Heartbreaking Bravery

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Tag: King Gizzard & The Lizard Wizard

Watch This: Vol. 160

The past seven days have been comprised of great live videos featuring the likes of Trentemøller, Craig Finn & The Uptown Controllers, Slow Caves, Slothrust, Horse Jumper of Love, Helado Negro, Josh T. Pearson & Arianna Monteverdi, Downtown Boys, Nana Grizol, Operators, Sinai Vessel, Pixies, King Gizzard & The Lizard Wizard, Tall Tall Trees, The Smith Street Band, RVG, Preservation Hall Jazz Band, Kyle Donovan, Chicano Batman, Black Joe Lewis, Taarka, Nikki Lane, Drive-By Truckers, Real Estate, Peyote Pilgrim, Chicano Batman, Closet Mix, Lithics, Yann Tiersen, The Marias, J. Mascis, Fujiya & Miyagi, and Marty Stuart. As good as those clips were, it was the five below that wound up making the deepest impression. From old favorites to new faces, there’s a decent amount of material to explore. So, as always, sit up straight, adjust the settings, take a deep breath, lean in, and Watch This.

1. Hazel English – Fix (Buzzsession)

Easily — and consistently — the producers of some of the most gorgeous Watch This clips in the series’ history, Buzzsessions hits a new high-water mark with this clip for Hazel English‘s “Fix”. Hazel English has become a staple on this site thanks to the project’s ability to churn out spellbinding pop that combines dream-like atmospherics with aesthetics from several compelling sub-genres to create something utterly winsome. To top off that formula, this is a committed performance propelled even further by breathtaking cinematography; Watch This at its best.

2. Jay Som – The Bus Song (Audiotree)

One of last year’s biggest breakout success stories, Jay Som‘s continued to transform that newfound notoriety into something meaningful. Jay Som recently got to be part of an Audiotree concert series and some enthralling footage of “The Bus Song” has gone public. The band’s in good spirits, there’s an adoring audience, bandleader Melina Duterte is commanding, and everything clicks in just the way a great performance should; this is masterful from all angles.

3. Surf Curse (Jam in the Van)

It’s been a while since a Jam in the Van session has been featured on Watch This but its also been a while since the series has boasted a session this fun. Surf Curse effortlessly blend together elements of surf-pop, basement punk, post-punk, and powerpop to conjure up the type of bright, sunny sound that’s difficult to dislike. Each of these three songs also boast their own brand of weirdness, giving a compelling slant to an aesthetic that’s both familiar and welcome.

4. Fred Thomas – Echolocation (BreakThruRadio)

Changer, Fred Thomas‘ most recent full-length, stands in good shape to be firmly among 2017’s best records as the year winds to a close. Easily the songwriter’s finest effort to date, the record also features some of the songwriter’s most ambitious work. “Echolocation” is one of those more ambitious pieces and Thomas brings it to the BreakThruRadio studios for a gripping performance that showcases his talent for both ability and minimalist composition. Melancholic, haunting, and human, it’s a powerful look at one of today’s greatest songwriters.

5. The Owens – Judgment Day (Allston Pudding)

Capping off the 160th installment of this series is another characteristically strong Basement Session, courtesy of Allston Pudding, by way of The Owens’ aggressively tense and intriguingly gloomy “Judgment Day”. The band’s been kicking around for several years but they’ve never sounded tighter or more in control than they do on their latest, Redemption Day, and that confident precision seems to have bled into their live show as well. Both a perfect document of a band coming into their own and a strong showcase for both Allston Pudding and The Owens, this is the type of clip worth remembering.

Watch This: Vol. 159

Two weeks ago, there was a seven-day stretch of live videos that were released and they included gems from the following: PJ Harvey, Joe Kopel, Bash & Pop, Lisa Mitchell, Active Bird Community, Violent Change, Real Estate, Cameron Avery, The Wooden SkyAla.ni at Château de Fontainebleau, Calexico, Max Richter & the 12 Ensemble, Moon Duo, The Proper Ornaments, Atriarch, Tycho, Aimee Man, Jennifer Niceley, Living Body, Corsicana, Dinosaur Jr., Microwave, Joel Plaskett & Bill Plaskett, Sierra Hull, CAT CLYDE, KOLARS, Tinariwen, Perturbazione, King Gizzard & The Lizard Wizard, George Winston, and Preservation Hall Jazz Band. All of those videos were compelling but it was the five below that wound up standing out most. So, as always, sit back, relax, clear your mind, and Watch This.

1. Car Seat Headrest – Working Girl (She’s Not A Single Version) (Conan)

Following last year’s outstanding Teens of Denial, Car Seat Headrest have been gifting the world one outstanding late night performance after the other. Here, the band’s penchant for altering their material for those performances rears its head once again and they transform “Unforgiving Girl (She’s Not an)” into a leaner, poppier, more radio-friendly anthem. It’s an endearing turn from a band that never seems to run out of small surprises.

2. Daddy Issues – Dandelion (Paste)

More than three years into what’s turning out to be an illustrious career, Daddy Issues have been quietly becoming one of the best largely under-the-radar bands touring the circuit.  The band turns in a stripped-back, three-song performance here for Paste and the session serves as a powerful showcase for  their talent. The trio’s got a record looming on the horizon and they’re playing with the confidence of an act who knows they’re on the verge of making the next big step in their personal evolution.

3. AJJ – Junkie Church (SideOneDummy)

Last year, AJJ released The Bible 2, a career highlight on every conceivable level. It’s a record that’s still resonating strongly, suggesting the type of longevity typically attributed to classic records. A large part of this is because of songs like “Junkie Church”, which gets a twitchy, tender performance here in a mesmerizing clip. Driven by narrative prose and feeling, the video more than earns its place as a part of this series.

4. Ty Segall (KEXP)

Anyone that’s seen Ty Segall live knows that the bands he assembles around himself are fully capable of tearing the roof of any given venue. The adrenaline and volume levels are typically off the charts and both band and audience are typically driven into a wild frenzy. Stripping Ty Segall of an energetic audience to feed off doesn’t seem to matter either, something proven by this rousing KEXP session which finds Segall and the band (which includes Mikal Cronin) in rare form.

Drive-By Truckers (Sound Opinions)

One of 2016’s more overlooked records came from the perennially overlooked Drive-By Truckers, who have remained dazzlingly consistent since the departure of their most famous memberAmerican Band, the project’s most overtly political record since their formation, caused an intriguing rift between many of their fans. The band’s politics have virtually always been present on their recorded work but hearing those views articulated so acutely proved to be too much for some, which is a shame. There are deeply important messages littering American Band and they’re all presented with unapologetic clarity, most memorably in “What It Means, something that Patterson Hood and Mike Cooley lay bare in this memorable four-song session for Sound Opinions.

Watch This: Vol. 157

The last time a regularly-scheduled, one-week-encapsulating Watch This ran, October was drawing to a close. A lot of things have happened in the interim and all of the videos that surfaced in that time were given their due through the massive recap project that ran just a short while ago. Finally, the series is back in earnest. Each of the highlighted videos (save for one notable exception) was released between the past Monday-Sunday full week run.

During that time, a whole host of videos worth exploring were released from artists like Craig Finn, Mo Troper & The Assumptions, Chouette, Meatbodies, Molly Burch, Thelma, Lever, SUMEAU, Jock Gang, Dude York, The New Pornographers, Chicano Batman, Peter Silberman, King Gizzard & The Lizard Wizard, Future Islands, Same, Square Peg Round Hole, Alien Boy, Big Business, Lo Moon, Emerald City, Future Islands, Momma’s Boy, Gemma Ray, Ha Ha Tonka, Lucius, Nimrod, Dangerous Animals, Lindsay Lou and the Flatbellys, Breanna Barbara, SUSTO, and Half Waif. Which, as is typically the case, constitutes a very strong field that speaks volumes about the strengths of the five featured clips. So, as always, lean back, take a deep breath, clear your mind, straighten up, lean in, adjust the settings, and Watch This.

1. Lady Lamb (Hear Here)

A fascinating emerging concert series, Hear Here, recently hosted site favorite — and Watch This staple — Lady Lamb for an intimate solo performance. When Lady Lamb is in full band mode, there’s no denying the project’s sheer power, which isn’t something that can always be matched with the solo presentation. When they can, though, as is the case here, the divide between good songwriters and great songwriters begins to emerge. Lady Lamb is a great songwriter.

2. Lookapony (3voor12)

Every once in a while, 3voor12 will run a live session with enough power running through its veins to jolt a body upright and get their eyes glued to the screen.  Lookapony recently joined that category with this scintillating run through a handful of basement pop gems, delivered with an energy and conviction that the genre can occasionally lack. Riding the perfect divide between technique and feeling, Lookapony deliver the type of performance that’s strong enough to permanently brand their name into a viewer/listener’s memory.

3. Charly Bliss – Westermarck (Paste)

Anyone that’s been paying an iota of attention to this site knows that there are few currently-active bands Heartbreaking Bravery values more than Charly Bliss. As mentioned in the introduction, this one is a slight cheat as it’s a holdover from the massive recap that ran last week. The reason? “Westermarck”, a new song from the band’s forthcoming Guppy, deserves to be highlighted, as does this acoustic rendition. The band, as always, gives it their all and delivers a sterling take on what will likely hold up as one of 2017’s finest tracks. Deceptively sweet, surprisingly barbed, and verging on flawless, this is something worth celebrating.

4. Rosie Carney – Awake Me

Utilizing a live video as a song’s official video’s always a risky prospect, especially for emerging talents (for artists like Nick Cave, it’s a different story entirely), which makes this gorgeous clip for Rosie Carney‘s “Awake Me” all the more surprising. With “Awake Me” already standing as an early 2017 highlight, as well as one of the year’s most elegant, haunting tracks, Carney still manages to find a way to suffuse the song with even more life. There’s a soft lyricism to the camera movements as well, perfectly rounding out an unforgettable video.

5. clipping. (KEXP)

eDaveed Diggs, one of the primary driving forces behind clipping. could have taken it easy and rested on his laurels following his Tony-winning run in cultural phenomenon Hamilton. Instead, Diggs found a way to release an EP with clipping., Wriggle, immediately after leaving the show and then followed that up with a full-length only a few short months later. Diggs’ characteristic restlessness permeates through every last second of this session the band did for KEXP, showcasing an energetic, singular talent that, frankly, even with all of the deserved accolades, still seems deserving of more credit. Challenging, forward-thinking, and undeniably intelligent, this is a once-in-a-generation kind of talent. All we can do is sit back, watch, try to keep up, try to learn, and be wildly entertained.

Watch This: Vol. 145

The past week contained a plethora of outstanding performance clips, including memorable takes of Ama, Haley Bonar, Alex Napping, The Seratones, Benjamin Booker, Cate Le Bon, Twin Limb, Pinegrove, The Frights, Matthew Logan Vasquez, Beach Slang, Heaters, Naked Giants, The Sweet Release of Death, Conor Oberst, and King Gizzard & The Lizard Wizard. Since there was an excessive amount of incredible material over the past seven days, this will be the first of two tandem Watch This installments. The five featured clips below are heavy on full sessions and include one genuine outlier that was simply too good to pass up featuring. So, with that in mind, take a deep breath, steel some nerves, block out any distractions, adjust the settings, lean in, and Watch This.

1. Big Ups (Audiotree)

As a live act, Big Ups are an extremely enticing draw. They’re explosive performers, their songs are complex and dynamic enough to demand uncommon talent, and the quartet boasts a magnetic playing style. They’ve appeared on several past Watch This entries but occupy an elevated space for this Audiotree session. Characteristically intense and oddly entrancing, this session stands as a career highlight for both the band and the rightfully acclaimed studio.

2. Uni Ika Ai – Already Dead (BreakThruRadio)

2016 has been something of a breakout year for Uni Ika Ai. While they may not be an instantly recognizable name, the act’s been gaining traction on the back of their dreamlike approach to subdued indie pop. Deeply impressive and hard to shake, this enrapturing performance of “Already Dead” for BreakThruRadio is as good an entry point as any for the uninitiated. For more than seven minutes, the band casts a spell that deepens as the song progresses, making one hell of an impression.

3. Explosions in the Sky (KEXP)

cTypically Watch This — and Heartbreaking Bravery in general — is a space reserved for emerging artists but every once in a while a veteran act will issue a reminder of how they earned their status. Case in point: post-rock titans Explosions in the Sky‘s recent KEXP session. The band’s riding another critical surge following the release of this year’s The Wilderness, a record that subtly expanded the band’s scope. As ever, the songs translate beautifully to the live setting and this performance serves as concrete proof.

4. Nothing (KVRX)

When a band’s volume levels are as relentlessly punishing as Nothing‘s, stripping songs to bare acoustics can be a risky prospect. Fortunately, the band are incredibly gifted songwriters, something that comes across with a charming, natural ease in this unassuming KVRX session. There’s a certain amount of grace that often gets overlooked when shoegaze-leaning bands heavily emphasize the most bruising aspects of their approach and each song performed here becomes an essential reminder of that grace, winding up as an unexpected document of one of the genre’s most intriguing acts.

5. Jay Reatard (Pitchfork)

More of an archival release than anything else, this look back at a musician that was lost far too young is vital, painful, and wildly exhilarating. Taking a breathlessly frantic approach, Jay Reatard whips his band into overdrive right out of the gate, ripping through a dozen songs in a fiery twenty minute set, featuring a host of songs that have rightfully carved their place out in history as pivotal genre classics. Reatard was writing out of his mind during the time this was filmed, fresh off the release of Blood Visions (which remains an indisputable classic). An arresting look back at a formidable talent, there’s heartbreak to be found in thinking about what could have been but more than enough heart on display to make up some of the difference.

Lady Bones – Weight (Stream)

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Continuing on with the impressive slate of notable songs that have come out since the start of April, the focus falls — as it has so many times on this site in the past — on Lady Bones. Before turning the attention towards their outstanding “Weight”, it’s worth casting a look over at great new songs from Lost Boy ?, Melkbelly, Pumarosa, Henry Chadwick, Ali Beletic, Honey Radar, Stone Cold Fox, King Gizzard & The Lizard Wizard, FIR, and Keroscene. While those 10 songs were all more than worthwhile, it was Lady Bones’ “Weight” to snag this post’s feature spot.

Last year’s excellent Dying saw the trio continuing to hone their own take on the grunge-meets-post-punk-filtered-through-noise-punk-trappings sound that has become a calling card for many Boston-area bands. Dying saw the band continue to scale back some of the more pop-leaning aspects that populated their split with Horsehands, to considerable effect. “Weight”, once again, finds the band diminishing their more pop-skewing sensibilities in favor of something much more aggressive. Again, it’s a move that pays dividends for the band.

Now, to be abundantly clear, the band hasn’t sacrificed their keen melodic sense, they’ve just inverted it into something that comes across in a much more emphatic manner. On “Weight” they continue to go for their listener’s throats, conjuring up a bruising number that benefits from their murky tones, never quite becoming a sludge song but playing with some of the genre’s more interesting aesthetics. They’ve settled into a confident rhythm and have found what works most effectively for their songwriting and “Weight” is exhilarating proof.

Listen to “Weight” below and pre-order Terse from Midnight Werewolf here.

March 2016: The Music Videos

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While January and February certainly had their fair share of great music videos, March saw an influx of truly great clips find their way out into the world. From Johanna Warren‘s extraordinary “Great Lake” (which I was fortunate enough to premiere over at Consequence of Sound) to a new, patently excellent, video from PUP, the format’s found its stride. Apart from the music videos, there was an outstanding Vaadat Charigim mini-documentary chronicling their first US tour.

Since there were so many clips — and since so many were so exceptional — they’ll be split into two categories below. At the very bottom of the page will be the honorable mentions category and above that will be a slew of videos that have positioned themselves to be early year-end contenders. Since “Great Lake” was already mentioned above, it won’t be below. Similarly, since Yours Are the Only Ears’ aching, gorgeous video for “Low” is the only non-YouTube entry, it will simply be listed in this paragraph (but rest assured, it’s more than worth your time). For the sake of convenience, 31 music videos are featured- one for each day in March.

Watch some of the finest clips of a young 2016 via the embed (with an accompanying tracklist tucked underneath) and explore the laundry list of exceptional titles in the honorable mentions category below the player. Enjoy.

1. PWR BTTM – West Texas
2. Dilly Dally – Snakehead
3. Palehound – Molly
4. Foul Tip – Drifting
5. Greys – Blown Out
6. Big Ups – National Parks
7. PUP – If This Tour Doesn’t Kill You, I Will
8. The Crookes – The World Is Waiting
9. Mutual Benefit – Not for Nothing
10. Alex G – Mud
11. Free Cake For Every Creature – Talking Quietly of Anything With You
12. Lucy Dacus – I Don’t Wanna Be Funny Anymore
13. El Perro Del Mar – In the Woods
14. Kevin Morby – Dorothy
15. Abi Reimold – Mask
16. Daughter – How
17. Eluvium – Life Through Bombardment Vol. 2
18. Bent Shapes – New Starts In Old Dominion
19. Nancy Pants – I’ve Got A Crush On You And Everybody Knows It 
20. Outer Spaces – I Saw You
21. Eleanor Friedberger – Never Is A Long Time
22. PJ Harvey – The Community of Hope
23. Sunflower Bean – Easier Said
24. James Edge and the Mindstep – On A Red Horse
25. Furnsss – Slow Dark Water
26. The Lemons – Ice Cream Shop
27. Quilt – Roller
28. Marissa Nadler – All the Colors of the Dark
29. PAWS – No Grace
30. Savages – Adore
31. Hayden Calnin – Cut Love

Honorable Mentions

Kino Kimino – Passion | Car Seat Headrest – Drunk Drivers/Killer Whales | NOTHING – Eaten by Worms | The Mynabirds – Velveteen | Miya Folick – Oceans | Laura Carbone – Swans | Wilder Adkins – Our Love Is A Garden | Head Wound City – Scraper | Fear of Men – Island | Thin Lips – Never AgainSioux Falls – Dom | La Sera – I Need An Angel | Tim Heidecker – In Glendale | DTCV – Capital Ennui | José González – With the Ink of a Ghost | B Boys – Get A Grip | Trevor Sensor – Pacing the Cage

Teen Suicide – The Big Joyous Celebration | Ladada – Old Wave | Dam Gila – The Undertow | Brodka – Horses | Ashley Shadow – Tonight | Hurry – Nothing to Say | Mumblr – Super! | Long Beard – Porch | We Are Scientists – Buckle | Steve Gunn – Conditions Wild | My Bubba – Charm | Amber Arcades – Right Now | Kwesi Foraes – Devils Child | Saul Williams – Down For Some Ignorance | NOTHING – Vertigo Flowers | The Amazons – Stay With Me | Holy Pinto – Hospital Room | Whitney – Golden Days | Luke Top – Chariot

King Gizzard & The Lizard Wizard – Gamma Knife | Eskimeaux – Drunk | Andy Shauf – The Magician | Innerspace Orchestra – One Way Glass | Crows – Whisper | Deep Sea Diver – See These Eyes | The Hunt – Hawk | Jerkagram – Cloud Builder | Julianna Barwick – Nebula | The Dirty Nil – Wrestle Yü To Hüsker Dü | Sarah Neufeld – We’ve Got A Lot | Cat’s Eyes – Drag | Zones – Tides | The Drones – Taman Shud | Andy Stott – ButterfliesThe Lemons – Shark BaitGrey Waves – Remember Me | Wood Lake – Hollow | Black Mountain – Florian Saucer Attack | Fleabite – Missing Everyone | Haelos – Separate Lives | Nada Surf – Rushing | PAWS – No Grace

Watch This: Vol. 101

[EDITOR’S NOTE: Due to the nature of these upcoming posts, a truncated version of this introductory paragraph will be appearing over the next several installments of this series.] It’s been quite some time since the 100th edition of Watch This went up on this site. There have been a lot of factors going into the extended interim but, as usual, a focal point of that absence was to make sure the preparation work was kept up to date. A lot of extraordinary live videos have come out since then and to make this point abundantly clear, here’s a list of artists responsible for performances that didn’t quite make it into the featured five slots over the course of the past handful of weeks: Ride (x2), Josh Ritter (x2), Radkey, Marrow, Seratones, Hooton Tennis Club, Kurt Vile (x2), Indian Askin, Amason, Eden Mulholland, Bobby Bare Jr. (x2), Hanna Asbrook, Lucy & La Mer, Lee Corey Oswald (x2), Wastrels, The Cairo Gang, Wild Ones, Martin Courtney (x2), Small Black, Timeshares, Shopping (x2), The Jacques, Mac McCaughan & the Non-Believers, Raw Pony, Andrew Bird, Air Waves, Izzy True (x2), The Tallest Man On Earth, Elliot Moss, Hemming, Titus Andronicus, Kagoule, Django Django, Summer Cannibals, Lost Lander, Emilie & Ogden, Denai Moore, EL VY, Purple 7, John Grant, Caleb and Carolyn, Fraser A. GormanThe Besnard Lakes, Charly Bliss, Delta Spirit, Joanna Newsom, Oaks, Kevin Garrett, Brilliant Beast, Blitzen Trapper, The Saturday Tea, Other Lives, Rayland Baxter, Low, Speedy Ortiz, Chilly Gonzalez, Murder Shoes, Ava Luna, bAd bAd, Oberhofer (x2), Aye Nako, Jason Isbell, Superbee, Deerhunter, The Ghost Ease, Oscar, Rachel Goodrich, Small Feet, Lucero, Totally Mild, Ukryte Zalety Systemu, Soda Bomb, Jens Kuross, Caspian, Boytoy, Duncan Sheik, PISTA, Slim Twig, Shamir, Contrails, King Gizzard & The Lizard Wizard, Courtney Barnett, The Chameleons Vox, Vundabar, Vagabon, Craig Finn, and Soda Shop. Based on the strength of those clips, it’s probably unsurprising that some of the year’s best live captures have also surfaced in that time. Full sessions, single song performances, DIY videos, and impressive turn-ins from radio stations abound. So, as always, sit back, adjust the setting, crank the volume, focus up, and Watch This.

1. Eskimeaux (Audiotree)

No record in 2015 has hit me as hard and as consistently as O.K.,  a deeply felt masterpiece from Eskimeaux. A record I’d liked upon first listen and warmed to progressively over time, it wasn’t until I saw those songs played live that everything seemed to click. Audiotree was fortunate enough to have the band in for a recent session and wound up with what may come to be regarded as the definitive live recording of this era of the band. The performances are uniformly strong and the songs remain spectacular. Simply put: this is unmissable.

2. Julien Baker – Sprained Ankle (BreakThruRadio) 

Likely the only 2015 record to rival O.K.‘s emotional impact is Julien Baker‘s arresting breakout effort Sprained Ankle. With a title track that easily ranks among the year’s finest songs, Baker’s latched onto something genuinely captivating. It’s myriad strengths were emphasized with a gorgeous music video and are once again brought to the fore with this painfully gorgeous live performance. It’s a triumph for one of music’s most promising emerging talents.

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3. Slothrust (Jam in the Van)

In a manner not too dissimilar from Eskimeaux, Slothrust was another band that sold me further on material I’d already liked via the strength of their live show, It’s not surprising, then, that their session for Jam in the Van winds up being one of that series’s strongest entries in months. Topping everything off is a typically strong take on “Crockpot”, which continues to stand as one of the strongest songs of recent memory.

4. Torres – Strange Hellos (Hooke Audio)

Has anyone appeared more times on Watch This throughout the course of 2015 than Torres? Mackenzie Scott’s project continues to turn in spellbinding performances at an alarming rate but, even with that being the case, this version of “Strange Hellos” manages to stand out. Shot as part of Hooke Audio’s live sessions series that challenges artist to re-interpret their material, “Strange Hellos” gets transformed into a jaw-dropping ambient number that may wield even more of a punch than the studio version. It’s a startling reminder of Sprinter‘s most powerful moments.

5. Girlpool (Pressure Drop)

If anyone’s appeared on the 2015 run of Watch This as many (or more) times than Torres, it’s site favorites Girlpool. Harmony Lebel-Tividad and Cleo Tucker put together one hell of a run this year, highlighted by their extraordinary full-length debut Before The World Was Big. In a nine-song session, the duo makes their way through the majority of that record and “Soup”, one of the new numbers they’ve been road-testing on their last few tours. As ever, the performances are assured and showcase the near telepathic connection the band’s developed over the past few years. They’re an act that seems poised to get stronger as they go, which is more than a little impressive considering they’re already one of the best bands currently making music- and this Pressure Drop session serves as proof.

Saintseneca – Sleeper Hold (Stream, Live Video)

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Now that we’re nearing the final quarter of the year, the already-stacked release schedules are starting to get even more dense as a lot of bands and labels make power play bids for album of the year consideration. One of the titles slated for that wave of new material is Saintseneca‘s just-announced Such Things, an announcement which came with an accompanying single: “Sleeper Hold”. Before getting around to that song, though, it’s worth taking a step back to cover a handful of other notable releases that are well worth your attention.

For single streams, there was Dogs On Acid‘s shape-shifting “Ideal Decanter“, Atlantic Thrills’ surf-indebted (and retro-leaning) basement pop highlight “Bed Bugs“, Connie Constance’s glitchy, slow-burning “Euphoric“, Orchid Mantis’ tantalizing “It Was Gone“, and Century Thief’s slowly unfurling “Pillar“. Additionally, there were outstanding new songs from the likes of Swings, Funeral Advantage, Promised Land Sound, King Gizzard & The Lizard Wizard, and Sea Lion. Full streams, while not even close to matching the numbers of the single streams, unearthed one of the year’s best albums in Pleasure LeftistsThe Woods of Heaven and another beautiful full-length in Totally Mild’s Down Time. Sleepy’s extraordinary self-titled EP (another potential year-end contender) rounded the category out with style. Two music videos- Ali Barter’s “Hypercolour” and Valley Maker’s “Only Friend“- made sure that the visual format was very well represented.

Back to the feature: Saintseneca’s latest, “Sleeper Hold”, an even punchier take on the band’s Appalachian folk than anything found on their last record, the exemplary Dark Arc. Having just seen the band take apart Baby’s All Right a little over a week ago, the new material that was played live has been resonating for a short while. “Sleeper Hold”, the lead-off single to the band’s forthcoming Such Things, capitalizes on that resonance by virtue of strength and polish. Immediately employing the under-utilized and extremely effective dynamic of a back-and-forth vocal lead between the band’s two primary voices (those of Zac Little and Maryn Jones), “Sleeper Hold” strikes a refreshingly bold look for the band.

All of the hallmarks that made their previous work so compelling are still firmly in tact, from the smart compositions to Little’s twisted, hyper-literary wordplay. Some of the surprising amount of weight to be found on “Sleeper Hold” is due to the conceptual design of Such Things, which largely grapples with the purposefulness of existence. “Sleeper Hold”, in particular, is about the designs of perception and consciousness. For such heavy material, the music itself is impossibly light, buoyant, and deceptively carefree. Every element of “Sleeper Hold” works incredibly well and reaffirms Saintseneca’s status as one of today’s finest acts. Propulsive, smart, and irresistible, “Sleeper Hold” is the perfectly crafted warning shot of what promises to be one of this year’s finest albums.    

Listen to “Sleeper Hold” below and pre-order Such Things from ANTI- ahead of its release date here. Underneath the player, watch a recent video of the band performing the song at Baby’s All Right.