZES – Wooden AquariumSleepyhead – Wild Sometimes | Native America – Grown Up Wrong | The Wans – He Said, She Said | Trophy Wife – All the Sides | Doe – First Four | Lushes – What Am I Doing | Ultimate Painting – Ultimate Painting | Haley Bonar – Last War | The Casket Girls – True Love Kills The Fairy Tale | Slothrust – Of Course You Do | Sorority Noise – Forgettable | Team Spirit – Killing Time | Feral Trash – Trashfiction | Blank Pages – Blank Pages | Mr. Dream – Ultimate In Luxury | Carsick Cars – 3 | SUNN O))) & Ulver – Terrestrials | This Will Destroy You – Another Language | Vanna Inget – Ingen Botten | The Real Energy – Beyond Delay | Muuy Bien – DYI | Young Ladies – We Get By | Eureka California – Crunch | Negative Scanner – Negative Scanner | Violent Change – A Celebration Of Taste | Black Wine – Yell BossImpo & The Tents – Peek After A Poke | Tomorrows Tulips – When | Mountain Bike – Mountain Bike | The Lees of Memory – Sisyphus Says | Telepathic Lines – Telepathic Lines | The Shivas – You Know What To Do | Allah-Las – Worship the Sun | Das Rad – Radiation | The Coathangers – Suck My Shirt | Crow Bait – Sliding Through The Halls Of Fate | together PANGEA – Badillac | Deerhoof – La Isla Bonita | PUJOL – Kludge | FF – Lord | Aj Davila Y Terror Amor – Beibi | Emilyn Brodsky – Emilyn Brodsky Eats Her Feelings | Young Statues – Flatlands Are Your Friend | Cancers – Fatten the Leeches | Sam Coffey + The Iron Lungs – Gates of Hell | Courtney Barnett – The Double EP: A Sea of Split Peas | The Ar-Kaics – The Ar-Kaics | Beach Day – Native Echoes | Hiss Golden Messenger – Lateness of Dancers | Dude York – Dehumanize | Gino & The Goons – Shake It! | Kevin Morby – Still Life | Bob Mould – Beauty & Ruin | Wyatt Blair – Banana Cream Dream | Queen Jesus – Darkness Yea, Yea | Joel Jerome – Psychedelic Thrift Store Folk | Espectrostatic – Escape From WitchtropolisCheap Girls – Famous Graves | Davila 666 – Pocos Anos, Muchos Danos | Parts & Labor – Receivers | Nick Thorburn – Music From SERIAL | DTCVHilarious Heaven, The Early Year | Bellows – Blue Breath | Teenager – E P L P | Spider Bags – Frozen Letter | The Paperhead – Africa Avenue | Parkay Quarts – Content Nausea | The Jazz June – After The Earthquake | Michael Sincavage – Empty Apartments (Supporting Actors) | Restorations – LP3 | MONO – The Last Dawn, Rays of Darkness | Matthew Melton – Outside of Paradise | The Vaselines – V For Vaselines | Total Control – Typical System | The Velveteens – Sun’s Up | Step-Panther – Strange But NiceExit Verse – Exit Verse | Slippertails – There’s A Disturbing Trend | Globelamp – Star Dust | Champ – Champ | Le Rug – Swelling (My Own Worst Anime) | VLMA – VLMA | Turn To Crime – Can’t Love | ScotDrakula – ScotDrakula | Warehouse – Tesseract | Muhammadali – Future Songs | Unwelcome Guests – Wavering | Baby Ghosts – Maybe Ghosts | White Mystery – Dubble Dragon | Constant Lovers – Experience Feelings | Future Islands – Singles | Maica Mia – Des Era | Tacocat – NVM | Popstrangers – Fortuna | Curtis Harding – Soul Power | New Swears – Junkfood Forever, Bedtime Whatever | The Miami Dolphins – Becky | Thee Oh Sees – Drop | Fasano – The Factory LP | Dum Dum Girls – Too True | Yellow Ostrich – Cosmos | Metronomy – Love Letters | Great Cynics – Like I Belong | Neighborhood Brats – Recovery | Connections – Into Sixes | Three Man Cannon – Pretty Many People | Grouper – Ruins | YOB – Clearing The Path To Ascend | Thee Silver Mt Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything | Apollo Brown – Thirty Eight | Hookworms – The Hum | Wrekmeister Harmonies – Then It All Came Down | Lee Fields & The Expressions – Emma Jean | What Moon Things – What Moon Things | Guided By VoicesMotivational Jumpsuit, Cool Planet | Gem Club – In Roses | Saturday’s Kids – The Lunatic | King of Cats – Working Out | Shopping – Tvff Noogies | The Love Triangle – Clever Clever | Nightmare Boyzzz – Bad Patterns | Future Virgins – Late Republic | Parasol – Not There | Lenguas Largas – Come On In | Cocktails – Adult Life | Generation Loss – Generation Loss | Feral Future – Haematic | Posse – Soft Opening | Diners – Always Room | Mimicking Birds – EONS | The Freezing Hands – Coma Cave ’13 | Amanda X – Amnesia | Predator – The Complete EarthWatery Love – Decorative Feeding | The Estranged – The Estranged | Steve Adamyk Band – Dial Tone | The Cry! – Dangerous Game | Ruined Fortune – Ruined Fortune | Good Throb – Fuck Off | The Elsinores – Dreams of Youth | The Bugs – The Right Time | Vacation Club – Heaven Is Too High | Freinds of Cesar Romero – Cinco Seis | Leather – Easy | Los Pepes – Los Pepes For Everyone | Juanita Y Los Felos – Nueva Numancia | Dan Webb and the SpidersEine Kleine Akustichmusik, Now It Can Be Told | Bozo Moto – BozoMoto | Low Life – Dogging | Moth – First Second | Rhythm of Cruelty – Dysphoria | Siamese Twins – Still Corner | Departure Kids – On The Go | Blessed State – Head Space | Flagland – Love Hard | Manateees – Sit N Spin | White Ass – White Ass | Ausmuteants – Order Of Operation | The Gutters – Eventually | Hysterese – Hysterese | The Ricky C Quartet – Recent Affairs | Hoax Hunters – Comfort & Safety | Arctic Flowers – Weaver

Watch This: Vol. 51

It’s been two weeks since the last regular Watch This segment, which means that there was twice as much to keep tabs on throughout the series’ (relative) absence. Every band that’s featured in the 51st installment has been previously covered on the site, which means a lot of old (and new) favorites are swinging for the fences. All five bands put out a great release this year and every single one of them had an incredible live performance surface over the past 14 days. There’s fuzz, lilt, and an abundance of passion all packaged together in the 51st round of this weekly spot and everything’s worth devouring. So, as always, pour a drink, sit back, turn the volume up to blistering heights, get comfortable, and Watch This.

1. Joanna Gruesome – Anti-Parent Cowboy Killers (BreakThruRadioTV)

For not releasing a full-length this year, 2014’s been very strong for the Joanna Gruesome camp. A few incredible splits (one of which was first announced here nearly a year ago), a great collaborative music video pairing, one of the year’s best songs, and a few appearances in this very series all hint that this is a band determined to continuously achieve more at a breakneck pace. That determination paired with live performances on par with this run through “Anti-Parent Cowboy Killers” and it’ll be impossible to stand in their way.

2. Dilly Dally – Candy Mountain (Chart Attack)

Dilly Dally is a name that’s been appearing with a frequent regularity as of late and that’s no mistake; any emerging act that comes off as a fully-realized project is worth several spotlights. “Green” and “Candy Mountain” both surfaced relatively recently and immediately became talking points among a very specific subset of circles. Punk, shoegaze, and indie pop all find a brooding middle ground in the band’s music and Katie Monk’s voice is as attention-ensuring as they come. Chart Attack had them in for a session that definitely proves their live act’s not to be trifled with, either.

3. Cheap Girls – Amazing Grace (Little Elephant)

A very specific brand of 90’s nostalgia is triggered by Cheap Girls’ music, which often plays like a carefully assembled and loving homage to the alternative sounds of that era. They’ve yet to make a weak record and continue to excel in the live department, which is the area that best exemplifies how they made their stock and trade. Famous Graves extended Cheap Girls’ winning streak with a practiced ease and the band keeps delivering memorable performance. This take on “Amazing Grace” is no exception.

4. Fear of Men – Green Sea (Faits Divers)

Loom already seems to have become one of 2014’s most overlooked records, which is a small tragedy. That record’s lack of what should have been well-deserved attention allowed Fear of Men to continue quietly excelling at just about everything they attempt, with their live performances attaining and carrying a certain hypnotic quality. Here, they deliver an acoustic version of “Green Sea” in Dijon and cement a spot as one of today’s most under-appreciated acts.

5. Radiator Hospital – Fireworks (BNTYK)

More than a few kind words have been used on Radiator Hospital and Torch Song (easily one of the year’s best records) via this site over the past year. So, it’s no surprise that “Fireworks” is on this list- especially considering BNTYK is one of the only video series to ever have a Watch This installment dedicated exclusively to their videos. Here, though, both Radiator Hospital and BNTYK outdo themselves and the results are utterly sublime. When the chorus hits, it’s a visceral gut-punch that offers direct insight to what makes the band so special, while the way it’s lensed is worthy of the moment. It’s a genuinely powerful example of what a truly great live video can accomplish. This is must-see entertainment operating at a level of excellence on a multitude of levels; don’t miss out.

Mikal Cronin – I Don’t Mind / Blue-Eyed Girl (Stream)

mc

With this week’s Thursday nearly done, it’s time to look back at everything it had to offer. Fear of Men gave the world a shadowy video for “Tephra“, while Lower opted for a more disorienting approach to the visual medium, and Lace Curtains went for the comedy with “Pink and Gold“- a video that also doubled as the latest look towards the project’s upcoming LP, A Signed Piece of Paper. Happy Diving teased Big World with a stream of “Space Ooze”, which sees the band upping their tendency for aggression past what was hinted at with “Weird Dream“. Similarly, Diarrhea Planet previewed their upcoming LP, Aliens in the Outfield, with the frantic basement punk of “Heat Wave“, their best song to date. Adventures unveiled their side of an upcoming split with site favorites Pity Sex, while Native America generated some interest with the punk-indebted blissed-out dream pop of “Naturally Lazy“. While all of that’s worth looking into, the item that really stuck out was Mikal Cronin’s single for Polyvinyl’s 4-track series, which he quietly announced was available to stream on YouTube through his Twitter last night.

Cronin, coming off of releasing what was arguably 2013’s best record, has long shown a penchant for the pensive; MCII‘s “Don’t Let Me Go” and “Piano Mantra” being fine examples. With the two tracks he’s given to the Polyvinyl series- which rotates around the simple premise of notable artists sending each other a 4-track Tascam cassette recorder to record two songs, which are then pressed as exclusive 7″ records and sent off to subscribers- Cronin continues his enviable gifts with songs that are characterized by a wide-eyed sense of wonder. Beginning with the acoustic sun-splashed Kinks revivalism of “I Don’t Mind”, it’s clear that Cronin’s ability to craft a perfect pop song is still in tact, from the earworm-worthy hooks to a breathtaking melodic sensibility. By the time the piano arrangement emerges at the end to take the song to its close, it’s already a career highlight for an artist that has no shortage of them. “Blue-Eyed Girl” strips things back even further, finding Cronin carrying a ukelele-driven song without ever approaching overtly twee territory. It’s a lovely, lilting song that definitively cements Cronin’s status as a master craftsman. Both songs complement each other in a way that feels entirely naturalistic, rendering this particular entry into Polyvinyl’s series as one of 2014’s most welcome delights.

Listen to “I Don’t Mind” and “Blue-Eyed Girl” below and sign up for the 2015 Polyvinyl 4-track Singles series here.

Watch This: Vol. 38

Well, it’s been a long battle but it seems like the impossible has finally arrived and Watch This has been brought back up to speed. To celebrate, the 38th installment will feature no single performance but rather small (or full) sets from a set of five. All of the artists that appear in this list could rightfully be considered site favorites (and, hell, one of them has essentially become Heartbreaking Bravery’s flagship band) and will undoubtedly be featured more in the future. In the case of Courtney Barnett, an isolated performance from her included set has already been given a spot in a past Watch This– but packaged together with the rest of an extraordinary performance, it proved too tantalizing to pass up (this may very well be the only repeat performance Watch This ever runs). All of that being the case, this is quite a lot to take in- so, lean back, settle in, turn the speakers up, and Watch This.

1. Bleeding Rainbow (KEXP)

Kicking off a trio of KEXP sets is a band who recently earned a spot towards the top of the Music Video Mixtape,  Bleeding Rainbow. Bringing four of their best songs out for the occasion, the shoegaze-leaning quartet drives home just how forceful these songs are capable of being. It’s a startling performance from a band that continues to pick up momentum. Don’t get caught in their way.

2. Fear of Men (KEXP)

Fear of Men’s Loom was an important step for a band that had long been deserving of a push forward. In the live setting, the songs get an even airier texture than they do on record, lending it a wide-open feel that propels them to greater heights. All four songs deserve repeat viewings in their own right but are even better when played as a set. A very welcome reminder of a record worth more discussion that it’s received.

3. Courtney Barnett (KEXP)

As stated in the video’s introduction, A Sea of Split Peas was one of 2014’s great surprises; a star-making effort from a relative unknown. Here, KEXP celebrates it as fully as possible, turning their lenses (and audio equipment) onto this massive eight-song set from The Triple Door as part of their VIP Club concert series. As it progresses, Barnett grows more comfortable and more confident, eventually bringing everything home with the can’t-fail 1-2 combination of “Avant Gardener” and “History Eraser”. Don’t miss it.

4. Saintseneca (NPR)

Dark Arc, Saintseneca‘s ANTI- debut, made a lot of people (finally) sit up and take notice of them- and even lent the members other respective projects (All Dogs and The Sidekicks, especially) some well-deserved exposure. For a band built from that background, something like this- an NPR Tiny Desk Session feature- feels like nothing short of a major triumph. There are very few things that feel more right than a band worthy of a major break actually catches one. To top everything off, this particular session is an absolute stunner and stands as one of NPR’s best sessions in recent memory.  

5. Perfect Pussy (Pitchfork)

Close to everything that could be said about Perfect Pussy’s set at Pitchfork has already been covered– but, if the opportunity to write even more about this band presents itself, I’ll jump at it. While live footage capture can never come close to doing the experience of actually seeing a band like Perfect Pussy justice, it’s difficult to argue against when its presented so beautifully. The more I watch these videos, the more I come back to a recurring thought: music and musicians, at large, are split into two groups- the technicians vs. the feelers. In the former category, bands will often sacrifice energy to present their music with as much polished precision as possible, whereas in the latter category, perfect technique is an acceptable casualty because it stands in the way of unfiltered passion. I will always stand on- and stand up for- the side of the latter. It’s a position that Perfect Pussy fully embodies and it makes their sets that much more thrilling (there’s a reason I’ve gone well out of my way to see them no less than eight times this year-so-far). So, while Meredith Graves‘ voice is noticeably raw (she’d been on a 12+ hour sabbatical from speaking the night before after noticing it was shot and fearing she might lose it completely), it’s also a small testament to courage. Ultimately, it’s exactly the kind of thing that gives a performance like this an incredible amount of character- and it has the potential to inspire legions of aspiring musicians to get behind a microphone so they can pour their hearts out.

Saintseneca – Happy Alone (Music Video)

Between the streaming of Terrestrials the behemoth of a collaborative album between Sunn O))) and Ulver, the announcement of a Bad Banana reunion show, John Dwyer releasing his first material post-Oh Sees hiatus, Big Air publicly unveiling their excellent debut tape, Buds, Fear of Men releasing a very promising sneak peek of their upcoming debut full-length Loom, a surprisingly punchy new track entitled “Any Wonder” from Yellow Ostrich, Mary Timony’s newest project, Ex Hex, offering up a hard-charging sample of their upcoming Merge debut, the cleverly constructed first music video to come out of the pairing of Nada Surf’s Matthew Caws and Julianna Hatfield for their Minor Alps project, an NPR Tiny Desk Session from The Pixies, the energetic black-and-white music video premiere of The Orwells’ “The Righteous One“, a live performance video of an all-acoustic run through of upcoming Drive-By Truckers track “Made Up English Oceans“, and Angel Olsen‘s absolutely stunning smoky, seductively noir-ish music video for upcoming Burn Your Fire for No Witness track “Hi-Five“, it’s been one hell of a Monday. Then, to top it all off, there’s the video that managed to edge out all of this to become today’s focus piece; Saintseneca‘s extraordinary clip for upcoming Dark Arc track “Happy Alone”.

Dark Arc, at this point easily one of the year’s most anticipated albums, should officially herald the arrival of Saintseneca, a band that was previously best known for being a conglomeration of two excellent Ohio basement punk bands; All Dogs and The Sidekicks. They’ve been maintaining an entrancing (and incredibly effective) rollout campaign for Dark Arc, their Anti- records debut, and seem poised to continue rewarding the investment of anyone who’s paying attention. “Happy Alone” has officially elevated their art form even further. The Christopher Good clip is clearly indebted to a vast array of arthouse influences and features stunning handheld cinematography, a gorgeous (magic hour-infused) color palette, inspired editing, yet another great song from the band, and band member Zac Little’s head in a giant bubble as he makes his way through everyday tasks.

It’s borderline dadaism and dips in and out of some Warhol-level pop art as it goes along to the most weirdly entrancing effect. It works as a surface level piece and as a light commentary on the nature of loneliness. There’s really absolutely no reason for any of it to add up to the inexplicably powerful whole that it is but it manages to do that and a little more. On its own, “Happy Alone” is definitive enough to act as a perfect introductory piece to the uninitiated while being singular enough to plausibly rank as one of the bands most important moments in their continuing evolution during this much-deserved groundswell of success. Above all else, though, it’s just a beautiful piece of art. That’s something that will always be worth rewarding. Watch it below.