Heartbreaking Bravery

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Tag: Littler

Lucy Dacus – I Don’t Wanna Be Funny Anymore (Stream)

lucy dacus

[EDITOR’S NOTE: With the site now entering emergency year-end catch-up mode thanks to the cruel, mocking nature of time, tonight’s trio of posts will simply be short reviews of the song(s) in the headline(s) and an accompanying list of tracks that deserve to be heard.]

Sometimes a song comes along from an artist you’ve never heard of and lays you flat. “I Don’t Wanna Be Funny Anymore” was one of those songs for me, a determined exploration of identity from Lucy Dacus that’s laced with a self-flagellating venom. Even in the midst of its own internal cruelty, though, its aspirations are commendable and showcase a startling drive. Singular, memorable, and incredibly endearing, “I Don’t Wanna Be Funny Anymore” was one of the brightest musical moments of the past several months. If it’s any indication of what Dacus has in store, the songwriter may just emerge with one of 2016’s most celebrated collections.

Listen to “I Don’t Wanna Be Funny Anymore” below and keep an eye on this site for more from Dacus in the future. Underneath the embed, explore a list of great songs to have appeared over the course of the last several months.

The Weasel, Marten Fisher – Talkin’ Like You (Two Tall Mountains)
Thee Oh Sees – Fortress
Big Putts – Prism
Copperfox – War Horse
Slow Culture – Hoax
Ulrika Spacek – She’s A Cult
Sudakistan – You And Your Way
Washer – Figure Me Out
Littler – Not My Market
Stardeath and the White Dwarfs – What Keeps You Up At Night
Bryce Dessner – Imagining Buffalo
Mass Gothic – Nice Night
Sioux Falls – Soaked In Sleep
Johnny Gallagher – Two Fists Full
The Besnard Lakes – The Plain Moon
Florist – The Birds Outside Sang
The Starting Line – Anyways
Public Access TV – Here Come The Bells
Pinemen – That Certain Flavour

Littler – Somewhere Else (Stream)

littler

And the hits keep coming. This past Tuesday may not have been as overflowing with worthwhile material as some recent days have been but it did unearth quite a few feature-worthy items. In the full stream category there was CITRIS‘ elegantly crafted, 90’s-indebted Panic in Hampton Bays, Mumblr‘s dark, created-in-a-day EP Super! Premium! Deluxe!, elle le fantôme’s brooding paint it blacker, and Charm School– one of the year’s best demos- courtesy of Dame. For music videos, Car Seat Headrest got the Matador era of their career off to an extraordinary start with the excellent clip for “Something Soon“, Miss June issued a strong reminder that they’re responsible for one of the year’s finest EP’s via “Student Loan“, while Hayden, Insect Ark, and Media Jeweler rounded the format’s offerings out with flair. A select few individual songs wound up creating a deep impression, a group that included Stove‘s formidable “Jock Dreams“, Miserable’s tender “Palmistry Notes“, Petal’s career highlight “Sooner“, and Fleurie’s swirling “Still Your Girl“.

While all those are worth exploring, it was Littler’s “Somewhere Else” that secured the day’s headline slot by showcasing a good band’s steady ascension to greatness. Having already established a song discography, the band’s become increasingly poised and that newfound confidence has seeped into their songwriting. On “Somewhere Else” the band takes a few risks with their dynamics and they all pay off beautifully. From the slow-burning front section to the supercharged ending, there’s never a false note. Lyrically, it’s an exploration of romantic tendency that benefits greatly from a disarmingly honest approach. With the mantra of “It’s always better somewhere else” dominating the song’s second half, “Somewhere Else” offers an unflinching reminder of the effects of longing- and secures Littler a spot as one of today’s more promising emerging acts. Sharp throughout, this is a song that demands to be heard.

Listen to “Somewhere Else” below and keep an eye on this site for more details on any forthcoming releases.

Beliefs – Tidal Wave (Music Video)

beliefs

Now, despite all the content that’s already gone up tonight, there’s still a lot that went down over the past week and a half while the site was dealing with technical complications. To that end, the approach in coverage is going to be slightly different this time around. Full streams, single streams, and music videos will all be covered- but they’ll be branched off into categories. Each entry will get a line or two and then when everything’s been accounted for, there’ll be a feature spot granted to Beliefs’ ridiculously entertaining clip for “Tidal Wave”. So, without further ado…

SINGLE STREAMS

Pet Cemetery – Giants: The newest near-perfect post-punk entry into Art Is Hard’s perfect Pizza Club series. | Deer Tick – White Havoc: A fuzzed-out Holiday stomper courtesy of one of today’s more intriguing acts. | Sun Hotel – Tropic of Cancer: An incredibly compelling and slightly damaged folk-leaning exploration. | Abi Reimold – Workshop: A folksy DIY pop masterpiece that doubles as a perfect contribution to a great compilation series. | The Soft Moon – Black: Nightmarishly menacing ambient music that tilts into industrial territory. | Sleater-Kinney – Surface Envy: Video game guitar lines. Corin Tucker’s vocals. Total madness. Sleater-Kinney is back. | Victoria+Jean – Holly: Seductive art-pop that flirts with expectations and capitalizes on tension. | Menace Beach – Blue Eye: An ambient noise exercise that only gains intrigue as it quietly builds towards its finish. | Deerhoof – Exit Only (Perfect Pussy Remix): A terrifying reimagining of an already terrifying song, courtesy of Shaun Sutkus. | Moon Duo – Animal: Menacing and minimal psych-punk that isn’t afraid to bare its fangs. | Grand Vapids – Aubade: Indie pop that isn’t afraid to subvert or challenge aesthetic expectations. | Howlin’ Rain – Wild Bush: A pastoral folk throwback jam that wears its influences proudly on its sleeve. | California X – Red Planet: Another triumphant, scorched-earth preview of what looks to be a career-best effort. | The Sidekicks – Jesus Christ Supermalls: Subtle, stunning, and lovely. The Sidekicks‘ finest work to date. | Seagulls – Swimmin’: Unbelievably winsome and completely enchanting folk-centric indie pop. | Elephant Micah – Slow Time Vultures: Gently gorgeous and effortlessly arresting ambient folk reminiscent of Vic Chesnutt. | Future of What – Daydream 99: Boldly stylish indie pop that crafts its own brand of magic. |

FULL STREAMS

The Goodbye Party – Silver Blues:  The latest DIY punk-pop gem to grace the impossibly reliable Salinas roster. | Littler – Get A Life: Relentlessly propulsive weirdo punk. | Bonny Doon – Fred’s House Demo: An impossibly overlooked (and impossibly great) folk-tinted basement pop masterpiece. | School ’94 – Like You: Graceful indie pop with gargantuan scope that still manages to come across as refreshingly breezy. | Forth Wanderers – Tough Love: Defiant and subtly venomous basement pop with an unbelievable amount of inherent charm. | SUSAN – Just Call It: Surf-indebted basement pop with enough punk bite to please a purist. | Githead – Waiting For A SignLeftifeld post-punk and new wave from a quasi-supergroup that features members of Wire, Compact, and Scanner. | Furnsss – Silent Gold: Deranged slacker punk and basement pop for the actively lethargic. | Thelma & The Sleaze – Heart Like A Fist: Incendiary basement punk with a heaping of 80’s hardcore influence. | Cave People – Older: Treble-heavy basement pop that leans towards sentiment and presents a genuinely memorable vision. | Terrorista – Purple Tape: Hard-charging basement punk that thrives on the notion that everything could fall apart at any second.

MUSIC VIDEOS

Young Statues – Run The River Dry: Visually stunning and endlessly intriguing, “Run The River Dry” shines a bright light on Young Statues’ promising future in the visual format. | Christian Lee Hutson – Late November: A simple concept that becomes a wrenching experience as it transforms into something inexplicably moving. | Flashlight O – TV Time: Staunchly DIY and weirdly hypnotic in its collage-heavy presentation. | Highway Cross – Open Eyes: Furiously paced and brilliantly edited, this is a perfect example of how emphasizing details can pay off in unexpectedly huge ways. | Luluc – Tangled Heart: Beautifully arranged and enhanced with simple, creative effects, “Tangled Heart” winds up feeling like something worth treasuring. | Johnny Marr – Dynamo: The iconic guitarist has always had a visual flair but those tendencies reach new, modern heights with this clip. | Run The Jewels – Oh My Darling (Don’t Cry): Like the group, this is a video driven by outsize personality- it’s unabashedly weird and it’s absolutely glorious. | Bass Drum of Death – For Blood: Bikers and gangs collide in deliriously entertaining fashion throughout this brilliantly executed tracking shot clip. | Blonde Redhead – Dripping: A sensual and highly stylized video that wields atmospherics and soft touches to stunning effect. | Communions – Love Stands Still: Classically composed and unwaveringly endearing; a perfect reflection of Communions’ indie pop. | A Place To Bury Strangers – Straight: A hallucinatory collage of striking imagery backed by one of the band’s most insistent songs to date. | Liars – Mask Maker (Extended Version): Characteristically bizarre and replete with a whole mess of yarn. | Tinkerbelles – When Puppies Cry: Extraordinarily damaged basement punk made weirder by one of the most insanely warped clips of 2014.

TIDAL WAVE

Okay, so the bold font probably wasn’t necessary but it’s late- and this is a really great video. Beliefs first gained an uptick in notoriety when they paired with the similarly-minded Greys for one of 2013’s best splits. Since then, they’ve been on a tear, steadily building a name for themselves on the strength of their powerful new material and formidable live show. If “Tidal Wave” is any indication, they may be able to add great music videos to that list as well. While it mostly finds inspiration in the trends of classic clips from the 80’s and 90’s there’s a certain playfulness here that’s missing from a lot of homage-style videos. That playfulness comes to a head nearly halfway through when they manage to seamlessly work in something genuinely unexpected and ridiculously perfect. It’s too good of a moment to spoil completely but it’s also one of the more endearingly appreciative moments of recent memory. By the time all the effects have worn down and “Tidal Wave” reaches its tongue-in-cheek epilogue, it becomes abundantly clear that this band has big things in mind for Leaper (the forthcoming album “Tidal Wave” is taken from) and for themselves. Beliefs aren’t a band intent to keep quiet and if they keep going at the pace they are, we’re all in for one hell of a ride.

Watch “Tidal Wave” below and pick up Leaper from Hand Drawn Dracula as soon as it’s available.