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Tag: John Rossiter

2015: A Year’s Worth of Memories (John Rossiter)

Young Jesus

Ever since the year of its release, I’ve been confidently referring to Young Jesus‘ staggering Home as an untouchable masterpiece. In the time that’s followed since its release, the band relocated from Chicago to Los Angeles, shifting its core lineup in the process. Guitarist/vocalist and principal songwriter John Rossiter (pictured above, bottom left), remained the band’s driving force. Last year, the band released the outstanding Grow/Decompose — one of my favorite releases of the year — a record that I was very fortunate to be running premieres for in the lead-up to its unveiling. Towards the end of 2015, they swung through Wisconsin and delivered a set that left me absolutely floored. I met Rossiter for the first time that night and we exchanged road stories before parting ways. From that meeting alone, it was readily apparent that he was a genuine, kind person in addition to being an obscenely gifted songwriter. Those are just a few of the reasons that I’m thrilled to be bringing him into the fold of this series. Here, he recounts a show Young Jesus played in Gardena that left a lasting impression on more than one person. Read it below and stay safe in the pit.

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Gardena Utopia House Show

In early summer, I played a pretty fun set, lots of teens and SoCal punk dads hanging in this backyard in Gardena. While I was having a drink by the hot tub (cover on), a dude who must have been fourteen said, “you drink beer? Nice. I can’t wait til I have a beer today, haven’t had one since yesterday.” Which reminded me SO MUCH of being an awkward 14 year old trying to fit in I really felt an immense sense of empathy and joy.

The kids passing around the Svedka bottle intermittently making out, the mohawk’d kid with the Crass patch sewn on (in response to a punk dad asking, “nice patch, but what are you doing for change?” The kid says “EVERYTHING“). All the bands we’re introduced by a couple of adorable and shy 6 year olds. Somewhere between a house show and a suburban barbecue. Chips and guac. So many dogs on the grill. Dad going up to the mic saying “I got extra dogs up here if anyone wants more.”

The locals, this cool Cap’n Jazz/Do Make Say Think-sounding band Cotton Ships, closed the show, sun just went down, summertime in Los Angeles. People we’re psyched, some moshing,  more making out, smoking cigs. Really idyllic movie start of summer high school/college hangs. Total romance/bliss.

For their closer/encore the band breaks into a super heavy rap-metal cover and immediately EVERYONE starts moshing. We’re just in total shock, all smiles.  Eric (our keyboard player) flies into the pit looking like some indie Cosmo Kramer/Eric Wareheim combo bouncing around laughing hysterically. The mosh kinda breaks apart when a bunch of people fall down. The music stops. One kid is just lying on the ground repeating “ohmygod/ohmygod/ohmygod.” Some other kid walks away saying, “I’m gonna throw up, I SAW THE BONE DUDE!” The injured party looks at our guitar player and yells “THERE IS NO GOD!”

Kid had broken his leg, a decidedly cool ass way to start your summer.

The kid and his leg are fine. Saw him a month ago at our show at The Smell. Very sweet guy and absolutely confidently bipedal again. Not sure if he knows how rad I think his Gardena scene is. How perfect that night was. It’s rare to go back in time for a moment, glad I got to live in that Gardena Utopia Doghouse though.

-John Rossiter

Young Jesus – Holy Ghost (Music Video Premiere)

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Several months ago, this site offered up the premiere of the album teaser for Young Jesus’ outstanding Grow/Decompose, which remains one of this year’s finest releases. Now that the record’s out in the world and the band’s about to go on tour in support of Grow/Decompose, they’ve sent another item through the pipeline: the compelling animated video for “Holy Ghost”.

Once again, the direction and art comes courtesy of Young Jesus’ guitarist/vocalist (and principal songwriter) John Rossiter, who continues to impress with an ever-evolving collage of artistic mediums, all held within one frame as the irrepressible energy of “Holy Ghost” pushes the art to its furthest corners. It’s a staggering reminder of the band’s formidable talent, which remains largely overlooked. However, the band’s ready to combat that with some additional firepower that’s arrived in the form of their new label, Gigantic Noise, which will be reissuing Grow/Decompose on vinyl in early 2016.

With the impending reissue, approaching year-end lists, and the band’s gripping live show all factoring into the mix, Young Jesus seems set for a very promising year. They’re fully capable of infusing every facet of their band with the artistry that permeates “Holy Ghost”, making them one of music’s best-kept secrets. Don’t miss out on the reissue, this video, or any of the band’s upcoming tour dates, which can be found below the video.

Watch “Holy Ghost” below and pick up a copy of Grow/Decompose here.

10/26 | Billings, MT @ Railyard Ale House
10/27 | Salt Lake City, UT @ Diabolical Records
10/28 | Denver, CO @ SC Music Collective
10/30 | Lawrence, KS @ Replay Lounge
10/31 | Maquoketa, IA @ Codfish Hollow Barnstormers (w Nathaniel Rateliff, The Night Sweats)
11/01 | Madison, WI @ Mickey’s (w/ The Ferns)
11/02 | Milwaukee, WI @ TBA
11/04 | Chicago, IL @ Township
11/06 | Chicago, IL @ Club Soda
11/07 | Memphis, TN @ P+H Cafe (w/ Terry Prince and The Principles)
11/08 | Nashville, TN @ Exponent Manor
11/09 | Chattanooga, TN @ JJ’s Bohemia (w/ Elk Milk)
11/10 | New Orleans, LA @ Dragon’s Den (w/ Sharks’ Teeth, High)
11/12 | Lafayette, LA @ Wild Salmon (w/ NEAT)
11/13 | Houston, TX @ TBA (w/ Belvoir)
11/14 | Austin, TX @ Cheer Up Charlies
11/15 | Denton, TX @ Lion’s Den
11/17 | Tucson, AZ @ Gary’s Place
11/18 | Corona, CA @ TBA

Young Jesus – Grow/Decompose (Album Teaser Premiere)

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Back in September, the newly-relocated Young Jesus teased their forthcoming record with a punchy tune called “G”, which earned quite a few kind words from this site. It was a riveting look at what the band had in store after their last full-length, which is one of the finest records to have come out of the upper Midwest in the last several years (and a record I have no problem calling a masterpiece). Home was Young Jesus’ first major statement and it wound up doubling as a victory lap for their time in Chicago. Now based in Los Angeles, the band’s fine-tuned their sound and there’s a staggering maturity that’s present in Grow/Decompose, which is due out May 13 via Hellhole Supermarket. A few days ago, the band uncovered a little more of Grow/Decompose by unveiling the record’s opening track, a fragile acoustic-driven number that builds in intensity entitled “E.M.P.“. It’s a telling glimpse at what will undoubtedly stand as one of this year’s many great releases.

Today, it’s my honor to present the album teaser for Grow/Decompose, which stays in keeping with the band’s DIY ethos while simultaneously emphasizing their growing ambitions. Set to the melancholic instrumental “Father Son”, the teaser was animated and shot by guitarist/vocalist John Rossiter, whose unique artistic vision is on full display. As calming landscapes and swirls of colors fly by, a message begins to appear: WE ALL DISSOLVE TO THICKER DIRT THAN WE HAVE EVER KNOWN AND IN THE DIRT THERE GROWS A VINE GOD LABELED HOLY GHOST. It’s an arresting message that comes with a twinge of a more foreboding nature as “Father Son” begins to dissolve into an increasingly atonal warning. Mesmerizing, surreal, and deeply intriguing, the teaser’s a fine match for the record it’s promoting. Unyielding in its artistry and set in its convictions, it’s everything that makes Young Jesus one of the most exciting bands out there- and it’s just part of what will make Grow/Decompose a record that will be remembered fondly for years to come.

Watch the teaser for Grow/Decompose below and keep an eye on this site for more updates on the record.

Young Jesus – G (Stream)

young jeezy

In 2012, Chicago quartet Young Jesus quietly self-released Home, which was astounding on first listen and improved with subsequent listens. Now, with the benefit of distance, it’s easy to cite it as one of the best records of the decade’s first half. Earning its longevity through a delicate balance of the genuinely mournful and the defiantly celebratory, it occasionally wound up coming off as a much more self-aware and contained version of Funeral. There was nothing overly bombastic about it- or anything that suggested grandeur that neared the over-reaching. While those elements were certainly present, they were given equal footing with an underlying minimalism; burying large ideas in a decidedly niche presentation without ever losing their focus.

After the release (and extremely warm reception of Home by the people fortunate enough to hear it), the band fell understandably silent- emerging out of the shadows to play a one-off show on the rarest of occasions. Following up near-perfection isn’t an enviable task- or one that can be taken lightly. Thankfully, the clouds have been slowly parting and the band’s begun to make some calculated moves, the most notable of which is their relocation to Los Angeles. Another that deserves some serious consideration is the addition of a keyboardist, which allows them to broaden an already impressive sonic palette.

“G”, the first song to be teased from the band’s upcoming Grow/Decompose (that’s the artwork, up above) gets one thing out of the way very quickly; this is still a band that’s defined by the city that birthed them. There’s a very prevalent strain of relatively downtrodden post-punk that’s helped characterize Chicago over the past several years that’s been best exemplified by bands like Young Jesus and Shy Technology. That they haven’t sacrificed that sound in the wake of their move is a welcome affirmation of their own identity. All of the other key elements of their best works remain in tact as well, from impressive arrangements and individual song structures to the never-ending arsenal of memorable turns of phrases that can be found in their typically extraordinary lyric sets.

If there was any doubt of the band losing any of its punch after re-assembling out West, “G” annihilates those notions almost as soon as it starts playing. Opening with a character-heavy dialogue (another of the band’s more prominent traits) of: “Neil sits alone outside in a motel in the summer, he checks his phone, checks when a friend is coming over” it’s abundantly clear that the band’s lost none of their verve in what, by all logic and reason, should be a transitory stage. By the time they land on the line “he makes a joke about how fucking ain’t for lovers” in the midst of unraveling Neil’s existential crisis under a microscopic lens, “G” has already entered the conversation for their best song. Unfailingly melodic, unrelentingly impassioned, and frightening personable, this is Young Jesus at their best and bodes well for what’s to come.

While Grow/Decompose has yet to land an official release date, it seems to be safe to say that whenever that occasion does arise, it’ll be a great day for music.

Stream “G” below, download Home (an essential must-own) on their bandcamp, and check back here for additional updates in the coming weeks (or months).