Heartbreaking Bravery

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Tag: Julien Baker

Watch This: Vol. 126

It’s been quite some time since there was a regular installment of Watch This, a fact that was mostly due to travel in the pursuit of live coverage. That same pursuit pushed back this installment a few days as the post that precedes this one — and its accompanying preparation — took weekend priority. Now that it’s been posted, the wheel of Watch This can resume spinning freely (and will soon resume their position as a Sunday staple). As way of compensation for the delay, there’ll be two volumes of Watch This posted tonight. This post wJuill focus on standalone performances while the forthcoming post will tackle full sessions.

Additionally, a list of artists responsible for some great performance clips can be accessed by clicking the following hyperlinks: Cable Ties, didi, SOAK, Marissa Nadler, More Humans, Midwives, Sunflower Bean, Kurt Vile, Desert Mountain Tribe, Stephen Steinbrink, PUP, Tamaryn, Neely, Yael Naim, Laura Jean, Seramic, and Andrew Bird. It’s a long list of artists and performances that illustrates the sheer strength of the featured selections. So, as always, sit down, turn the volume back, lean in, and Watch This.

1. PUP – If This Tour Doesn’t Kill You, I Will (q on cbc)

After tearing apart the 7th St. Entry last Friday and earning the bulk of this site’s previous post, PUP have essentially guaranteed themselves a featured spot any time one of their live videos surfaces from a pro-shot source. Here, the quartet takes on the most intimidatingly-named song of the year with fervor, delivering a characteristically impassioned run that seems to lay everything on the line. It’s fiery, it’s ferocious, and it’s a very worthy addition to the Watch This catalog.

2. Speedy Ortiz – Dot X (Stereogum)

Speedy Ortiz recently unveiled a great new EP, the cheekily-named Foiled Again, which saw the band hitting the road and continuing to sharpen their already formidable live show. Stereogum recently caught them ripping their way through “Dot X”, a standout from Foil Deer. The band’s in rare form here, looking comfortable as they navigate the song’s hairpin dynamic turns with ease. It’s a compelling look at a great band that’s still in an impressive stride.

3. Lady Lamb – Spat Out Spit (Audiotree)

After a long stretch away, Lady Lamb returns to a standalone Watch This feature with a masterful run through “Spat Out Spit” that was lovingly captured by Audiotree. The song remains as unavoidable as it was on the day it was released and Lady Lamb’s Aly Spaltro’s only grown more confident as a performer in that time. Using “Spat Out Spit” as evidence, it’s not a surprise that Lady Lamb’s stages keep getting bigger.

4. Charles Bradley – Nobody But You (The Current)

Few people have had a run as inspiring as Charles Bradley over the past several years. The man’s gone from a literal nobody to a living legend at an age where most people would be contemplating retirement. Instead of giving up, Bradley’s had an extended coming out party that’s earned him legions of adoring fans, the respect of everyone, and a long string of impressive distinctions. Just as heartening as Bradley’s story is his music (as well as his prowess as a live performer). The Current captured him beautifully via this heartfelt run through “Nobody But You”.

5. Julien Baker – Photobooth (The AV Club)

Normally, this series doesn’t focus on covers. However, Julien Baker isn’t a normal artist and The AV Club’s Undercover series isn’t your run-of-the-mill covers generator. Both the series and the artist draw the best out of each other on this occasion, as Baker turns in a heartbreaking rendition of the admired Death Cab for Cutie slow-burner “Photobooth”. Baker applies her trademark devastation to the song and lets shattering emotion bleed through every single one of the songs crevices. Breathtaking, gentle, and undeniably beautiful, it’s both a declaration and reaffirmation of Baker’s talent as well as the worth of the Undercover series. Don’t miss out.

Splitting at the Break: The Live Photography of 2016’s First Half, Pt. V

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After installments I, II, III, and IV, this site is officially caught up to the current release cycle in every coverage category: single streams, full streams, music videos, live videos, live photography, and the (usually weekly) Watch This series. Going forward, the goal will continue to be at least one post a day (a rough average that’s been maintained for two and a half years, despite some lengthy hiatuses). Expect live reviews to return to the fold as early as next week and for everything else to resume or continue its regular functionality. Thanks to anyone who stuck with this site through the early lulls in this year’s first half and thanks to the artists and venues who graciously allowed — and even encouraged — photography. Heartbreaking Bravery wouldn’t exist without you and I will continue to look for ways to pay you back in kind. Find the last packet of photos from the year so far below and explore all of the others via the hyperlinks up top or by simply scrolling down. Enjoy!

 

Splitting at the Break: The Live Photography of 2016’s First Half, Pt. IV

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From January to the end of May, I put up thousands of miles travelling to see (and play) shows. Normally, the shows that happen at that intersection would be ignored on these pages as it feels self-promotional and this site was designed to more fully endorse the works of others. For both the live video recap and these galleries, I’ve made an exception for Jungles. The band’s an extraordinary live act that’s best served by their actual set (no photography or videos could do them justice because the areas beyond those mediums restrictions are where the band derives most of their strength). It’s a rare circumstance but considering their severe lack of name recognition stateside, placing them in these galleries felt more than appropriate. Click on to see a few photos of them and several others that I was fortunate enough to catch in the first half of 2016. Enjoy.

 

Splitting at the Break: The Live Photography of 2016’s First Half, Pt. III

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Throughout 2016’s opening two months, I was able to take in two surprisingly contained winter festivals in the upper Midwest: Madison, WI’s FRZN Fest and Chicago, IL’s Music Frozen Dancing. The former ran three days (I was in attendance for the bookends) at the High Noon Saloon while the latter took place outside of the Empty Bottle. Both boasted impressive lineups that reflected well on their venues and, to a larger extent, their cities. Those two fests were the year’s openers and they sent me scrambling for more shows to shoot and I was able to capitalize on several of those opportunities. Whether they were in a basement or at a historic club venue, if cameras were allowed, I’d have mine rolling. Several of the best photographs I managed to capture in that run of months can be found below. Enjoy.

Splitting at the Break: The Live Photography of 2016’s First Half, Pt. II

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Throughout the first six months, I was fortunate enough to catch (and photograph) the following acts: American Wrestlers, Palehound, Eternal Summers, Torres, Julien Baker, Charly Bliss, Muuy Biien, Meat Wave, The Spits Black Lips, Jungles, Mr. Martin & The Sensitive Guys, Bag-Dad, Haunter, Miserable Friend, Heavycritters, Yoko and the Oh No’s, PWR BTTM, Micah Schnabel (of Two Cow Garage), Dyke Drama, Potty Mouth, Beach Slang, Yowler, Eskimeaux, Frankie Cosmos, Oops, and Dilly Dally. All of that photography will be presented — as previously mentioned — through a five-part gallery. The second installment touches on more of the best selections from those sets. As always, the gallery can be accessed below. Enjoy.

Splitting at the Break: The Live Photography of 2016’s First Half, Pt. I

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Over the past six months, the site’s experienced a few hiatuses. While some of those hiatuses were due to personal reasons, the majority were because of long stretches of time spent on the road. During the course of those six months, I was fortunate enough to catch a small handful of shows (and play a few more). No live photography from 2016 has been posted (discounting the header photo that’s ran for the Told Slant feature spots and the Meat Wave photo that ran in conjuncture with the Live Videos segment) and below is a gallery — the first of five — designed to amend the oversight. Enjoy.

 

Splitting at the Break: The Live Videos of 2016’s First Half

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2016 is just about at its midway mark and there hasn’t been any live coverage on this site since before the year turned over. There have been a number of extenuating circumstances preventing the live documentation that has been captured this year from being posted (travel, time, other commitments, etc.) but that changes today. Below are ten video packets from ten shows that I was fortunate enough to catch — and shoot — this year.

Normally, as a general rule of thumb, I avoid posting anything from shows I play but am making an exception for the Jungles package because the band’s woefully under-represented in America for their undeniable strength as a live act.  A few other packets may be missing an artist or two but what’s below is the vast majority of what I’ve seen over the past six months.

Whether it’s Meat Wave ripping through a crushing new song on a (freakishly sunny) winter day in Chicago, Beach Slang covering The Replacements two times over, or Torres making everyone’s hairs stand on end with an unforgettable one-song encore, these are worth a look and were a privilege to experience. A photo gallery will be coming within the next few days but for now, enjoy the footage.

American Wrestlers, Eternal Summers, Palehound, and Torres. 

Julien Baker and Charly Bliss. 

Muuy Biien, Meat Wave, The Spits, and Black Lips. 

Runners, Beech Creeps, and Heavy Times. 

Jungles. 

Mr. Martin & The Sensitive Guys, BAG-DAD, Haunter, Miserable Friend, and Heavycritters. 

Yoko and the Oh No’s and PWR BTTM. 

Micah Schnabel, Dyke Drama, Potty Mouth, and Beach Slang. 

Yowler, Eskimeaux, and Frankie Cosmos. 

Oops and Dilly Dally. 

Watch This: A Full Session of Full Sessions

As was mentioned in the last post to run on this site, Watch This — the (usually) weekly series celebrating the very best in newly-released live video presentation — experienced an extended hiatus in the wake of incessant traveling and the frantic catch-up mode that traveling necessitated. Over the course of the next week, there’ll be a small handful of collections to get the series back on track.

The collection below contains 25 of the best full sessions released over the past month and a half. KEXP, Audiotree, and NPR (understandably) dominate the selections as they’re all operating at a gold standard level for full session presentation. The final result is a compilation that features an arsenal of site favorites and nears the 11 hour mark in running time. To that end, it’s likely best viewed in small bursts so a page bookmark is recommended. Everything, in true Watch This fashion, is worth seeing (and hearing). So, as always, sit up straight, adjust the settings to your preference, and Watch This.

1. Lucy Dacus (Audiotree)
2. Palehound (NPR)
3. Eleanor Friedberger (KEXP)
4. Seratones (NPR)
5. And the Kids (Audiotree)
6. Florist (NPR)
7. Sunflower Bean (KEXP)
8. Mall Walk (KEXP)
9. PWR BTTM (TCGS)
10. Hockey Dad (3voor12)
11. Diarrhea Planet (KEXP)
12. Blue Crime (3voor12)
13. Bob Mould (KEXP)
14. Yuck (KEXP)
15. Car Seat Headrest (KEXP)
16. Quilt (KEXP)
17. Deep Sea Diver (KEXP)
18. Acid Dad (Audiotree)
19. The Ergs! (TCGS)
20. Pinegrove (Audiotree)
21. Operators (KEXP)
22. Strand of Oaks (KEXP)
23. Julien Baker (Amoeba)
24. Benjamin Clementine (NPR)
25. Jason Isbell (Front Row)

Parquet Courts – Human Performance (Stream)

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A large handful of great songs have emerged since the turn of April and it’d be a complete disservice to their innumerable strengths to not allow them a mention. As previously stated, these songs will be evenly distributed across all of today’s fixed stream posts. Before putting the latest single from Parquet Courts under the microscope, take a moment to grant the links that are about to follow some attention because they contain great new material from Kalispell, Gingerlys, Christian Fennesz & Jim O’Rourke, Holy Now, Sales, Plastic Flowers, Blessed, Julianna Barwick,  and Julien Baker. Now, onto Parquet Courts.

Over the past few years, Parquet Courts have built their entire reputation on a very particular — and very divisive — sound. The quartet cranks out detached-sounding post-punk at an impressive clip and, somehow, they find a way to imbue each release with a staggering influx of life. It’s one of the more fascinating dichotomies happening on the DIY-leaning circuit right now and as the band’s grown, the disparity between what sounds like apathy and what (admittedly unexpectedly) translates to invigorating energy has only grown further apart. “Human Performance”, the title track from the band’s latest record, is the current apex of this dynamic.

A few members of Parquet Courts had previously hit a similar apex with their finest work as Teenage Cool Kids, a small portion of which was understandably revived for Parquet Courts’ (or, Parkay Quarts’) ouevre. “Human Performance” doesn’t just recall those Teenage Cool Kids peaks, it surpasses them with a bracing surge of confidence from a band that’s mostly come to be known for sounding categorically disinterested in just about everything. For the first time in a long time, Parquet Courts sound actively invested in a narrative on an emotional level, injecting the song with a melancholic touch that suits them astonishingly well.

Tellingly, the band hasn’t just turned in their most impressive musical composition to date, they’ve included what is — far and away — the best lyric set of their still-growing career.  On a purely narrative level, “Human Performance” is relentlessly bleak and tragically poetic. The opening half of chorus alone, comprised of the lines “Witness and know/fracture and hurt/eyes in the fire/blink unrehearsed”, suggests that the band went all in on this one. In prose, tragedy can grow in scope when it grows more acute — especially when done well — simply because of its immediately relatable nature. “Human Performance” not only succeeds on that level but grows even more resonant by exposing Parquet Courts’ surprisingly fragile humanity.

Easily one of 2016’s most unexpectedly brilliant songs, “Human Performance” is also a gigantic stride forward in Parquet Courts’ continuing evolution. From the bold choices that are inserted into the song when they’re least expected (the flute solo being the most obvious example) to the endearing bravery required to be that vulnerable on a very public level, “Human Performance” could very well prove to be a watershed moment for the band’s artistic direction. If it doesn’t usher in a new era for Parquet Courts, at least they’ll have left us this miniature masterpiece.

Listen to “Human Performance” below and order the LP from Rough Trade here.

Watch This: The Best of 2016’s First Quarter, Vol. IV

[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]

It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time. 

Watch the fourth collection of those videos below.

1. Saintseneca (KJHK)
2. American Wrestlers (Audiotree)
3. Try the Pie – Thomas
4. The So So Glos – A.D.D. Life (Little Elephant)
5. Courtney Barnett – Dead Fox (Austin City Limits)
6. Pop & Obachan – Elora’s (This Has Got To Stop)
7. Mothers – Mother and Wife (Paste)
8. The Nudes – Pretty (Ithaca Underground)
9. Sleater-Kinney – Fangless (Austin City Limits)
10. Three Man Cannon – Patiently (Little Elephant)
11. Lever – Nickels & Dimes (DZ Records)
12. Thao & The Get Down Stay Down – Nobody Dies (The Current)
13. Julien Baker – Sprained Ankle (Paste)
14. Torres – The Harshest Light (Audiotree)
15. Menacerno – Johnny Cas’ (DZ Records)
16. Kamasi Washington – Fair As Equal (Paste)
17. Human Music – Sending Messages (Exclaim!)
18. Hellrazor (BreakThruRadio)
19. Palehound – Holiest (Public Radio /\ Sessions)
20. The Thermals – My Heart Went Cold (Jam in the Van)
21. Soul Low – Frenemies (Little Elephant)
22. PWR BTTM – Dairy Queen (WFUV)
23. Ancient Whales – To Be (Public Radio /\ Sessions)
24. Des Ark – French Fries Are Magical (Do512)
25. Frigs – Trashyard