Heartbreaking Bravery

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Tag: Last Good Tooth

Gumbus – Crimbus Rock (EP Review, Stream)

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It’s been a while since this site has dove into full streams (or single streams, for that matter) and that will all be resolved over the weekend. Starting here, with an extremely strong self-released effort from a just-announced band comprised of  two members who have had an impressive number of projects featured on this site before: Casey Weissbuch (pictured above) and Joseph Frankl. Weissbuch’s spent time in a deeply impressive array of acts that include Mitski, Diarrhea Planet, Colleen Green, and a large handful of others (in addition to spearheading Infinity Cat’s cassette series), while Frankl’s made his name as a member of The Frankl Project and as a solo artist.

Weissbuch’s also been making some formidable moves as a solo act under the moniker Slanted. He takes the lead here and in a lot of ways, Gumbus feels like an extension of that project. Unsurprisingly– given the two members collective skill sets, aesthetic choices, and pedigrees– Crimbus Rock, their debut, is an exhilarating jolt of adrenaline. Utilizing a palette of influences that skews heavily towards the alternative movement of the ’90s, the duo digs deep into effortlessly melodic basement pop songs. Over the course of five songs (which never extend beyond the 2:20 mark), Gumbus recall everyone from Blue Album-era Weezer to Ovens.

While none of the songs are a marked deviation from any of their counterparts on the collection, each contains enough of an identity to avoid repetition and to deepen Crimbus Rock‘s claim to being a coherent whole. It’s a remarkable collection that feels like a logical step forward for both Weissbuch and Frankl, demonstrating their astounding grip on composition and flying by while packing enough punch to ensure it’s not quickly forgotten (a trait that makes it a perfect companion to the just-released Downies EP, featured below). This isn’t a huge release but it is micro-punk at its finest and it comes from two artists who deserve even more attention than  they’ve already received. Don’t make the mistake of letting this one fade away unnoticed.

Listen to Crimbus Rock below and download the EP over at Gumbus’ bandcamp. Underneath the player, explore some other recent collections worth hearing.

Downies – Downies
Spencer Radcliffe – Looking In
Gang Signs – Geist
Little Fevers – Field Trip
Erasers – Stem Together
Last Good Tooth – And All Things On the Scales
Fern Mayo – Happy Forever
Bad Canoes – Bad Canoes
Allison Weiss – New Love
Jungle Giants – Speakerzoid
Girls Names – Arms Around A Vision
Yvette – Time Management
Glenn Mercer – Incidental Hum
Promised Land Sound – For Use and Delight
Obnox – Wiglet

All Dogs – How Long (Stream)

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As was mentioned in the preceding post, this has been a characteristically enormous week for new music and music videos (at least as far as 2015’s concerned). It makes sense, then, that the most traditionally packed main category (single streams) would log the most outstanding entries. All of the songs that caught my ears or piqued my interest have been hyperlinked below this post’s featured song- All Dogs‘ stunning “How Long”. The third song to be officially released from the band’s forthcoming full-length, Kicking Every Day, “How Long” continues their drastic expansion of dynamic range.

As has been previously noted, the dynamic shift was sparked by two crucial elements: the addition of ex-NONA guitarist Nick Harris and the retooling of the actual songwriting process, allowing the band to collaborate on a much more extensive level. Leading the charge, as always, is Maryn Jones, an enviably gifted songwriter that’s perfected an unshakable blend of humility, honesty, and yearning that can be absolutely devastating. Jones and Harris’ guitar work across all of the tracks in Kicking Every Day‘s rollout campaign have been nothing short of miraculous. Understated, complementary, and intuitive, their instrumental work has managed to maintain a surprisingly emotional heft that only deepens the inherent sadness that permeates the bulk of Jones’ discography (something also exhibited in her work with Saintseneca– who also have a forthcoming record this year- and as Yowler, a project that released a full-length earlier in 2015).

Backed by the rhythm section of Amanda Bartley (bass) and Jesse Wither (drums), all of All Dogs’ songs gain an intimidating set of teeth. Bruised and bristling, the band dives headfirst into Jones’ damaged introspection with a commendable fearlessness, amplifying a deeply personal struggle of self-worth. Putting herself under the knife, Jones is merciless in her meticulous scrutiny of her own value. In Fader’s premiere of the song, Jones issued a statement about “How Long” was “an extended question about when [she] would stop hating [herself].” It takes bravery to acknowledge your own faults and even more to do so on an extremely public level but in a recent conversation I was fortunate enough to have with Jones after Saintseneca’s impressive performance at Baby’s All Right, she revealed that the process of writing and playing music has been deeply therapeutic.

Fortunately, Jones’ self-loathing is given a celebratory tint with a positive angle when framed in the greater context of All Dogs’ work and there’s a very palpable love for their craft that’s continuously evidenced by their breathtaking live show(s). Every now and then, that euphoric swell comes through in their most climactic moments and “How Long” boasts a few particularly great examples. As Jones stretches out and reaches for an answer in those explosive choruses, it’s almost as if the answer’s intangible and not an actual destination- rather, it’s something gleaned by the journey. While it may ultimately be a bittersweet path, at least it’s one shared in the company of genuinely supportive friends. It’s this particular dynamic that makes All Dogs a viable candidate for today’s best band; a willingness to fully explore life’s darkest corners but always retaliate against them while rallying around their central figure with unbridled force, grace, and determination. It’s also what makes “How Long” this week’s finest track.

Listen to “How Long” below and pre-order Kicking Every Day from Salinas here. Underneath the player, browse through a list of the week’s best songs. Enjoy.

PWR BTTM – Dairy Queen
Grape St. – Sharp Dressed Man
Helen – Violet
Big Air – Stay the Night
Alex G – Bug
Jacuzzi Boys – Sun
Wavves – Heavy Metal Detox
Majical Cloudz – Silver Car Crash
Blank Realm – Palace of Love
Timmy’s Organism – Get Up, Get Out
Destroyer – Times Square
Dialect – Chewing Springs/Quietly in the House
Fern Mayo – Going Somewhere
Amy Bezunartea – Oh The Things A Girl Must Do
Kindling – Hate the Police
Scully – Don’t Want That
Tempers – Undoing
Lucero – Can’t You Hear Them Howl
Aneurysm – Stop This Ride
Chance the Rapper & Noname Gypsy – Israel (Sparring)
Ausmuteants – Mates Rates
Numero Group – Spirit Darts
Tideland – All I Know
Thee AHs – John
Palm – Crank
together PANGEA – If You’re Scared
Doe – No Wonder
Gracie – Jesse
Frankie Broyles – Capturer
Marineros – Secretos
Century Palm – Valley Cyan
Threading – Never
Infinity Girl – Young
Last Good Tooth – Our Little Machine
Lost Film – Try
Thayer Sarrano – Touch My Face
Aircraft – Stick
The High Learys – Letter to Alice
Wild Moth – You Found Out
Surf Rock Is Dead – Anymore
Modern Merchant – Be That As It May