Heartbreaking Bravery

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Tag: Kino Kimino

Hermetic – Postscript (Album Review)

A lot can be released in a week’s time. Fortunately, that means there’s a lot of room for excellent material, like the music videos Lydia Loveless, Kamikaze Girls, Kino Kimino, Duncan LloydSløtface, White Reaper, Mise en Scene, TV Sets, Angelo De Augustine, Guerilla Toss, Thick, and Brightness made public. More than just music videos surfaced, though, and — as always — a lot of what cropped up came from unheralded or barely-known artists. Hermetic was one of those projects but Postscript, the project’s latest full-length, proved that they’re worthy of recognition.

A duo comprised of Eric Axen and Bart Newman, Hermetic find success on Postscript by meticulously mining a lot of aspects of post-punk, bedroom pop, and their various niche hybrid offshoots that tend to get overlooked. From Albini-esque production and tones to palpable nervous tension to the dynamic composition, Postscript never comes across as anything less than ridiculously historically-informed. Hermetic’s done their homework and it shows from the record’s surprisingly heavy opening track, “Fault-Finding Mission” which brings to mind both acts like The Wrens and an innumerable slate of shoegaze-leaning projects.

Following Postscript‘s ridiculously impressive opening statement are a cavalcade of tracks that throw a variety of punches, finding clever ways to land each blow. Hermetic rarely dips out of insistent mid-tempo mode throughout the course of the record and it creates an absorbing accumulative effect. Everything from the ambient swirl of “Relics” to the moody mid-song turn in “Withering” is elevated because of the record’s tonal consistency. Each track has something to offer and stands out on its own but they create a much larger whole together. It’s an outstanding release from a band that deserves a lot more attention. Hit play and leave it on repeat.

Listen to Postscript below and pick it up here.

Courntey Barnett – Elevator Operator (Music Video)

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Littler, Mass Gothic, Kino Kimino, Ty Segall, Henry Chadwick, Angel Du$t, Little Scream, and Talons were responsible for all but the last of the great music videos to emerge over the course of this site’s mini-hiatus. After being gone for nearly two weeks (thanks to both other musical obligations and preparation work for an upcoming feature on this very space), there were quite a few titles to consider. Ultimately, this final music video spotlight allotted to that stretch of time went to perennial site favorite Courtney Barnett (and her excellent new video).

After experiencing a massive breakout year that saw Barnett do everything from hosting SNL to being nominated for an overdue Grammy, the expectations for any new release for the songwriter have been set extraordinarily high. Thankfully, Barnett’s had a surprisingly long history of avoiding literally any form of disappointment and the brilliant Sunny Leunig-directed video for Sometimes I Sit And Think, and Sometimes I Just Sit‘s invigorating lead-off track is no exception.

Opening the clip on a tongue-in-cheek discussion carried out by Sleater-Kinney sets a lively pace both for the clip’s narrative and for the astonishing amount of cameos packed into the sub-six minute running time. Not soon after the coy cold open, Barnett takes up the titular role and Keunig sets about dismantling any expectations that decision may bring.

Apart from one legitimately breathtaking sequence of relative quiet that cuts away from the song completely, “Elevator Operator” exudes a kind of surprisingly specific irreverence and well-meaning snark that’s proven to be a Barnett specialty. Not long after that staggering moment of existentialism — which is anchored by an impressive performance from Barnett — “Elevator Operator” slides right back into its natural groove, cementing its status as a more-than-worthy addition to Barnett’s enviable output.

Watch “Elevator Operator” below and pick up a copy of Sometimes I Sit and Think, and Sometimes I Just Sit here.

Jay Som – I Think You’re Alright (Stream)

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Summer Cannibals, Man Up, Yancey, Brenda’s Friend, Kino Kimino, NettlePost Moves, and Old Maybe all had notable full streams surface over the past few days. While all of those titles are worth the investment, the attention’s going to — once again — be directed back to a song. Jay Som’s set to make a big push as the opener for an upcoming tour that also features Japanese Breakfast and Mitski, so “I Think You’re Alright” functions nicely as an anticipatory warning shot.

The thing is, “I Think You’re Alright” is so much more than just a warning shot; no song has reminded me more of Sparklehorse since Linkous’ tragic passing (and that’s an obscenely high compliment). “I Think You’re Alright” is the kind of chill-inducing bedroom pop that comes coated with the slightest layer of punk grit to keep it tethered to the earth, affording the song a relatable feeling that enhances its most wide-eyed sensibilities.

In under four minutes, “I Think You’re Alright” runs seamlessly through a variety of genre touch points, from the steady, programmed drum beat to the swirling feedback at the song’s most climactic moment. None of its misplaced, each small moment registering as a revelation. Everything in “I Think You’re Alright” coalesces into these moments of sublime transcendence that arrive at an alarming rate; it’s an astonishing song that’s comprised almost entirely of grace notes.

Importantly, everything on display sounds open and honest, amplifying the song’s inherently tragic nature. Uncompromising and singularly beautiful, “I Think You’re Alright” confidently stands as one of 2016’s most unforgettable releases. Boasting a strangely comforting melody that calmly builds a home and refuses to leave, the song ultimately carries an atmosphere that’s as inviting as it is melancholic. It’s an invitation that’s worth accepting.

Listen to “I Think You’re Alright” below and pre-order the single here.

Happyness – SB’s Truck (Stream)

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Now that the impressive slate of recent music videos and full streams have been exhaustively covered, it’s time to turn the attention towards individual songs. At the end of the week there were strong offerings from Dyan, Dentist, Cat Be Damned, and Kino Kimino. However, it was a curiosity from Happyness that managed to hit hardest, so it claims this posts feature spot.

Resuming the kind of carefree coasting that’s made their output so far so irresistibly charming, Happyness once again manages to hit a variety of sweet spots as they combine appealing bits of Americana, slacker pop, and proto-punk into a characteristically inviting tapestry. “SB’s Truck” is the kind of song that invites you to get lost and then world-builds so effectively that when it finally ends, it’s somewhat of a disappointment because, well, it ends.

Dissect the song’s narrative and it continues to reward; the song’s built around the little-known fact that celebrated playwrite Samuel Beckett used to give André Rene Roussimoff (more commonly known as André the Giant) to school as a boy because he was too big to fit into a car. It’s the kind of story that exudes the warmth that so frequently defines Happyness’ work. The pairing of the narrative with Happyness’ musical sensibilities is, in a word, perfect.

Whether “SB’s Truck” comes to be regarded as a summer anthem for the literary-minded or eventually, inevitably, becomes a celebrated anomaly of the band’s catalog doesn’t hold any importance. What counts is that for the four and a half minutes the song exists, nothing else seems to matter. A restrained piece of subdued, inspired brilliance, “SB’s Truck” shows that Happyness aren’t going away anytime soon and that they’re still finding ways to improve.

Listen to “SB’s Truck” below and keep an eye on this site for more updates on the band.

What A Difference A Month Makes (Music Videos)

In the past month, a lot’s happened on both sides of the coverage spectrum. A lot of sets were documented in that time and will be receiving some attention at some point down the line. A lot of full streams came out, even more songs were released, and quite a few music videos found their way out into the world as well. All three of those formats will have a list dedicated to them and then a slew of individual features will be posted celebrating a handful of exceptional titles. Below is a list of formidable music videos that made a powerful impression over the course of the last month. Take a breath, dive in, and go exploring. 

Mo Troper, Lion’s Den, Tiny Deaths, Tim Heidecker, Weaves, Amber Arcades, Night Idea, Steve Gunn, Littler, Bambara, Braids, Prism Tats, No Parents, Those Pretty Wrongs, Stan Simon & The Hotel Bible, Neil Michael Hagerty & The Howling HexRJD2, Crosss, James Supercave, Eric Bachmann, Tacocat, Julianna Barwick, Acapulco Lips, Conrad Keely, Programm, Lontalius, Clique, Martha, Wilder Adkins, The Spook School, Rozwell Kid, The Loom, Oscar, Bishop Briggs, Angel Du$t, Patience, Band of Horses, The fin., The Raveonettes, Secret Space, Pure Bathing Culture, Howardian, and GOAT.

Modern Baseball, Holy Fuck, Sturgill Simpson, Butch BastardMinor Victories, The Slovaks, The Coathangers, OMNI, Stove, Sløtface, Franky Flowers, Slim Twig, Kino Kimino, D Generation, Pony Time (ft. Lisa Prank), Beverly, Living Hour, Former Belle, Tancred, Mutts, Pet Sun, Teen Suicide, Krano, Your Friend, Dear Boy, The Stargazer Lilies, The Kills, The Loom, Aesop Rock, Cellar Doors, Xiu Xiu, Globelamp, TV Sets, and Eleanor Friedberger, and a surprisingly outstanding fan-shot video for Mike Krol’s “Less Than Together” (one of this site’s picks for Best Songs of 2015) as well as the trailer for Casket Girls’ The Night Machines.

March 2016: The Music Videos

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While January and February certainly had their fair share of great music videos, March saw an influx of truly great clips find their way out into the world. From Johanna Warren‘s extraordinary “Great Lake” (which I was fortunate enough to premiere over at Consequence of Sound) to a new, patently excellent, video from PUP, the format’s found its stride. Apart from the music videos, there was an outstanding Vaadat Charigim mini-documentary chronicling their first US tour.

Since there were so many clips — and since so many were so exceptional — they’ll be split into two categories below. At the very bottom of the page will be the honorable mentions category and above that will be a slew of videos that have positioned themselves to be early year-end contenders. Since “Great Lake” was already mentioned above, it won’t be below. Similarly, since Yours Are the Only Ears’ aching, gorgeous video for “Low” is the only non-YouTube entry, it will simply be listed in this paragraph (but rest assured, it’s more than worth your time). For the sake of convenience, 31 music videos are featured- one for each day in March.

Watch some of the finest clips of a young 2016 via the embed (with an accompanying tracklist tucked underneath) and explore the laundry list of exceptional titles in the honorable mentions category below the player. Enjoy.

1. PWR BTTM – West Texas
2. Dilly Dally – Snakehead
3. Palehound – Molly
4. Foul Tip – Drifting
5. Greys – Blown Out
6. Big Ups – National Parks
7. PUP – If This Tour Doesn’t Kill You, I Will
8. The Crookes – The World Is Waiting
9. Mutual Benefit – Not for Nothing
10. Alex G – Mud
11. Free Cake For Every Creature – Talking Quietly of Anything With You
12. Lucy Dacus – I Don’t Wanna Be Funny Anymore
13. El Perro Del Mar – In the Woods
14. Kevin Morby – Dorothy
15. Abi Reimold – Mask
16. Daughter – How
17. Eluvium – Life Through Bombardment Vol. 2
18. Bent Shapes – New Starts In Old Dominion
19. Nancy Pants – I’ve Got A Crush On You And Everybody Knows It 
20. Outer Spaces – I Saw You
21. Eleanor Friedberger – Never Is A Long Time
22. PJ Harvey – The Community of Hope
23. Sunflower Bean – Easier Said
24. James Edge and the Mindstep – On A Red Horse
25. Furnsss – Slow Dark Water
26. The Lemons – Ice Cream Shop
27. Quilt – Roller
28. Marissa Nadler – All the Colors of the Dark
29. PAWS – No Grace
30. Savages – Adore
31. Hayden Calnin – Cut Love

Honorable Mentions

Kino Kimino – Passion | Car Seat Headrest – Drunk Drivers/Killer Whales | NOTHING – Eaten by Worms | The Mynabirds – Velveteen | Miya Folick – Oceans | Laura Carbone – Swans | Wilder Adkins – Our Love Is A Garden | Head Wound City – Scraper | Fear of Men – Island | Thin Lips – Never AgainSioux Falls – Dom | La Sera – I Need An Angel | Tim Heidecker – In Glendale | DTCV – Capital Ennui | José González – With the Ink of a Ghost | B Boys – Get A Grip | Trevor Sensor – Pacing the Cage

Teen Suicide – The Big Joyous Celebration | Ladada – Old Wave | Dam Gila – The Undertow | Brodka – Horses | Ashley Shadow – Tonight | Hurry – Nothing to Say | Mumblr – Super! | Long Beard – Porch | We Are Scientists – Buckle | Steve Gunn – Conditions Wild | My Bubba – Charm | Amber Arcades – Right Now | Kwesi Foraes – Devils Child | Saul Williams – Down For Some Ignorance | NOTHING – Vertigo Flowers | The Amazons – Stay With Me | Holy Pinto – Hospital Room | Whitney – Golden Days | Luke Top – Chariot

King Gizzard & The Lizard Wizard – Gamma Knife | Eskimeaux – Drunk | Andy Shauf – The Magician | Innerspace Orchestra – One Way Glass | Crows – Whisper | Deep Sea Diver – See These Eyes | The Hunt – Hawk | Jerkagram – Cloud Builder | Julianna Barwick – Nebula | The Dirty Nil – Wrestle Yü To Hüsker Dü | Sarah Neufeld – We’ve Got A Lot | Cat’s Eyes – Drag | Zones – Tides | The Drones – Taman Shud | Andy Stott – ButterfliesThe Lemons – Shark BaitGrey Waves – Remember Me | Wood Lake – Hollow | Black Mountain – Florian Saucer Attack | Fleabite – Missing Everyone | Haelos – Separate Lives | Nada Surf – Rushing | PAWS – No Grace