We’re more than a third of the way through 2019 and the editorial branch of this site has been far too dormant since 2018 received the Best Of recap treatment. Today will be dedicated to addressing that coverage gap with three look backs at the very best songs, music videos, and full streams that January, February, and March had to offer. Due to the sheer volume of highlighted material, these lists will (unfortunately) be static, presented on their own without any dedicated write-ups. Each of these releases is exceptional and may receive some more words further down the line but for now, simply revisit and enjoy: The Best of January 2019.
SONGS
And The Kids – No Way Sit Back
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The Murder Capital – Feeling Fades
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Potty Mouth – 22
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Westkust – Swebach
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Francie Moon – Present Tense
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Rosie Tucker – Gay Bar
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MUSIC VIDEOS
Eyesore and the Jinx – On an Island
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Mike Krol – What’s the Rhythm
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Better Oblivion Community Center – Dylan Thomas
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La Dispute – Footsteps at the Pond
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Bellows – What Can I Tell You About the World?
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PUP – Kids
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FULL STREAMS
Mike Krol – Power Chords
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Better Oblivion Community Center – Better Oblivion Community Center
Immediately kicking things back into the highest gear possible is this Prisma Guitars session from site favorites Never Young. Easily one of the most explosive single-song performance clips to ever be featured throughout the 140+ installments of this series, the quartet careens through an adrenaline-inducing take on “Soap” that sees them giving the session their everything. Beautifully shot and presented with an enormous amount of conviction, this is exactly the type of clip that Watch This was built to celebrate.
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2. Greys (KEXP)
Greys have made several appearances throughout this series’ run and touring on their recently-released Outer Heaven‘s allowing them even more opportunities to be featured. The band recently stopped by the KEXP studios for a full session that features songs from their past three releases, including their most recent work, Warm Shadow. As always, the band plays with a barely-contained energy, an incredible amount of tenacity, and a deep-seated passion that makes this another vital document of one of today’s most exciting acts.
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3. Heliotropes – Primates (BreakThruRadio)
For a few years now, Heliotropes have been quietly carving out an impressive name for themselves, earning the respect of both critics and their peers. Creatively restless and endlessly intriguing, the band continues to impress with this BreakThruRadio performance of “Primates”. It’s a glimpse towards the future the band’s angling towards and it’s impossibly tantalizing. One of their finest songs to date, “Primates” keys in on the band’s wiriest post-punk tendencies and sporadically cuts them to shreds. If this is indicative of the rest of the band’s forthcoming material, start bracing for something genuinely explosive.
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4. The Coathangers (KEXP)
The second KEXP session of this installment features The Coathangers, who have been touring hard behind their excellent Nosebleed Weekend. Celebrating both that record and the 20th anniversary of the label that released the record, Suicide Squeeze, finds the band in exceptionally high spirits. All of that culminated in an unshakable, infectious joy that drives this session, making it both immediately accessible and surprisingly memorable. The trio remains in fine form throughout the session, playing with ramshackle glee while maintaining an impressively tight grasp on the songs, creating what could be considered a definitive portrait.
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5. Nick Cave & The Bad Seeds – Girl In Amber
After enduring unspeakable loss, Nick Cave allowed filmmaker Andrew Dominik into his creative process to create One More Time With Feeling, a documentary that follows both the creation of Skeleton Tree and Cave’s battle with grief in the wake of his youngest son’s tragic death. It’s excruciatingly heartrending from an outsider’s perspective and Dominik elegantly underscores how unthinkably difficult it’d be to be in that situation. In the third studio video to be released from the project, Cave continues to look completely lost and withdrawn, as if perpetually trying to wrestle his thoughts down.
“Girl In Amber” also expertly incorporates Dominik’s inspired direction and the technical wizardry that went into the 3D, black-and-white filming of One More Time With Feeling. The overall effect’s equal parts haunting and haunted, creating an unforgettable impression. This is a staggering work of bravery and artistry, each colliding with the other to produce something as singular as it is captivating. As the camera circles Cave, surveying his every movement and placing him at the center of swirling uncertainty, Cave repeats “don’t touch me” as the video cuts to black, providing one last breathtaking moment of a miniature masterpiece.
2016 is just about at its midway mark and there hasn’t been any live coverage on this site since before the year turned over. There have been a number of extenuating circumstances preventing the live documentation that has been captured this year from being posted (travel, time, other commitments, etc.) but that changes today. Below are ten video packets from ten shows that I was fortunate enough to catch — and shoot — this year.
Normally, as a general rule of thumb, I avoid posting anything from shows I play but am making an exception for the Jungles package because the band’s woefully under-represented in America for their undeniable strength as a live act. A few other packets may be missing an artist or two but what’s below is the vast majority of what I’ve seen over the past six months.
Whether it’s Meat Wave ripping through a crushing new song on a (freakishly sunny) winter day in Chicago, Beach Slang covering The Replacements two times over, or Torres making everyone’s hairs stand on end with an unforgettable one-song encore, these are worth a look and were a privilege to experience. A photo gallery will be coming within the next few days but for now, enjoy the footage.
American Wrestlers, Eternal Summers, Palehound, and Torres.
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Julien Baker and Charly Bliss.
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Muuy Biien, Meat Wave, The Spits, and Black Lips.
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Runners, Beech Creeps, and Heavy Times.
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Jungles.
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Mr. Martin & The Sensitive Guys, BAG-DAD, Haunter, Miserable Friend, and Heavycritters.
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Yoko and the Oh No’s and PWR BTTM.
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Micah Schnabel, Dyke Drama, Potty Mouth, and Beach Slang.
It’s been approximately a month and a half since the last volume of Watch This ran on this site. During the interim, there was a lull in coverage due to show coverage (the results of which will be appearing in the very near future) and then a spree to get the three main release categories — single streams, full streams, and music videos — caught back up to the current release cycle.
Now that everything’s back on pace, the Watch This series will be revived in a continuing series of posts that are spread out over the next week. During all of the time the series maintained radio silence, the material that was emerging was being taken into account on a near-daily basis. An intimidating amount of great live performance videos have surfaced in that time and will be split up into groups as those clips are recapped. Below is a list of strong candidates that have a lot to offer, either in the filmmaking department, through the band’s performances, or a mixture of both. So, as always, sit up, scroll down, and Watch This.
[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]
It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time.
Watch the seventh and final collection of those videos below.
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1. Two Inch Astronaut – At Risk Student (bandwidth.fm) 2. Bob Mould – You Say You (WFUV) 3. The Intelligence (KEXP) 4. Lever – The Task (DZ Records) 5. The Thermals – Always Never Be (Jam in the Van) 6. Saintseneca – Bad Ideas (KUTX) 7. Young Jesus – Oranges (Slanted Manor) 8. Eleventh Dream Day – Go Tell It (Sound Opinions) 9. Julia Holter – Betsy on the Roof (Strombo Sessions) 10. Mothers – It Hurts Until It Doesn’t (Do512) 11. Lucy Dacus – Strange Torpedo (Radio K) 12. Blah Blah Blah – Crying (DZ Records) 13. The Frights – Kids (Allston Pudding) 14. Caveman – Never Going Back (Jam in the Van) 15. Dan San (3voor12) 16. Test Apes (KEXP) 17. All Dogs – Farm (Slanted Manor) 18. Kitten Forever – Brainstorm (Radio K) 19. Bully – Milkman (KUTX) 20. Tancred (Audiotree) 21. PWR BTTM (NPR) 22. Pinegrove – Waveform (BrooklynVegan) 23. Mansfield.Tya – Le dictionnaire Larousse (Faits Divers) 24. Cross Record – Steady Waves (KUTX) 25. Charles Bradley (NPR)
With the entirety of yesterday’s post dedicated to Mitski’s miracle of a record, Bury Me At Makeout Creek, there’s quite a bit to catch up on today. There were a bevvy of single streams that included Le Rug’s blown-out rager “Dudley“, Ghastly Menace’s vibrant pop confection “Closing“, and The Dodos’ triumphant return single “Competition“. There was also a sprawling, punchy piece of anthemic open-road folk in the form of Small Houses’ outstanding “Staggers and Rise” as well as another look at YAWN bandleader Adam Gil’s solo project, Dam Gila, via “Home Again“. Rounding things out for the single stream category was a demo from The Guests (a new band featuring members of Sheer Mag), a typically bold Liars b-side, and a Girlpool cover of one of the most achingly romantic songs ever recorded.
In the realms of the music video there was an equally plentiful pool of treasures that included Diarrhea Planet’s oddly compelling fantasia in “Kids“, Metronomy’s stunning woodland-set magic surrealism in “The Upsetter“, and Spider Bags’ subtly nightmarish visual effects collage “Eyes of Death“. Additionally, there was Dream Generation’s stark “The Spirit of America“, She Keeps Bees’ gorgeous “Owl“, Owen Pallett’s inexplicably powerful “In Conflict“, and Corners’ masterfully executed “The Spaceship“. As if that wasn’t enough, the full streams that appeared over the past few days matched the rough output of both the single song and music video output with some truly outstanding efforts coming to light- like Caddywhompus‘ strong bid for Album of the Year contention with Feathering A Nest. The Paperhead emerged with their latest throwback-heavy gem, Africa Avenue, while Parkay Quarts built on their renewed buzz with the wiry Content Nausea. Open Wide released a demo of quietly stunning folk-leaning ballads, Ex Cops threw a darkly-tinted dance party with Daggers, The Jazz June resurfaced with some shockingly strong material in After the Earthquake, and Nots left burn marks with the scalding punk tantrums of We Are Nots.
All of those items are worth sitting down and spending time with but it was recent Carpark Records acquisition Chandos’ “..Pretty Sure it’s ‘Tang Top'” that gets today’s feature spot. It’s a vicious piece of sharp, 90’s-indebted punk, equal parts Acid Fast, PS I Love You, and Speedy Ortiz, “..Pretty Sure it’s ‘Tang Top'” flies along, never bothering to do anything but build momentum through its myriad twists and sharp left turns. Tempos shift, personality gets exuded, and Chandos (formerly Chandeliers) wind up with something that sounds as raw as it does inspired. On Carpark’s ridiculously impressive roster, Chandos falls somewhere between Cloud Nothings and Popstrangers, which is really just shorthand for saying that Chandos’ upcoming record- Rats In Your Bed– is well worth an extremely high level of anticipation. If “..Pretty Sure it’s ‘Tang Top'” is any indication, Chandos is in the midst of a creative peak that will likely yield the band’s strongest material to date. If everything clicks as well as it does in this song, Rats In Your Bed could very well be the first great release of 2015 when it’s released on January 27. Mark the calendar now.
Listen to “..Pretty Sure it’s ‘Tang Top'” below and pre-order Rats In Your Bed from Carpark here.