Heartbreaking Bravery

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Tag: Left & Right

Strange Ranger – Sunbeams Through Your Head (EP Review)

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Over the past two days, there were a handful of exceptional new tracks from the likes of Purling Hiss, Kississippi, Kevin Morby, Pop & Obachan, benngrigg, Busman’s Holiday, Trails and Ways, Emilyn Brodsky, Sun AngleTouché Amoré, Crying, Suburban Living, Kim Gordon, Henry Jamison, Light Fantastic, Levitations, Softspot, Rick Barry, and Shana Falana. Additionally, there were outstanding music videos from Martha (who also found room for an amusing Radiator Hospital cameo), Sex Stains, The White Stripes, Adam Torres, Wolf People, Chromatics, The Kills, Matt Kivel, and Nøise. Rounding everything out were incredible full streams via Oh Boland, Low Culture, Sat. Nite Duets, Left & Right, Human People, LA Font, Bad Kids To The Front, Cheshires, and Toy Cars.

While more than a handful of those were considered for this post’s featured spot, Strange Ranger secured the position by virtue of releasing an EP that contains a few of the finest songs to have been released all year. One of those, the record’s opening and title track, earned a healthy amount of recent praise. “Sunbeams Through Your Head” set an impressive, melancholic tone for its namesake which was released in full earlier today.

Following the haunted title track, Sunbeams Through Your Head could have gone a number of directions but chose to expand on its thesis statement. The EP’s second track, “Life Would Be Cooler”, is by far its longest and one of its most gripping. “Life Would Be Cooler” also turns out to be surprisingly economical in its narrative, painting a portrait of an intense (and intensely damaged) longing in less than 60 words, closing with a devastating plea that drives a staggering amount of genuine feeling home.

It’s an opening salvo that packs an emotional wallop but Strange Ranger stays on course for the next barrage of tracks, remaining unapologetic for their overwhelmingly weary nature and casting an atmospheric pall in the process. In a strange way, it’s almost moving, listening to the band support their most downtrodden tendencies with intuitively empathetic moments in the instrumental composition. “Dolph”, “Whatever You Say”, and especially the gorgeous, instrumental “Thru Your Head” all contain breathtaking moments of a deeply felt compassion.

Everything that the EP works towards comes splintering apart, quite literally, in the manic closing track, “oh oh oh oh”. From the outset of the record’s final statement, the vocals are cracking to the point of breaking as a mournful organ line runs underneath the pained theatrics. Those are the song’s only two elements and they grow more pronounced as the narrative grows more hopeless. Eventually the narrative’s abandoned altogether, buckling underneath its own weight and disappearing into the ether, as the organ figure delivers a somber eulogy. It’s a challenging, mesmerizing way to close out an incredible EP and allows Sunbeams Through Your Head to linger long after it’s gone. It’s company worth keeping.

Listen to Sunbeams Through Your Head below and download it here.

À La Mode – Total Doom (Stream)

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Tuesday saw the release of a slew of notable streams from Francie Moon, Cross Country, Left & Right, Kevin Devine, Curse of Lono, Sighs, Springtime Carnivore, Wovenhand, Avid Dancer, Communions, Peeling, Slow Mass, Bellows, Savoy Motel, and Dangers. In addition to that bounty, there were some strong music videos arriving from the likes of Adir L.C., Dust From 1000 Yrs, Bunny, Sam Evian, Joan Shelley, and Minden. A pair of excellent full streams in Sex Stains‘ self-titled and Skyjelly‘s package product were just the cherry on top.

While many of those acts have earned praise from this site in the past, today’s feature — once again — falls to a group of fresh faces. À La Mode only have one self-titled EP to their name but are prepared to change that in the very near future. Following their 2014 self-titled effort, the band’s made some enormous strides forward and arrive completely revitalized with the first single, “Total Doom”, from their forthcoming debut full-length, Perfection Salad.

Opening with an electronic, dance-ready beat turns out to be somewhat of a misdirect with the band throwing their weight into a more traditional setup after the introduction. At no point does the band lose the sense of fun it established at the top, though, and when the synth returns for the chorus it gives a remarkably bleak sentiment an abundance of life. Longing is a well-worn topic but what makes it a continuing source of fascination is that it can be tailored to match their author’s individuality. Here, chronic unrequited longing is given a bedfellow in all-consuming doom.

The dichotomy of vibrancy and gloom is crucial to the track’s success and helps “Total Doom” become an immediate standout. Exceptionally clever songwriting can go a long way in securing longevity and À La Mode offer it in excess for a little over two minutes. From those deceptive opening bars to the damaged, weirdly triumphant closing moments, “Total Doom” is nothing less than an exhilarating breath of fresh air.

Easily one of the most pleasant surprises of recent memory, À La Mode have set an extraordinarily high bar for their upcoming record. If that record comes anywhere close to achieving the peaks they do on “Total Doom”, they’ll have one of 2016’s most inspired records. In any respect, they’ll be a band to watch as the year goes forward. Until then, the best thing to do is to celebrate the overwhelming strength of “Total Doom” and give in to its considerable charm.

Listen to “Total Doom” below and keep an eye on this site for more updates on Perfection Salad.

Forth Wanderers – Slop (Stream)

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Over the course of the past 24 hours, there’s been some astonishing material finding its way out into the public eye. Gringo Star, LA Font, Hissing Tiles, CC Mose, toyGuitar, Liam Betson, ExSage, Hello Shark, Left & Right, Truly, and a pair of tracks from Girl Tears (“Uneasy” and “Sedated“) provided a momentous start to the day’s proceedings. Apart from the standalone streams column, there were fascinating music videos from Dinosaur Jr., Nice As Fuck, Vision, and Prinze George. Big Eyes, Color TongueThee MVPs, Rainwater, and a formidable compilation from Orchid Tapes cemented a strong haul for the full streams as well.

While those titles were all readily equipped to reward investment, today’s feature spot falls to the resurgent Forth Wanderers (whose vocalist Ava Trilling recently had an impressive guest spot on Space Mountains’ “Never Lonely“) and their incredible new track, “Slop”. The title track from the band’s forthcoming EP, “Slop” immediately stands out as the band’s career highlight. Riding a slow, deliberate groove, “Slop” capitalizes on the luxury afforded to the most effective slow-burners and becomes hypnotic.

At seemingly impossible odds with itself, there’s an incredible amount of nuance packed into a relatively straight-forward structure, Forth Wanderers utilize their impressive grasp on dynamics to exhilarating results. The band coaxes an inexplicable amount of beauty out of a piece ostensibly rooted in self-doubt, allowing the more confrontational aspects of the narrative to come across as a spiritual cleansing that provides “Slop” its beating heart. It’s a gorgeous four minutes and it sets the tone for what should prove to be a very big year for a band that deserves the recognition.

Listen to “Slop” below and pre-order the EP from Father/Daughter here.

Young Jesus – 1 (Stream)

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Over the past six days, this site’s experienced another brief hiatus (due to both a conflicting travel schedule and a significant amount of preparation time for a forthcoming project). In that time, there were excellent streams that were unveiled by Left & Right, Russian Circles, Las Kellies, Jenny Hval, Vomitface, Corbu, Wovenhand, Royal Oakie, Grieving, Creative Adult, Kestrels, Dream Cult, Chris Staples, and Liam Betson. Site favorites Young Jesus joined the ranks of bands offering up new songs in spectacular fashion with the aching, bittersweet “1”.

Young Jesus’ recent track record has been astonishing. From delivering two of the finest records to be released in the present decade to turning in a few breathtaking live shows, the band’s provided several reasons to keep their name in circulation. Now, we’re all set to be spoiled. Guitarist/vocalist and principal songwriter John Rossiter has set in motion a plan to record, release, and possibly write a new song for each coming week for an indefinite period of time.

Just a few days ago, the first of those songs arrived in the form of “1”, a track teeming with the half-mournful/half-hopeful quality that marks the best of the band’s work. What starts off as a defeatist lullaby soon exceeds its seemingly stark restrictions and blooms into something magnetic and intangible. With just an acoustic guitar and a gentle vocal pattern, Rossiter conjures up a depth of feeling that slowly pulls the listener down, sinking them peacefully into the song as it progresses.

When everything fades at the end, the overall experience feels nearly spiritual; while “1” barely runs past two minutes its ability to form both a world and a feeling so vividly that it doesn’t feel right to measure it in any standard metric. It’s a gorgeous song from a songwriter operating at the top of his game and deserves to hold coveted spots on playlists, spots in any serious music collection, and more praise than it’ll likely receive. Most of all, it simply deserves to be heard.

Listen to “1” below and download the song here.

Watch This: The Best of 2016’s First Quarter, Vol. VI

[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]

It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time. 

Watch the sixth collection of those videos below.

1. Lady Lamb – Dear Arkansas Daughter (Audiotree)
2. Lithuania – God In Two Persons (WXPN)
3. Jason Isbell – Something More Than Free (The Current)
4. Lever – The Nerve (DZ Records)
5. Mothers – Burden of Proof (Paste)
6. Kississippi – Googly Eyes (WXPN)
7. Savages – Adore (Colbert)
8. The Dirty Blondes – Because (VHS Sessions)
9. Saintseneca – Sleeper Hold (KUTX)
10. Lucy Dacus – I Don’t Wanna Be Funny Anymore (Radio K)
11. ARNO – Dance Like A Goose (Bruxelles Ma Belle)
12. Devon Goods – Michigan (VHS Sessions)
13. Little Yellow Dog – Time Machine (DZ Records)
14. Two Inch Astronaut – Personal Life (bandwidth.fm)
15. Tangerine (KEXP)
16. Kitten Forever – Cannon (The Current)
17. Eleventh Dream Day – Cheap Gasoline (Sound Opinions)
18. Catbath – Jellyfish (Radio K)
19. Andy Shauf – The Worst In You (La Blogotheque)
20. Choir Vandals – Ghostly (Little Elephant)
21. New Ruin – Disappearances + Del Rosa + Negative Dialectics (Razorcake)
22. Left & Right – Sleep Show (Do512)
23. The Thermals – Thinking of You (Jam in the Van)
24. Blah Blah Blah – Soon as I Get Home Tonight (DZ Records)
25. Julia Holter – Sea Calls Me Home (Strombo Sessions)

Left & Right – 5 Year Plan (Music Video)

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Continuing on with April’s music video catch-up mode allows for the inclusion of a dozen more clips- with one gaining the primary focus. Before getting around to the title included in the headline, it’s time to turn the attention towards 11 other clips worth watching. Among those entries were The OBGM’s snarling “Torpedo“, Weird Wombs’ staged party in “Luxury Punks“, Desparecidos’ typically political “City on the Hill“, and Matthew E. White’s endearingly warm “Feeling Good Is Good Enough“. Expanding the number count for excellent clips were Owen Pallett’s skillfully crafted “The Sky Behind the Flag“, Talkies’ lightly altered “Never Fear“, American Wrestlers’ retro “Kelly“, and Broken Water’s uncomfortably dystopian “1984“. Bringing this contained collection to a close were Bonnie ‘Prince’ Billy’s breathtaking “Gloria“, Sam Amidon’s coming-of-age narrative “Blue Mountains“, and All Boy/All Girl’s noir-infused “Lion“. Each of those videos are deserving of thoughtful contemplation but- for this post- the lion’s share of the attention is (once again) being directed toward site favorites Left & Right.

The last time a Left & Right video surfaced, it was met on this site with a ton of praise that held enough water to secure it a spot on our best videos of 2014 list. One of that video’s most distinctly unique elements was that it didn’t actually feature anyone in Left & Right. For the surging “5 Year Plan”, the band flips the script entirely and only allow themselves to be subjects for the lens. In under 100 seconds, the band unleashes a frantically paced performance clip that incorporates some exhilarating editing and genuinely committed performances from the band. Filmed in a manner that brings the feeling of taking in a live performance to the forefront, “5 Year Plan” is a lot more nuanced than it first appears. Sharply accentuating the song’s manic energy, the clip quickly reveals itself to be as intuitive as it is heartfelt, providing Left & Right their second consecutive outright triumph in the music video department.

Watch “5 Year Plan” below and pre-order the LP of Five Year Plan from Old Flame Records here.

14 of ’14: The Best Albums of 2014

LVL UP II

One last time for one last 2014 list: “best” is in no way an attempt to be an objective statement. The terminology is shorthand to reflect personal taste and is not to be construed as anything more. Also, for the purposes of a more personal summary in this year-end coverage period, this site’s regular restriction on first person will be lifted. In 2014, I listened to more music that was released throughout the year than any other in my life. Numbering well upwards of a thousand releases, it proved impossible to keep tracks on everything (I’m already certain a few of these lists are missing more than a few titles that I genuinely loved)- but there were a few items that were worth remembering. Below are 14 records that managed to carve their way into my esteem both instantaneously and through the process of time. Below that is what turned into the most extensive list I’ve ever assembled, one that acts as an unnecessary validation that good music is being created at an excessively high volume (all of which is hyperlinked to either a full stream or a representative portion). We’re living in a golden age for access and music continues to reap the benefits allowed by technology.  In that spirit, it’s worth noting that a lot of the names included below won’t always be the most recognizable- this is due to both that volume and the fact this site’s built on a foundation that ensures bands who are marginalized will be given the consideration they deserve. So, with all of that noted, it’s time to move on to the main attraction: 14 of ’14: The Best Albums of 2014.

14. Taulard – Les Abords Du Lycée

2014’s most unexpected gem, Les Abords Du Lycée, is a mesmerizing listening that drives home taut organ/drums/vocals post-punk with a startling amount of verve. Endlessly charismatic and unpredictable, the dozen tracks on display here constantly twist and turn, never once daring to let the listener catch their breath. Mood and tempo changes abound on one of 2014’s most fearlessly unique records. Even for those who aren’t even remotely well-versed in the French language, Les Abords Du Lycée should be a thrilling listen; something like unbridled passion can always translate well enough to near the universal.

13. La Dispute – Rooms of the House

What’s easily one of 2014’s boldest concepts roots La Dispute’s mesmerizing Rooms of the House, a record that shows La Dispute’s rapid maturation with a weary grace. Centered around a meticulously brilliant narrative device, it’s a record that stunned me on my first few listens before growing into an inescapable force of nature that refused to leave my thoughts. As bleak as anything the post-hardcore has ever produced, Rooms of the House finds its strength through focus and restraint, zeroing in on difficult topics with a keen eye and an abundance of determination. Blisteringly personal and nearly voyeuristic, it stands as one of 2014’s fiercest artistic statements.

12. Two Inch Astronaut – Foulbrood

Two Inch Astronaut’s Foulbrood has come up more than a few times on the site over the past handful of months thanks to its casual brilliance. Wielding an enticing palette of influences ranging from Drive Like Jehu to their contemporaries in Exploding in Sound, Two Inch Astronaut managed to conjure up one of the most impressive sophomore efforts of the year. The title track, “Part of Your Scene“, and “Dead White Boy” all earned themselves individual write-ups on the basis of their appealingly off-kilter and ragged identity. Foulbrood‘s a record that knows exactly what it wants to be and goes straight for the throat, sending a trail of viscera flying it its wake.

11. Cloud Nothings – Here and Nowhere Else

One of the things I kept coming back to throughout the course of music in 2014 was Jayson Gerycz’s drumming on this record. Not just because it’s a staggering individual performance but because there’s an undefinable, inherent quality that exists within that drumming which drives this record to obscene heights. Impossibly, stripped of the drumming, the record succeeds wildly in an acoustic setting and demonstrates Dylan Baldi’s increasing proficiency as a songwriter, a vocalist, and a guitarist. After losing a member in guitarist Joe Boyer, Cloud Nothings somehow managed to transform themselves into an act that was simultaneously heavier and poppier than when they were a quartet. Importantly, this is a record that’s built to last and it’s only grown on me as the year’s progressed (and that trend’s not showing any signs of slowing).

10. Ought – More Than Any Other Day

As beguiling as it is bewitching, Ought’s brit-pop influenced post-punk masterpiece was a record that sounded triumphant right out of the gate. Slowly, that triumph turned to transcendence and the songs contained within More Than Any Other Day became unavoidable mission statements. In terms of scope, the majority of More Than Any Other Day feels as epic as LCD Soundsystem operating at their best. Both acts share a penchant for sprawling structures and self-containment, bridging a gap between intimacy and grandeur with a knack for deceptive, intricate songwriting. Anthemic and mundane, More Than Any Other Day was like a shot of adrenaline straight to the heart, waiting for the resuscitated with a sly grin and a memorable, tossed-off joke. Excessively charming and utterly winsome, it’s a record that felt (and still feels) necessary.

9. Jawbreaker Reunion – Lutheran Sisterhood Gun Club

“E.M.O.”, Lutheran Sisterhood Gun Club‘s thrilling centerpiece, recently appeared in this site’s best songs of 2014 list- but the song’s only one part of a much larger picture. At once, one of the year’s most joyous and pissed off releases, Jawbreaker Reunion tore through a variety of serious issues with aplomb on their absolutely stunning debut effort. Other than distilling songs like “Laughing Alone Eating a Salad” with a wicked sense of humor, the whole affair’s imbued with an enviably powerful sense of songcraft. Lo-fi, DIY, punk, and teeming with an understanding of classic pop, Lutheran Sisterhood Gun Club was one of 2014’s boldest introductions- it was also one of its best.

8. PURPLE 7 – Jewel Finger

PURPLE 7 boasts a lineup that’s accompanied by an impressive pedigree. Members of the band have previously played in bands like Defiance, Ohio, Landlord, and Hot New Mexicans (whose self-titled record ranks among my all-time favorites and currently leads my “best of decade” selections). Unsurprisingly, their debut LP effort hits a lot of sweet spots, including a gritty middle point between basement punk and basement pop. Simply put, this is a stunning collection of songs that was overlooked by most to a baffling degree after its release. Grounded, humble, and heartfelt, Jewel Finger is one of the records that reminds me of the reasons I started this site. This is music that deserves to be celebrated.

7. Angel Olsen – Burn Your Fire For No Witness

Arguably 2014’s first truly great release, Angel Olsen’s Burn Your Fire For No Witness saw the songwriter transition from a promising talent into one of the year’s most arresting figures. Embracing a fuller sound and a newfound confidence, Burn Your Fire For No Witness broke Angel Olsen’s career wide open with an onslaught of genuinely haunting tunes. Whether they were relentlessly spare or soaked in noir-ish tendencies, they were uniformly captivating; both the storm and the eerie silence before. Raw, tender, and occasionally antagonistic, Burn Your Fire For No Witness was one thing above all else: unforgettable.

6. Cymbals Eat Guitars – LOSE

From the devastating opening lines all the way through to the climactic finish, LOSE holds its ground as one 2014’s most frighteningly personal albums. Largely influenced by the death of a friend close to the band, it’s a meditation on loss and the surrounding aspects of something so tragic. Easily Cymbals Eat Guitars’ finest work to date both lyrically and musically, it’s a powerful (and powerfully moving) listen. “Warning”, in particular, cuts deep- which is one of the reasons why it wound up on the best songs of 2014 list just a few days ago. Incredibly impassioned and brave in its sincerity, LOSE finds a level of catharsis in its emotional turbulence, lending it a charge that renders it one of the year’s most human (and most important) releases.

5. Perfect Pussy – Say Yes To Love

Perfect Pussy, for better or worse, have become intrinsically linked with this site. From Meredith Graves’ insistence on tangential involvement (which I’ll forever be grateful for) to the fact that the band’s greater ascension matched up with the very start of this site, they’re a band I’ve gone step for step with since bringing Heartbreaking Bravery into existence. None of that would have happened if I hadn’t been so fiercely drawn to the things that they were doing, though, which is why I approached them in the first place. Ever since those beginnings, it’s been a privilege to watch them progress, to travel at lengths to watch them play, and to see them release a record as enormously powerful as Say Yes To Love, a collection which houses my favorite song of 2014 (and possibly of this decade so far). Unapologetic, personal, damaged, resilient, powerful, feral, oddly triumphant, and unbelievably intense, Say Yes To Love operates as a perfect reminder for all of the reasons why I fell in love with this band- and why I’ll continue to pay close attention to their movements.

4. Iceage – Plowing Into The Field of Love

No band in 2014 made a more stunning artistic leap than Iceage, who went from a static blur to matching the swaggering heights of Nick Cave & the Bad Seeds after discovering their voice. Plowing Into The Field Of Love was a startlingly radical change of pace for Iceage, who imbue the record with a curious restraint and a sense of deeply haunted Americana. Southern Gothic touch points are littered throughout the record’s bleak landscape, while making room for plaintive ornamentation in the form of brass, string, and piano figures. Darker and more self-aware than anything in the band’s career, Plowing Into The Field Of Love earned them quite a few words of praise from this very site. Augmented by some legitimately extraordinary music videos, Plowing Into The Field Of Love proved to be an unexpectedly rattling experience. Easily one of the year’s most divisive records (as is the case with any left turns this sharp), it suggested Iceage’s ambitions ran way deeper than anyone expected and, subsequently, that they had the know-how to see those ambitions to fruition. In chasing their whimsy they wound up with something I wouldn’t fault anyone for calling a masterpiece.

3. Mitski – Bury Me At Makeout Creek

My connection with Mitski’s music is something that will always hold a very personal resonance. I’ll leave most of the reasoning behind that statement to a forthcoming piece but it’s worth noting in regards to a record that’s so unabashedly self-exploratory. Bury Me At Makeout Creek was an enthralling re-introduction for Mitski, who saw it rightfully skyrocket her name recognition. Top to bottom, it’s an extraordinary effort that re-defined her artistic capabilities after a string of meticulously composed records that leaned on chamber pop tendencies. Here, that past gets blown to bits almost immediately. One of my favorite experiences in music listening all year came when “Texas Reznikoff” explodes in its final section- another came while listening to one of the best songs I’ve heard this decade (for obvious reasons, considering that statement). Where Bury Me At Makeout Creek manages to approach the transcendental is in the process of allowing listeners to hear an artist coming into their own. Part of Mitski’s identity is laid bare by Bury Me At Makeout Creek: it’s the unwillingness to accept identity as a static object and the desire to question its cumulative elements. That search is what gives Bury Me At Makeout Creek its bruised heart- and it’s why musicians will use it as a source of inspiration for several years to come.

2. Radiator Hospital – Torch Song

After the exhilarating highs of Something Wild, Radiator Hospital had a tall order for their follow-up. Fortunately (and unsurprisingly), they obliterated those towering expectations with Torch Song. Sounding more confident- and more polished- than ever before, Torch Song cemented Sam Cook-Parrott’s status as one of this generation’s keenest emerging voices. Paying attention to the minutiae of everyday experiences and injecting them with a self-deprecating sense of poetry laced with pessimism, the songs contained on this record all aim to cut and find their mark with an incredible amount of ease. Having already established themselves as one of today’s more formidable units musically, Torch Song has the added benefit of having four loaded personalities find each other in total harmony, each acting as a complement to the other. Personal diatribes, small journeys of self-discovery, and a sense of empathy inform Torch Song and help cultivate its unassuming charm. There’s not a weak track among the record’s 15 songs and it maintains an assured sense of pace throughout its relatively breezy runtime. By the time it draws to a close, it stands as one of the most fully-formed and rewarding records of recent memory.

1. LVL UP – Hoodwink’d

I don’t think any record resonated more for me throughout the course of 2014 than LVL UP’s Hoodwink’d, which I revered with literally no reservations. 2014’s strongest sophomore effort, Hoodwink’d saw LVL UP expanding most of the elements that made Space Brothers such an incredible release and retained all the others. Unreasonably refined and exceedingly personable, LVL UP have always found a strength in accentuating their members’ unique personalities and that trend got pushed to the forefront for their second full-length (which was co-released by Double Double Whammy and Exploding in Sound). Utilizing a distinctly unique take on their 90’s influences, the band also reveled in the benefits of a cleaner production that allowed them to sound more massive than they ever have in the past. No release felt more timely than Hoodwink’d, either, with the record practically serving as a stand-in voice for a disenfranchised sect of people. Alternately crushingly heavy, viciously poppy, relentlessly personal, and completely worn-out, Hoodwink’d never loses sight of its own mechanics. There’s a level of mutual understanding on display here that separates it from the rest of the year’s releases. Everyone feeds off each other, everyone supports each other, and everyone contributes to one hell of a set without even coming close to overstaying their welcome. Conversely, Hoodwink’d also ranks as one of the year’s most welcoming releases, radiating an empathetic warmth in its tone (and in its tones). As an entry in LVL UP’s catalog, it’s their career best. As a general 2014 release, it’s the best thing I had the privilege of hearing all year.

[EDITOR’S NOTE: All of the titles below without an accompanying link can be streamed in the order they’re listed via the embedded spotifly player below the list.]

Albums from 2014 that deserve to be heard:  Mean Creek – Local Losers | Happyness – Weird Little Birthday | Dark Blue – Pure Reality | Band Practice – Make Nice | Little Big League – Tropical Jinx | Happy Diving – Big World | Tweens – Tweens | Big Ups – Eighteen Hours of Static | Geronimo! – Cheap Trick | Greys – If Anything | Alvvays – Alvvays | White Lung – Deep Fantasy | Caddywhompus – Feathering A Nest | Left & Right – Five Year Plan | Ty Segall – Manipulator | Brain F/ – Empty Set | We Need Secrets – Melancholy and the Archive | Makthaverskan – II | Playlounge – Pilot | Eternal Summers – The Drop Beneath | MOURN – MOURN | Run the Jewels – Run the Jewels 2 | The History of Apple Pie – Feel Something | Flying Lotus – You’re Dead! | Trace Mountains – Buttery Sprouts | Dead Stars – Slumber | Fear of Men – Loom | PAWS – Youth Culture Forever | Swans – To Be Kind | The Yolks – King of Awesome | Crabapple – Is It You? | The Coasts – Racilia | Purling Hiss – Weirdon | Reigning Sound – Shattered | Creepoid – Creepoid | Saintseneca – Dark Arc | Mannequin Pussy – Gypsy Pervert | Fucked Up – Glass Boys | Music Band – Can I Live | Glish – Glish | Liam Betson – The Cover of Hunter | Frankie CosmosZentropy, Donutes, Affirms Glinting | Girl Tears – Tension | Martha – Courting Strong | Hurry – Everything/Nothing | The Spirit of the Beehive – The Spirit of the Beehive | Protomartyr – Under Official Color of Right | The Gary – Farewell Foolish Objects | Spit – Getting Low | Nothing – Guilty of Everything | Sharpless – The One I Wanted To Be | Legendary Wings – Do You See | Therapy? – Act of Contrition | Chris Weisman – Monet in the 90’s | Mumblr – Full of Snakes | Cayetana – Nervous Like Me | Free Cake for Every Creature – “pretty good” | Ed Schrader’s Music Beat – Party Jail | S – Cool Choices | Allo Darlin’ – We Come From The Same Place | Sneeze – Wilt | Quarterbacks – Quarterboy | The Twilight Sad – No One Wants To Be Here And No One Wants To Leave | Filmstrip – Moments of Matter | Bleeding Rainbow – Interrupt | La Sera – Hour of the Dawn | Big K.R.I.T. – Cadillactica | Gold-Bears – Dalliance | Sharon Van Etten – Are We There | Nude Beach – ’77 | A Winged Victory For The Sullen – Atomos | The Gotobeds – Poor People Are Revolting | Nots – We Are Nots | Alex G – DSU | Lower – Seek Warmer Climes | Young Widows – Easy Pain | CreaturoS – Popsicle | Mr. Gnome – The Heart Of A Dark Star | Parquet Courts – Sunbathing Animal | Ex Hex – Rips | Trust Punks – Discipline | Failures’ Union – Tethering | Odonis Odonis – Hard Boiled Soft Boiled | Beverly – Careers | The Number Ones – The Number Ones | Tigers Jaw – Charmer | Tiger High – Inside The Acid Coven | Straight Arrows – Rising | Dead Soft – Dead Soft | The Lemons – Hello, We’re The Lemons | Baked – Debt | MAZES – Wooden AquariumSleepyhead – Wild Sometimes | Native America – Grown Up Wrong | The Wans – He Said, She Said | Trophy Wife – All the Sides | Doe – First Four | Lushes – What Am I Doing | Ultimate Painting – Ultimate Painting | Haley Bonar – Last War | The Casket Girls – True Love Kills The Fairy Tale | Slothrust – Of Course You Do | Sorority Noise – Forgettable | Team Spirit – Killing Time | Feral Trash – Trashfiction | Blank Pages – Blank Pages | Mr. Dream – Ultimate In Luxury | Carsick Cars – 3 | SUNN O))) & Ulver – Terrestrials | This Will Destroy You – Another Language | Vanna Inget – Ingen Botten | The Real Energy – Beyond Delay | Muuy Bien – DYI | Young Ladies – We Get By | Eureka California – Crunch | Negative Scanner – Negative Scanner | Violent Change – A Celebration Of Taste | Black Wine – Yell BossImpo & The Tents – Peek After A Poke | Tomorrows Tulips – When | Mountain Bike – Mountain Bike | The Lees of Memory – Sisyphus Says | Telepathic Lines – Telepathic Lines | The Shivas – You Know What To Do | Allah-Las – Worship the Sun | Das Rad – Radiation | The Coathangers – Suck My Shirt | Crow Bait – Sliding Through The Halls Of Fate | together PANGEA – Badillac | Deerhoof – La Isla Bonita | PUJOL – Kludge | FF – Lord | Aj Davila Y Terror Amor – Beibi | Emilyn Brodsky – Emilyn Brodsky Eats Her Feelings | Young Statues – Flatlands Are Your Friend | Cancers – Fatten the Leeches | Sam Coffey + The Iron Lungs – Gates of Hell | Courtney Barnett – The Double EP: A Sea of Split Peas | The Ar-Kaics – The Ar-Kaics | Beach Day – Native Echoes | Hiss Golden Messenger – Lateness of Dancers | Dude York – Dehumanize | Gino & The Goons – Shake It! | Kevin Morby – Still Life | Bob Mould – Beauty & Ruin | Wyatt Blair – Banana Cream Dream | Queen Jesus – Darkness Yea, Yea | Joel Jerome – Psychedelic Thrift Store Folk | Espectrostatic – Escape From WitchtropolisCheap Girls – Famous Graves | Davila 666 – Pocos Anos, Muchos Danos | Parts & Labor – Receivers | Nick Thorburn – Music From SERIAL | DTCVHilarious Heaven, The Early Year | Bellows – Blue Breath | Teenager – E P L P | Spider Bags – Frozen Letter | The Paperhead – Africa Avenue | Parkay Quarts – Content Nausea | The Jazz June – After The Earthquake | Michael Sincavage – Empty Apartments (Supporting Actors) | Restorations – LP3 | MONO – The Last Dawn, Rays of Darkness | Matthew Melton – Outside of Paradise | The Vaselines – V For Vaselines | Total Control – Typical System | The Velveteens – Sun’s Up | Step-Panther – Strange But NiceExit Verse – Exit Verse | Slippertails – There’s A Disturbing Trend | Globelamp – Star Dust | Champ – Champ | Le Rug – Swelling (My Own Worst Anime) | VLMA – VLMA | Turn To Crime – Can’t Love | ScotDrakula – ScotDrakula | Warehouse – Tesseract | Muhammadali – Future Songs | Unwelcome Guests – Wavering | Baby Ghosts – Maybe Ghosts | White Mystery – Dubble Dragon | Constant Lovers – Experience Feelings | Future Islands – Singles | Maica Mia – Des Era | Tacocat – NVM | Popstrangers – Fortuna | Curtis Harding – Soul Power | New Swears – Junkfood Forever, Bedtime Whatever | The Miami Dolphins – Becky | Thee Oh Sees – Drop | Fasano – The Factory LP | Dum Dum Girls – Too True | Yellow Ostrich – Cosmos | Metronomy – Love Letters | Great Cynics – Like I Belong | Neighborhood Brats – Recovery | Connections – Into Sixes | Three Man Cannon – Pretty Many People | Grouper – Ruins | YOB – Clearing The Path To Ascend | Thee Silver Mt Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything | Apollo Brown – Thirty Eight | Hookworms – The Hum | Wrekmeister Harmonies – Then It All Came Down | Lee Fields & The Expressions – Emma Jean | What Moon Things – What Moon Things | Guided By VoicesMotivational Jumpsuit, Cool Planet | Gem Club – In Roses | Saturday’s Kids – The Lunatic | King of Cats – Working Out | Shopping – Tvff Noogies | The Love Triangle – Clever Clever | Nightmare Boyzzz – Bad Patterns | Future Virgins – Late Republic | Parasol – Not There | Lenguas Largas – Come On In | Cocktails – Adult Life | Generation Loss – Generation Loss | Feral Future – Haematic | Posse – Soft Opening | Diners – Always Room | Mimicking Birds – EONS | The Freezing Hands – Coma Cave ’13 | Amanda X – Amnesia | Predator – The Complete EarthWatery Love – Decorative Feeding | The Estranged – The Estranged | Steve Adamyk Band – Dial Tone | The Cry! – Dangerous Game | Ruined Fortune – Ruined Fortune | Good Throb – Fuck Off | The Elsinores – Dreams of Youth | The Bugs – The Right Time | Vacation Club – Heaven Is Too High | Freinds of Cesar Romero – Cinco Seis | Leather – Easy | Los Pepes – Los Pepes For Everyone | Juanita Y Los Felos – Nueva Numancia | Dan Webb and the SpidersEine Kleine Akustichmusik, Now It Can Be Told | Bozo Moto – BozoMoto | Low Life – Dogging | Moth – First Second | Rhythm of Cruelty – Dysphoria | Siamese Twins – Still Corner | Departure Kids – On The Go | Blessed State – Head Space | Flagland – Love Hard | Manateees – Sit N Spin | White Ass – White Ass | Ausmuteants – Order Of Operation | The Gutters – Eventually | Hysterese – Hysterese | The Ricky C Quartet – Recent Affairs | Hoax Hunters – Comfort & Safety | Arctic Flowers – Weaver

14 of ’14: The Best Music Videos of 2014

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In all best-of coverage, there’s no room for any objectivity positing (“Best” is usually just shorthand for “most admired”), which is why this site’s long-held first person restriction will be dropped to allow me to speak more personally in an effort to better explain the contents of this list’s (and all of the lists to follow) personal effect on myself. In 2014, I watched (and covered) more music videos than any year of my life- allowing an intake of genuinely great content that made compiling this list a dream and a nightmare. After spending weeks reviewing old clips (while keeping up with the videos enjoying December releases), I settled on the selections below as the 14 that hit me hardest over the past 12 months. This list will be the first entry in more than a week’s worth of year-end coverage that I’m beyond excited to share with everyone. So, with all of that said- it’s my privilege to present Heartbreaking Bravery’s 14 of ’14: The Best Music Videos of the Year.

14. Left & Right – Low Expectations

A few months ago, Left & Right released this absolute gem of a music video. Imbued with a DIY irreverence, a purposeful sense of direction, winningly off-beat humor, unabashedly committed performances, and some genuinely great cinematography, “Low Expectations” became an unexpected standout; a clip that came out of the gate swinging and (somehow) landing every single blow. Easily one of 2014’s most unexpectedly charming (and ridiculously enjoyable) clips.

13. Saintseneca – Happy Alone

Saintseneca’s Dark Arc was one of 2014’s most deserved breakout moments and nothing punctuated that shift more than the Christopher Good-helmed clip for “Happy Alone”. Emphasizing the song’s central themes by providing a bubble that practically forces isolation onto bandleader Zac Little, it’s a visually striking clip that got harder to shake as the year progressed. By grounding its elements of surrealism with an abundance of naturalism, it provided an artful counterpoint to something like Perfume Genius’ “Queen” (which, incidentally, was shot by Good). Importantly, it also proved that Saintseneca were officially on their way to bigger and better things.

12. Angel Olsen – Windows

I’m not sure there was a music video to come out of 2014 that was more startlingly gorgeous than this Rick Alverson-directed clip for Angel Olsen’s heart-stopping Burn Your Fire For No Witness highlight “Windows”. By incorporating Southern Gothic Americana style rural imagery into Olsen’s plaintive folk-leaning sensibilities, Alverson managed to create an evocative portrait of one of this generation’s finest songwriters. Leading up to an oddly moving (and admittedly eccentric) climax, the whole thing’s so artfully rendered it begins to feel as complete as some of the year’s best films. Delicate and aggressive in all the right places, “Windows” more than earned a spot on this list.

11. Beverly – Honey Do

“Honey Do” was my introduction to Beverly, just as it was for many others, so when news broke that they’d shot a music video for the song, it felt worthy of anticipation. Most of the expectations I had were exceeded in the first few frames and as the video progressed, so did my appreciation. Eschewing any kind of image-building, this was the first in a string of Beverly clips that largely eschewed celebrity in favor of celebrating artistry. Shot in crisp black-and-whites, “Honey Do” is a tender portrait of Los Angeles and its inhabitants and a promising mission statement from one of 2014’s more engaging new acts.

10. S – Losers 

Initially just a clip that came and went with very little fanfare (from a great record with a similar reception), “Losers” immediately felt deeply personal and genuinely heartfelt. Ostensibly a reflection on perception, self-esteem, and harsh reality, the thematic elements in the lyrics get brought to vivid life in a lovingly shot clip that somehow brings them to devastating proportions. DIY in spirit with a focal point on self-expression and identity, it’s become legitimately unforgettable; a long, heavy sigh of acceptance with only the faintest glimmer of hope reverberating throughout the weary cynicism. While “Vampires” was a great deal of fun, it’s “Losers” that deserves the lion’s share of attention for being one of 2014’s strongest buried treasures.

9. Iceage – Against the Moon

Honestly, “The Lord’s Favorite” and “Forever” both could have made this list but it felt more appropriate to limit bands to one entry apiece. With that being the case, it’s Plowing Into The Field Of Love highlight “Against the Moon” that gets the nod; all of the reasons for its inclusion were previously detailed pretty extensively here.

8. Anna Calvi & David Byrne – Strange Weather

Soft saturation. An autumnal palette. Digital film. One of the most delicately directed cinematography performances in any visual medium this year. An implicitly tragic narrative arc that suggests internal (and possible external) suffering. All of these come together in the sublime clip for an equally sublime cover of Kareen Ann’s “Strange Weather”, courtesy of Anna Calvi & David Byrne. One view was all it took for this to become one of the most difficult to shake clips of the year. Masterfully composed and brilliantly executed, it’s nothing short of an emotionally intuitive masterpiece.

7. Diarrhea Planet – Babyhead

I got to use “diaper skull flume explosion” while writing the tags for this one in the initial write-up; what more explanation do you need? “Babyhead” was pure madcap glee on a level not too dissimilar to Wrong Hole’s equally shameless, equally deranged lyric video for “Wrong Hole“. There are times when total insanity can be kind of beautiful. I’m not sure this is one of them but it’s still ridiculously fun.

6. Kid Moxie & The Gaslamp Killer – Museum Motel

No music video kept ricocheting around the corners of my brain more than this deeply unnerving clip from Kid Moxie & The Gaslamp Killer. Operating on a visual level that rivals what was achieved in Under The Skin, it uses waters, shadows, and contrast in a darkly seductive fashion that burrows its way into any brain fortunate enough to find its way over. An ingeniously subtle use of superimposed imagery on a lone snare drum drives up the feeling of unrelenting loneliness and palpable loss. It’s a deeply alluring and deceptively minimal visual representation of a stunning song. One that’s worth putting more than halfway up a “Best of 2014” list.

5. La Dispute – Woman (Reading)

Since this was the last one of the last non-list features to be posted here, it’d seem redundant to simply retrace everything that’s already been said.

4. Girlpool – Plants and Worms

Catleya Sherbow created this unbelievably stunning clip for Girlpool, 2014’s best duo, and touched on a number of pressure points- namely, acceptance and doubt. In the end, it’s about acceptance, and while that message does come laced with a visual that could potentially double as suicide, it still somehow manages to come off as comforting. “Plants and Worms” hits with the force of a world-stopping realization and echoes long after it ends, providing a staggering moment of beauty for Girlpool and a warm reassurance for just about everyone else.

3. clipping. – Work Work

Yes, the video for “Never Gonna Catch Me”- the Flying Lotus and Kendrick Lamar collaboration- was incredible. Not a lot of people are going to dismiss that claim. However, it’s another destined-to-be-iconic clip from that genre field that made a deep(er) impression on me; the video for the clipping. and Cocc Pistol Cree collaboration “Work Work”. Tracing a narrative arc that uses a laser-sharp focus on the act of curb-stomping, enhanced by some thought-provoking visual surrealism, it immediately became one of 2014’s most arresting clips and its status hasn’t let up. If there was a tracking shot more provocative than the one at the start of “Work Work”, then I’d love to see it. Until then, I’m just going to keep returning to this one.

2. Cymbals Eat Guitars – Warning

No clip from 2014 came imbued with more unwavering passion than the Crosshair-starring clip for “Warning”. All anyone needs to see is the thumbnail shot for this video to see a glimpse of how unfailingly heartfelt “Warning” winds up being. Matthew Reed tapped into a transcendental kind of magic that collapses a variety of bridges (age, taste) with a near-shocking ease. Ever since this was first released, I’ve been revisiting it with a great frequency because, like most great art, it pulls the viewer back in and rewards investment. Breathtakingly lensed, brilliantly edited, and furiously paced, this was a perfect accompaniment to one of the year’s most emotionally-charged records. Cymbals Eat Guitars may have intended the song to be a warning about love and loss but, backed by the video, it becomes one of the year’s most life-affirming moments.

1. PUP – Guilt Trip

Back in 2013, I had the honor of naming PUP’s “Reservoir” the best music video of 2013 for PopMatters. While that video was a cathartic release that was a near-perfect representation of the maelstrom of a particularly rowdy live show, their video for “Guilt Trip” (once again speared by the creative team of Chandler Levack and Jeremy Schaulin-Rioux) was a much more serious affair. Weirdly attuned to my own childhood experiences probably lent it a few small favors in terms of my esteem but, doing my best to separate myself from that strange fact, it boasts a series of career-bests from Levack and Schaulin Rioux: cinematography, editing, the performances they elicited from an impressively talented young cast, narrative, and overall direction among the list. “Guilt Trip” also includes one of the most genuinely heart-stopping moments I’ve seen in any clip, infusing it with a sense of brutal reality (if only for a moment), emphasized by a single shot that drives the point home. My initial claim that it could have a shot at carving out a spot for “Video of the Decade” still doesn’t seem so far off- but it’s worth keeping an eye on Levack and Schaulin-Rioux to see if they can keep repeating a ridiculously impressive pattern.

Watch This: Best of 2014 (Video Mixtape)

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Live music videos never seem to get the emphasis they deserve. It’s part of why Watch This was created; to celebrate stunning documents of equally stunning performances. A good band can make a great record but a truly great band usually excels in the live setting. With 2014 winding to a close (and with another 100 posts in the past), it seemed appropriate to start reflecting on some of the year’s best offerings. Lists of LP’s, EP’s, 7″ releases, and more will be forthcoming but today the focus will fall on live clips. And, yes, 2014’s not quite over yet and there will be a few weeks worth of live clips to consider (in addition to the past few weeks, which will be focused on in the posts immediately following this one) and “best” is still subjective- but the videos contained in this mix were simply too good to just feature once. If there’s enough material, an appendix will be added around the start of next year.

To be eligible for this video mixtape, the videos involved had to have been previously featured in Watch This and not contain an interview sequence. Full sets were ruled out as well (with a lone exception being made for one of 2014’s best videos in any capacity to provide a sense of closure to the proceedings). These videos were pulled in from as many places as possible with only Chart Attack, La Blogotheque, and Little Elephant making repeat entries (with two each). From the painfully gorgeous (Mutual Benefit, Angel Olsen) to sublime perfection (Radiator Hospital, Little Big League) to the absurdly impressive (Kishi Bashi) to the most electric late night performance of 2014 (Ty Segall), there’s a little something for everyone. 25 clips are included and listed below, with a hyperlink provided to their respective installments in Watch This‘ always expanding catalog. Since this brings the site to another 100 post mark, hyperlinks will be provided to posts 300-399 for anyone interested in checking out past material. With all of this exposition out of the way, there’s really only one thing left to do: sit back, focus up, and Watch This.

1. Audacity – Counting the Days (Jam in the Van) — vol. 24
2. Greys – Guy Picciotto (Chart Attack) — vol. 24
3. Radiator Hospital – Fireworks (BNTYK) — vol. 51
4. Ovlov – Where’s My Dini? (Little Elephant) — vol. 23
5. Frankie Cosmos – Embody (Radio K) — vol. 55
6. Mean Creek – My Madeline (Wondering Sound) — vol. 19
7. Joanna Gruesome – Anti-Parent Cowboy Killers (BTR) — vol. 51
8. Sweet John Bloom – Aging In Place (Allston Pudding) — vol. 48
9. Emilyn Brodsky – Someone Belongs Here (TCGS) — vol. 28
10. Mitski – First Love // Late Spring (bandwidth) — vol. 43
11. Nick Cave & The Bad Seeds – Jubilee Street (ACL) — vol. 54
12. Sharon Van Etten – Serpents (Pitchfork) — vol. 40
13. Mutual Benefit – C.L. Rosarian (Bruxelles Ma Belle) — vol. 19
14. Angel Olsen – Enemy (La Blogotheque) — Vol. 11
15. Kishi Bashi – Philosophize In It! Chemicalize In It! (WNYC) — vol. 29
16. Little Big League – Year of the Sunhouse (Little Elephant) — vol. 45
17. Screaming Females – It All Means Nothing (Audiotree) — vol. 27
18. Ty Segall – Feel (Conan) — vol. 40
19. Dilly Dally – Candy Mountain (Chart Attack) — vol. 51
20. Cloud Nothings – Now Hear In (Amoeba) — vol. 57
21. MOURN – Otits (Captured Tracks) — vol. 53
22. Courtney Barnett – History Eraser (KEXP) — vol. 34
23. Lee Fields – Don’t Leave Me This Way (La Blogotheque) — vol. 54
24. Jenny Lewis – Slippery Slopes (KCRW) — vol. 52
25. Saintseneca (NPR) — vol. 38

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HB300: Songs of Summer: 2014 (Mixtape)
HB301: together PANGEA – Badillac (Music Video)
HB302: Night School – Birthday (Stream)
HB303: The Midwest Beat – Vortex Hole (Stream)
HB304: Watch This: Vol. 42
HB305: All Dogs at Bremen Cafe – 8/19/14 (Pictorial Review, Videos)
HB306: Attendant – Freaking Out (Review, Stream)
HB307: Grape St. – Free Stuff (Stream)
HB308: Iceage – Forever (Music Video)
HB309: Ed Schrader’s Music Beat – Televan (Music Video)
HB310: Young Jesus – G (Stream)
HB311: Watch This: Vol. 43
HB312: LVL UP – Ski Vacation (Stream)
HB313: Radiator Hospital at Cocoon Room – 9/8/14 (Pictorial Review, Video)
HB314: Nano Kino – Eyes Before Words (Music Video)
HB315: Tenement at Mickey’s Tavern – 9/9/14 (Pictorial Review, Videos)
HB316: Bass Drum of Death – For Blood (Stream)
HB317: Pretty Pretty – Feels Like Rain (Stream)
HB318: Watch This: Vol. 44
HB319: Medicine – Move Along – Down the Road (Stream)
HB320: Mitski – Townie (Stream)
HB321: Allah-Las – Follow You Down (Music Video)
HB322: Sonic Avenues – Teenage Brain (Music Video)
HB323: Iceage – How Many (Stream)
HB324: The Honeydips – No Shirt, No Shoes (Music Video)
HB325: Watch This: Vol. 45
HB326: Watch This: Vol. 46
HB327: Iceage – Glassy Eyed, Dormant and Veiled (Stream)
HB328: Zulu Pearls – Lightweight (Music Video)
HB329: Two Inch Astronaut – Foulbrood (Stream)
HB330: Little Big League – Property Line (Stream)
HB331: Mikal Cronin – I Don’t Mind / Blue-Eyed Girl (Stream)
HB332: Mutts – Everyone Is Everyone (Lyric Video)
HB333: LVL UP – Hoodwink’d (Album Review, Stream)
HB334: Watch This: Vol. 47
HB335: The History of Apple Pie – Jamais Vu (Music Video)
HB336: Iceage – Against the Moon (Stream)
HB337: Speedy Ortiz – Doomsday (Stream)
HB338: Hurry – Oh Whitney (Stream)
HB339: Thalassocracy – Shimensoka (Stream)
HB340: Mitski – iPhone Voice Memo (Stream)
HB341: Watch This: Vol. 48
HB342: Watch This: Vol. 49
HB343: Screaming Females – Wishing Well (Stream)
HB344: Meat Wave – Brother (Music Video)
HB345: Joanna Gruesome – Jerome (Liar) / Trust Fund – Reading the Wrappers (Music Video)
HB346: Ovlov – Ohmu Shell (Stream)
HB347: Ty Segall – The Singer (Music Video)
HB348: Pet Sun – Gimme Your Soul (Music Video)
HB349: Washer – Rot (Stream)
HB350: Three Quarters Down (Mixtape)
HB351: LVL UP – Big Snow (Stream)
HB352: Weaves – Shithole (Stream)
HB353: Pile at The Burlington Bar – 10/10/14 (Pictorial Review, Video)
HB354: Audacity – Counting the Days (Stream)
HB355: LVL UP at Beat Kitchen – 10/12/14 (Pictorial Review, Video)
HB356: Two Inch Astronaut – Part Of Your Scene (Stream)
HB357: Watch This: Vol. 50
HB358: Girlpool – Plants and Worms (Stream)
HB359: Watch This: Vol. 51
HB360: Cherry Glazerr – Nurse Ratched (Stream)
HB361: The Gotobeds – Wasted On Youth (Music Video)
HB362: Happy Diving – Big World (Album Stream)
HB363: Filmstrip – Don’t You Know (Stream)
HB364: Nobunny – Nightmare Night (Short Film)
HB365: Heartbreaking Bravery Presents, Vol. 1: Meat Wave, Mumblr, Geronimo! (Videos)
HB366: Watch This: Vol. 52
HB367: Watch This: Vol. 53
HB368: Cymbals Eat Guitars – Warning (Music Video)
HB369: Mitski – Bury Me At Makeout Creek (Album Review, Stream, Photos, Videos)
HB370: Chandos – ..Pretty Sure it’s ‘Tang Top’ (Stream)
HB371: Toby Coke – Face Taker (Stream)
HB372: Two Inch Astronaut – Dead White Boy (Stream)
HB373: Left & Right – Low Expectations (Music Video)
HB374: Watch This: Vol. 54
HB375: Deerhoof – Exit Only (Music Video)
HB376: Meat Wave – Sham King (Stream)
HB377: Kal Marks – It Was A Very Hard Year (Stream)
HB378: Band Practice – Bartending At Silent Barn (Stream)
HB379: Big Lonely – Dirty Clocks (Music Video)
HB380: Slight – Run (EP Review, Stream)
HB381: Screaming Females – Ripe (Stream)
HB382: Girlpool – Blah Blah Blah (Music Video)
HB383: Mutts – Black Ties & Diamonds (Song Premiere)
HB384: MOURN – Otitis (Stream)
HB385: Iceage – Against The Moon (Music Video)
HB386: Watch This: Vol. 55
HB387: Watch This: Vol. 56
HB388: Watch This: Vol. 57
HB389: Kal Marks – Don’t Pussy Foot With A Pussy Footer (Stream)
HB390: Trust Fund – Cut Me Out (Stream)
HB391: Alex G – Soaker (Stream)
HB392: Band Practice – Theme Song (Stream)
HB393: Chandos – Cobra Points (Stream)
HB394: Screaming Females – Empty Head (Stream)
HB395: Title Fight – Chlorine (Music Video)
HB396: Space Mountain – California Blue (Stream)
HB397: Liam Hayes – Fokus (Stream)
HB398: Toby Reif – 2014 (EP Stream)
HB399: Beliefs – Tidal Wave (Music Video)

Left & Right – Low Expectations (Music Video)

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Left & Right‘s Five Year Plan will likely come to be regarded as one of 2014’s most under-appreciated releases. Available now as a limited-run cassette from Infinity Cat Recordings’ ongoing series, it’s a record entirely devoid of weak songs. Full of unrestrained punk blitzes that build momentum until momentum’s no longer an issue, it’s the kind of release most bands bands operating in the genre only dream of creating. One of the first looks at the record, the excellent “Low Expectations“, already earned kind words from this site months back. “Low Expectations” eventually only amounted to an all-too-brief teaser for just how incredible Five Year Plan wound up being. Easily one of the year’s catchiest songs, it’s now got an equally joyful video that hits just as many perfect notes.

Before going too much further into what makes “Low Expectations” so spectacular, it’s worth noting that this wasn’t the only great video to emerge from the past few days. There was also a gorgeous animated clip for Old Hundred’s “Casey” that certainly warrants some attention.  While “Casey” is great (any video that can evoke shades of Okkervil River’s classic “For Real” clip is worth several looks), it doesn’t jump out as quickly as Left & Right’s gleefully madcap video for “Low Expectations”. Cleverly conceptualized and brilliantly executed, “Low Expectations” tells the story of two friends attempting to find success via a sidewalk pizza stand only to meet indifference and derision from an unimpressed public who forces them into reinvention. What happens next is too good to spoil and absurdly well-shot for what’s ostensibly a DIY clip. Committed performances only sweeten the deal and  a real sense of joy manages to infuse the whole affair, elevating the video to near-miraculous levels. All in all, “Low Expectations” winds up being a surprisingly representative clip in regards to Left & Right’s spirit and ethos; it’s a party that no one deserves to miss.

Watch “Low Expectations” below and pick up their Five Year Plan cassette from Infinity Cat here.