Just before releasing one of the most devastating albums of the year in the achingly gorgeous At Weddings, Tomberlin offered up one last peek towards that incredible record with the Laura-Lynn Petrick-directed clip for “Self-Help”, which lays bare the kind of arresting nakedness that gets put under the knife throughout the course of the album. Centered around the artist and a trip to the aquarium, the clip for “Self-Help” drives home the pervasive tendency to feel small outlined against the wonders of life that gets considered and dissected in At Weddings.
No answers are offered, no questions are explicitly asked, but “Self-Help” punches home existential wonderment with an unapologetic precision. Viewers might get lost in “Self-Help” but it’s difficult to predict to what extent, as there’s enough at stake here to level someone particularly vulnerable. Bravely articulated and fearless in its vulnerability, “Self-Help” is art at its most honest, which can go a long way towards a greater survival.
Watch “Self-Help” below and pick up a copy of At Weddings from Saddle Creek here.
Now, despite all the content that’s already gone up tonight, there’s still a lot that went down over the past week and a half while the site was dealing with technical complications. To that end, the approach in coverage is going to be slightly different this time around. Full streams, single streams, and music videos will all be covered- but they’ll be branched off into categories. Each entry will get a line or two and then when everything’s been accounted for, there’ll be a feature spot granted to Beliefs’ ridiculously entertaining clip for “Tidal Wave”. So, without further ado…
The Goodbye Party – Silver Blues: The latest DIY punk-pop gem to grace the impossibly reliable Salinas roster. | Littler – Get A Life: Relentlessly propulsive weirdo punk. | Bonny Doon – Fred’s House Demo: An impossibly overlooked (and impossibly great) folk-tinted basement pop masterpiece. | School ’94 – Like You: Graceful indie pop with gargantuan scope that still manages to come across as refreshingly breezy. | Forth Wanderers – Tough Love: Defiant and subtly venomous basement pop with an unbelievable amount of inherent charm. | SUSAN – Just Call It: Surf-indebted basement pop with enough punk bite to please a purist. | Githead – Waiting For A Sign: Leftifeld post-punk and new wave from a quasi-supergroup that features members of Wire, Compact, and Scanner. | Furnsss – Silent Gold: Deranged slacker punk and basement pop for the actively lethargic. | Thelma & The Sleaze – Heart Like A Fist: Incendiary basement punk with a heaping of 80’s hardcore influence. | Cave People – Older: Treble-heavy basement pop that leans towards sentiment and presents a genuinely memorable vision. | Terrorista – Purple Tape: Hard-charging basement punk that thrives on the notion that everything could fall apart at any second.
MUSIC VIDEOS
Young Statues – Run The River Dry: Visually stunning and endlessly intriguing, “Run The River Dry” shines a bright light on Young Statues’ promising future in the visual format. | Christian Lee Hutson – Late November: A simple concept that becomes a wrenching experience as it transforms into something inexplicably moving. | Flashlight O – TV Time: Staunchly DIY and weirdly hypnotic in its collage-heavy presentation. | Highway Cross – Open Eyes: Furiously paced and brilliantly edited, this is a perfect example of how emphasizing details can pay off in unexpectedly huge ways. | Luluc – Tangled Heart: Beautifully arranged and enhanced with simple, creative effects, “Tangled Heart” winds up feeling like something worth treasuring. | Johnny Marr – Dynamo: The iconic guitarist has always had a visual flair but those tendencies reach new, modern heights with this clip. | Run The Jewels – Oh My Darling (Don’t Cry): Like the group, this is a video driven by outsize personality- it’s unabashedly weird and it’s absolutely glorious. | Bass Drum of Death – For Blood: Bikers and gangs collide in deliriously entertaining fashion throughout this brilliantly executed tracking shot clip. | Blonde Redhead – Dripping: A sensual and highly stylized video that wields atmospherics and soft touches to stunning effect. | Communions – Love Stands Still: Classically composed and unwaveringly endearing; a perfect reflection of Communions’ indie pop. | A Place To Bury Strangers – Straight: A hallucinatory collage of striking imagery backed by one of the band’s most insistent songs to date. | Liars – Mask Maker (Extended Version): Characteristically bizarre and replete with a whole mess of yarn. | Tinkerbelles – When Puppies Cry: Extraordinarily damaged basement punk made weirder by one of the most insanely warped clips of 2014.
TIDAL WAVE
Okay, so the bold font probably wasn’t necessary but it’s late- and this is a really great video. Beliefs first gained an uptick in notoriety when they paired with the similarly-minded Greys for one of 2013’s best splits. Since then, they’ve been on a tear, steadily building a name for themselves on the strength of their powerful new material and formidable live show. If “Tidal Wave” is any indication, they may be able to add great music videos to that list as well. While it mostly finds inspiration in the trends of classic clips from the 80’s and 90’s there’s a certain playfulness here that’s missing from a lot of homage-style videos. That playfulness comes to a head nearly halfway through when they manage to seamlessly work in something genuinely unexpected and ridiculously perfect. It’s too good of a moment to spoil completely but it’s also one of the more endearingly appreciative moments of recent memory. By the time all the effects have worn down and “Tidal Wave” reaches its tongue-in-cheek epilogue, it becomes abundantly clear that this band has big things in mind for Leaper (the forthcoming album “Tidal Wave” is taken from) and for themselves. Beliefs aren’t a band intent to keep quiet and if they keep going at the pace they are, we’re all in for one hell of a ride.
Watch “Tidal Wave” below and pick up Leaper from Hand Drawn Dracula as soon as it’s available.